BULLETIN 2015–2016 1 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL WELCOME

2015–2016 was a wonderful We continued to create opportunities for object-driven MISSION year for the Smart Museum inquiry at the University and beyond. We hosted an The Smart of Art. From our heralded inaugural forum on teaching from collections for faculty and Museum of Art and harrowing Monster graduate students, and welcomed 1,661 UChicago students at the University Roster exhibition and to the study room. We expanded our cohort of docents of Chicago opens an expanded docent and launched an innovative training program that empowers the world through program to an ebullient docents to become advocates for art and critical issues within art and ideas. and ever-growing installation by Jessica Stockholder, the their own communities. Smart continued to open the world through art and ideas. It has been a year of transitions, too. In the fall of 2015, Once again, we rehung our permanent collection galleries after 10 years, Anthony Hirschel stepped down from the dedicated to modern art and design, Asian art, European position of Dana Feitler Director, and the Smart Museum art, and contemporary art. The wall-to-wall reinstallation launched an international search that recently concluded initiated the Conversations with the Collection series, which with the appointment of Alison Gass. We also toasted allows us to share more treasures from the collection while Senior Curator Richard A. Born, who retired after 35 years also fostering conversations that cut across cultures and time at the Smart. Richard’s remarkable capstone exhibition, periods—like art’s relationship to memory. Expressionist Impulses, was a testament to his many A bequest from Brooks McCormick, Jr., pushed the total accomplishments as a curator, scholar, and mentor. size of the Smart Museum’s collection beyond 15,000 None of this would have been possible without the objects. We immediately began to work with University individuals and organizations recognized within this Bulletin. of Chicago scholars to catalog, research, and prepare We wish to extend our thanks and appreciation for all that this exceptional collection of Japanese prints for a major you do to ensure the Smart Museum remains a vibrant hub exhibition scheduled in 2018, while many other recent of intellectual and creative expression. We hope you will visit acquisitions were brought to life through our curricular, us soon to see all of the great art and ideas on view. educational, and public programs. Pamela Hoehn-Saric

Chair, Smart Museum Board of Governors

Bill Michel Interim Director

2 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL YEAR IN REVIEW

3 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL YEAR IN REVIEW 55,850 VISITORS DURING 353 DAYS OPEN

WEBSITE: 95,229 9,335 6,860 2,225 UNIQUE VISITORS FACEBOOK FANS TWITTER FOLLOWERS INSTAGRAM FOLLOWERS

EXPRESSIONIST IMPULSES MONSTER ROSTER CONVERSATIONS WITH THE COLLECTION: MEMORY

EXHIBITION EXHIBITION EXHIBITION ATTENDANCE: ATTENDANCE: ATTENDANCE: 7,856 11,814 9,791

RELATED RELATED RELATED PROGRAMS PROGRAMS PROGRAMS ATTENDANCE: ATTENDANCE: ATTENDANCE: 2,714 2,227 1,646

4 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL YEAR IN REVIEW

390 WORKS FROM THE PERMANENT COLLECTION AND 15,000+ OBJECTS IN THE COLLECTION 42 LOANS ON VIEW IN 59 OBJECTS LOANED TO 8 EXHIBITIONS IN 7 STATES AND 4 1 COUNTRY SPECIAL 1,473 EXHIBITIONS NEW ACQUISITIONS TO THE COLLECTION

UCHICAGO 1,661 STUDENTS

100 SCHOLARS

1,907 ARTWORKS 48 PARTICIPANTS IN 2 FUND FOR FACULTY 3 OBJECT ROUNDTABLES IN THE STUDY ROOM 3 SMART EXHIBITION WORKSHOPS INITIATIVE GRANTS

5 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL YEAR IN REVIEW

SMART MUSEUM DOCENTS LED 118 TOURS FOR 3,609 GUESTS.

1,469 1,779 361 K–12 STUDENTS ADULTS UCHICAGO STUDENTS

WE OFFERED OUR AUDIENCES 61 FREE PROGRAMS: Restricted Individual Gifts $2,138,355 12 Family days

11 UChicago student programs

10 Talks

7 Interpreter in Residence programs 10 DOCUMENTARY AND NEW INTERPRETATION VIDEOS 7 Film screenings

4 Opening celebrations SmartPartner 3 Concerts Program Foundation, $453,336 Government, and 3 Teacher workshops University Grants WE PROVIDED PAID EMPLOYMENT 2 Full visitor comment books from $67,750 Conversations with the Collection OPPORTUNITIES FOR

2 Collaborative seminar programs with 97 UCHICAGO STUDENTS AND FUNDRAISING PICTURE 2015–2016 the Pritzker School of Medicine 8 ODYSSEY PROJECT G R AD UATE S. TOTAL: $2,659,441

6 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL EXHIBITIONS

7 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL EXHIBITIONS

SPECIAL EXHIBITION EXHIBITIONS Expressionist Impulses: German and Central European Art, 1890–1990 The exhibitions listed were on view between July 1, 2015, and June 30, 2016. October 1, 2015–January 10, 2016 Richard and Mary L. Gray Gallery This exhibition charts the ebb and flow of key Expressionist tendencies in German and Central European art. Curated by Richard A. Born, Smart Museum Senior Curator Support for this exhibition and its programming has been provided by the Smart Museum’s Pamela and R. Christopher Hoehn-Saric Exhibition Fund, Nuveen Investments, the Consulate General of the Federal Republic of Germany, the ’s Arts Council, the Franke Institute for the Humanities, and the Center for Interdisciplinary Research on German Literature and Culture.

COMPANION EXHIBITION

To See in Black and White: German and Central European Photography, 1920s–1950s October 1, 2015–January 10, 2016 Joel and Carole Bernstein Gallery A selection of German and Central European photography by František Drtikol, Lyonel Feininger, Hannah Höch, Walter Peterhans, and Václav Zykmund, among others Curated by Kimberly Mims, independent curator and former Mellon Foundation Curatorial Intern at the Smart Museum

Left: Attributed to Wassily Kandinsky, Composition, 1914, Oil on canvas. Smart Museum of Art, The University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.

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SPECIAL EXHIBITION Monster Roster: Existentialist Art in Postwar Chicago February 11–June 12, 2016 Richard and Mary L. Gray Gallery and Robert and Joan Feitler Gallery This exhibition provides the definitive introduction to Chicago’s first artistic movement, the Monster Roster. Curated by John Corbett and Jim Dempsey, independent curators and gallery owners; Jessica Moss, Smart Museum Curator of Contemporary Art; and Richard A. Born, Smart Museum Senior Curator The exhibition and catalogue have been made possible in part by the Estate of Gerald and Eunice Ratner, the Terra Foundation for American Art, the Smart Museum’s Pamela and R. Christopher Hoehn-Saric Exhibition Fund, the Efroymson Family Fund, the National Endowment for the Arts, and Ulrich E. and Harriet H. Meyer. Additional support is provided by the Biff Ruttenberg Foundation and the Karla Scherer Center for the Study of American Culture at the University of Chicago.

COMPANION EXHIBITION Monster Roster: Antecedents and Influences February 11–June 12, 2016 Joel and Carole Bernstein Gallery This intimate exhibition brings together the kinds of works of art, both ancient and modern, that Monster Roster artists studied and appreciated. Curated by Richard A. Born, Smart Museum Senior Curator

Left: , Patient in Dentist’s Chair, 1961, Oil on canvas. Smart Museum of Art, The University of Chicago, Gift of the Rosofsky Estate, 2014.16.

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THRESHOLD INSTALLATION Jessica Stockholder: Rose’s Inclination September 12, 2015–July 2, 2017 Eunice Ratner Reception Gallery and Vera and A. D. Elden Sculpture Garden In a site-specific installation, Jessica Stockholder intersects the Smart’s threshold with a wave of color and texture. Coordinated by Ray Klemchuk, Smart Museum Exhibitions Production Manager This Threshold commission is supported by the Smart Museum’s Contemporary Art Council and the UChicago Arts Public Art Fund.

Left: Jessica Stockholder, Rose’s Inclination, 2015–2016, Paint, carpet, fragment of Judy Ledgerwood’s painting, branches, rope, Plexiglas, light fixtures, hardware, extension cord, mulch, Smart Museum foyer, courtyard, sidewalks, and beyond. Commissioned by the Smart Museum of Art, The University of Chicago. Courtesy of the artist, Mitchell-Innes & Nash Gallery, and Kavi Gupta Gallery.

SPECIAL PROJECT Conversations with the Collection: Memory September 12, 2015–January 10, 2016 Robert and Joan Feitler Gallery This project explores art’s relationship to the recollection of personal and cultural histories, nostalgia, and other facets of memory.

Left: Jason Salavon, The Class of 1988, 1998, Digital C-print. Smart Museum of Art, The University of Chicago, Gift of Gary and Susan Garrett, 2013.17. Art © Jason Salavon.

