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Home , Amanda Seyfried, Isabelle Huppert, Jesse Eisenberg, Joachim Trier, Sterling Jerins

MOTLYS AND MEMENTO FILMS PRESENT

GABRIEL BYRNE LOUDER THAN BOMBS

A FILM BY LOUDER THAN BOMBS

A FILM BY JOACHIM TRIER

GABRIEL BYRNE ISABELLE HUPPERT JESSE EISENBERG DEVIN DRUID RACHEL BROSNAHAN RUBY JERINS MEGAN KETCH WITH DAVID STRATHAIRN AND

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NORWAY-FRANCE-DENMARK | 109 MINS | 1.85 | 5.1 | COLOR LOUDER THAN BOMBS A FILM BY JOACHIM TRIER

An upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death brings her eldest son Jonah back to the family house – forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently. JOACHIM TRIER (DIRECTOR)

JOACHIM TRIER (b. 1974) is an internationally celebrated director and screenwriter. His critically acclaimed and award-winning feature filmsReprise (2006) and Oslo, August 31st (2011), both co-written with Eskil Vogt, have been invited to and won awards at international film festivals such as Cannes, Sundance, Toronto, Karlovy Vary, Gothenburg, Milan, and Istanbul. Oslo, August 31st was selected for Un Certain Regard at the in 2011 and nominated for the César award for Best Foreign Film 2013 after reaching over 180 000 admissions at theatres in France. Reprise received the 2007 Amanda Award (Norway’s top film award) for Best Norwegian Film, Best Director and Best Script. The film was released in the US by Miramax and was the Norwegian Oscar candidate for Best Foreign Film in 2006. Hailed as ”a sublimely natural talent,“ Trier was named one of 20 Directors to Watch by in 2013. Louder Than Bombs (2015) is his English language film debut and his first appearance in the main competition at the Cannes Film Festival.

