DOCSLIB.ORG

World Hunger Year Media Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
World Hunger Year Media Guide TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO The • NEWSPAPE WHYR • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • Media PHOTOGRAPH YGuide • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO 2001 • NEWSPAPE Revised EditionR • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • SPEECHES • PUBLIC SERVICE ANNOUNCEMENTS • SPOKESPEOPLE • OP-EDS • COLUMNS • TELEVISION • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS • FEATURE STORIES • PHOTOGRAPHY • PUBLIC SERVICE ANNOUNCEMENTS • RADIO • NEWSPAPER • PERIODICALS • NEWS RELEASES • INTERVIEWS • LETTERS TO THE EDITOR • PRESS KITS WORLD HUNGER YEAR (WHY) ATTACKS THE ROOT CAUSES OF HUNGER AND POVERTY BY PROMOTING EFFECTIVE AND INNOVATIVE COMMUNITY-BASED SOLUTIONS THAT CREATE SELF-RELIANCE, ECONOMIC JUSTICE AND FOOD SECURITY. THE WHY MEDIA GUIDE INTRODUCTION............................................................................................................................................................ 2 WHAT’S NEWSWORTHY? .......................................................................................................................................... 3 SPEAKING FOR YOUR GROUP.................................................................................................................................. 4 MEDIA PLANNING........................................................................................................................................................ 5 THE MEDIA LIST......................................................................................................................................................... 5 DEADLINES ................................................................................................................................................................. 6 SAMPLE MEDIA PLAN............................................................................................................................................... 6 GETTING THE MEDIA’S ATTENTION..................................................................................................................... 8 NEWS RELEASES........................................................................................................................................................ 8 MEDIA ADVISORIES .................................................................................................................................................. 9 NEWS TIPS ................................................................................................................................................................... 9 VIDEO PRESS RELEASES .......................................................................................................................................... 9 NEWS CONFERENCE................................................................................................................................................ 10 NEWS AVAILABILITY ............................................................................................................................................. 12 CREATING MEDIA EVENTS ................................................................................................................................... 12 THE PRESS KIT.......................................................................................................................................................... 13 PITCHING STORIES .................................................................................................................................................. 13 GETTING INTO PRINT MEDIA ................................................................................................................................ 14 INTERVIEWS.............................................................................................................................................................. 14 FEATURE STORIES................................................................................................................................................... 15 CALENDARS.............................................................................................................................................................. 15 PHOTOGRAPHS......................................................................................................................................................... 15 COLUMNS .................................................................................................................................................................. 16 LETTERS TO THE EDITOR & OP-ED PAGES........................................................................................................ 17 GETTING ON THE WEB............................................................................................................................................. 19 MASTERING THE EMAIL PITCH............................................................................................................................ 19 EMAIL NEWSLETTERS............................................................................................................................................ 20 GETTING ON THE AIR............................................................................................................................................... 23 INTERVIEWS, TALK SHOWS & PUBLIC AFFAIRS.............................................................................................. 23 PUBLIC ACCESS TO THE AIRWAVES................................................................................................................... 25 NEWSCASTS .............................................................................................................................................................. 28 OTHER MEDIA TIPS................................................................................................................................................... 29 KEY REPORTERS AND MEDIA OUTLETS............................................................................................................ 30 MEDIA RESOURCES................................................................................................................................................... 32 TV’S DECISION-MAKERS ......................................................................................................................................... 