Truthful, Factual and Unbiased [email protected] Eye on The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Security Transitions Thiemo Fetzer, Pedro Cl Souza, Oliver Vanden Eynde, Austin Wright
Security Transitions Thiemo Fetzer, Pedro Cl Souza, Oliver Vanden Eynde, Austin Wright To cite this version: Thiemo Fetzer, Pedro Cl Souza, Oliver Vanden Eynde, Austin Wright. Security Transitions. 2020. halshs-02518234 HAL Id: halshs-02518234 https://halshs.archives-ouvertes.fr/halshs-02518234 Preprint submitted on 25 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. WORKING PAPER N° 2020 – 13 Security Transitions Thiemo Fetzer Pedro CL Souza Oliver Vanden Eynde Austin L. Wright JEL Codes: D72, D74, L23 Keywords: Counterinsurgency, Civil Conflict, Public Goods Provision Security Transitions∗ Thiemo Fetzery Pedro CL Souzaz Oliver Vanden Eyndex Austin L. Wright{ March 23, 2020 Abstract How do foreign powers disengage from a conflict? We study the recent large- scale security transition from international troops to local forces in the context of the ongoing civil conflict in Afghanistan. We construct a new dataset that com- bines information on this transition process with declassified conflict outcomes and previously unreleased quarterly survey data. Our empirical design leverages the staggered roll-out of the transition onset, together with a novel instrumental variables approach to estimate the impact of the two-phase security transition. -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Vishwasroop 2
www.WeeklyVoice.com BOLLYWOOD Friday, June 15, 2018 | B-3 Janhvi, Ishaan Said To Sizzle In ‘Dhadak’ Enter to win MUMBAI: First things irst. Going Movie Passes by the trailer, Karan Johar’s produc- tion and Shashank Khaitans directori- al “Dhadak” is nothing like the original ilm “Sairat”. “Dhadak” is not an adaptation. It is a diferent beast altogether. Far more lamboyant and feral, illed with noise, colour and drama, leaving behind the comparatively compact world of “Sairat” where the stress was on the friction between the two castes which clashed over the lovers’ auda- cious crossover from into each other’s forbidden territory. This is a more generic world of co- lour, drama and music undercut by an overweening innocence and a ru- inous oblivion to the ground reality der to the passion of irst-love look Manjule would ind it hard to recog- that makes the lovers look as pristine convincing, sincere and heartfelt even nise his own ilm in this hybrid avatar as Rishi Kapoor and Dimple Kapadia in today’s age of unrelieved cynicism. of colours and emotions that leap at Which was the irst in “Bobby”. In Janhvi, we see heartstopping us with enticing fervour. Indeed, Ishaan Khatter and Janhvi lashes of her legendary mother But there is one proud mother up ilm directed by Kapoor bring into play the same non- Sridevi, specially in the way she proj- there smiling every time her daughter sexual dynamics of intense love that ects the arrogant proprietary pride of smiles on-screen. A star is reborn. maestro Subhash Ghai? William Shakespeare and then Raj ownership every time she looks at her Director Shashank Khaitan and pro- Kapoor mastered in their versions of utterly smitten other. -
Recruiter's Handbook 2020