COMMENTS FROM DIRECTOR JOACHIM TRIER

TELL US THE STORY BEHIND THE TITLE. interested in exploring cinematically. I had a lot of ideas WHAT IS IT IN REFERENCE TO? together with screenwriter Eskil Vogt, so it felt more natural to start from scratch than to take on these other IS LOUDER THAN BOMBS A WAR STORY? scripts. You have to remember that I come from a country I think we were looking for a title that mirrored the with a language that only 5 million people speak, so when balance between the small and tender pains of family life I first wanted to make movies it was a natural thing for set up against the great ambitions and experiences of a me to go to film school in London, where I made 3 award mother who is working abroad as a war photographer. winning short films in English. Eskil and I always wanted The incomparability of pain is something which I find to make films for an international audience, and it was intriguing. Of course, it is the title of the band The Smiths’ a rewarding experience to have both Reprise and Oslo, first American album, a compilation of their songs as they August 31st received so well in many different countries. were approaching America for the first time. But the film It was especially rewarding to discover the paradox is about neither war nor The Smiths. I also discovered that that it was the cultural specificity that made the films The Smiths borrowed the title from the American poet interesting and universal. Learning from that, we did a Elizabeth Smart, and her book By Grand Central Station lot of extensive research on these American settings and I Sat Down and Wept. And I loved that those words had a characters before venturing into Louder Than Bombs. specifically American provenance as I worked on this film I honestly believe that more than being defined by your set in the U.S. spoken language, as a filmmaker you stylistically create a story in your own cinematic language. Another thing about working in English was the possibility to work with incredible international actors, something that I WHAT IS THE ORIGIN OF THE PROJECT? have wanted to do for a long time. As a film fan from an early age, I grew up watching international films. As a After my first filmReprise, I got a lot of attention in young man it would be a natural occurrence to go to the the US. I started reading many scripts in English, and I Cinematheque in Oslo and in the same evening watch a had a several offers. I met a lot of interesting people in film by from France, Ozu from Japan, or Sidney the American film industry, but I couldn’t find a project Lumet from the U.S. Cinema to me has always been about that I felt could express what I was concerned with and transcending local language barriers. HOW FAMILIAR WERE YOU WITH ON GENE PLAYED BY GABRIEL BYRNE. WORKING IN THE US? Gene is a portrait of a modern father character. By TELL US YOUR IMPRESSIONS ABOUT modern, I mean that he has, at least compared to the THIS AMERICAN EXPERIENCE. classical patriarch, taken on more emotional responsibility at home. He’s become a teacher and given up his career as Of course, shooting in New York, the team was much an actor to be closer to his kids. Gene is trying to keep his much bigger than I have ever experienced in Norway. family together, but he is struggling to connect with his 15 But as a director, your responsibility is always to create year old son Conrad, who is engulfed in computer games a work environment around the camera that fits your and an online life, which is difficult to understand for his story and your actors, so procedurally I went about it as father. In many ways, this creates some comedic elements any other previous production. I was able to have real as well, like in one scene when Gene tries to create an rehearsal time with the actors and tried to achieve the avatar and venture into an online game to meet his son, same type of collaborative trust that I’ve been fortunate with unforeseen consequences. There is something warm enough to have on my prior films – it’s of course essential and tender about Gene. His strength lies in his ability to regardless of where you work. And as the shooting see others, but he is grappling to figure out he wants for proceeded, I looked over at my close collaborator, himself, to figure out what he wants to do with his own cinematographer Jakob Ihre, and said: “This is just what life. Gabriel Byrne’s blend of intelligence and warmth was we usually do, isn’t it? It’s not so different?” It’s the very important to achieve Gene as a character. We spoke same challenge as always, trying to take risks, be in the about how we were tired of the clichéd portrayals we moment, and create a safe working environment, where have seen in so many stories, of the authoritarian father actors are allowed to explore rather than have to hit the that sons have to prove themselves to. Gene is in many nail on the head every time. ways unusual in his emotional responsibilities, and Gabriel adds a lot of truth and humour to the character. I think he is the type of actor who responds well to the theme THIS IS ALSO THE FIRST TIME YOU of the film’s story. He really manages to have a bigger WORK WITH SUCH A LARGE ENSEMBLE perspective on the film. CAST AND ONE OF A VERY PRESTIGIOUS AND EXPERIENCED LEVEL... WAS THIS ON JONAH, PLAYED BY JESSE EISENBERG. INTIMIDATING AT ALL? Jonah is a bit of an over-achiever, who feels that he was closer to his mom than anyone else. In many ways, his Well, making any film can at certain stages feel story is about delayed grief, and how the facade of a intimidating. I think all the actors were very generous, young ambitious academic who has just become a father so I never felt intimidated. They took their characters himself crumbles when re-evaluating the image of his seriously, and all contributed to the film in their own mother. Jesse Eisenberg is a precise and incredibly funny personal way, which is all you can hope for. actor, and I am grateful that he is exploring a new type a story about that profession per se. The story is about of character, perhaps showing a more vulnerable side of parent-child relationships, and the struggles of a family. himself in the role of Jonah. Jesse in real life is a very smart I have been a fan of Isabelle Huppert for a long time, and creative guy, who is also a great theatre writer, which and I first met her a few years ago at the Stockholm many people are not aware of. It was inspiring to discuss film festival. I stayed in touch with her, and I was thrilled dramaturgy with him as well as his character. when she accepted to play the mother in our family. Even though she is not the character that is on-screen ON CONRAD, PLAYED BY DEVIN DRUID. the most, her presence is always looming in the story as it proceeds. I cannot image any other actor playing this Conrad is a shy 15 year old kid, who at the outset of enigmatic and intriguing mother. the story seems to have been struck the hardest by the loss of his mother, but as the story progresses, he is in many ways the most surprising of all the characters. I TELL US ABOUT THE PHOTOS THAT wanted to talk about how a person’s social behaviour often does not represent their inner life, and I tried to find REPRESENT ISABELLE REED. cinematic ways to explore that through this character: I did a lot of research on war photography, even though showing his emotional life and his romantic side, both the film is not about just that. InOslo, August 31st, the in approaching girls and in his strong need to express character had a background as a drug addict, but the himself in unexpected ways. Finding someone to play story is about other parts of his life as they play out. Even Conrad was perhaps the biggest challenge I foresaw though the addiction element was just a backdrop, I when preparing Louder Than Bombs. Finding Devin Druid wanted to research it and portray it accurately. In the was one of the film’s biggest victories. He is just a really same way, in Louder Than Bomb- s, I wanted all the details great actor, there is not much more to say about it. I am of her life as a war photographer to be presented in an very proud to have had a chance to work with him before accurate way. We had a lot of support from great photo everyone soon will discover this great talent. agencies, such as Magnum and VII. We have used a few different photographers to create Isabelle’s photographic ABOUT PHOTOGRAPHER ISABELLE work in the film, amongst them there are many pictures from the French photographer Alexandra Boulat, who is REED, PLAYED BY ISABELLE HUPPERT. one of those in the field that I admire very much. There is I wanted to talk about family and the cost of ambition, enormous humanity apparent in her pictures, combined the incredible and admirable work of a conflict journalist with a photographic sensitivity that sets them apart. set up against an infinite need to be present in in ones family life, a conflict I believe many people can relate to. Isabelle Reed is inspired by several prominent war photographers I have either met or studied, but it is not THE FILM SEEMS TO REVOLVE first time in years, he realises the mother’s perspective EMOTIONALLY AROUND of the same scene, and how she must have also wanted to play this game, since she obviously would have known THE INDIVIDUAL AND COLLECTIVE where he was hiding all along. Within our personal sense MEMORIES OF ISABELLE. TELL US of our own history, there is always a liberating possibility ABOUT THIS DYNAMIC AND ALSO for other perspectives. Therefore I see the sometimes YOUR ON-GOING FASCINATION melancholic Louder Than Bombs as ultimately optimistic. WITH FOCUSING ON MEMORY IN YOUR WORK. MUCH OF THE FILM IS TOLD I find our memories and our idea of self and identity IN NON-LINEAR FASHION. TELL US based on these memories fascinating and puzzling. In the ABOUT THIS ARTISTIC CHOICE. film, I try to show the specific process of remembering. I wanted to avoid the type of grief drama where we These days, a lot of character dramas have emigrated to are there when the mother dies and everyone is sitting the tv screens. I am still a strong believer in the unique around the room crying. Our story happens three years space of cinema. It is a great place to contemplate human after the mother has passed away, and tracks the stories. A close-up on a cinema screen is unique. It is an domino effect of her tragic death and the implication it intimate human encounter that you cannot have in any has on the three men as they try to move forward in their other art form. When do you see a face that large in life? individual lives. It is interesting how family life forces you I try to create stories with multiple perspectives, hopefully to look at yourself and re-evaluate yourself constantly. to gain some sort of insight into these characters’ lives. Why do siblings experience parents so differently? It is not unusual in a novel to move between time layers How can you find a shared language, while sometimes and to go inside different characters’ heads within one needing to break away? There is both despair and hope story. It puzzles me that this is considered such a unusual in memories. During grief, people often describe a feeling thing in cinema. The bigger the machine around you gets of a static, unchanging sense of memory. As I try to as a filmmaker, the more it is important to remember show in the film, the constant re-evaluation of who we that it is fun to experiment with storytelling. Keep the are gives us the ability to liberate ourselves from these big machine close to your skin. It is only through your locked ideas. There is a scene where Conrad, the younger personal perspective as a storyteller that you can get brother, remembers a childhood memory of hide-and- close to the audience. It has nothing to do with budget seek with his mother. While he thinks about this for the or how many big trailers you are able to have on set. MAIN CAST

