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(Journal of the RNZIH): December 2005, Vol. 8, No. 2, P

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(Journal of the RNZIH): December 2005, Vol. 8, No. 2, P Winning gold at Chelsea Trish Waugh1 The garden The garden was 10m wide by 11m deep on a slope that elevated 1.2m from front to back. The theme of the garden was to be one of well-being and guardianship – the health and spiritual well- being provided by the land and all it encompasses. It was to depict a slice of New Zealand from the central plateau in the North Island out to the Chatham Islands. The idea was to encompass elements of Mäoridom, indigenous flora and geology that could only be 100% Pure New Zealand. And so “Ora – Garden of Well Being” was conceived, taken from the phrase “kia ora” meaning “be well”. The garden was inspired “100% Pure New Zealand Ora – Garden of Well Being” at Chelsea Flower Show. Image courtesy Andrew Maloy. by mythical Mäori fairies or patupaiarehe, spirits that are believed to live under the cover The creation of the “100% Pure story short we redesigned the of mist and the gardeners and New Zealand Ora – Garden of Well garden for a much smaller area guardians of our native forests. We Being” at Chelsea Flower Show and were eventually accepted by wanted the garden to be distinctly was a very special experience for the RHS for the 2004 Chelsea Aotearoa-New Zealand. me and I would like to share the Flower Show. highlights with you. Much Mäori symbolism and lore Design team was incorporated into the design. My husband Doug and I, together Our team comprised the following: The essence of kaitiakitanga or with Kim Jarrett, a landscape Kim Jarrett, lead designer and guardianship was very important designer and art director in the special effects designer; myself to the garden and as a result we film industry, were first invited as plant designer; Lyonel Grant, went to great lengths to ensure the to design and build a garden for sculptor, paving designer and cultural correctness of our design. Chelsea Flower Show in 2002 by weaver of our story; Tina Hart, We believed if we got this right we Ellerslie Flower Show, who were visual artist who prepared our would get the rest right as well. initially considering carrying out the submission illustrations, painted project. We had just completed a scenic backdrop for the garden Other cultural elements were a very successful Gondwanaland and applied colour effects in incorporated into the design. There exhibit in the ASB Discovery the garden; Doug Waugh who was a marae (traditional meeting marquee at Ellerslie Flower Show organised the materials for place) and a moko waiwera earlier that year. the garden and coordinated (benevolent lizard form) carrying construction on site; and lastly but hot water from the puna (spring), Kim and I prepared a design with by no means least Brian Massey, cooling it so visitors to the garden Mäori sculptor Lyonel Grant and who had just finished as head could bathe in the nga wha (hot presented this to Ellerslie Flower greensman on the set of Lord mineral pool). A cave, or te waha o Show. At this point Tourism New of the Rings and who brought a Rüaumoko, was the dwelling place Zealand had been brought on wealth of experience with specialist of the spirits of the garden. The board as principal sponsor and greens effects used in the film cave was also to be the control all systems would have been go industry. centre for all the special effects Kim for taking our garden to Chelsea had planned for the garden. It was in 2003 if it hadn’t been for the large enough to contain a sound World Trade Centre bombing in system, which played sound tracks September 2002. To cut a long 1 Landscape Design Co Ltd, State Highway 2, Katikati; [email protected] 2 New Zealand Garden Journal, 2005, Vol. 8(2) of bird calls and traditional Mäori did as a team and we believe it is wharenui elsewhere in this very instruments, as well as housing the time when the patupaiarehe, Jacobian garden and restore it to pumps, water heaters, UV filters, the spirits, joined the project. its original condition. Here, in this smoke machines and compressors. piece of New Zealand in the heart We decided to have a dress of England, we received a formal We searched for New Zealand rehearsal in late January 2004. welcome by Ngati Ranana, one of native plants on the internet and The Auckland City Council very the iwi of London. We then went spent many late nights making kindly agreed to give us space in to the Chelsea site for a blessing phone calls to the UK to source the Americas Cup yacht, Alinghi’s and cleansing of the area. A small the thousand or so plants required old base in the Viaduct Basin. piece of Aotearoa-New Zealand to fulfil our design brief. We also There we spent a good week had arrived at Chelsea. planned to send 300 plants from assembling the structures Weta New Zealand. Then in early Workshop of Dunedin had made for Before arriving at the Chelsea site November 2003 I made a trip to us. We set up the moko waiwera, we had envisaged something like a England to check on things and pumps, heaters, filters, special nice grassy slope and warm sunny to source further plants to fill any effects and a token assemblage of days. But the Royal Horticultural gaps. plants, ironing out as many bugs Society had stripped off all of the as we could. We then carefully grass and left us with a very muddy As part of the design Lyonel was packed all the bits and pieces into site that we were to wallow around going to carve some whekï-ponga a large shipping container ready for in for the next few weeks. The rest (Dicksonia fibrosa) which were transport to England at the end of of the team were jetlagged but I to line the boundaries either side March. think all of us were daunted by the of the exhibit. This was bending prospect of what lay ahead. the rules at Chelsea though as no The monthly planning meetings structure was supposed to be more continued and the media machine At first there was a pleasant than 1.2m high within 2.4m of the got faster and faster. Then all of a backdrop of mature trees to the front boundary of the exhibit. We sudden it was 24th April 2004 and rear of our site, but what we didn’t wanted to go above 2m. To get time for Doug and I to leave for find out for another couple of around this we decided we would England. We were arriving a week weeks was that several buildings, carve living ponga and then we earlier than the rest of the team as including a 3 metre high bright blue could argue they were plants and we needed to check on the plants BBC semi-trailer were to be moved not a structure. The concept of te we had ordered, and those we had onto the area prior to the opening ihi kei roto i nga ponga, the spirit sent over, as well as look around of the show. which dwells within the tree fern for anything new that was needed. At Chelsea everything is crammed was incorporated into the design. Although there were plenty of in very tightly. Our site was next plants, they had just experienced Not surprisingly Lyonel is very to the main entrance which at first a very harsh winter and were not well connected and he, Kim and we thought was going to be an in good condition. We realized we Tina gained permission from Ngati advantage, but due to there being really had our work cut out for us Whakaue in Rotorua to collect a one way system for vehicles and that there would be quite a lot live ponga from the top of Mt during the build up we found we of grooming to do to have them Ngongotaha in Rotorua. This is a were right at the end of the delivery looking their best. sacred mountain to Mäoridom and system for plants and materials. also believed to be a traditional The day after everyone else arrived There were times when we knew a home of the patupaiarehe. we were all assembled at Clandon truck load of supplies had passed House at Guilford. This is the through the gate but it could take In late November 2003 the whole ancestral home of Lord Onslow, hours to finally reach our site. team, plus representatives from once Governor of New Zealand. Ngäti Whakaue, a television crew Day one of the build up and it was While in New Zealand he had from the BBC, another from TVNZ raining again. We were up to our purchased a wharenui (meeting and various helpers and transport ankles in mud, but we remembered house) which had survived the assembled in a valley near the the patupaiarehe like it when it is Tarawera eruption. He’d had it summit of Mt Ngongotaha. We wet and misty. It didn’t just rain taken to his estate in Guilford spent the weekend extracting the though, it hailed, was freezing where it was reassembled and ponga, taking as much root-ball as cold and there was thunder and used for some time as a boat shed. we could manage with each one. lighting. We also had our first plant A blessing and karakia was given During World War II the estate delivery – the large cabbage tree as each ponga was removed and was used as a hospital for or Cordyline australis.
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