Sounds of Science – Schall Im Labor (1800–1930)
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2008 PREPRINT 346 Julia Kursell (ed.) Sounds of Science – Schall im Labor (1800–1930) TABLE OF CONTENTS Introductory Remarks Julia Kursell 3 „Erzklang“ oder „missing fundamental“: Kulturgeschichte als Signalanalyse Bernhard Siegert 7 Klangfiguren (a hit in the lab) Peter Szendy 21 Sound Objects Julia Kursell 29 A Cosmos for Pianoforte d’Amore: Some Remarks on “Miniature Estrose” by Marco Stroppa Florian Hoelscher 39 The “Muscle Telephone”: The Undiscovered Start of Audification in the 1870s Florian Dombois 41 Silence in the Laboratory: The History of Soundproof Rooms Henning Schmidgen 47 Cats and People in the Psychoacoustics Lab Jonathan Sterne 63 The Resonance of “Bodiless Entities”: Some Epistemological Remarks on the Radio-Voice Wolfgang Hagen 73 VLF and Musical Aesthetics Douglas Kahn 81 Ästhetik des Signals Daniel Gethmann 89 Producing, Representing, Constructing: Towards a Media-Aesthetic Theory of Action Related to Categories of Experimental Methods Elena Ungeheuer 99 Standardizing Aesthetics: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany Myles W. Jackson 113 Introductory Remarks The following collection of papers documents the workshop “Sounds of Science – Schall im Labor, 1800 to 1930,” carried out at the Max Planck Institute for the History of Science, Berlin October 5 to 7, 2006. It was organized within the context of the project “Experimentalization of Life: Configurations between Science, Art, and Technology” situated in Department III of the Institute. While the larger project has discussed topics such as “Experimental Cultures,” the “Materiality of Time Relations in Life Sciences, Art, and Technology (1830-1930),” “Science and the City,” “Relations between the Living and the Lifeless,” and the “Shape of Experiment” in workshops and conferences, this workshop asked about the role sound plays in the configurations among science, technology and the arts, focusing on the years between 1800 and 1930.
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