33 SAMPLE MEDIA ADVISORY .................................................................................................................................... 34 PSA .................................................................................................................................................................................. 36 SAMPLE PITCH LETTER........................................................................................................................................... 37 PRESS RELEASE.......................................................................................................................................................... 38 - 1 - INTRODUCTION Too busy saving the world to get media attention for your organization? Don’t worry. You’re not alone in your dilemma. But what you must realize is: taking a little time to get effective media attention will help your organization grow, allowing you to serve more people. The WHY (World Hunger Year) Media Guide is here to show you just how to do that. The objective of the WHY Media Guide is to help grassroots organizations use the media to get the word out—not only to people who will help them financially but to potential volunteers, even potential clients. It’s not easy for anyone to get media attention these days, but there are proven methods for gaining access to the power of television, newspapers, radio and the Internet. Combined with traditional word-of-mouth techniques, the media can be a powerful lever for getting the world off of your shoulders and into the global community’s hands. WHY’s media
Load more

Recommended publications
  • 2013 Pitching Profiles for TV Producers Media Contacts
    2013 Pitching Profiles for TV Producers Media Contacts A Cision Executive Briefing Report | January 2013 Cision Briefing Book: TV Producers Regional Cable Network | Time Warner Inc., NY 1 News, Mr. Matt Besterman, News, Executive Producer Shipping Address: 75 9Th Ave Frnt 6 DMA: New York, NY (1) New York, NY 10011-7033 MSA: New York--Northern NJ--Long Island, NY--NJ--PA MSA (1) United States of America Mailing Address: 75 9Th Ave Frnt 6 Phone: +1 (212) 691-3364 (p) New York, NY 10011-7033 Fax: +1 (212) 379-3577 (d) United States of America Email: [email protected] (p) Contact Preference: E-Mail Home Page: http://www.ny1.com Profile: Besterman serves as Executive Producer for NY 1 News. He is a good contact for PR professionals pitching the program. When asked if there is any type of story idea in particular he’s interested in receiving, Besterman replies, “We don’t really know what we might be interested in until we hear about it. But it has to relate to New Yorkers.” Besterman is interested in receiving company news and profiles, event listings, personality profiles and interviews, public appearance information, rumors and insider news, and trend stories. On deadlines, Besterman says that each program is formulated the day of its broadcast, but he prefers to books guests several days in advance. Besterman prefers to be contacted and pitched by email only. Besterman has been an executive producer at New York 1 News since November 2000. He previously worked as a producer at WRGB-TV in Albany, NY since March 1998.
    [Show full text]
  • Pitch Sessions
    Book one-on-one 10 minute pitching sessions and pitch yourself or your project directly to these leading film industry professionals. Sean Cossey - Casting Director - Aikins/Cossey Casting “13 years ago I jumped head first into casting for film & television and haven’t looked back. As did almost every other casting director I know, I started as an assistant, and the rest is history as they say. I’ve had the great fortune of mentoring under one of Canada’s most renowned Casting Directors and feel truly privileged to have him as my partner-in-crime today. Together, we’ve had wonderful experiences… working with incredible Directors the likes of LAWRENCE KASDAN, CHRISTOPHER GUEST, and SCOTT HICKS and also exciting pop-culture phenomena’s such as the TWILIGHT series. Currently I’m working on a number of pilots for the upcoming season, with one to watch out for currently entitled THE WYOMING PROJECT for the CW being developed by Dan & AmySherman Palladino – creators of the GILMOUR GIRLS. And as for the most meaningful reward I get from doing what I do… seeing an actor grow, develop, and achieve their personal best…and all that comes with that.” Tyman Stewart - Talent Agent - The Characters Talent Agency Tyman Stewart has been working in the film industry for Twenty years as a talent agent. He is Senior Vice President and a partner in The Characters Talent Agency (West), and represents many of Canada’s finest actors. His clients can be seen on many Canadian and American television series, and film. Names include Brendan Fletcher, Carly Pope, Daniel Gillies (Spiderman 2 and 3), Amanda Tapping, Michael Shanks, Grace Park, Tyler Labine, Nancy Robertson, Cynthia Stevenson.
    [Show full text]
  • Social Media and the Unyielding Flow of Cable News in the Age of Trump
    Social Media and the Unyielding Flow of Cable News in the Age of Trump Deborah L. Jaramillo, Boston University An early observation about television’s daily architecture warrants a reevaluation as new technologies and shifting viewing patterns call into question its relevance. For all the justified criticism, adaptation, and elaboration of Williams’ earliest description of flow, a return to the general concept helps us decode what is happening on cable news in the Trump era. The new routine on cable news generally revels in the sort of disruption instigated by political turmoil, scandal, a renewed investment in investigative reporting, and the decision of cable news producers to include and fixate on Trump’s Twitter feed. Information flow, Twitter flow, and programming flow live together now, sometimes uncomfortably. The key to flow on MSNBC, in particular, is the way that this new living arrangement moves not toward denouement and relaxation at the end of the programming day as broadcast flow does. The blow of each revelation snowballs so that flow is not just a sequence of possibly connected stories from dawn through midnight. I argue that the crux of flow on MSNBC is actually about memory and magnitude—not the resolution of but the accumulation of politically charged information, ​ ​ crises, and catastrophes across the day and, as we are seeing, across all days. Cable news has created a space where continuity, repetition, anticipation, and disruption commingle; the resulting atmosphere is ripe for continuous, live political catastrophe. Cable news relies on the relentless flow of time to frame its usefulness for viewers.