Recruiter’s Handbook 2020 VISION To create a state-of-the-art institution that sets new standards of world-class education in film, communication and creative arts. MISSION Benchmarking quality, inspiring innovation, encouraging creativity & moulding minds, by leading from the front in the field of film, media and entertainment education. ONE OF THE TEN BEST FILM SCHOOLS IN THE WORLD - THE HOLLYWOOD REPORTER Degree & Diploma 5.5 ACRE programmes CAMPUS acceredited by the TISS 1300+ 2200+ STUDENTS Media & Film industry Alumni campus SCHOOL OF EVENT MANAGEMENT Subhash Ghai Founder & Chairman, Whistling Woods International Chairman, Mukta Arts Limited Member, Executive Committee, Film & Television Producers Guild of India Member, United Producers Forum Education Evangelist Karamveer Chakra Awardee Chairman, MESC Subhash Ghai is a globally renowned filmmaker having directed 19 films over a four-decade career, with 14 of them being blockbusters. Recipient of many national and international awards, he has also been honoured by the United States Senate. He has been a former Chairman of the Entertainment Committee of Trade body CII and also a member of FICCI, NASSCOM and TIE Global & its alliances. He has been invited to address various forums and seminars on corporate governance and the growth of Media & Entertainment industry globally and in India. He is presently serving as the Chairman of Media and Entertainment Skills Council (MESC). Message from the Founder & Chairman My journey as a filmmaker in the Media & Entertainment (M&E) industry has been a long and cherished one. Over the years, the one factor that has grounded me and contributed to my success is the basic film education I received from the film institute I studied in, coupled with my strong desire to learn and re-learn from my days as part of the Indian film industry. -
FILM FOKUS EZEBHANYABHANYA Bollywood Comes Alive
FILM FOKUS EZEBHANYABHANYA bollywood comes alive NEVILLE ADONIS DVD Selector, Acquisitions Section that, this being a Yash Raj production, family values will eventually triumph, the fi lm serves up a bonny, bouncing two-and-a-half hours any people confuse the terms of dialogue-driven entertainment. Hollywood and Bollywood. The ‘Khan, who since Hum tum is proving perception is that Bollywood has M to be a real leading man, plays Nikhil ‘Nick’ its origin from Hollywood, but in fact the Arora, a failed architecture student turned only thing the two names have in common chef who is a minor celebrity in Melbourne. is that both have to do with the fi lm industry. Zinta, the most substantial actress among Hollywood is a place and Bollywood is the younger Bollywood group, plays the role Indian cinema. Although Bollywood used to of Ambar Malhotra, a medical student from be mainly shown in India, more and more combines a comedy about Indians Down Bangalore who moonlights at a local radio western countries have shown interest in Under with a dramedy about a yuppie facing station, Salaam Namaste, to pay for her edu- this cinema genre. In my opinion, Bollywood up to fatherhood. With two of the brightest cation. In typical romantic-comedy style, the plots are a little melodramatic with themes of young stars of Hindi cinema, Saif Ali Khan two self-obsessed leads get off on the wrong love-triangles, kidnapping, corrupt politicians and Preity Zinta in Hugh Grant and Julianne foot when Nikhil is late for an interview on and angry parents and, yes, it also features Moore roles, plus the comforting realisation Ambar’s radio show. -
Security Transitions∗