GABRIEL BYRNE JESSE EISENBERG DEVIN DRUID (AS GENE REED) (AS JONAH REED) (AS CONRAD REED) Gabriel Byrne has starred in more Jesse Eisenberg is a playwright and Devin Druid, a Virginia native, is an than 60 feature films including actor; he can currently be seen on- up and coming young talent with Miller’s Crossing, The Usual stage in his new play “The Spoils” work that shows a depth seldom Suspects, Excalibur, Into The for . Previously seen at his age. He developed a West, Little Women, Dead Man, Eisenberg wrote and starred love for performing after receiving The End Of Violence, The Man alongside in a standing ovation at his school In The Iron Mask, Vanity Fair, his play, “The Revisionist” and in talent show, which brought him Jindabyne, and Wah-Wah. 2011 he wrote and starred in the the opportunity to serve as the On Broadway, Gabriel received play “Asuncion” at the Cherry front-man for an all-teen rock a Tony nomination for his Lane Theatre (Drama League band. He stumbled into an acting performance in Eugene O’Neill’s Nomination). career while accompanying his Moon For The Misbegotten and Films include The Double, Night younger brother to auditions. he won the Outer Critics Circle Moves, Since then, Devin has performed Award for his performance in (Academy Award nomination), in a number of films playing: a A Touch Of The Poet. Now You See Me, , bully, an urban skater, a witness Gabriel starred as “Dr. Paul Adventureland, The Squid and to a murder, troubled teen, Weston” in HBO’s In Treatment, the Whale and Roger Dodger. and a cold-blooded killer. The for which he received the Golden Upcoming films includeThe End emotional depth and complexity Globe Award and was nominated of the Tour, , of the character Milo in Disgrace twice for the Emmy. Louder Than Bombs and Batman allowed Devin to take his craft to v : Dawn of Justice in the next level. He received critical the role of Lex Luthor. praise as a guest-star on the He is a frequent contributor to FX series Louie as Young Louie, Magazine and acting opposite the author of the forthcoming and F. Murray Abraham. Devin collection “Bream Gives Me was featured as Christopher, the Hiccups,” from Grove Press. son of Frances McDormand and Richard Jenkins, in the HBO mini- series Olive Kitteridge. Devin bring authenticity to his work and has the ability to give nuanced, emotional performances. In his spare time he enjoys video games, anime, graphic design, and spoiling his cat, Nayla. MAIN CAST