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11 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL COLLECTION ACQUISITIONS

ASIAN ACQUISITIONS PAINTING Unidentified Artist Isshiki Naotomo 1 Japanese The objects listed entered the collection between July Japanese, active 17th century Japanese, died 1597 Kamakura Period (1192–1333) Hawk, 16th century Attendant Figure of Fudō Myō-ō, n.d. 1, 2015, and June 30, 2016. Dimensions are in inches Portrait of Zen Monk Ungai, n.d. Hanging scroll, brush and ink and Hanging scroll, brush and ink and Carved wood with gilt metal followed by centimeters in parentheses; unless otherwise mineral pigments on silk, painting light colors on paper, painting embellishments, height: 10 1/4 (26) indicated, height precedes width precedes depth. Known panel: 42 × 22 (106.7 × 55.9) panel: 22 1/2 × 15 3/4 (57.2 × 40) Bequest of C. A. Islinger, 2015.92 Bequest of C. A. Islinger, 2015.96 catalogue raisonné references follow dimensions. Bequest of C. A. Islinger, 2015.97 Japanese Muromachi Period (1338–1573) Bak Jae-Hyeon Yasuda Rōzan 1 Korean 1852–1911 Japanese, 1830–1882 Buddhist Guardian Figure, Bamboo, 1908 Pine and Flowers, 1882 16th century Hanging scroll, brush and ink on Hanging scroll, brush and ink Painted carved wood with glass silk, painting panel: on paper, painting panel: eyes, height: 41 (104.1) 43 3/8 × 15 3/8 (110.2 × 39.1) 53 5/8 × 15 7/16 (136.2 × 39.2) Bequest of C. A. Islinger, 2015.93 Gift of Mr. and Mrs. Michael R. Gift of Mr. and Mrs. Michael R. Cunningham in honor of Fr. Harrie Cunningham in honor of Fr. Harrie Japanese A. Vanderstappen S.V.D., 2015.107 A. Vanderstappen S.V.D., 2015.106 Early Edo Period (1603–1868), Portrait of a Monk, n.d. Painted carved wood, with ink Kim Gyu-jin (ho: Haegang) Hirowatari Shinkai Korean, 1868–1933 Japanese, 1806–1888 inscriptions on bottom of figure, Bamboo in Wind, n.d. Cranes and Lotus Plants, height: 18 (45.7) Hanging scroll, brush and ink on 19th century Bequest of C. A. Islinger, 2015.94 paper, painting panel: Hanging scroll, brush and ink and 43 9/16 × 11 1/4 (110.6 × 28.6) opaque colors on silk, painting Japanese Bequest of C. A. Islinger, 2015.99 panel: 36 × 17 3/4 (91.4 × 45.1) Edo Period (1603–1868) Bequest of C. A. Islinger, 2015.98 Buddhist Festival Mask, n.d. Painted carved wood, height: Deiryu Kutsu (Kanshu Sojun) Japanese, 1895–1954 SCULPTURE 10 (25.4) Calligraphy, n.d. Japanese Bequest of C. A. Islinger, 2015.95 Hanging scroll, brush and ink on Heian Period (794–1192) paper, painting panel: 53 × 18 5/16 Buddhist Guardian Figure, Korean (134.6 × 46.5) 12th century Goryeo Dynasty (918–1392) Bequest of C. A. Islinger, 2015.101 Carved wood, height: 42 1/4 (107.3) Buddhist Monk (Nahan), 12th century Bequest of C. A. Islinger, 2015.90 Stoneware with green glaze (celadon), incised decoration, and Junkaku Japanese, active 17th century Japanese white and iron-oxide brown slip- Calligraphy, n.d. Probably Kamakura Period painted decoration, 13 1/2 × 5 × Hanging scroll, brush and ink on (1192–1333) 5 1/2 (34.3 × 12.7 × 14) paper, painting panel: Head of Fudō Myō-ō, n.d. Purchase, The Paul and Miriam 49 × 11 (124.5 × 27.9) Carved wood, 11 1/2 × 6 × 7 Kirkley Fund for Acquisitions, Bequest of C. A. Islinger, 2015.100 (29.2 × 15.2 × 17.8) acquired in honor of Senior Curator Bequest of C. A. Islinger, 2015.91 Richard A. Born, 2015.33

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WORKS ON PAPER Unknown Artist Suzuki Shin’ichi Yasuhisa Kohyama Small Bowl, 1962-63 Unknown Artist Japanese, 19th century Japanese, 1835–1918 Japanese, b. 1936 Hand-thrown glazed stoneware, Japanese, 19th century The Flower Kept in a Vase, ca. Hotel, ca. 1870s Sake Bottle, n.d. (probably height x diameter: 1 5/8 × 6 1/8 Docked Boats, ca. 1870s 1870s Vintage hand-colored albumen ca. 1990) (4.1 × 15.6) Vintage hand-colored albumen Vintage hand-colored albumen print mounted on board, sheet/ Shigaraki stoneware, 3 7/8 × 4 1/2 Gift of Dena Criz Weisbard, print mounted on board, sheet/ print mounted on board, sheet/ image: 7 1/2 × 9 1/2 (19.1 × 24.1) × 4 3/4 (9.8 × 11.4 × 12.1) 2015.114 image: 7 5/8 × 10 (19.4 × 25.4) image: 9 × 11 (22.9 × 27.9) Gift of Jennifer and Isaac Gift of Mr. and Mrs. Michael R. Gift of Jennifer and Isaac Gift of Jennifer and Isaac Goldman, 2016.1 Cunningham in honor of Fr. Harrie Goldman, 2016.3 Goldman, 2016.7 A. Vanderstappen S.V.D., 2015.105 EUROPEAN Dancing (Three Women in WORKS ON PAPER Poses), ca. 1870s Unknown Artist Unknown Artist Hiroaki Morino Eugène Atget Japanese, 19th century Japanese, 19th century Vintage hand-colored albumen Japanese, b. 1934 French, 1857–1927 Woman Writing, ca. 1870s Maple Garden, Takinogawa print, sheet/image: 10 1/4 × 8 Small Bottle, 1962–63 Ancien Cimetière Sainte- Vintage hand-colored albumen near Tokyo, ca. 1870s (26 × 20.3) Hand-thrown glazed stoneware Marguerite, Rue Saint-Bernard, print mounted on board, sheet/ Vintage hand-colored albumen Gift of Jennifer and Isaac with incised decoration, height: 1905 image: 10 1/4 × 7 1/2 (26 × 19.1) print mounted on board, sheet/ Goldman, 2016.2 (recto) 6 5/8 (16.8) Gold-toned printing out paper, Gift of Jennifer and Isaac image: 7 3/4 × 10 (19.7 × 25.4) Gift of Dena Criz Weisbard, 8 1/2 × 7 (21.6 × 17.8) Goldman, 2016.4 Gift of Jennifer and Isaac Two Women in an Interior, 2015.110 Gift in honor of Kingman Goldman, 2016.8 ca. 1870s Douglass, 2015.162 Unknown Artist Vintage hand-colored albumen Pitcher, 1962–63 Japanese, 19th century Unknown Artist print, sheet/image: 10 1/2 × 8 Hand-thrown and shaped Au Port Salut–Cabaret Rue des Kago, Passenger and Carriers, Japanese, 19th century (26.7 × 20.3) glazed stoneware, height: 8 1/8 Fossés St. Jacques, Cinquième ca. 1870s Jinkyo (A Bridge), ca. 1870s Gift of Jennifer and Isaac (20.6) Arrondissement, 1903 Vintage hand-colored albumen Vintage hand-colored albumen Goldman, 2016.2 (verso) Gift of Dena Criz Weisbard, Gold-toned printing out paper, print mounted on board, sheet/ print mounted on board, sheet/ 2015.111 6 1/4 × 8 (15.9 × 20.3) image: 7 3/8 × 9 1/4 (18.7 × 23.5) image: 8 × 10 1/2 (20.3 × 26.7) DECORATIVE ARTS Gift in honor of Kingman Gift of Jennifer and Isaac Gift of Jennifer and Isaac Japanese Vase, 1962–63 Douglass, 2015.164 Goldman, 2016.5 Goldman, 2016.9 Kofun Period Hand-thrown partially glazed Ritual Pitcher, ca. 3rd–7th century stoneware, height: 7 (17.8) École Primaire Communale de Unknown Artist Unknown Artist Stoneware with partial natural ash Gift of Dena Criz Weisbard in Garçons, early 1900s Japanese, 19th century Japanese, 19th century glaze decoration, 3 3/4 × 4 1/4 × memory of Shirley Criz Albert, Gold-toned printing out paper, Views of Kyoto / Takaboka, Bell of Nikko, ca. 1870s 4 1/4 (9.5 × 10.8 × 10.8) 2015.112 8 5/8 × 7 (21.9 × 17.8) Nagasaki, ca. 1870s Vintage hand-colored albumen Gift of Mr. and Mrs. Michael R. Gift in honor of Kingman Vintage hand-colored albumen print mounted on board, sheet/ Cunningham in honor of Fr. Harrie Untitled [Landscape Sculptural Douglass, 2015.165 print mounted on board, sheet/ image: 8 × 10 1/2 (20.3 × 26.7) A. Vanderstappen S.V.D., 2015.104 Form], 1962–63 image: 7 3/8 × 9 1/4 (18.7 × 23.5) Gift of Jennifer and Isaac Hand-built glazed stoneware Le Château de 18 juin, early Gift of Jennifer and Isaac Goldman, 2016.10 Korean with incised and perforated 1900s Goldman, 2016.6 Joseon Dynasty (1392–1910), decoration. 9 1/2 × 7 1/2 × 7 5/8 Gold-toned printing out paper, Jar with Floral Designs, 19th century (24.1 × 19.1 × 19.4) 8 1/2 × 7 (21.6 × 17.8) Glazed porcelain with underglaze Gift of Dena Criz Weisbard, Gift in honor of Kingman cobalt blue painted decoration, 2015.113 Douglass, 2015.163 5 5/8 × 6 3/8 (14.3 × 16.2) Bequest of C. A. Islinger, 2015.102

