Matthew 25:30
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Thermoflex Pantone Swatches
Pantone Color Match NOTE: Color match is approximate and can vary by manufacture batch ALTERNATIVE THERMOFLEX PLUS PART # PANTONE # PANTONE # THERMOFLEX XTRA PART # PANTONE # WHITE PLS-9100 N/A WHITE TFX-8100 N/A ICE GREY PLS-9120 428C STORM GREY TFX-8150 430C STORM GREY PLS-9150 430C BLACK TFX-8236 3C DARK GREY PLS-9152 425C RED TFX-8301 200C BLACK PLS-9236 3C HOT PINK TFE-8310 215C RED PLS-9301 200C ORANGE TFX-8333 165C ORCHID PINK PLS-9304 493C MAROON TFX-8350 229C DUSTY ROSE PLS-9305 210C ATHLETIC GOLD TFX-8426 1235C MEDIUM PINK PLS-9307 189C NAVY BLUE TFX-8513 2767 ROSA PLS-9308 214C ROYAL BLUE TFX-8522 301 CORAL PLS-9309 177C COLUMBIA BLUE TFX-8576 299 HOT PINK PLS-9310 215C ROYAL PURPLE TFX-8584 2755 CRIMSON PLS-9312 216C KELLY GREEN TFX-8633 342C FLAME RED PLS-9315 032C FOREST GREEN TFX-8676 553C ORANGE PLS-9333 165C ANTIQUE SILVER TFX-8834 877C TANGERINE PLS-9335 1585C OLD GOLD TFX-8843 871C PEACH PLS-9337 1565C SALMON PLS-9338 171C TEXAS ORANGE PLS-9340 1605C ECONOMYFLEX PART # PANTONE # MAROON PLS-9350 229C BLACK EF-01 3C VIOLET PLS-9360 249C WHITE EF-02 N/A ATHLETIC GOLD PLS-9426 1235C RED EF-03 200C MEDIUM YELLOW PLS-9450 116C 7502C ATHLETIC GOLD EF-04 1365C VEGAS GOLD PLS-9460 467C 465C NAVY EF-05 533C OCHRE PLS-9465 874C 394C GREY EF-06 422C LEMON YELLOW PLS-9472 3955C SKY BLUE EF-07 7454C BRIGHT LEMON PLS-9473 102C 296C KELLY GREEN EF-08 342C NAVY BLUE PLS-9513 2767 ROYAL BLUE EF-09 287C REFLEX BLUE PLS-9519 2746C ATH. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 3I3n61-4700 800tS21-o600 FABRICATING IDENTITIES: DRESS IN AMERICAN REALIST NOVELS, 1880 - 1925 by Carolyn L. Mathews A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 1996 UMI Number: 9715597 Copyright 1996 by Mathews, Carolyn Louise All rights reserved. -
C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Opelousas, La
JACOBS NEWS DEPOT COMPANY, OPELOUSAS, LA. SEPTEMBER MARM Our School Supplies Now Ready SJacobs Special Dictionaries School Teachers Self-Filler 25c. 50c, 75c, and $1.25 Bags, Boxes, Inks Our 50c Values Pound Paper FOUNTAIN PEN Lunch Wax Papers Pencils, Erasers, Pens Correspondenc Cards and $2.00 Paper Napkins Tablet, Scisors Box Paper JACOBS Drinking Cups Will Satisy You Always Sharp Paper Towels Composition Books Palmer Pens PAL PENCIL Palmer Paper $1.00 Toilet Papers Rulers, Crayolas Note Book : terling Silver 3.00 Black Board Examination Tablets Covers, Drawing SWAT MANS 0 Cloth and Erasers Paste, Dust Pans a Skull aps WATERMANS Chalk Skull Cape FOUNTAIN PENS ak Dusters, Pokers The Good Kind .. •,..•. o •-• B . *j 2.50 and Up JACOBS' SPECIAL C ai Shovels Black and Orange SJACOBS' SPECIAL 25c Waste Baskets Green and Gold STwo Blades Indelible and Purple and White S pocket Knives 25c Composition Books Pountain Pen Inks Purple and Old Gold 25c ... m .. ...... Shbt' Special Waterproof Bags for Boys or Girls 35cts Special prices to Merchants Mallet; South, by Arestide Gull I fItONS PICK SEATTLEL IRLS FOR BEAUTY lory; East, by Samuel Guillory, Jr.; PERSONAL and West, by Mrs. Manuel Guillory, and being same property acquiied by Mr. Moresi and Mr. Schexnayder of Leopold Papillon from Cleophas Guil. Jeanerette, the former being a lory as GOPYVUent is* AJo1okSTiA-* per act passed before J. R nephew of Jack Morasi Pavy, Notary Public, on the 28th day of this city, of October, 1918. were here Wednesday, haing motored TERMS AND OOND)PIONS-Cash to Opelousas to witness the ball cille Dunbar and Messrs. -
SRPS EN 13594: Protective Gloves for Professional Motorcycle Riders