Security Transitions∗ Thiemo Fetzery Pedro CL Souzaz Oliver Vanden Eyndex Austin L. Wright{ March 18, 2020 Abstract How do foreign powers disengage from a conflict? We study the recent large- scale security transition from international troops to local forces in the context of the ongoing civil conflict in Afghanistan. We construct a new dataset that com- bines information on this transition process with declassified conflict outcomes and previously unreleased quarterly survey data. Our empirical design leverages the staggered roll-out of the transition onset, together with a novel instrumental variables approach to estimate the impact of the two-phase security transition. We find that the initial security transfer to Afghan forces is marked by a significant, sharp and timely decline in insurgent violence. This effect reverses with the ac- tual physical withdrawal of foreign troops. We argue that this pattern is consistent with a signaling model, in which the insurgents reduce violence strategically to facilitate the foreign military withdrawal. Our findings clarify the destabilizing consequences of withdrawal in one of the costliest conflicts in modern history and yield potentially actionable insights for designing future security transitions. Keywords:Counterinsurgency,Civil Conflict,Public Goods Provision JEL Classification: D72, D74, L23 ∗We thank Ethan Bueno de Mesquita, Wioletta Dziuda, Anthony Fowler, Hannes Mueller, Christo- pher Price, Jacob Shapiro, and audiences at the Chicago Harris Political Economy, ESOC Annual Con- ference, University of Warwick, IAE Barcelona Workshop on Prediction for Prevention, HiCN confer- ence, CREST Political Economy Workshop, and Labex OSE Aussois Days. Manh Duc Nguyen provided excellent research assistance. Support from the Pearson Institute for the Study and Resolution of Con- flicts is gratefully acknowledged. -
A Film Watcher's Guide to World Cinema 5
(Year) The year stated follows the TPL catalogue, based on when it was released in DVD format. *includes graphic scenes/violence *It Follows (2015) [English] *Juan of the Dead (2012) [Spanish] DRAMA CONTINUED *We Are What We Are (2013) [English/French] Cairo 678 (2013/2010) [Arabic] *The Witch (2016) [French/English] Calvary (2014) [English] *This Night I’ll Possess Your Corpse (2017/1967) Cemetery of Splendor (2016) [Thai] [Portuguese] Climates (2007) [Turkish] Dańgala (Dangal) (2017) [Hindi] MYSTERY / SUSPENSE / THRILLER The Dark Horse (2016) [English/Spanish] *1:54 (2017) [French] A Film Watcher’s The Double Life of Véronique (2006/1991) *Bethlehem (2014) [Hebrew/Arabic] [Polish/French] *Dark Diamond (2016) [French] Elle (2017) [French] *Dheepan (2016) [French/Tamil] Guide To Hatunah me-niyar (Hatuna Manikh) (2016) [Hebrew] *Disorder (2016) [French] *Innocents (2016) [French/Polish] Fan (2016) [Hindi] Ixcanul (2017) [Spanish/Kaqchikel] *Guide de la Petite Revenge (Little Book of Jal (2014) [Hindi] Revenge) (2007) [French] JCVD (2009) [English/French] Madaari (2016) [Hindi] Jonathan (2017) [German] *Partisan (2014) [English] Julieta (2017) [Spanish] *Pink (2016) [Hindi] *Land of Mine (2017) [German] *Ramana Raghav 2.0 (2016) [Hindi] Les Êtres Chers (2016) [French] *Red Road (2007) [English] Margaret’s Museum (2001/1995) [English/French] Remember (2016) [English/French] Mountain (Ha’har) (2015) [Hebrew] Tom à la Ferme (Tom at the Farm) (2013) [French] Mountains May Depart (2016) [Mandarin/English] Tunnel (Teo-neol) (2017) [Korean] Neon -
CHAPTER 1 INTRODUCTION A. Background of the Study Islam Is
CHAPTER 1 INTRODUCTION A. Background of the Study Islam is one of religions in the world; the believer of Islam is called Muslim. They are spread in the world. According to their holly Quran, Islam asks to the believer to give harmony, love and good act to the other, but there are some parts of followers Islam that have perception that other religion such as Jewish, Christian are their rival, and Islam has to shatter the other religion, so they do extreme act such as bombing and attacking, they are called Terrorist. As a syllogism theory, people in the world think that, “bomber is terrorist” “Muslim is bomber” the conclusion is “Every Muslims is terrorist”. So there