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2 Édouard-Denis Baldus Étienne Carjat Nagler Kunstlerlexikon 6; Le Blanc French, born in Germany, 1813–1889 French, 1828–1906 14 (suite of 19 subjects) Église de la Madeleine, ca. 1860 Sarah Bernhardt, ca. 1870–72 Purchase, The Paul and Miriam Albumen print, 11 × 8 (27.9 × 20.3) Woodbury type or carbon print, Kirkley Fund for Acquisitions, Gift in honor of Kingman 2 5/8 × 4 (6.7 × 10.2) 2015.60 Douglass, 2015.166 Gift in honor of Kingman Douglass, 2015.169 Jupiter and Ganymede, 1810 West Portal of the Church of Etching and aquatint on wove Saint-Trophime, Arles, ca. 1851 Illustrated by Eugène Delacroix paper, sheet: 6 1/16 × 4 5/8 Albumen print, 18 3/4 × 13 5/8 French, 1798–1863 (15.4 × 11.7) (47.6 × 34.6) Faust, tragédie de M. de Goethe, Nagler Kunstlerlexikon 24 Gift in honor of Kingman 1828 Purchase, The Paul and Miriam Douglass, 2015.167 Bound album with seventeen Kirkley Fund for Acquisitions, lithographic illustrations on chine- 2015.59 Étienne Baudet 2 collé on white wove paper, French, 1638–1711 16 15/16 × 11 15/16 (43 × 30.3) Attributed to Hendrick van der Burch After Nicolas Poussin, French, Purchase, The Paul and Miriam Netherlandish, 1627–ca. 1666 active in Italy, 1594–1665 Kirkley Fund for Acquisitions, Travelers by the Roadside, ca. 1660 Rape of the Sabines, n.d. 2015.57 Charcoal on laid paper, 5 3/8 × 3 Engraving on laid paper, plate: 8 3/16 (13.7 × 20.8) 22 1/8 × 28 1/4 (56.2 × 71.8), sheet: Nadar (Gaspard-Félix Tournachon) Gift of Peter and Linda Parshall, 24 1/2 × 31 1/4 (62.2 × 79.4) French, 1820–1910 2015.56 Nagler Kunstlerlexikon 5; Heller- George Sand, ca. 1864, printed Andersen 12; LeBlanc 95; Meyer later Johannes van Londerseel 3 Kunstlerlexikon 32; Andresen (NP) Albumen print mounted on ivory Flemish, ca. 1570–ca. 1624 316; Wildenstein 112 album paper, 3 3/8 × 2 (8.6 × 5.1) After Gillis Claesz. d’ Hondecoeter, Purchase, The Paul and Miriam Gift in honor of Kingman Dutch, ca. 1575–1638 Kirkley Fund for Acquisitions, Douglass, 2015.171 Published by C. Visscher 2015.58 Forest Scene with a Man Devoured Victor Hugo, ca. 1870 (this by a Lion, n.d. Julia Margaret Cameron impression 1889) Etching and engraving on laid paper, British, born India, 1815–1879 Woodbury type, 14 1/4 × 10 5/8 plate: 15 × 19 3/4 (38.1 × 50.2), sheet: Lorina Liddell, ca. 1870–72 (36.2 × 27) 14 1/2 × 18 1/2 (36.8 × 47) Albumen print, 14 × 9 3/4 Gift in honor of Kingman Hollstein 14 (35.6 × 24.8) Douglass, 2015.170 Gift of Peter and Linda Parshall, Gift in honor of Kingman Douglass, 2015.55 2015.168 Carl Russ Austrian, 1779–1843 Isis Instructing the Egyptians, 1809 Etching and open-bite or aquatint, printed in black on fine off-white, medium-weight wove paper, sheet: 6 13/16 × 9 13/16 (17.3 × 24.9)

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MODERN Zdeněk Rykr WORKS ON PAPER Untitled, n.d. Untitled, 1960 PAINTING Austro-Hungarian / Czech, 16 American artists (Charles Conté crayon on wove paper, Conté crayon on wove paper, František Foltýn 1900–1940 Courtney Curran, Lawrence 11 × 8 1/2 (27.9 × 21.6) 8 7/16 × 11 (21.4 × 27.9) Austro-Hungarian / Czech, Form (Tvář), n.d. (probably Carmichael Earle, Harry Fenn, Gift of Bernadette and Michael Gift of Bernadette and Michael 1891–1976 mid-1920s) Robert Swain Gifford, Childe Lipton, 2015.37 Lipton, 2015.44 Abstract Composition Oil on canvas, 28 × 18 1/2 Hassam, Hugh Bolton Jones, (Abstraktní komposzice), 1930 (71.1 × 47) Francis Coates Jones, George Untitled, n.d. Untitled, 1960 Oil on canvas, 25 1/4 × 20 1/4 Gift of the Roy and Mary Cullen Willoughby Maynard, Francis Felt-tip pen and ink on wove Conté crayon on wove paper, (64.1 × 51.4) Art Collection, 2015.53 Davis Millet, Thomas Moran, J. paper, 10 7/8 × 8 7/8 8 7/16 × 11 (21.4 × 27.9) Gift of the Roy and Mary Cullen Francis Murphy, Charles Stanley (27.6 × 22.5) Gift of Bernadette and Michael Art Collection, 2015.52 Aleksander Zyw Reinhart, William Thomas Gift of Bernadette and Michael Lipton, 2015.45 Polish, 1905–1995 Smedley, Thure De Thulstrup, Lipton, 2015.38 Arthur Lerner Spring, 1950 Charles Yardley Turner, William Untitled, 1960 American, b. 1929 Oil on canvas, 30 × 25 John Whittemore) Untitled, 1960 Conté crayon on wove paper, Harpy, 1957 (76.2 × 63.5) Published by The Columbian Conté crayon on wove paper, 8 7/16 × 11 (21.4 × 27.9) Oil on canvas, 29 × 23 Bequest of Ronald H. Coase, Memorial Publication Society 10 7/8 × 8 7/16 (27.6 × 21.4) Gift of Bernadette and Michael (73.7 × 58.4) 2015.88 World’s Columbian Exposition: Gift of Bernadette and Michael Lipton, 2015.46 Gift of Carole Harmel, 2016.11 The Book of the Builders, 1894 Lipton, 2015.39 SCULPTURE Set of 22 color lithographs with Untitled, 1962 Eric James Malthouse Reuben Nakian cover sheet and board covers, Untitled, 1969 Conté crayon on wove paper, British, 1914–1997 American, 1897–1986 each mounted sheet: 20 × 16 Conté crayon on wove paper, 10 15/16 × 8 7/16 (27.8 × 21.4) Monday Morning Gossip, n.d. Untitled [Europa and the Bull], (5.0.8 × 40.6) 11 × 8 1/2 (27.9 × 21.6) Gift of Bernadette and Michael Oil on canvas, 8 × 10 (20.3 × 25.4) ca. 1945 Purchase, The Paul and Miriam Gift of Bernadette and Michael Lipton, 2015.47 Bequest of Ronald H. Coase, Cast bronze, ed. 8/12, 9 3/4 × Kirkley Fund for Acquisitions, Lipton, 2015.40 2015.89 9 × 4 1/2 (24.8 × 22.9 × 11.4) 2015.61.1-23 Untitled, 1956 Gift of Gerald Nordland, 2015.84 Untitled, 1960 Conté crayon on wove paper, František Muzika Seymour Lipton Conté crayon on wove paper, 10 15/16 × 8 7/16 (27.8 × 21.4) Austro-Hungarian / Czech, Untitled [Partially Draped American, 1903–1986 11 × 8 1/2 (27.9 × 21.6) Gift of Bernadette and Michael 1900–1974 Standing Woman], 1952 Untitled, 1959 Gift of Bernadette and Michael Lipton, 2015.48 Standing Figure II Modeled earthenware plus Conté crayon on wove paper, Lipton, 2015.41 (Stoíící figura II), 1932 glued earthenware elements 8 1/2 × 11 (21.6 × 27.9) Untitled, 1962 Oil and tempera on paper board, with partial polychrome Gift of Bernadette and Michael Untitled, 1960 Conté crayon on wove paper, 6 1/2 × 19 (67.3 × 48.3) decoration, height: Lipton, 2015.35 Conté crayon on wove paper, 11 × 8 1/2 (27.9 × 21.6) Gift of the Roy and Mary Cullen 6 3/4 (17.1) 8 1/2 × 11 (21.6 × 27.9) Gift of Bernadette and Michael Art Collection, 2015.54 Gift of Gerald Nordland, 2015.85 Untitled, 1962 Gift of Bernadette and Michael Lipton, 2015.49 Conté crayon on wove paper, Lipton, 2015.42 Untitled [Standing Nude Woman 11 × 8 1/2 (27.9 × 21.6) Untitled, 1972 and Satyr], 1949 Gift of Bernadette and Michael Untitled, 1960 Conté crayon on wove paper, Modeled, carved, and incised Lipton, 2015.36 Conté crayon on wove paper, 11 × 8 7/16 (27.9 × 21.4) earthenware with painted or slip 11 × 8 1/2(27.9 × 21.6) Gift of Bernadette and Michael decoration, 12 13/16 × 7 1/2 Gift of Bernadette and Michael Lipton, 2015.50 (32.5 × 19.1) Lipton, 2015.43 Gift of Gerald Nordland, 2015.86