Republic of Serbia ≠ EDICT OF GOVERNMENT ± In order to promote public education and public safety, equal justice for all, a better informed citizenry, the rule of law, world trade and world peace, this legal document is hereby made available on a noncommercial basis, as it is the right of all humans to know and speak the laws that govern them. SRPS EN 13594 (2008) (English): Protective gloves for professional motorcycle riders - Requirements and test methods [Authority: The European Union Per Directive 89/686/EEC] SRPSKI SRPS EN 13594 STANDARD Septelnbar 2008. Identican sa EN 13594:2002 Zastitne rukavice za profesionalne vozace - motocikala - Zahtevi i metode ispitivanja ~ ,/ /. Protective gloves jor pro.fessional motorcycle riders - Requirenlents and test 111ethods J r -./ I izdanje Referentna oznaka TNSTITUT ZA STA NDARDIZACIJU SRBIJE SRPS EN 13594:2008 (en) PRAV A ZASTICENA Alltorska prava za ;/(1 standarde j srodne dokumente pripadaju Institlltll za standardizaciju Srbije. Umnozavanje, u celini iIi delimicno. i distribucija srpskih standarda i srodnih dokumenata. dozvoljcni su samo LIZ saglasnost Instituta za standardizaciju Srbije. ISS Inslitut za slandardizaciju Srbije LNSTITUT ZA STANDARDIZACIJU SRBIJE 11030 Beograd, Stevana Brakusa 2. p. f. 2105 Telefoni: (all) 35-41-260. 35-41-261 Telefaks: (01 I) 35-41-257 Prodaja: (011) 25-47-496 Informacioni centar: (all) 25-47-293 ISS SRPS EN 13594:2008 Ovaj standard don eo je direktor lnstituta za standardizaciju Srbije resenjem br. 1218/34-52-0112008 od 9. septelnb."a 2008. godine. Ovaj standard je identican sa evropskim standardom EN 13594:2002 i objavljen je uz dozvolu Evropskog komiteta za standardizaciju CEN, rue de Stassart 36, B-I050 Brussels. -
Mollie Levine Gilded Ages Assignment #1 October 22, 2015 A
Mollie Levine Gilded Ages Assignment #1 October 22, 2015 A required fashion in the late 19th and early 20th century, a man of any status would not be caught dead without a hat on his head. From its material to its stature, all of the qualities of a man’s hat became an important signifier of his class and dignity. I. Basic Description Sitting approximately nine and a half inches tall, with a front to back brim of roughly twelve inches wide, this top hat (seen in Figure 1) is indicative of a man’s power and status during the early 1900’s. Beige beaver wool of varying hues covers the hat on all sides. The bare skin of certain portions of the hat’s surface implies habitual wear. Furthermore, the irregularity of beaver wool strokes displays use of the hat in less than optimal climactic conditions. Additionally, textured beige silk ribbon details the start of, and edges of the hat’s brim. With small tears and discoloration, it appears that parts of the hat could not be repaired. The edges of the hat’s brim are bent inward on all sides. At the top of the hat, directly in the center, are seven small punch holes, most likely for the purpose of ventilation. Although it may seem ineffective, these tiny holes allowed ones head to “breathe” during an entire days’ wear. The inside of the hat displays further deterioration due to use. The sand colored silk that lines the inside of the hat has become detached and discolored in many areas. -
Dress Code Policy 1
COLLEGE DRESS CODE POLICY 1. RATIONALE The College has in place a student dress code, which was implemented after wide consultation with parents, teachers and students. This dress code is vigorously supported by the School Board and has become part of the culture of the school. Parents and students are informed of the requirements of the dress code prior to their child being enrolled. Acceptance of enrolment at Kinross College is an agreement between the school, the parent and the enrolling student, that the student will conform to the College dress code. The College expects all students for all their years of schooling to always be in the correct uniform and adhere to appropriate presentation standards. Why do we have a Dress