ISABELLE HUPPERT (AS ISABELLE REED) Isabelle Huppert studied Russian Téchiné, , Patrice for Measure), and Claude Régy, at the French National Institute of Chéreau, , Raoul (‘s 4.48 Psychosis, Oriental Languages while taking Ruiz, Benoit Jacquot, Claire Denis, Claudel’s Joan of Arc at the Drama classes in , having for Christian Vincent, Laurence Ferreira Stake), to name a few. She has teachers Jean-Laurent Cochet and Barbosa, Olivier Assayas, François also performed in Euripides’ Medea Antoine Vitez at the Ecole de la Ozon, Anne Fontaine, , directed by Jacques Lassalle and rue Blanche and at the National Joachim Lafosse, Serge Bozon or presented at the Avignon Festival, Academy of Dramatic Arts. . She also worked in ’s Her first appearances were with the great international directed by Eric Lacascade, in immediately noticed, in Bertrand directors like , ’ A Streetcar Blier’s Les Valseuses, Liliane , Otto Preminger, the Named Desire directed by de Kermadec’s Aloise or in The Taviani’s brothers, , , ’s Judge and the Assassin by , David O’ Russell, directed by Benedict Bertrand Tavernier. She won a or Andrzej Andrews, which was shown at the British Academy Award for Most Wajda. She was recently seen Sydney Theater Company and at Promising Newcomer for her role in films by Rithy Panh, Brillante the Festival in New in The Lacemaker. Her affinity Mendoza and Hong Sang Soo. York City Center. This year she with allowed her Venice awarded her for both will be in Marivaux’s Les Fausses to tackle all kinds of film genres: her role in Patrice Chéreau’s Confidences directed by Luc comedy in The Swindle, drama Gabrielle and her overall career Bondy. in , in with a Special Jury Golden Lion. In Several films in which Isabelle , classical Cannes she received twice the Best Huppert stars will be released in literary adaptation in Madame Actress Award (the second time the coming months. Three of them Bovary, and even political fiction for Michael Haneke’s have been selected at the 2015 in . She has Teacher), and was also appointed Cannes Film Festival – Joachim received several times Best Actress a Jury member, a Master of Trier’s Louder than Bombs and awards for her performances in Ceremony and the President of Guillaume Nicloux’s Valley of Love Claude Chabrol’s films: in Cannes the Jury for the 62nd edition of the in the Official Competition and for Violette Nozière, in Venice prestigious festival. Samuel Benchetrit’s Asphalte in for Story of Women, in Moscow Beyond cinema, Isabelle Huppert Séance Spéciale. for , and again leads an international career Isabelle Huppert was made Officer in Venice as well as at the Césars in the theatre. She has acted in the National Order of the Legion (French Oscars) for La Cérémonie. under the direction of Bob Wilson of Honour, Officer in the National Isabelle Huppert worked with (Virginia Woolf’s Orlando, Heiner Order of Merit and Commander renowned French film directors Muller‘s Quartett), Peter Zadek of the Order of Arts and Letters in such as Jean-Luc Godard, André (William Shakespeare’s Measure France. MAIN CAST