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4 Untitled, 1962 CONTEMPORARY Paul McCarthy Conté crayon on wove paper, PAINTING American, b. 1945 11 × 8 1/2 (27.9 × 21.6) Sam Francis Double Yellow, Red, Yellow, 2007 Gift of Bernadette and Michael American, 1923–1994 Plastic, chocolate, drywall, and dolly, Lipton, 2015.51 Untitled, 1989 51 × 31 (129.5 × 78.7) Acrylic on paper, sheet: Gift of Jolie Nahigian and Ivan Jan Matulka 28 3/4 × 17 1/2 (73 × 44.5) Moskowitz, 2015.172 American, born in the Czech Gift of Dr. Adrienne Butler, 2015.109 Republic (then part of the Austro- Veer Munshi Hungarian Empire), 1890–1972 Lee Godie 4 Indian, b. 1955 Turi Pole Landscape, ca. 1921 American, 1908–1994 Burial, 2001 Watercolor and conté crayon on Untitled, ca. mid-1970s Photographs, boat, cart, plastic paper, 23 1/2 × 18 3/4 (59.7 × 47.6) Ink and paint on canvas, with flowers, 52 × 100 × 32 1/2 Gift of Thomas McCormick and applied photograph and stitching, (132.1 × 254 × 82.6) Janis Kanter in honor of Richard 35 1/4 × 15 (89.5 × 38.1) Purchase, The Paul and Miriam Born, 2015.34 Gift of Dennis Adrian in honor of Kirkley Fund for Acquisitions and Martha Renner, 2015.119 The James M. Wells Curatorial DECORATIVE ARTS Discretion Acquisition Fund, Erik Pløen SCULPTURE 2015.173a-b Norwegian, 1925–2004 31 Fluxus artists (Dietrich Large Bowl, 1963–64 Albrecht, Gábor Altorjay, Hans WORKS ON PAPER Glazed stoneware with incised Peter Alvermann, Nino Barbieri, Helen Frankenthaler decoration, height: 8 7/8 (22.5) Gianfranco Baruchello, Joseph American, 1928–2011 Gift of Dena Criz Weisbard, Beuys, George Brecht, Ursula Tahiti, 1989 2015.115 Burghardt, Erik Dietman, Robert Color Mixografia print, Filliou, Ken Friedman, Karl 32 × 54 (81.3 × 137.2) Low Candlestick, 1963–64 Gerstner, Dick Higgins, Jörg Gift of Dr. Adrienne Butler, 2015.108 Glazed stoneware, height x Immendorff, Mauricio Kagel, Milan diameter: 2 3/8 × 6 (6 × 15.2) Knížák, Claus O. Paeffgen, Robin David Hartt Gift of Dena Criz Weisbard, Page, Dieter Roth, Konrad Balder Canadian, b. 1967 2015.117 Schäuffelen, Daniel Spoerri, Klaus Untitled, 2015 Staeck, André Thomkins, Günther Archival pigment print mounted to Low Candlestick, 1963–64 Uecker, Timm Ulrichs, Jiří Valoch, Dibond and framed, 29 1/2 × Glazed stoneware, height x Ben Vautier, Wolf Vostell, Franz 44 1/2 (74.9 × 113), framed: diameter: 2 1/4 × 5 (5.7 × 12.7) Erhard Walther, Günter Weseler, 30 1/2 × 45 1/2 (77.5 × 115.6) Gift of Dena Criz Weisbard, Stefan Wewerka) Purchase, The Paul and Miriam 2015.118 Zeitkunst im Haushalt, 1968–1972 Kirkley Fund for Acquisitions, Mixed media portfolio of 34 2015.87 Shallow Bowl, 1963–64 multiples, various sizes Hand-thrown and shaped glazed Purchase, The Paul and Miriam stoneware, height x diameter: Kirkley Fund for Acquisitions 2 × 8 9/16 (5.1 × 21.7) 2015.103.1-34 Gift of Dena Criz Weisbard, 2015.116

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Barbara Jones-Hogu Rise and Take Control, 1971 Nymph and Goat, ca. 1980 Untitled [Leda and Swan], 1979 American, b. 1938 Color screenprint on heavy Drypoint on tan chine collé on Drypoint on tan chine collé on Untitled [Leda and Swan], Land Where My Father Died, 1968 purple-colored wove paper, thick off-white laid paper with white wove paper with deckle ca. 1980 Color screenprint on gold- sheet: 23 × 35 (58.4 × 88.9) deckle edge, plate: 4 3/4 × edge, plate: 13 11/16 × 16 3/4 Etching on tan chine collé on colored Japanese-style laid Purchase, The Paul and Miriam 13 3/4 (12.1 × 34.9), sheet: 13 5/8 (34.8 × 42.5), sheet: 19 1/4 × white wove paper with deckle paper, image: 27 × 20 Kirkley Fund for Acquisitions × 20 7/8 (34.6 × 53) 25 3/4 (48.9 × 65.4) edge, plate: 13 5/8 × 16 3/4 (68.6 × 50.8), sheet: and The James M. Wells Gift of Gerald Nordland, 2015.76 Gift of Gerald Nordland, 2015.69 (34.6 × 42.5), sheet: 19 1/2 × 32 1/2 × 24 3/4 (82.6 × 62.9) Curatorial Discretion Acquisition 26 (49.5 × 66) Purchase, The Paul and Miriam Fund, 2016.15 Voyage to Crete, 1979 Untitled [Leda and Swan], Gift of Gerald Nordland, 2015.83 Kirkley Fund for Acquisitions and Drypoint on tan chine collé on ca. 1970s The James M. Wells Curatorial Reuben Nakian white wove paper with deckle Drypoint on tan chine collé on Untitled [Nymph and Goat], 1979 Discretion Acquisition Fund, American, 1897–1986 edge, plate: 13 9/16 × 16 11/16 white wove paper with deckle Drypoint on tan chine collé on 2016.13.1 Arabesque, 1980 (34.4 × 42.4), sheet: 19 1/8 × 26 edge, plate: 13 9/16 × 16 3/4 (34.4 white wove paper with deckle Sugarlift aquatint etching on tan (48.6 × 66) × 42.5), sheet: 19 × 25 3/4 (48.3 edge, plate: 13 9/16 × 16 11/16 Study for Land Where My Father chine collé on white wove paper Gift of Gerald Nordland, 2015.66 × 65.4) (34.4 × 42.4), sheet: 19 1/4 × Died, 1968 with deckle edge, plate: 13 5/8 Gift of Gerald Nordland, 2015.70 25 15/16 (48.9 × 65.9) Graphite on wove paper, sheet: × 15 3/4 (34.6 × 40), sheet: Untitled [Europa and Bull], 1979 Gift of Gerald Nordland, 2015.67 24 × 19 (61 × 48.3) 19 3/16 × 25 3/4 (48.7 × 65.4) Drypoint on tan chine collé on Untitled [Leda and Swan], ca. Purchase, The Paul and Miriam Gift of Gerald Nordland, 2015.80 white wove paper with deckle 1970s Untitled [Reclining Woman], n.d. Kirkley Fund for Acquisitions edge, plate: 16 11/16 × 13 9/16 Drypoint on tan chine collé on Aquatint etching on tan chine and The James M. Wells Leda and Swan, ca. 1980 (42.4 × 34.4), sheet: 25 7/8 × thick off-white laid paper with collé on white wove paper with Curatorial Discretion Acquisition Etching and aquatint in black 19 1/8 (65.7 × 48.6) deckle edge, plate: 4 3/4 × 13 5/8 deckle edge, plate: 13 9/16 × Fund, 2016.13.2 ink on tan chine collé on white Gift of Gerald Nordland, 2015.71 (12.1 × 34.6), sheet: 13 1/2 × 16 11/16 (34.4 × 42.4), sheet: wove paper with deckle edge, 20 3/4 (34.3 × 52.7) 19 1/8 × 25 3/4 (48.6 × 65.4) Nation Time, ca. 1969 plate: 13 9/16 × 16 11/16 (34.4 Untitled [Female, Cupid, and Gift of Gerald Nordland, 2015.73 Gift of Gerald Nordland, 2015.79 Color screenprint on gold- × 42.4), sheet: 19 1/4 × 25 3/4 Bull], ca. 1970s colored Japanese-style laid (48.9 × 65.4) Drypoint on tan chine collé on Untitled [Leda and Swan], Untitled [Woman and Animal paper, image: 26 1/4 × 20 1/4 Gift of Gerald Nordland, 2015.81 thick off-white laid paper with ca. 1970s Head], 1979 (66.7 × 51.4), sheet: 31 × 24 3/4 deckle edge, plate: 4 9/16 × Drypoint on tan chine collé on Drypoint on tan chine collé on (78.7 × 62.9) Leda and Swan, ca. 1980 13 1/2 (11.6 × 34.3), sheet: 13 5/8 thick off-white laid paper with white wove paper with deckle Purchase, The Paul and Miriam Etching and aquatint in red ink × 20 3/4 (34.6 × 52.7) deckle edge, plate: 4 3/4 × edge, plate: 16 3/4 × 13 11/16 Kirkley Fund for Acquisitions on tan chine collé on off-white Gift of Gerald Nordland, 2015.72 13 5/8 (12.1 × 34.6), sheet: 13 1/2 (42.5 × 34.8), sheet: 25 7/8 × 19 and The James M. Wells wove paper with deckle edge, × 20 3/4 (34.3 × 52.7) (65.7 × 48.3) Curatorial Discretion Acquisition plate: 13 11/16 × 16 5/8 (34.8 × Untitled [Leda and Swan], 1979 Gift of Gerald Nordland, 2015.74 Gift of Gerald Nordland, 2015.64 Fund, 2016.14 42.2), sheet: 20 1/4 × 26 7/16 Drypoint on tan chine collé on (51.4 × 67.2) white wove paper with deckle Untitled [Leda and Swan], Untitled [Woman and Bull], n.d. Gift of Gerald Nordland, 2015.82 edge, plate: 13 9/16 × 16 11/16 ca. 1970s Black ink on wove paper, sheet (34.4 × 42.4), sheet: 19 × 25 7/8 Drypoint on tan chine collé on (composition): 10 7/8 × 16 3/4 (48.3 × 65.7) thick off-white laid paper with (27.6 × 42.5) Gift of Gerald Nordland, 2015.65 deckle edge, plate: 4 3/4 × Gift of Gerald Nordland, 2015.62 13 5/8 (12.1 × 34.6), sheet: 13 5/8 × 20 3/4 (34.6 × 52.7) Gift of Gerald Nordland, 2015.75