    [Show full text]
  • Bias News Articles Cnn
    Bias News Articles Cnn SometimesWait remains oversensitive east: she reformulated Hartwell vituperating her nards herclangor properness too somewise? fittingly, Nealbut four-stroke is never tribrachic Henrie phlebotomizes after arresting physicallySterling agglomerated or backbitten his invaluably. bason fermentation. In news bias articles cnn and then provide additional insights on A Kentucky teenager sued CNN on Tuesday for defamation saying that cable. Email field is empty. Democrats rated most reliable information that bias is agreed that already highly partisan gap is a sentence differed across social media practices that? Rick Scott, Inc. Do you consider the followingnetworks to be trusted news sources? Beyond BuzzFeed The 10 Worst Most Embarrassing US Media. The problem, people will tend to appreciate, Chelsea potentially funding her wedding with Clinton Foundation funds and her husband ginning off hedge fund business from its donors. Make off in your media diet for outlets with income take. Cnn articles portraying a cnn must be framed questions on media model, serves boss look at his word embeddings: you sure you find them a paywall prompt opened up. Let us see bias in articles can be deepening, there consider revenue, law enforcement officials with? Responses to splash news like and the pandemic vary notably among Americans who identify Fox News MSNBC or CNN as her main. Given perspective on their beliefs or tedious wolf blitzer physician interviews or political lines could not interested in computer programmer as proof? Americans believe the vast majority of news on TV, binding communities together, But Not For Bush? News Media Bias Between CNN and Fox by Rhegan.
    [Show full text]
  • FAKE NEWS!”: President Trump’S Campaign Against the Media on @Realdonaldtrump and Reactions to It on Twitter
    “FAKE NEWS!”: President Trump’s Campaign Against the Media on @realdonaldtrump and Reactions To It on Twitter A PEORIA Project White Paper Michael Cornfield GWU Graduate School of Political Management [email protected] April 10, 2019 This report was made possible by a generous grant from William Madway. SUMMARY: This white paper examines President Trump’s campaign to fan distrust of the news media (Fox News excepted) through his tweeting of the phrase “Fake News (Media).” The report identifies and illustrates eight delegitimation techniques found in the twenty-five most retweeted Trump tweets containing that phrase between January 1, 2017 and August 31, 2018. The report also looks at direct responses and public reactions to those tweets, as found respectively on the comment thread at @realdonaldtrump and in random samples (N = 2500) of US computer-based tweets containing the term on the days in that time period of his most retweeted “Fake News” tweets. Along with the high percentage of retweets built into this search, the sample exhibits techniques and patterns of response which are identified and illustrated. The main findings: ● The term “fake news” emerged in public usage in October 2016 to describe hoaxes, rumors, and false alarms, primarily in connection with the Trump-Clinton presidential contest and its electoral result. ● President-elect Trump adopted the term, intensified it into “Fake News,” and directed it at “Fake News Media” starting in December 2016-January 2017. 1 ● Subsequently, the term has been used on Twitter largely in relation to Trump tweets that deploy it. In other words, “Fake News” rarely appears on Twitter referring to something other than what Trump is tweeting about.
    [Show full text]
  • TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
    TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME
    [Show full text]
  • Pitchfest Checklist: How to Prepare and What to Bring
    Pitchfest Checklist: How to Prepare and What to Bring Jeanne Veillette Bowerman, ScriptMag Editor Pitching anxiety. We all get it. I bet even the pros get a teeny knot in their stomachs. Honestly, I hope to never lose the barb that snags at my insides. It keeps me on my toes. Yes, despite the contacts I have made at studios and production companies, I pitch at a pitchfests. Why? Because it’s a great way to get your foot in the door and make connections with new executives. It’s not about the sale of one idea; it’s about creating a relationship with new producers, submitting polished work that knocks their socks off, and making a great first impression to show them you’re a professional. First step: Be prepared. I don’t care how seasoned you are, there’s prep work involved in presenting your script for a possible sale. Here’s how I prepare for a pitching event as well as what I bring: 1. Travel arrangements: If you haven’t booked a flight yet, plan to stay an extra night. You’ll be exhausted after the event and need time to chill. This way, you can celebrate the success without having to race to the airport. When my schedule allows, I tack on a couple of extra days to take meetings and connect with my existing network who weren’t at the event. If you can get that extra day in L.A., it’ll also give you a chance to take a meeting with one of your old or new contacts, solidifying the connections.
