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Historicaljesustext New:Royal
The Historical Jesus and the Literary Imagination, 1860–1920 ENGLISH ASSOCIATION STUDIES, 3 JENNIFER STEVENS The Historical Jesus and the Literary Imagination, 1860–1920 LIVERPOOL UNIVERSITY PRESS THE ENGLISH ASSOCIATION First published in 2010 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2010 Jennifer Stevens The right of Jennifer Stevens to be identified as the author of this book has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photo- copying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-84631-470-4 cased Typeset by XL Publishing Services, Tiverton Printed and bound by the MPG Books Group Contents Acknowledgements vii Author’s Note viii Introduction 1 1 The Victorians and the Bible 9 2 Nineteenth-Century Lives of Jesus 34 3 The Rise of the Fictional Jesus 84 4 The Fifth Gospel of Oscar Wilde 139 5 The Afterlife of Oscar Wilde’s Oral Tales 183 6 A Peculiar Protestant: The Gospels According to George Moore 217 7 George Moore’s Life of Jesus 247 Conclusion 282 Bibliography 291 Index 304 Acknowledgements First and foremost, I would like to thank Warwick Gould for his expert guidance and unfailing support for this project. I must also acknowledge a special debt to my friend, Pamela Bickley, whose example and encouragement have proved invaluable over the years. -
Insurance Banking & Construction
www.arconolly.com.au Thursday 12 April 2012 Insurance, Banking, Construction & Government A Daily Bulletin listing Decisions of Superior Courts of Australia Search Engine Click here to access our search engine facility to search legal issues, case names, courts and judges. Simply type in a keyword or phrase and all relevant cases that we have reported in Benchmark since its inception in June 2007 will be available with links to each case. Executive Summary (1 minute read) Dunghutti Elders Council (Aboriginal Corporation) RNTBC v Registrar of Aboriginal & Torres Strait Islander Corporations (No 4) - Costs - power to order costs be paid by a non-party - s43 Federal Court of Australia Act 1976 (Cth) (I, B, C, G) Fair Work Ombudsman v Toyota Material Handling (NSW) Pty Ltd - Workplace Relations Act 1996 (Cth) - Limitation Act 1969 (NSW) - application for leave to appeal from Federal Magistrates Court to be referred to a Full Court (I) Tivo Inc v Vivo International Corporation Pty Ltd (No 2) - Costs - final orders (I, B) Bawden v Repatriation Commission - Veterans’ Entitlements Act 1986 (Cth) - statutory interpretation - appeal allowed (I) Geraldton Port Authority v The Ship "Kim Heng 1888" (No 2) - s37 Admiralty Act 1988 (Cth) - limitation of actions - claim - proceeding (I) Hill v Lang - Copyright Act 1968 (Cth) - appeal dismissed (I, B) Page 2 www.arconolly.com.au Sahab Holdings Pty Ltd v Registrar-General (No 3) - Costs - final orders (B, C) Beck v LW Furniture Consolidated (Aust) Pty Ltd - ss1322 & 1322(4)(a) Corporations Act 2001 (Cth) -
German Influences on the British Stage, 1890-1918
THE MODERN CATALYST: GERMAN INFLUENCES ON THE BRITISH STAGE, 1890-1918 A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas John Dekker, M.A. ***** The Ohio State University 2007 Doctoral Examination Committee: Approved by Dr. Thomas Postlewait, Adviser Dr. Lesley Ferris __________________________________ Adviser Dr. Joy Reilly Graduate Program in Theatre ABSTRACT This dissertation examines the role of German culture – theatre, music, opera, politics, and philosophy – as a catalyst to the modernist transformations of London theatre between 1890 and 1918. It explores the ways British theatre engaged German culture, whether by emulation, adaptation, or resistance, and focuses on four major figures in the Edwardian Theatre: J. T. Grein, William Archer, Bernard Shaw, and Harley Granville Barker. Impresario J. T. Grein (1862-1935) established German theatre companies in London to introduce British theatre to the works of great German writers, actors, and directors. Scottish critic William Archer (1856-1924) used Germany as a model for his campaign to translate and produce the plays of Henrik Ibsen in London. He