AMY RYAN (AS HANNAH BRENNAN) Amy Ryan has completed five Ryan was just in theaters in Her other film credits includeWin ® highly anticipated films in the the Oscar —winning Birdman Win, Green Zone, Jack Goes past year: Monster Trucks for for director Alejandro González Boating, Changeling, Before Paramount, a live-action/CGI Iñárritu and Fox Searchlight, co- the Devil Knows You’re Dead, hybrid, directed by Chris Wedge starring with , Capote, Dan in Real Life, War in which she co-stars with Barry Ed Norton, , Naomi of the Worlds, Keane, You Can Pepper and Rob Lowe (May 29, Watts and Zach Galifianakis. The Count On Me and The Missing 2015 release); Goosebumps for cast received the SAG Award for Person. Sony (August 7, 2015) co-starring Outstanding Performance by a Ryan made her Broadway debut in with Jack Black, to be directed Cast in A Motion Picture. Wendy Wasserstein’s “The Sisters by Rob Letterman and produced Prior to Birdman, Ryan was last Rosensweig.” For her work in the by Neal Moritz; Louder Than seen on screen in writer/director 2000 production of “Uncle Vanya,” Bombs for director Joachim Drake Doremus’ Breathe In she was nominated for a Tony Trier in which she co-stars with produced by Indian Paintbrush Award for Best Featured Actress Jesse Eisenberg, Gabriel Byrne and Jonathan Schwartz, in which in a Play. In 2005, she appeared and Isabelle Huppert; and Don she starred with Guy Pearce and as Stella in “A Streetcar Named Verdean for director Jared Hess, Felicity Jones. Other recent credits Desire,” earning her second Tony in which she stars with Sam include Clear History directed by nomination. She also starred in Neil Rockwell, Will Forte and Danny for HBO in which LaBute’s “The Distance From Here” McBride which premiered at the she co-starred with Larry David in London’s West End. In 2013 she 2015 ; and and Jon Hamm and Devil’s Knot starred in Lisa D’Amour’s critically ’s Untitled Cold directed by , co- acclaimed play “Detroit,” directed War Thriller for Dreamworks in starring with Colin Firth. by Anne Kauffman at Playwrights which stars opposite For her acclaimed performance Horizons. (October 16, 2015 release). In in Miramax’s Gone Baby Gone, Amy’s television work includes her March 2015, she began shooting she was recognized with Academy memorable portrayals as Holly The Infiltratorin London for Award, Golden Globe and SAG Flax on The Office, Adele on In director Brad Furman, starring Award nominations for Best Treatment and Officer Beatrice opposite Bryan Cranston. Supporting Actress. Additionally, ‘Beadie’ Russell on The Wire. she won numerous Best Supporting Actress awards including those from the National Board of Review, the Broadcast Film Critics Association, the New York Film Critics Circle and the L.A. Film Critics. MAIN CAST