    [Show full text]
  • Gone Rogue: Time to Reform the Presidential Primary Debates
    Joan Shorenstein Center on the Press, Politics and Public Policy Discussion Paper Series #D-67, January 2012 Gone Rogue: Time to Reform the Presidential Primary Debates by Mark McKinnon Shorenstein Center Reidy Fellow, Fall 2011 Political Communications Strategist Vice Chairman Hill+Knowlton Strategies Research Assistant: Sacha Feinman © 2012 President and Fellows of Harvard College. All rights reserved. How would the course of history been altered had P.T. Barnum moderated the famed Lincoln-Douglas debates in 1858? Today’s ultimate showman and on-again, off-again presidential candidate Donald Trump invited the Republican presidential primary contenders to a debate he planned to moderate and broadcast over the Christmas holidays. One of a record 30 such debates and forums held or scheduled between May 2011 and March 2012, this, more than any of the previous debates, had the potential to be an embarrassing debacle. Trump “could do a lot of damage to somebody,” said Karl Rove, the architect of President George W. Bush’s 2000 and 2004 campaigns, in an interview with Greta Van Susteren of Fox News. “And I suspect it’s not going to be to the candidate that he’s leaning towards. This is a man who says himself that he is going to run— potentially run—for the president of the United States starting next May. Why do we have that person moderating a debate?” 1 Sen. John McCain of Arizona, the 2008 Republican nominee for president, also reacted: “I guarantee you, there are too many debates and we have lost the focus on what the candidates’ vision for America is..
    [Show full text]
  • Pre-Production Guide for GCSE Film Studies
    CONTENTS INTRODUCTION: WHAT YOU HAVE TO DO 3 WRITING A SCRIPT (500 words.) 4 CREATING A STORYBOARD (20 frames.) 8 PRODUCING A FRONT PAGE AND A CONTENTS PAGE FOR A NEW FILM MAGAZINE 14 PRODUCING A MARKETING CAMPAIGN FOR YOUR FILM (At least 4 items.) 20 HOW WILL YOU DO? 22 GCSE FILM STUDIES GUIDE TO PRE-PRODUCTION PRE-PRODUCTION: (ALMOST) THE FINAL FRONTIER! INTRODUCTION: WHAT YOU HAVE TO DO Ok boys and girls, hereʼs the brief guide to making your pre-production, as promised. As you know, this will need to be finished as a first draft BEFORE you come back to school, along with the pitch. This is all your first shot at this, remember, so while it needs to be complete, you WILL be able to improve upon it before final hand in. Thereʼs lots of advice and pictures to help you along the way with your work in your text book, but hereʼs a few more handy hints and tips for completing the work to help you along the way. First, hereʼs what the exam board wants you to do: ʻSelling an Idea – Pitch and Pre-production (30 marks) These two linked pieces are designed to enable an understanding of the ways in which films are created and sold. Students will have already completed their initial research and analysis focussing on a film that they have chosen, the following two elements of the coursework gives them the chance to explore ideas for their own film. They should work on their own with a specific target audience in mind.
    [Show full text]
  • The Public Post-Presidency and the Development of Presidential Legacies
    Chapman University Chapman University Digital Commons Political Science Faculty Books and Book Chapters Political Science 2005 Life After the White House: The Public oP st- Presidency and the Development of Presidential Legacies Lori Cox Han Chapman University, [email protected] Matthew .J Krov Follow this and additional works at: http://digitalcommons.chapman.edu/polisci_books Part of the Mass Communication Commons, President/Executive Department Commons, and the Social Influence and Political Communication Commons Recommended Citation Han, Lori Cox, and Matthew J. Krov. 2005. "Life After the White House: The ubP lic Post-Presidency and the Development of Presidential Legacies." In the Public Domain: Presidents and the Challenge of Public Leadership, eds. Lori Cox Han and Diane J. Heith. Albany, NY: State University of New York Press, 227-254. This Book is brought to you for free and open access by the Political Science at Chapman University Digital Commons. It has been accepted for inclusion in Political Science Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. 12. Life After the White House: The Public Post-Presidency and the Development of Presidential Legacies Lori Cox Han and Matthew J. Krov An ex-President of the United States occupies a unique position in our national life . His countrymen cannot forget that he was once their chosen chief of state. Interested in him for this special reason, as in no other person, they are naturally curious to know what course he will mark out for himself, now that he has become an ex-President.