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5 Untitled [Woman and Bull], n.d. Shirin Neshat 5 Black ink and ink wash on wove American and Iranian, b. 1957 paper, sheet (composition): Sayed, 2013 11 × 13 3/4 (27.9 × 34.9) Digital pigment print, ed. 33/50, Gift of Gerald Nordland, 2015.63 26 × 17 1/2 (66 × 44.5) Gift of the Robert Rauschenberg Untitled [Woman and Cupid], Foundation, 2016.12.1 ca. 1970s Reverse aquatint etching on tan Ghada, 2013 chine collé on thick off-white laid Digital pigment print, ed. 33/50, paper with deckle edge, plate: 26 × 17 1/2 (66 × 44.5) 4 3/4 × 13 11/16 (12.1 × 34.8), sheet: Gift of the Robert Rauschenberg 13 1/2 × 27 7/8 (34.3 × 70.8) Foundation, 2016.12.2 Gift of Gerald Nordland, 2015.77 H.C. (Horace Clifford) Westermann Untitled [Woman and Goat], American, 1922–1981 ca. 1970s Group of 42 letters, illustrated Drypoint on tan chine collé on letters, postcards, and other thick off-white laid paper with correspondence written to Dennis deckle edge, plate: 4 3/4 × 13 1/2 Adrian, dating from October 21, (12.1 × 34.3), sheet: 13 1/2 × 20 3/4 1957, to December 21, 1980: various (34.3 × 52.7) dimensions Gift of Gerald Nordland, 2015.78 The H.C. Westermann Study Collection, Gift of Dennis Adrian in Untitled [Woman and Satyr], 1979 honor of Martha Renner, 2015.120– Drypoint on tan chine collé on 2015.161 white wove paper with deckle edge, plate (chine collé): 16 11/16 × 13 9/16 (42.4 × 34.4), sheet: 25 3/4 × 19 1/8 (65.4 × 48.6) Gift of Gerald Nordland, 2015.68

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In 2015, the estate of Brooks This year, I began the work of Whether an actual play, imagined THE BROOKS McCormick, Jr. gave a massive engaging in background research performance, or visit, each actor and bequest of more than 1,300 works to on the Osaka prints in the collection landscape print presents a story in MCCORMICK, JR. the Smart Museum. This collection in preparation for an upcoming miniature. Among the hundreds of comprises a wide variety of art exhibition in 2018. While some basic prints in the Brooks McCormick, Jr. COLLECTION objects, including 30 works on paper information and titles were presented Collection, there are several that I and sculpture by such artists as alongside the objects in the bequest, find particularly compelling, not only Pablo Picasso, Alexander Calder, and through further research we can for their dramatic representation James Abbott McNeill Whistler. The better understand both the subject but also for what they can tell us heart of the collection consists of matter and social context of each about their social context. One piece, more than 1,000 Japanese prints and print. For example, a bit of sleuthing Nakamura Tamashichi as ‘Mandarin albums. The collection is rounded out on a Kabuki actor print can lead Duck’ from 1849, shows the actor by a variety of art objects from East to the print’s title and depicted in the eponymous dancing role. Asia, ranging from hanging scrolls author, as well as the character Underneath the picture of the young and folding screens to ceramics and portrayed, the play in question, and actor, whose first debut on stage calligraphy panels. Of particular note even the date and location of the was one year prior, is the poem I’ve are a series of Zen calligraphies, a performance. had Mandarin Ducks teach me how significant addition to the already By delving into the background to play in the water. This print not extensive Zen collection of the Smart of these prints, we hope to present only shows a Kabuki actor in a role, Museum, itself first established by a fuller picture of the body of it suggests the presence within the previous lifetime gifts from woodblock prints produced in Osaka. Kabuki fan community of well wishes Mr. McCormick. Whereas the common understanding and care for an up-and-coming actor The recent bequest by the Brooks of Japanese woodblocks is largely from a famous actor lineage. Many McCormick, Jr. estate is reflective based on famous Edo-based artists other works have similarly suggestive not only of a lifetime of commitment such as Hokusai and Hiroshige, we stories, which expand from the print to expanding the permanent hope to show not only the distinctive itself to provide a lens into Osaka in collection of the Smart Museum, beauty of Osaka prints, but their the mid-19th century. but of a lifetime of collecting art relationship to woodblock culture in Robert Burgos, Andrew W. Mellon objects across Asia, particularly Japan and theater culture in Osaka. Foundation Curatorial Intern, Japan. Mr. McCormick’s wide- Artists and actors would travel 2016–2017 ranging acquisitions of prints and between Osaka and Edo, bringing books have led to a compilation of with them regional cultural influences Three woodblock prints from The Brooks McCormick, Jr. hundreds of late Edo and early Meiji from both sides. At the same time, Collection of Japanese Prints print materials; particularly well there are many distinctive elements Top left: Mimasu Daigorō (IV) as General Kanki from represented are Osaka prints from in Osaka prints, from the greater ‘Battles of Coxinga,’ ca. 1853 by Konishi Hirosada the 1840s and 1850s, unusual in emphasis on amateur artists to the Top right: Nakamura Utaemon IV as Narihira, 1838 by US collections. preeminence of actor prints over Ryūsōi Shigeharu other categories of prints popular Bottom: Nakamura Tsurusuke I as a Samurai, Arashi in Edo. Kichitarō as a Monkey Trainer and Nakamura Matsue III as a Female Daimyō in ‘Utsubo Zaru,’ 1825 by Shunkōsai Hokushō

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THE NEW MUSEUM AND INDIANA UNIVERSITY ART BROOKLYN MUSEUM HAGGERTY MUSEUM OF ART SHORT-TERM THE DEPAUL ART MUSEUM MUSEUM Agitprop! MARQUETTE UNIVERSITY OUTGOING Barbara Rossi: Poor Traits Grand Allusions: Robert Barnes’s December 11, 2015–August 7, 2016 Page Turners: Women and Letters, September 6, 2015–August 21, 2016 Late Work (1985–2012) Rickshaw 1992/2013 16th–20th Centuries LOANS TO New York, NY; Chicago, IL September 26–December 20, 2015 Slogans for Communal Harmony January 21–May 22, 2016 Barbara Rossi Robert M. Barnes (Auto-rickshaw project) Lovis Corinth EXHIBITIONS American, b. 1940 American, b. 1934 Rickshaw steel with vinyl top German, 1858–1925 Quick-n-Quack, 1975 Belle Haleine, eau de Voilette, 1996 65 1/2 × 50 1/2 × 108 Reading on the Sofa (Lektüre auf These objects were Acrylic on plexiglass in artist’s Oil on canvas (166.4 × 128.3 × 274.3) dem Sofa), 1916 original frame 74 7/16 × 68 5/8 (189.1 × 174.3) TR2487 Etching and drypoint lent from the collection 44 × 30 (111.8 × 76.2) Purchase, Anonymous Gift, 1997.101 12 1/2 × 19 (31.8 × 48.3) between July 1, 2015, The George Veronda Collection, Purchase, Anonymous Gift, 1993.14 and June 30, 2016. 1996.34 Dimensions are in inches followed by centimeters in parentheses; unless otherwise indicated, height precedes width precedes depth.