Code? • Enables the early identification of unauthorised persons on the school site. • Fosters and enhances the public image of the school. • Assists in building a sense of team spirit and community. • Ensures students are safely dressed for specific school activities. • Encourages equity among students, minimising competition to wear popular designer labels. • Assists in preparing students for work with a number of work places requiring a standard of dress and safety codes. Please be aware that only Kinross College Uniform items of clothing are to be worn to school. All items are available from our uniform supplier (detailed below). There are currently 2 styles of uniform with the old one currently being phased out. As of January 2022 students will ONLY be allowed to wear the new uniform. No items of the old school uniform will be accepted after this point. -
News You Can Use
News You Can Use LivingSoft Subscriber Newsletter | Volume 13 Dress Shop 7 Released! Become a Fashion Designer at home! With Dress Shop 7, you too can be a fashion designer, starting with a pattern that fits and making something extraordinary to wear! On October 20, 2006, Dress Shop 7 was released, exactly two years after Dress The NEW Design Elements in Dress Shop 7 Shop 6 was released. Dress Shop 7 includes more patterns, more tools, more The Dress Shop 7 upgrade necklines, more collars, more sleeves, includes many new features, but and more closure options than ever this article will address only the before. And, upgrading is a bargain. If new design elements: necklines, you do not yet own the Dress Shop collars, closures, sleeves, waist Fashion Design tools, upgrading to Dress Shop 7 gives offset and Pattern Conversion you over $200 worth of design tools for just the $60 tools. Dress Shop 7 Pro also upgrade price. And, you get more than a hundred additional includes ALL of the fashion patterns, plus the new necklines, collars, closures, and design tools as well. sleeves to boot. Necklines: Some necklines were added to Dress Shop If you do own any of the prior tool products, you get a for just one or 2 named patterns. The Cami neck for discount on the upgrade for each tool you own. Either way, instance was available only for the Camisole and you you win! could use it on just that one pattern from the Lingerie category. Now, this neckline may be used on fitted Upgrading from Dress Shop 6 to Dress Shop 7 costs $60, shirts, shells, sheaths, and jumpers for a wide less $10 for each Dress Shop Tool product you own assortment of garment designs. -
FEATHERS ADORN SOME of the MOST ATTRACTIVE HATS Ostrich Plumes Are Used Effectively, Hanging Over the Head to Suggest the Raglan the Fashionable
8 THE SUN, SUNDAY, OCTOBER 5, 1919. 4 FEATHERS ADORN SOME OF THE MOST ATTRACTIVE HATS Ostrich Plumes Are Used Effectively, Hanging Over the Head to Suggest the Raglan The Fashionable . Picture Hat Appears in Reduced Size and Is Worn for the Most Nicknacks Part in the Evening Veils Show Little Change For Women ning, lend T really looks as though the ostrich whllo older women chooso a themselves admirably for twad- Vnown ns "kitten's ear." the ""most When pockets In plush or vel dling dove-- such skirts arrive, plumo wag on Its way to tho hat black hat of chenille or or draping. Tho ovora, dolicato and silky of pinks. Tho off the fancy bag will to somo extent go vet, ornamented with plumes or jet. downs, duveteens, &c, look muclt color for blouses or four seasons ago I A fow of tho best hats of the year darker Is tho brown out qr style. Tho stylo of veil has not changed thicker than they are; Indeed all tho that la so favored In everything for THREE revived, and many were nro garnished with the feather and they since spring. A closo observer might talent has been pot on tho soft velvety tho