also advocated the formation of England’s National Theatre, using German examples of state- funded repertory theatres. Bernard Shaw (1856-1950) introduced English audiences to Richard Wagner’s operas, ideas, and productions. Shaw’s plays also enjoyed a rich production history in Germany through his working relationship with his translator, Siegfried Trebitsch. Director Harley Granville Barker (1877-1946) closely followed the careers of German directors Max Behrend and Max Reinhardt. In 1912 and 1914, Barker produced three of Shakespeare’s plays, The Winter’s Tale, Twelfth Night, and A Midsummer Night’s Dream, in which audiences and critics quickly noticed German ii influences. -
George Bernard Shaw
George Bernard Shaw: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Shaw, George Bernard, 1856-1950 Title: George Bernard Shaw Collection 1757-1963 (bulk 1875-1950) Dates: 1757-1963 Extent: 80 boxes (33.3 linear feet), 1 oversize box, 13 galley folders, 10 oversize files, and 1 bound volume Abstract: Holograph manuscripts and typescripts of working and finished versions of plays, essays, correspondence, and financial and legal records are all represented in this collection. Diaries, scrapbooks, materials accumulated by Shaw's wife, and drafts of articles and books written about the Nobel Prize winning Irish journalist and playwright are also present. The bulk of the materials reflect many of Shaw's most popular works, including Candida (1894), Pygmalion (1912), and Saint Joan (1923). Language: English. Access Open for research Administrative Information Acquisition Purchases and gifts, 1958-1990 A large portion of the Ransom Center's G.B. Shaw Collection was included in the 1958 purchase of part of T.E. Hanley's collection of modern art and literature. Hanley held the largest private collection of Shaw's works and it's transfer to the University of Texas, along with other Hanley material, forms one of the cornerstones of the Ransom Center holdings. In the folder list, and indices, items that were not acquired as part of the Hanley Collection are indicated with an asterisk (*). Processed by Sally M. Nichols & Chelsea Jones, 1999 Repository: Harry Ransom Center, University of Texas at Austin Shaw, George Bernard, 1856-1950 Biographical Sketch Born in Dublin, Ireland, on July 26, 1856, George Bernard Shaw was the only son and third and youngest child of George Carr and Lucinda Elizabeth Gurly Shaw. -
The Actor-Manager Career of Sir Frank Robert Benson in Perspective: an Evaluation
71-27,577 TOTH, John William, 1936- THE ACTOR-MANAGER CAREER OF SIR FRANK ROBERT BENSON IN PERSPECTIVE: AN EVALUATION. The Ohio State University, Ph.D., 1971 Theater 1 University Microfilms, A XEROK Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEÉI MICROFILMED EXACTLY AS RECEIVED THE ACTOR-MANAGER CAREER OF SIR FRANK ROBERT BENSON IN PERSPECTIVE* AN EVALUATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by John Willieun Toth, B.A., M.A. ******** The Ohio State University 1971 Approved by Adviser Division of Theatre AC KNOWLEDGEMENTS For their help in acquiring materials for this study, I wish to thank the following individuals: Miss Eileen Robinson, The Shakespeare Centre, Stratford- Upon-Avon; Mr, George Nashe and Mr, Tony Latham, The Enthoven Collection, The Victoria and Albert Museum, London, My sincere thanks I extend to Dr, John H. McDowell who first introduced me to F,R, Benson; to Dr, Roy Bowen and Dr, Charles C, Ritter whose editorial help has been invaluable; and to Dr, John C, Morrow whose helpful suggestions, scholarship, guidance, and humor have provided continuous encouragement. Finally, I wish to thank my parents without whose moral support, patience and understanding this project could never have been accomplished. ii VITA September 29, 1936t.. Born - South Bend, Indiana 1954........ ....... Graduated from Central High School, South Bend, Indiana 1954-1957...t........ Attended Wabash College, Crawfordsville, Indiana 1959................ B.A., The University of Notre Dame, Notre Dame, Indiana 1959-1960.,, ,....... Teacher, Central High School, South Bend, Indiana 1960-1962,,,,,, ,...