20 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL COLLECTION LOANS

THE BARNES FOUNDATION AND MUSEUM OF CONTEMPORARY KUNSTHAUS ZÜRICH AND SPECIAL COLLECTIONS THE COLUMBUS MUSEUM OF ART ART CHICAGO, METROPOLITAN THE MUSEUM OF MODERN ART RESEARCH CENTER, THE Picasso and the Great War MUSEUM OF ART, AND MUSEUM Picabia: A Retrospective UNIVERSITY OF CHICAGO February 13–September 11, 2016 OF CONTEMPORARY ART LOS June 3, 2016–March 19, 2017 LIBRARY Philadelphia, PA; Columbus, OH ANGELES Zürich, Switzerland; New York, NY The Art of Cyrus Leroy Baldridge Kerry James Marshall: Mastry June 27–September 9, 2016 April 23, 2016–July 2, 2017 Jean Metzinger Francis Picabia Cyrus Leroy Baldridge French, 1883–1956 Chicago, IL; New York, NY; Los French, 1879–1953 American, 1889–1977 Soldier at a Game of Chess (Le Angeles, CA Money Is the Reason for Work Group of 38 drawings, dating from Soldat a la partie d’echecs), (Le Salaire est la Raison du Travail), Kerry James Marshall 1912 to 1948: various dimensions ca. 1915–16 American, b. 1955 1949 University Transfer from Max Oil on canvas Slow Dance, 1992–93 Oil on paperboard Epstein Archive 43 3/4 × 35 3/8 (111.1 × 89.9) Mixed media and acrylic on canvas 27 x 19 7/8 (68.6 x 50.5 x 68.6) Gift of John L. Strauss, Jr., in 75 1/4 x 74 1/4 (191.1 x 188.6) Gift of Stanley G. Harris, Jr., 1972.1 memory of his father, John L. Purchase, Smart Family Foundation Strauss, 1985.21 Fund for Contemporary Art and Paul and Miriam Kirkley Fund for Acquisitions, 2004.23

CHICAGO VENUE ONLY Kerry James Marshall American, b. 1955 Heirlooms and Accessories, 2002 Ink-jet print on paper in wooden artist’s frame with rhinestones Each: 57 x 53 x 3 (144.8 x 134.6 x 7.6) Purchase, Smart Family Fund Foundation for Contemporary Art and Paul and Miriam Kirkley Fund for Acquisitions, 2004.12a-c

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THE METROPOLITAN FRANK LLOYD WRIGHT TRUST THE Early Christian/Early Byzantine, LONG-TERM MUSEUM OF ART [formerly The Frank Lloyd Wright On loan since November 11, 2012 Northern Syrian, Homs On loan since September 28, 1982 Preservation Trust] Chicago, IL Floor Fragment: Rampant Tiger, late OUTGOING New York, NY On loan since March 31, 1997 5th–mid 6th century Roman, possibly Syrian Oak Park, IL Mosaic of marble and stone Frank Lloyd Wright, designer Beaker, 1st–2nd century LOANS TO tesserae American, 1867–1959 George M. Niedecken, designer in Mold-blown purple glass with lotus PERMANENT Sofa, ca. 1909 association with Frank Lloyd Wright bud/almond knop design 35 1/16 x 58 11/16 (89.1 x 149.1) Designed for the Frederick C. Robie American, 1878–1945 3 7/8 (9.8) Anonymous Gift in honor of Mr. COLLECTIONS Residence, Chicago Arm Chair Rocker, ca. 1909 The F.B. Tarbell Collection, Gift and Mrs. Raymond L. Smart at the Oak and oak veneer with Designed for the Frederick C. Robie of Mrs. Chauncey J. Blair, 1916, opening of the David and Alfred replacement upholstery Residence, Chicago 1967.115.776 Smart Gallery in 1974, 1974.61 23 3/4 x 94 3/8 x 38 1/4 (60.3 x Oak with replacement upholstered Early Christian Eastern Middle Byzantine, Eastern 239.7 x 97.2) slip seat and metal feet Mediterranean, Tiberias Mediterranean University Transfer, 1967.72 38 3/4 x 31 3/8 x 34 Oil Lamp, 4th–5th century Pectoral Reliquary Cross: The (98.4 x 79.7 x 86.4) Cast bronze Crucifixion and The Virgin, University Transfer, 1967.56 1 1/2 x 4 7/8 (3.8 x 12.4) 9th–12th century University Transfer, Early Christian Cast bronze or brass Frank Lloyd Wright, designer 3 1/2 x 1 5/8 x 1/2 (8.9 x 4.1 x 1.3) American, 1867–1959 Archaeological Seminar Collection of the Divinity School, 1988.42 University Transfer, Early Christian Dining Table Side Chair, 1907–10 Archaeological Seminar Collection Designed for the Frederick C. Robie Early Christian (Coptic)/Early of the Divinity School, 1988.44a-b Residence, Chicago Byzantine, Egypt Oak with replacement leather St. Menas Ampulla, ca. 610–40 Middle Byzantine, Eastern slip seat Unglazed molded earthenware Mediterranean 52 1/2 x 18 x 19 1/4 3 1/2 (8.9) Half of a Pectoral Reliquary Cross: (133.3 x 45.7 x 48.9) University Transfer, Early Christian The Virgin, 9th–12th century University Transfer, 1967.82 Archaeological Seminar Collection Cast bronze with incised decoration of the Divinity School, 1988.41 3 1/4 x 2 3/8 (8.3 x 6) University Transfer, Early Christian Early Christian/Early Byzantine, Archaeological Seminar Collection Northern Syrian, Homs of the Divinity School, 1988.45 Floor Fragment: Deer and Duck, late 5th–mid 6th century Middle Byzantine, reportedly from Mosaic of marble and stone Constantinople tesserae Pitcher with Trefoil Lip and Strap 55 x 46 7/8 (139.7 x 119.1) Handle: Bull, 12th century Anonymous Gift in honor of Mr. Glazed slip-painted earthenware and Mrs. Raymond L. Smart at the with sgrafitto (incised) decoration opening of the David and Alfred 6 3/8 (16.2) Smart Gallery in 1974, 1974.60 Gift of Isaac S. Goldman, 1985.30

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SMART MUSEUM STUDY COLLECTION

Hands-on engagement with Study Collection prints donated by Thomas McCormick and Janis Kanter

Through the Smart’s study pieces that students are permitted The Study Collection will allow room and academic initiatives to handle. Through touch, students visitors access to art like never programs, our collection is woven will be able to distinguish different before. Hands-on experiential into the daily fabric of teaching printmaking techniques and learning empowers students to and learning at the University of papers, sense the subtle glazes and study objects and their material Chicago. While close looking is incised lines in black figure pottery, properties holistically. By building key to these encounters with art, and comprehend the weight and this collection in direct response to faculty repeatedly come to us with thickness of an object. the educational goals of University a supplementary request: they want A set of restrike prints after faculty, we believe it will become a their students to be able to touch such masters as Jacques Callot, meaningful new resource in object- the objects on display. Rembrandt van Rijn, and Albrecht driven learning on campus. The Smart’s rapidly developing Dürer—all generously given by Berit Ness, Coordinator of Academic Study Collection will comprise Thomas McCormick and Janis Initiatives, and Anne Leonard, prints, copperplates, woodblocks, Kanter—will form the kernel of this Interim Senior Director of Academic ancient potsherds, and ceramic burgeoning collection. and Curatorial Initiatives

23 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL SUPPORT

24 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL SUPPORT

The individuals listed on the following pages contributed to the Smart Museum between July 1, 2015, and June 30, 2016.

GRANTS & PROJECT SUPPORT DONORS TO THE Carolyn and C.J. Lind SMARTPARTNERS William and Elisabeth Landes RICHARD A. BORN FUND Bill Lynerd Jill F. and John G. Levi $1,000,000+ Beatrice Cummings Mayer $50,000+ Julius Lewis Joan and Robert Feitler $5,000+ William J. Michel and Robert and Joan Feitler Peter Lieb and Susan Block-Lieb Pam and Chris Hoehn-Saric Lorna Ferguson and Mark Botelho Pam and Chris Hoehn-Saric Neil L. Ross and Lynn E. Hauser Terry Nichols Clark Diane H. Miliotes Earl and Brenda Shapiro $150,000–$499,999 Michael and Angela Morrow $25,000–$49,999 Foundation Estate of Miriam W. Graham $2,500–$4,999 Anne N. Rorimer Richard and Mary L. Gray Fay S. Stern Estate of Lester and Betty Guttman Gay-Young Cho and Kimerly Rorschach and Mary Smart Michael A. and Estate of Brooks McCormick, Jr. Christopher Chiu John Hart Audrey Stern Wyatt Barbara A. Rossi $10,000–$24,999 Ann E. Ziegler $50,000–$149,999 $1,000–$2,499 Laura Mae Satersmoen and Anonymous Janis Kanter and Thomas Dennis Adrian John Charles Baum Barton J. and Phyllis G. Cohen $2,500–$4,999 McCormick and the Kanter Family Barton J. and Phyllis G. Cohen Doris F. Sternberg Amy L. Gold and Brett Gorvy Trissa A. Babrowski and Shaleane Gee and James Cody John Vinci Isaac and Jennifer Goldman Sundeep V. Mullangi $25,000–$49,999 Richard and Mary L. Gray Michael A. and Janis Kanter and Thomas Robert J. Buford Lorna Ferguson and Jill F. and John G. Levi Audrey Stern Wyatt McCormick and the Valerie Carberry and Terry Nichols Clark Kanter Family Richard Wright Mary Smart Up to $999 Charles H. Mottier Suzanne and Harry Davis Anne Abrons and David Sharpe Brien O’Brien and Efroymson Family Fund $10,000–$24,999 David and Linda Blumberg Mary M. Hasten Jordan T. Goodman and Efroymson Family Foundation Hipolito Rafael Chacon Danielle Rudas Harper Court Arts Council Sondra and Charles Cohen $5,000–$9,999 The Horner Family Foundation Conrad Miczko Erika Erich Marilynn Alsdorf Jordana Joseph David C. & Sarajean Ruttenberg Alan and Lois Fern Kathleen S. Blehart Bill Lynerd Arts Foundation Susanne Ghez Gay-Young Cho and Ulrich E. and Harriet H. Meyer Helyn Goldenberg Christopher Chiu Russ W. Rosenzweig and $5,000–$9,999 Jack and Helen Halpern Mareilé Cusack Lucy Liu Consulate General of the Federal Carl F. Hammer Miranda and Maggie and Jeffrey Shapack Republic of Germany Philip Holton Hanson Robert G. Donnelley Aaron Tucker Elizabeth F. Cheney Foundation Amy and Anthony Hirschel Nina and James R. Donnelley Biff Ruttenberg Foundation Patricia and Joseph Ketner Victoria J. Dorgan $1,000–$2,499 and Gwen Callans Sarah Beth Kianovsky and Lorna Ferguson and R. Darrell Bock and Franklin D. Friedman Terry Nichols Clark Renee Menegaz-Bock Sharon Flanagan and Richard A. Born Ross T. Buchanan Adrienne and Barbara Fosco Arnold Brookstone Joan W. Harris Cheryl Bruce and Jill Ingrassia-Zingales and Kerry James Marshall Luigi Zingales

