A Tribute to Robert Helliwell (1920–2011)
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Very Low Frequency Space Radio Research at Stanford 1950 – 1990
Title: Very Low Frequency Space Radio Research at Stanford 1950 – 1990: Discovery, Innovation and Analysis, Supported by Field Work Extending from Antarctica to Alaska Author: D. Carpenter Publisher: Published by Lulu Press for the author ISBN: 5800114-056925 Date published: 2015 Length: 215 pages, no index, 12-page bibliography Status: In print Availability: Hardcover 53 USD, softcover 50 USD, copies may be ordered from: http://www.lulu.com/shop/donald-carpenter/vlf-history/hardcover/product- 22497227.html Reviewer: Whitham D. Reeve Very Low Frequency Space Radio Research at Stanford 1950 – 1990 recognizes the work of Robert Helliwell who founded the Stanford University VLF Group and was its director for four decades from 1950 to 1990. Helliwell was the author of the classic Whistlers and Related Ionospheric Phenomena, originally published by Stanford University Press in 1965; it was republished by Dover in 2006 and is still available [Helliwell]. Carpenter worked with Helliwell and made significant contributions to a chapter in Helliwell’s book. The author also was closely associated with the research activities of Stanford’s VLF Group during much of the time period covered. The book reviewed here is not a primer. Readers already familiar with Earth’s naturally occurring radio phenomena called whistlers, auroral chorus and auroral hiss will benefit the most. The natural radio phenomena in question occur below about 100 kHz in the low frequency (LF, 30 to 300 kHz), very low frequency (VLF, 3 to 30 kHz) and ultra-low frequency (ULF, 300 to 3000 Hz) bands but, as the book’s title indicates, they are lumped under the category of very low frequency. -
1 Dr. Robert Helliwell 17 September 2002 Brian Shoemaker
1 Dr. Robert Helliwell 17 September 2002 Brian Shoemaker Interviewer Begin Tape 1A (000) BS: This is an oral interview with Dr. Robert Helliwell, conducted as part of the Polar Oral History Project of the American Polar Society and the Byrd Polar Research Center of the Ohio State University on a grant from the National Science Foundation. The interview was taken at Dr. Helliwell’s office, Stanford University, by Brian Shoemaker on the 17th of September 2002. Well, thank you for having me here, Dr. Helliwell. We’re interested in you. We’re interested in where you’re from, how you got started and what led up to your lifetime work, who you mentors are and milestones along the way and personal things that made it a tough job, certainly out in the cold, freezing your nose and toes. And how it affected your life after you retired. RH: Well, those are interesting question and I’m not sure I’ll cover them in that order, but I want to take up the cold first. The reason that I was so interested in Antarctica and willing to go when the opportunity came was that I grew up in Minnesota. It’s a cold, cold place in the winter. And the snow is deep and it’s cold and all the things that you’d experience in the Antarctic are right there. So, I knew it and I thought that this would be kind of fun to go down to a place where in the summer it’s like Minnesota is in winter. -
The Early History of Very Low Frequency (Vlf) Radio Research at Stanford
THE EARLY HISTORY OF VERY LOW FREQUENCY (VLF) RADIO RESEARCH AT STANFORD YEARS OF DISCOVERY, INNOVATION, AND ANALYSIS, SUPPORTED BY FIELD WORK EXTENDING FROM ANTARCTICA TO ALASKA Donald L. Carpenter July 30, 2014 Contents 1 Ground Observations 1 1.1 Introduction . 2 1.2 The beginnings of whistler research at Stanford . 3 1.2.1 The first whistlers heard at Stanford . 4 1.2.2 Word of Storey's discovery of whistler paths . 5 1.2.3 A program of whistler observations at Stanford . 6 1.2.4 Discovery of the nose whistler . 6 1.2.5 The `undiscovered' 1955 nose whistler at Stanford: a footnote to the College, Alaska whistlers . 8 1.2.6 First Stanford recordings in Antarctica . 9 1.2.7 VLF recordings near Cape Horn confirm Storey's findings . 9 1.2.8 Early whistler recordings and their visual analysis . 10 1.2.9 The first routine measurements of whistler dispersion . 11 1.2.10 My farewell to the VLF group in 1959 and quick return . 12 1.3 Key developments in the use of whistlers to probe magnetospheric density structure . 12 1.3.1 Whistler propagation in ducts . 13 1.3.2 Smith's work on a universal whistler dispersion curve . 13 1.3.3 The need for curve fitting on non-nose whistlers . 14 1.4 Mapping the cold plasma in space . 14 1.4.1 Alex Dessler's 1959 visit and a look at magnetic storm effects . 14 1.4.2 Clarifying data from Byrd, Antarctica . 16 1.4.3 The Axford and Hines article on magnetospheric convection . -
Sounds of Science – Schall Im Labor (1800–1930)
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2008 PREPRINT 346 Julia Kursell (ed.) Sounds of Science – Schall im Labor (1800–1930) TABLE OF CONTENTS Introductory Remarks Julia Kursell 3 „Erzklang“ oder „missing fundamental“: Kulturgeschichte als Signalanalyse Bernhard Siegert 7 Klangfiguren (a hit in the lab) Peter Szendy 21 Sound Objects Julia Kursell 29 A Cosmos for Pianoforte d’Amore: Some Remarks on “Miniature Estrose” by Marco Stroppa Florian Hoelscher 39 The “Muscle Telephone”: The Undiscovered Start of Audification in the 1870s Florian Dombois 41 Silence in the Laboratory: The History of Soundproof Rooms Henning Schmidgen 47 Cats and People in the Psychoacoustics Lab Jonathan Sterne 63 The Resonance of “Bodiless Entities”: Some Epistemological Remarks on the Radio-Voice Wolfgang Hagen 73 VLF and Musical Aesthetics Douglas Kahn 81 Ästhetik des Signals Daniel Gethmann 89 Producing, Representing, Constructing: Towards a Media-Aesthetic Theory of Action Related to Categories of Experimental Methods