is an assumption that every Muslim in the world is terrorist and there is Islam phobia in some countries in the world. For example Muslims in America are often associated with terrorism, Muslim’s live begin uncomfortable after WTC attack at September 11th 2001. After WTC attack in America, Muslim live uncomfortably in America, because the agents of WTC attack are Muslims from Afghanistan, the agents of WTC attack take an Airplane and bring it to hit the WTC building. American is very sad because of that attack, because WTC is one of the business centers in America. After WTC attack, is the beginning of the war in Afganistan, because America wants to find the actors of WTC attack. After that attack, Muslims’s life begins different in America, they get 2 different treatment from others. They get discrimination from others in America. -
Robbie Grewal to Know the Inside Story of His Spy Thriller Romeo Akbar Walter
PVR MOVIES FIRST VOL. 41 YOUR WINDOW INTO THE WORLD OF CINEMA APRIL 2019 GUEST INTERVIEW Robbie GR E WA L THE BEST NEW MOVIES PLAYING THIS MONTH: GREYHOUND, HELLBOY, SETTERS, LITTLE, Intruder GREETINGS ear Movie Lovers, Scorsese, and meet Director Robbie Grewal to know the inside story of his spy thriller Romeo Akbar Walter. Here’s the April issue of Movies First, your exclusive Don’t forget to take a shot at our movie quiz, too. window to the world of cinema. The month begins with the highly anticipated action- We really hope you enjoy the issue. Wish you a fabulous adventure-fantasy Avengers Endgame, which marks the month of movie watching. final phase of the Marvel Cinematic Universe. Headlined Regards by a sterling cast, Karan Johar’s Kalank explores powerful emotional equations. Gautam Dutta Discover the techniques behind the genius of Martin CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for... Tap for... MUST WATCH MASTERS@WORK Tap for... Tap for... RISING Star GUEST INTERVIEW TO BOOK TICKETS GO TO PVRCINEMAS.COM OR DOWNLOAD OUR MOBILE APP. AVAILABLE ON PVR MOVIES FIRST PAGE 3 RELEASING THIS MONTH A snEAk-PEEk intO tHE big RELEAsE Of tHE MOntH! PLAY TRAILER BOOK TICKETS Kalank ETERNAL LOVE THE PLOT Kalank is an epic-historical and emotional drama that goes beyond the borders. -
My Favourite Singers
MY FAVOURITE SINGERS 12 01 01 SAMJHAWAN 17 CHALE CHALO 33 BARSO RE 48 JEENA 63 AY HAIRATHE 79 DIL KYA KARE (SAD) 94 SAAJAN JI GHAR AAYE 108 CHHAP TILAK 123 TUM MILE (ROCK) 138 D SE DANCE ARTIST: ARIJIT SINGH, SHREYA GHOSHAL • ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: A. R. RAHMAN, SRINIVAS • ALBUM/FILM: LAGAAN ARTIST: SHREYA GHOSHAL, UDAY MAZUMDAR • ALBUM/FILM: GURU ARTIST: SONU NIGAM, SOWMYA RAOH • ALBUM/FILM: DUM ARTIST: ALKA YAGNIK, HARIHARAN • ALBUM/FILM: GURU ARTIST: KUMAR SANU, ALKA YAGNIK • ALBUM/FILM: DIL KYA KARE ARTIST: KAVITA KRISHNAMURTHY, ALKA YAGNIK, KUMAR SANU ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA JHOOMO RE ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: TUM MILE ARTIST: VISHAL DADLANI, SHALMALI KHOLGADE, ANUSHKA MANCHANDA 02 ENNA SONA 18 ROOBAROO 34 KHUSHAMDEED 49 WOH PEHLI BAAR 64 AGAR MAIN KAHOON 80 DEEWANA DIL DEEWANA ALBUM/FILM: KUCH KUCH HOTA HAI 109 CHAANDAN MEIN 124 TERE NAINA ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: ARIJIT SINGH • ALBUM/FILM: OK JAANU ARTIST: A. R. RAHMAN, NARESH IYER • ALBUM/FILM: RANG DE BASANTI ARTIST: SHREYA GHOSHAL • ALBUM/FILM: GO GOA GONE ARTIST: SHAAN • ALBUM/FILM: PYAAR MEIN KABHI KABHI ARTIST: ALKA YAGNIK, UDIT NARAYAN • ALBUM/FILM: LAKSHYA ARTIST: UDIT NARAYAN, AMIT KUMAR • ALBUM/FILM: KABHI HAAN KABHI NA 95 MAIN ALBELI ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA CHAANDAN MEIN ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: MY NAME IS KHAN 139 VELE 03 GERUA 19 TERE BINA 35 BAHARA 50 TUNE MUJHE PEHCHAANA NAHIN 65 KUCH TO HUA HAI 81 KUCH KUCH HOTA HAI ARTIST: KAVITA KRISHNAMURTHY, SUKHWINDER SINGH • ALBUM/FILM: ZUBEIDAA 110 AA TAYAR HOJA 125 AKHIYAN ARTIST: VISHAL DADLANI, SHEKHAR RAVJIANI • ALBUM/FILM: STUDENT OF THE YEAR ARTIST: ARIJIT SINGH, ANTARA MITRA • ALBUM/FILM: DILWALE ARTIST: A. -