25 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL SUPPORT

SMARTPARTNERS Sarah Jaicks and Carol Soble Siegel and Eva Fishell Lichtenberg Peter L. Bugg (CONTINUED) Robert McDermott Charles L. Siegel and Arnold Tobin Victor Cassidy Lori and Steve Kaufman Allen R. Smart David B. Mackler Talarah Cataldi Bruce S. and Joyce Chelberg Susan and Michael Levine Hugo and Beth Sonnenschein Naomi E. Margolis Macol Cerda Stefan Edlis and H. Gael Neeson David A. Lojkovic Ilene Warshawsky Shaw Stacey and Patrick McCusker Audrey Chu Sallyann and Eugene Fama Judith H. Meguire Arnold and Agnes Zellner Janis S. Mendelsohn Kate Collins and Charles Newell Alan and Lois Fern J. Clifford Moos Margaret Mary Mitchell Judith and William Cottle Peter and Virginia Foreman Gary M. Ossewaarde $150–$249 and Richard A. Rosengarten John Crenson Jack and Helen Halpern Ruth E. Ultmann Barbara Stolberg Adelman Marta and Ralph Nicholas Richard and Janet Cudahy Elizabeth and Howard Helsinger Jane Woldenberg and and Steven A. Adelman Christopher N. Orndorff Jay Dandy and Melissa Weber Arthur and Nancy Laskin James Eisenberg Randolph Alexander Elizabeth Penn and John Patty Mark De Lancey Andrea Morgan Andrew and Iris Aronson Susan Polachek Ruth C. Dickinson William and Kate Morrison $250–$499 Lawrence Scott Berlin Katharine L. Ried Brian A. Dursum Kenneth J. Northcott and Deborah Bekken and Carla F. and Stephen R. Berry Penelope Rosemont Rose B. Dyrud Patricia Audrey John Richard G. Kron David and Linda Blumberg Carol Schneider Sondra and Karl Eisenberg Janis and John K. Notz, Jr. Barbara Bluhm-Kaul and Laura M. Boyd and William Sewell and Jan Goldstein James and Contance Enyart Elizabeth J. Orndorff Donald Kaul Robert Earl Boyd III Patty Sternberg Sue Stern Ettelson Thomas J. and John A. and Judy C. Bross Agnes Brooks Lisbeth Stiffel Richard and Roberta Evans Barbara K. Schnitzer Dorothy and David Crabb Matthew and Kay Bucksbaum Lolli Thurm Zollie S. Frank Doris F. Sternberg Susan DeWitt Davie John and Sally Carton Aaron Tucker Mary and Richard Freeman Jacqueline B. Winter and Robert and Quinn Delaney Elsa Charlston Howard Zar Barbara H. Frei Robert Z. Aliber Erika Erich Lydia G. Cochrane Nancy Zuraw Claire Friedland Mary Winton Green Elizabeth Fama and Sonia and Tracy Cooke Henry and Priscilla Frisch Debra F. Yates John H. Cochrane Laura S. de Frise and Steve Rugo Up to $149 Howard and Natalie Goldberg Jennifer Yorke and Nancy Gidwitz John Easton and Sem Sutter Affiliate Museum of Frances Gordon Robert Greenspoon Philip and Suzanne Gossett David Follmer and Anita Samen Contemporary Art Nancy Greenebaum Mary Jackson Harvey and Thomas Gajewski and Anonymous Barbara and Charles Gregersen $500–$999 Jeff Harvey Maria-Luisa Alegre Joan and Henry Arenberg Mary E. Grimm E. M. Bakwin Marilyn and Richard Helmholz Michael Gelber and Theodore and Barbara Asner Eston and Sandra Gross Norman and Virginia Bobins Drs. Joseph and Rebecca Jarabak Debra Hammond Alyssa Astell Irick Gail and Richard Guggenheim Russell and Barbara Bowman Martin J. and Susan B. Kozak Fund Ethel and William Gofen Saba Ayman-Nolley and Marla H. Hand and Stephen and Elizabeth Crawford Robert Lifton and Carol Rosofsky Gloria G. Gottlieb Charles Hammett Nolley James T. Nyeste Charles F. Custer William J. Michel and Michelle and Glenn Holland Andrew Bae Marie and Kenneth Harris Stephanie D’Alessandro Mark Botelho Phyllis and Joseph Howicz Dr. Alfred L. and Margot and Robert Haselkorn and David Rownd Betty and Thomas Philipsborn Kate T. Kestnbaum Mrs. Dorothy Baker Robert Hellgeth Nancie and E. Bruce Dunn Richard and Charlene Posner Mia Khimm Howard R. and Marjorie S. Barron Leonardo and George R. Ellis Kimerly Rorschach and John Hart Diana and Neil King Margery and Irvin Becker Caroline Herzenberg Michael E. Geyer and Ellen and Robert Rosenberg Peter Kivy Elise Jordan Beyer Mrs. Harold H. Hines, Jr. Laura Engelstein Paul and Bettylu Saltzman Sonia Scheffen Kupfer Robert D. Biggs Hon. Doris B. Holleb Neil Harris and Teri J. Edelstein Susan and Charles Schwartz and Bernard Derroitte Alice C. Brunner Kenneth M. Irvine

26 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL SUPPORT

SMARTPARTNERS Jia Hong Ray Ng Poonam Soni, MD DONORS TO THE COLLECTION MATCHING GIFTS (CONTINUED) Catherine Novotny Brehm Nikki W. and Fredric Stein John and Sandra O’Donnell Marjorie and Forrest Stinespring Dennis Adrian and ITG Inc. Smilja Jakovcic Rabinowitz David Offenberg Josephine Newberger Strauss Richard A. Born Northern Trust Philip John Kirk Peter J. Pageey Lester Telser Adrienne L. Butler Polk Bros. Foundation Inc. Maurine E. Kornfeld Mary Paquette-Abt and Carl and Marilynn Thoma Ronald H. Coase Bela and Gautam Kundu Jeffrey Abt Chikako and Hans Thomsen Mary Cullen Carol Lader Melanie and Charles Payne Dr. Katherine Tsiang Mr. and Mrs. Michael R. Sara Leonard Ellard L. Pfaelzer, Jr. Frederick and Virginia Uhlmann Cunningham Jane and Raymond Leuthold Judith R. Phillips and Ann R. Ullman Leslie Douglass Dr. Eugene W. Lewis Eugene L. Balter Frances and Peter Vandervoort Paula Giannini and Philip and Dianne Luhmann Tom Phillipsborn David and Anna Mary Wallace Gerald Nordlund Audrey A. Mann Elizabeth M. Postell Janis and Joseph Weil Jennifer and Isaac Goldman Howard and Judith McCue James and Hildegund Ratcliffe Willard E. White Carole Harmel Christine Mehring and Sean Keller Marcy Reed and Robert Ann Wolff Estate of Clarence A. Islinger Alinda and Edward Michael Weibezahl Eva-Maria Worthington Bernadette and Michael Lipton Robert C. Michaelson Chester and Joyce Reft William and Sarah Young Estate of Brooks McCormick, Jr. Ellen Morgan Laurie Reinstein Judith Zeitlin and Wu Hung Thomas McCormick and Michael and Angela Morrow Mitchell S. Rieger Alice and Daniel Zimring Janis Kanter Ellen-Marie Muhlbacher Julie Roin and Saul Levmore Jolie Nahigian and Ivan Moskowitz Carolyn M. Mulac Susan and Richard Roman Peter and Linda Parshall David Muschler and Ann Becker Leona Zweig Rosenberg The Robert Rauschenberg Sidney Nagel and Young-Kee Kim Audrey and John Rosenheim Foundation Joseph and Elizabeth Nathan Susan and Myron Rubnitz Dena Criz Weisbard Kay Hoyle Nelson James E. Sampson Dr. and Mrs. Edward Newman Louise Schif Michael Schnur and Jack Bulmash Pamela and Thomas Sheffield, Jr. Elizabeth Ellen Siegel Junie and Dorothy Sinson Charlotte Yen Chen Soesanto Barbara Ann Sommer