Elena Ungeheuer 99 Standardizing Aesthetics: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany Myles W. Jackson 113 Introductory Remarks The following collection of papers documents the workshop “Sounds of Science – Schall im Labor, 1800 to 1930,” carried out at the Max Planck Institute for the History of Science, Berlin October 5 to 7, 2006. It was organized within the context of the project “Experimentalization of Life: Configurations between Science, Art, and Technology” situated in Department III of the Institute. While the larger project has discussed topics such as “Experimental Cultures,” the “Materiality of Time Relations in Life Sciences, Art, and Technology (1830-1930),” “Science and the City,” “Relations between the Living and the Lifeless,” and the “Shape of Experiment” in workshops and conferences, this workshop asked about the role sound plays in the configurations among science, technology and the arts, focusing on the years between 1800 and 1930. -
Kahn (Endnotes)
Notes INTRODUCTION 1. Edmund Russell et al., “The Nature of Power: Synthesizing the History of Technology and Environmental History,” Technology and Culture 52 (April 2011): 246–59. 2. The occasion was a panel titled “Data Atmospheres,” convened by Frances Dyson at the annual conference of the Society for Literature, Science and the Arts, University of Texas, Austin, 2003. I discussed Whistlers and Sferics by Lucier and Electrical Storms and Aeriology by Hinterding. The way in which these works required a different approach is characteristic of a larger problem that composers and artists responsive to contemporary conditions can face: such composers and artists are often not well served by prevailing criticism or existing histories. Working from the integrity of single works or bodies of work has the advantage of engaging the theorization already embodied in artistic practice rather than importing it. Ideally, such an approach can counter normative cycles of history and criticism with a notion of artistic possibility from which such works arise in the first place. 3. Linda Dalrymple Henderson, Duchamp in Context: Science and Technology in the “Large Glass” and Related Works (Princeton, NJ: Princeton University Press, 1998). 4. Michael Heumann recognized the implications of Watson’s sounds in his PhD dissertation, “Ghost in the Machine: Sound and Technology in Twentieth-Century Literature” (University of California at Riverside, Copyright © 2013. University of California Press. All rights reserved. of California Press. © 2013. University Copyright 1998), http://thelibrary.hauntedink.com/ghostinthemachine/ (accessed October 2005). Avital Ronell discusses Watson in a calls-and-affect manner fixed on Watson’s spiritism in The Telephone Book: Technology, Kahn, Douglas. -
Earth Sound Earth Signal
AHMANSON ·MURPHY fiNE ARTS IMPRINT THE AHMANSON FOUNDATION has endowed this imprint to honor the memory of FRANKLIN MURPHY who for half a century served arts and letters, beauty and learning, in equal measure by shaping with a brilliant devotion those institutions upon which they rely. 9780520257801_PRINT.indd a 27/07/13 9:46 AM The publisher gratefully acknowledges the generous support of the Art Endowment Fund of the University of California Press Foundation, which was established by a major gift from the Ahmanson Foundation. 99780520257801_PRINT.indd780520257801_PRINT.indd b 227/07/137/07/13 99:46:46 AAMM EARTH SOUND EARTH SIGNAL 99780520257801_PRINT.indd780520257801_PRINT.indd i 227/07/137/07/13 99:46:46 AAMM 99780520257801_PRINT.indd780520257801_PRINT.indd iiii 227/07/137/07/13 99:46:46 AAMM Earth Sound Earth Signal Energies and Earth Magnitude in the Arts DOUGLAS KAHN UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 99780520257801_PRINT.indd780520257801_PRINT.indd iiiiii 227/07/137/07/13 99:46:46 AAMM University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2013 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Kahn, Douglas, 1951–. Earth sound earth signal : energies and earth magnitude in the arts / Douglas Kahn. -
ANGELS DON't PLAY THIS HAARP Advances in Tesla Technology
ANGELS DON‘T PLAY THIS HAARP Advances in Tesla Technology by Dr. Nick Begich and Jeane Manning 1997 from Environmental Warfare? The U. S. Government has a new ground-based ―Star Wars‖ weapon which is being tested in the remote bush country of Alaska. This new system manipulates the environment in a way which can: Disrupt human mental processes. Jam all global communications systems. Change weather patterns over large areas. Interfere with wildlife migration patterns. Negatively affect your health. Unnaturally impact the Earth‘s upper atmosphere. The U.S. military calls its zapper HAARP (High-frequency Active Auroral Research Project). But this skybuster is not about the Northern Lights. This device will turn on lights never intended to be artificially manipulated. Their first target is the electrojet - a river of electricity that flows thousands of miles through the sky and down into the polar icecap. The electrojet will become a vibrating artificial antenna for sending electromagnetic radiation raining down on the earth. The U.S. military can then ―X-ray‖ the earth and talk to submarines. But there‘s much more they can do with HAARP. This book reveals surprises from secret meetings. PROJECT CENSORED - A prestigious panel of journalists judged HAARP to be in the top ten under-reported news stories of 1994. POPULAR SCIENCE - As a front-cover story, HAARP began to be revealed in September, 1995. This book is the rest of the story. The High-frequency Active Auroral Research Project is The HAARP that Angels Don't Play. About the Authors Dr. Nick Begich (image right) is the eldest son of the late United States Congressman from Alaska, Nick Begich Sr., and political activist Pegge Begich.