Momentous Music US Music Industry Hails Passage of the Music Modernization Act
Community Community Manish Birla Public Malhotra’s School P8-9showcase P16 launches in Doha was a Atal Tinkering chapter of high Lab at Basant fashion moments Kumar Birla and glitterati. Auditorium. Monday, October 15, 2018 Safar 6, 1440 AH Doha today: 280 - 350 SIGNING INTO LAW: US President Donald Trump signs the Music Modernization Act into law in the Roosevelt Room of the White House. COVER STORY Momentous music US music industry hails passage of the Music Modernization Act. P4-5 BOLLYWOOD BOLLYWOOD Kajol’s over-the-top AFI Fest galas include Bird Box, Eela act. Buster Scruggs. Page 14 Page 15 2 GULF TIMES Monday, October 15, 2018 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.16am Shorooq (sunrise) 5.32am Zuhr (noon) 11.20am Asr (afternoon) 2.39pm Maghreb (sunset) 5.09pm Isha (night) 6.39pm USEFUL NUMBERS Venom Foundation. While investigating one of Drake’s experiments, DIRECTION: Ruben Fleischer Eddie’s body merges with the alien Venom, leaving him with CAST: Tom Hardy, Michelle Williams, Woody Harrelson superhuman strength and power. Twisted, dark and fuelled by SYNOPSIS: When Eddie Brock acquires the powers of rage, Venom tries to control the new and dangerous abilities a symbiont, he will have to release his alter-ego Venom to that Eddie fi nds so intoxicating. Emergency 999 save his life. Journalist Eddie Brock is trying to take down Worldwide Emergency Number 112 Carlton Drake, the notorious and brilliant founder of the Life THEATRES: Royal Plaza, Landmark, The Mall Kahramaa – Electricity and Water 991 Local Directory 180 International -
Institutional Equities Event Update
Institutional Equities Film Exhibition Sector 2 May 2017 ‘Baahubali 2’ Augurs Well For FY18 Girish Pai ‘Baahubali 2’, which was released on 28 April 2017, has beaten all historical records in the Indian Head of Research film industry by clocking gross box office collection (GBOC, revenue prior to entertainment tax [email protected] being deducted) globally of Rs5.2bn over three days (Friday, Saturday and Sunday) based on media +91-22-3926 8017 reports. This includes domestic GBOC of ~Rs4bn and ~Rs1.2bn in overseas markets (of which 60% came from North America). This marks a tremendous start to FY18 for the two film exhibition players, PVR and Inox Leisure, which will benefit from the very high occupancy rate, higher ATP and also higher bargaining power vis-à-vis advertisers. Unlike FY17, which was impacted by insipid content (except for a late flourish from ‘Dangal’), we believe FY18 could be a great year with the start provided by ‘Baahubali 2’ and a slate of blockbusters that are likely to be released in the rest of FY18 (Exhibit 2 provides the slate of movies in FY18). We are positive on the film exhibition sector (see sector report Indian Film Exhibition Sector- Oligopolistic Business In Its Infancy; GST To Lift Margins And RoIC). We believe that: (1) Indian multiplex industry is an oligopoly (top four players control ~70% of screens) and will remain so as entry barriers are quite formidable and there are no substitutes. This industry structure will deliver steady revenue growth, and improve margins as well as RoIC over a long period of time.