27 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL STAFF & LEADERSHIP

28 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL STAFF & LEADERSHIP

BOARD OF GOVERNORS Members UNIVERSITY ADVISORY STAFF Amy Ruehl, Assistant Registrar Marilynn B. Alsdorf‡ COUNCIL Anna Weiss-Pfau, Campus Art Officers Kathleen S. Blehart Office of the Director Collection Coordinator Pamela Hoehn-Saric, Chair Bill Brown† Canice Prendergast, Chair Anthony G. Hirschel, Dana Feitler Monica Welke, Assistant Registrar, Gay-Young Cho, Vice Chair Lawrence Chu Leora Auslander Director (through October 2015) H.C. Westermann Study Lorna C. Ferguson, Vice Chair Phyllis Cohen Bill Brown William J. Michel, Interim Director Collection & Assistant Campus and Treasurer Mareilé Cusack Lorna C. Ferguson Cindy Hansen, Executive Assistant Art /Artifacts Coordinator Robert Feitler, Chairman Emeritus Robert G. Donnelley Theaster Gates for Leadership Support (through December 2015) Richard Gray, Chairman Emeritus Victoria J. Dorgan Mary J. Harvey Wu Hung, Consulting Curator Cynthia Elden Pamela Hoehn–Saric† Collections, Exhibitions, Alan M. Fern‡ Wei-Cheng Lin and Education Development and External Sharon Flanagan Christine Mehring Rudy Bernal, Chief Preparator Relations Barbara Fosco William J. Michel† Richard Born, Consulting Curator Mia Khimm, Manager of Stanley M. Freehling‡ Angela Olinto for Asian Art Strategic Communications/ Amy L. Gold Jessica Stockholder Michael Christiano, Interim Senior Grant Writer (through Isaac S. Goldman Yesomi Umolu Director of Museum Programs January 2017) Jack Halpern‡ Martha Ward Gail Gomez, Editorial & Program C.J. Lind, Associate Director Neil Harris‡ Michael Christiano, Assistant of Communications Harlow Higinbotham Smart Museum staff liaison Christine Granat, Associate Bill Lynerd, Director of Development Anthony G. Hirschel† Anne Leonard, Registrar & External Relations Jill Ingrassia-Zingales Smart Museum staff liaison John Harness, Interim Programs Kate Nardin, Associate Director William M. Landes Coordinator of Development Communications Jill F. Levi † ex officio member Sara Hindmarch, Head Registrar (through December 2015) Peter Lieb ‡ life member Alice Kain, Study Room Sarah Polachek, Associate Director Tom McCormick Supervisor & Campus Art of Hospitality & Events William J. Michel† Coordinator (through July 2015) Jennifer Ruehl, Manager of Charles H. Mottier Ray Klemchuk, Preparator Development Operations Brien O’Brien Anne Leonard, Curator & Associate (through August 2015) Canice Prendergast† Director of Academic Initiatives Mary Smart Diane Miliotes, Interim Curator of Finance and Administration Raymond Smart‡ Modern Art & Design Paul Bryan, Assistant Guest Michael A. Wyatt‡ Jessica Moss, Curator of Services & Operations Manager Ann Ziegler Contemporary Art Kate Kelly, Guest Services Berit Ness, Coordinator of & Operations Manager Academic Initiatives Joyce Norman, Business Manager Jason Pallas, Manager of (through October 2016) Community Engagement Peg O’Malley, Director of Finance & Arts Learning & Administration Sara Patrello, Assistant Registrar Roz Pitts, Operations Assistant (through July 2015) Erik Peterson, Associate For a current staff list, visit Programs Manager smartmuseum.uchicago.edu/about/staff

29 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL STAFF & LEADERSHIP

GUEST SERVICES J.R. Pinedo Mitchell Neal Kathia Rodriguez Maia O’Meara INTERNS STUDENT ADVISORY Café Attendants Sana Sohail Richard Omoniyi-Shoyoola COMMITTEE Gabriela Berndt Stephen Urchick Troy Ordonez Communications Olivia Cattau Giuliana Vaccarino Gearty Connor Plunkett Molly Bauer Giuliana Vaccarino Gearty, Ryan Chiew Anne Willner Emily Rao Jenny Chueh Wang Co-Chair Julia Fournier Yady Rivero Juliana White, Co-Chair Grace Garrity Front Desk and Gallery Anais Rosenblatt Curatorial Erik Peterson, Staff Liaison Grace Hauck Attendants Bryan Rust Meghan Angelos Irena Ehrlich Hamza Jaleel Eero Arum Coral Sabino Carl C. Fuldner Julia Epplin-Zapf Young-in Kim Frederic Bendekgey Alyssa Sanchez Hanne Graverson Alice Han Isabelle Langrock Aliyah Bixby-Driesen Matthew Shimmel Rachel Kyne Rebecca Liu Emma Maltby Emily Brown Yessica Somoza Nora Lambert Paige Pendarvis Aiden Million Ali Calentino Robert Sorrell Amanda Shubert Shalenie Sanker Mitchell Neal Elisabeth Campbell Violet Sorrentino Jennifer Yida Pan Sana Sohail Melissa Needlman Iris Chiou Shoshanah Spurlock Keirsha Thompson Dee Nitz Thomas Coates Keirsha Thompson Education Maia O’Meara Andy Cohen Sasha Tycko Bess Cohen BUSINESS OFFICE Coral Sabino Patrick Corcoran Stephen Urchick STUDENT ASSISTANTS Elena Sakopoulos Charles Daston Sarah Wasik Andrew W. Mellon Natasha Shebalina Julia Dufosse Juliana White Foundation Curatorial Intern Mark Manley Leandra Trudeau Julia Epplin-Zapf Crystal Wren Rainbow Porthé Coral Sabino Sierra Espinosa Sarah Zimmerman Shoshannah Spurlock Docents Omar Ferreira Registration Vivian Tu Kaitlyn Akin Jacqueline Finley Research Assistants Emelia Lehmann Crystal Wren Rita Alvarez Rodney Finley Marissa Baker Rebecca Singerman Charles Daston Grace Garrity Sandra Jackson-Opoku Theodore Watler Jacqueline Finley Shelby Gonzales Nancy Lin Kathy Fitzgerald Jake Grayson Jessica Gaynelle Moss Calgary Haines-Trautman Adam Johnson Joan Humphrey Sarah Kim Jola Idowu Isabelle Langrock Special Events Assistant Erika Kelly Sabrina Lefkowitz Marie Patricia Evans Sabrina Lefkowitz Angela Lin Stella Liu Mark Manley Jo McEntee Ike Moon Rachel Much Qae-Dah Muhammad Qae-Dah Muhammad Omar Mujahid Dorian Nash Lydia Mullin Paige Pendarvis Dorian Nash

30 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL FINANCIAL SUMMARY

31 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL FINANCIAL

FISCAL YEAR 2016

OPERATING REVENUE Annual Gifts $752,111 n Annual Gifts 27%

Restricted Grants and Significant Gifts $276,714 n Restricted Grants and Significant Gifts10% Endowments $890,763 n Endowments 31% University Grants $25,485 n University Grants University Operating Support* $289,015 1% Earned Income $200,074 n University Operating Support 10%

Carryover from Prior Years $390,198 n Earned Income 7%

n Carryover from Prior Years 14% Total Revenue $2,824,360

*The University’s annual support of the Museum outside of operating budget is estimated at $710,000, including facilities maintenance, administrative services, and other support.

OPERATING EXPENSE Exhibitions & Exhibition-Related Programming Costs $477,182 n Exhibitions & Programs 17% Collections & Curatorial $192,001 n Collections & Curatorial 7% Education $90,332 Exhibition Touring $53,757 n Education 3%

Development & External Relations $82,084 n Exhibition Touring 2% Administration & Operations $147,576 n Development & External Relations 3% Cost of Earned Income $150,933 n Administration & Operations 5% Staff Compensation $1,630,495 n Cost of Earned Income 5%

Total Expenses $2,824,360 n Staff Compensation58%

32 SMART MUSEUM OF ART 2015–2016 BULLETIN EXHIBITIONS COLLECTION SUPPORT STAFF & LEADERSHIP FINANCIAL Bulletin 2015–2016, Vol. 23

© 2017 David and Alfred Smart Museum of Art The University of Chicago 5550 South Greenwood Avenue Chicago, IL 60637 smartmuseum.uchicago.edu

All rights reserved.

Editor Cindy Hansen

Design UChicago Creative

All artworks copyright the artists, heirs, and assigns. Every effort has been made to contact the rights holders for every reproduction. If we have not secured all necessary permissions, rights holders are requested to contact the Smart Museum at 773.702.0200.

COVER: Japanese drumming ensemble Tsukasa Taiko performs in front of Jessica Stockholder’s site- specific installation Rose’s Inclination in the Smart Museum’s Eunice Ratner Reception Gallery.

SMA-3006-17