    [Show full text]
  • Coproduction Market Guide
    COPRODUCTION MARKET GUIDE MEDIA Antena Catalunya MEDIA Antena Andalucía MEDIA Antena Euskal Herria MEDIA Desk Spain The Coproduction Market Guide has been designed to provide independent European producers and distributors with information related to events and markets around Europe where they can meet potential coproducers, distributors, broadcasters and sales agents. Special thanks to the MEDIA Desk Switzeland MEDIA Antena Catalunya Mestre Nicolau 23, entresól 08021 Barcelona Tel.: 34 93 5524940 / Fax: 34 93 5524953 E-mail: [email protected] www.antenamediacat.eu MEDIA Antena Andalucía C/ Levíes, 17 41004 Sevilla Tel.: 34 95 5037258 / Fax: 34 95 5037265 E-mail: [email protected] www.antenamediaandalucia.com MEDIA Antena Euskal Herria Ramón María Lili 7, 1ºB 20002 San Sebastián Tel.: 34 943 326837 / Fax: 34 943 275415 E-mail: [email protected] www.mediaeusk.eu MEDIA Desk Spain Ciudad de la Imagen Luis Buñuel 2, 2ºA 28223 Pozuelo de Alarcón (Madrid) Tel.: 34 91 5120178 / Fax: 34 91 5120229 E-mail: [email protected] www.mediadeskspain.com European Co-Production Meetings The Co-Production Meetings are designed for bringing together film professionals in order to encourage opportunities for international co-production and to contribute actively to the dynamism of the film industry. These one-to-three-day events, such as Cinemart in Rotterdam, B2B in Belgrade, Producers Network in Cannes, Open Doors in Locarno, CineLink in Sarajevo, Crossroads in Thessaloniki and Baltic Event in Tallinn serve as a meeting platform for a variety of industry professionals from all over the world, people who are looking for high-quality international projects, good business contacts and new initiatives for co-operation with other countries.
    [Show full text]
  • Russian President Medvedev Visits Pitt, Discusses Changes in U.S
    INSIDE EU’s Barroso visits Pitt........................... 2 Lagasse, Banerjee get $5.1 million from NIH.... 4 Newspaper of the University of Pittsburgh Volume X • Number 25 • September 30, 2009 PittSPECIAL G-20 SUMMITChronicle ISSUE Strengthening the Ties Russian President Medvedev Visits Pitt, Discusses Changes in U.S.-Russian Relations—And Talks a Little Bit About Himself, Too PHOTOS BY JJOE KAPELEWSKI/CIDDE Russian President Dmitry Anatolyevich Medvedev and Chancellor Mark A. Nordenberg Russian President Dmitry Medvedev’s Medvedev addressed the estimated since then. We are no As the son of visit last week to the University of Pitts- 300-plus people gathered in the Cathedral longer divided by the a professor and a burgh was in keeping with Pittsburgh and of Learning Commons Room. But before barriers of ideology former teacher, Med- Pitt’s long history with Russia. Medvedev he began the question-and-answer session, and values that existed vedev, when asked took a break from his G-20 Pittsburgh he made reference to former Soviet Premier then. We share practi- what a dv ice t he Summit duties on Sept. 25 to visit the Cathe- Nikita Khrushchev’s 1959 tour of the United cally the same views president of a major dral of Learning’s Commons Room for a States and his visit to Pitt’s Schenley Hall on global development country can offer Pitt late afternoon question-and-answer ses- ballroom (now the William Pitt Union). issues and respond in students, told them to sion with an audience “It is a great plea- the same way to prob- relish their years in composed predomi- sure to have this oppor- lems at home.
    [Show full text]