street n. pheasant, the HANDBAGS AND PANS. fln nld Rhawln rnAtnrf.l aro very too. Tho plume declare that tho veil Is losing favor. surface, for those materials have not I'ocKots, pockets, and again pockets. successful of over There is less use for It now that the much body. The chiffon velvets, as Wo discovered them at the bocin- - from tho seclusion and darkness Is tho uncurled sort nnd hangs much In vogue as when they appeared F you would Judgo from what tho invisible hair net has been so gener nlng of the war when the British om-c- er some old chest or attlo to bo cut up the hoad In a manner to suggest tho years ago, somo, 01 best places aro displaying you ally' adopted. -
January 20,1921
i BELFAST, MAINE, THURSDAY, JANUARY 20. 1921._ FJyE CENTS James c. Kouertson and family moved ! ot Belfast. , The W. C. T. U. will meet Friday af- Aid Hospital Aid: The first baptist News .Saturday from the Howard house on up- The Waldo County Hospital Church. Rev. ternoon with Miss Eda Woodbury. For Ueorge C. per Main street to Daniel I. Robertson’s the year ending Dec. 30, 1920. Sauer, pastor; residence, 13 PERSONAL. of theS. of V. Aux- his brother’s on Salmond The Universalist 1 meeting of the Waldo Cash received and amount in Uedar; telephone, 123-11. The services :nS Circle house, street. League will meet The annual was held at of worship 10.45 and sale and supper March Herbert F. Hanson and family have moved with Mrs. Arthur Morse Friday at 2 30 County Hospital Aid the bank Dec. 1919 33594.55 7.30. Bible school Mrs. Jessie S. Pattee is a few fti5', h_,a at 12 spending from the P. D H. Carter house on p. m. of Mrs. Cecil Clay last Friday sf- Amount for o’clock. Christian Endeavor at with relatives in Hall. Miller * home expended repairs, days Portland. Korial 6.30 at street to the Howard house. ternoon with a tfood attendance.^ The refurnishing and supplies 1397.12 Thursday 7.30 the raid-week ^ Blaisdell has presented Keep the date, Jan. 27th, of the fire- service. Ben J. Parker is in where n \y. following officers were elected: President, Total cash on hand 2197.42 Pastor’s theme for Sunday Auburn, ha a ex- A still alarm was in at 6.30 men’s ball in mind. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion
Antiques, Furnishings, Collectors' Items, Textiles & Vintage Fashion Thursday 23rd November 2017, 10am Viewing Wednesday 22nd November 10.30am-6pm and day of sale from 9am THE OLD BREWERY BAYNTON ROAD ASHTON BS3 2EB [email protected] 0117 953 1603 www.bristolauctionrooms.co.uk Live Bidding at @BristolAuctionRooms @BristolSaleroom BUYERS PREMIUM 24% (INCLUSIVE OF VAT) PLUS VAT ON THE HAMMER PRICE AT 20% WHERE INDICATED Sale No. 191 Catalogue £2 IMPORTANT NOTICES We suggest you read the following guide to buying at Bristol Auction Rooms in conjunction with our full Terms & Conditions at the back of the catalogue. HOW TO BID To register as a buyer with us, you must register online or in person and provide photo and address identification by way of a driving licence photo card or a passport/identity card and a utility bill/bank statement. This is a security measure which applies to new registrants only. We operate a paddle bidding system. Lots are offered for sale in numerical order and we usually offer approximately 80-120 lots per hour. We recommend that you arrive in plenty of time before the lots you are wishing to bid on are up for sale. ABSENTEE BIDS If you cannot attend an auction in person, Bristol Auction Rooms can bid on your behalf, acting upon your instructions to secure an item for you at the lowest possible price as allowed by other bids and reserves. You can leave bids in person, through our website, by email or telephone - detailing your intended bids clearly, giving your price limit for each lot (excluding Buyer’s Premium and VAT).