DAVID STRATHAIRN (AS RICHARD WEISSMAN) David Strathairn won the Volpi John Sayles’s first film, The Return as well as two projects with Curtis Cup at the of the Secaucus Seven. Strathairn Hansen: The River Wild and the and earned nominations from subsequently collaborated with Oscar-winning L.A. Confidential, the Academy, Golden Globe, Sayles on seven titles, winning in which Strathairn shared a Screen Screen Actors Guild, BAFTA and the IFP honor for his supporting Actors Guild Award nomination Independent Spirit Awards for his performance in City of Hope, with the all-star ensemble cast. compelling portrait of legendary while collecting two additional His additional movie credits CBS news broadcaster Edward R. nominations for Passion Fish and include Memphis Belle, A Map Murrow in ’s Oscar- Limbo. of the World, Simon Birch, Lost nominated drama Good Night, Strathairn continued a busy screen in Yonkers, Missing in America, and Good Luck. He won an Emmy career with co-starring roles in Michael Hoffman’s adaptation ofA for Best Supporting Actor in the several critically acclaimed films, Midsummer Night’s Dream, Philip HBO project, Temple Grandin in including Tim Robbins’s directorial Kaufman’s Twisted, The Bourne 2011 and was nominated in 2012 for debut, Bob Roberts; Penny Ultimatum directed by Paul his portrayal of John Dos Passos in Marshall’s A League of Their Own; Greengrass, The Tempest starring HBO’s Hemingway and Gellhorn. Losing Isaiah; ’s The opposite and Steven His 2005 Independent Spirit Firm; Sneakers; Taylor Hackford’s Spielberg’s Lincoln. David was nomination was the fourth in a adaptation of the Stephen King most recently seen in “The Second stellar career that dates back to novel Dolores Claiborne; and Jodie Best Exotic Marigold Hotel” directed his 1980 motion picture debut in Foster’s Home for the Holidays; by John Madden. MAIN CAST

RACHEL RUBY JERINS MEGAN KETCH BROSNAHAN (AS MELANIE) (AS AMY) (AS ERIN) In addition to playing Grace on Upon graduating from New York Rachel has begun work on Season 2 Nurse Jackie since 2009, Ruby University’s Tisch School of The of WGN-America’s hit 1940’s drama Jerins Just completed filming Arts, Megan Ketch landed the Manhattan. Other film and TV Joachim Trier’s highly anticipated female lead in the ABC drama credits include the Netflix hit show feature Louder than Bombs, Gotham. Since then she has House of Cards as call girl Rachel starring opposite Jesse Eisenberg, appeared in numerous television Posner, HBO’s critically acclaimed Gabriel Byrne and Isabelle Hupert. shows including Blue Bloods, The miniseries Olive Kitteridge, Ruby previously starred in Summit Good Wife, Under The Dome, and recurring roles on NBC’s The features’, Remember Me playing Reckless. Her first feature debut Blacklist and ABC’s Black Box, opposite Robert Pattinson as well was in The Big Wedding opposite Beautiful Creatures and the CBS as opposite Leonardo DiCaprio , , and miniseries The Dovekeepers & films in the feature, Amanda Seyfried. Most recently Louder than Bombs (opposite Shutter Island. she finished Joachim Trier’s Louder Jesse Eisenberg) and Disney’s The The daughter of artist Edgar Jerins Than Bombs opposite Jesse Finest Hours. She is a graduate and actress Alana Jerins, and sister Eisenberg and Amy Ryan. of NYU’s Tisch School of the Arts of child actress Sterling Jerins, Ruby where she studied at The Lee made her début in the filmThe Strasberg Theatre & Film Institute. Wedding in 2001, alongside Jaid Barrymore and Stephen C. Bradbury, Playing the flower girl. Jerins has also guest-starred or recurred in television series such as Kidnapped, Law & Order, The , , Six Degrees and SNL. Jerins is currently attending the illustrious La Guardia High School in NYC where she continues to hone her craft. LOUDER THAN BOMBS A FILM BY JOACHIM TRIER

MAIN CREW

DIRECTED BY JOACHIM TRIER WRITTEN BY ESKIL VOGT & JOACHIM TRIER PRODUCED BY THOMAS ROBSAHM, JOSHUA ASTRACHAN, ALBERT BERGER & RON YERXA, MARC TURTLETAUB, ALEXANDRE MALLET-GUY EXECUTIVE PRODUCERS SIGVE ENDRESEN, FREDERICK W. GREEN, MICHAEL B. CLARK, EMILIE GEORGES, NICHOLAS SHUMAKER, NAIMA ABED, JOACHIM TRIER, ESKIL VOGT CO-PRODUCERS BO EHRHARDT, MIKKEL JERSIN DIRECTOR OF PHOTOGRAPHY JAKOB IHRE, FSF PRODUCTION DESIGNER MOLLY HUGHES EDITOR OLIVIER BUGGE COUTTÉ COSTUME DESIGNER EMMA POTTER COMPOSER OLA FLØTTUM SOUND DESIGN GISLE TVEITO CASTING LAURA ROSENTHAL LINE PRODUCER KATHRYN DEAN

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