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5/26/2016 University of Hawaii Mail ­ Formal criminal referral alleging criminal misconduct by the University of Hawaii System filed with the U.S. Attorney G…

Late Testimony Board of Regents

Formal criminal referral alleging criminal misconduct by the University of Hawaii System filed with the U.S. Attorney General..

Vincent Clemmons Thu, May 26, 2016 at 12:21 PM To: [email protected] Cc: Bley­Vroman , [email protected], Peter Arnade , Risa Dickson , Roxie Shabazz , Ryan Yamaguchi , Michael Kaptik , Mie Watanabe , Carrie Okinaga , Christine Quemuel , David Lassner , Amy Luke , Jan Gouveia , Jodie Kuba

Dear Chief of Staff McCartney:

Attached to this e­mail, in P.D.F., is a formal criminal referral alleging criminal misconduct by the University of Hawaii System, which has been formally filed with U.S. Attorney General Hon. Loretta E. Lynch.

There is a U.H.S. Board of Regents "Independent Audit Meeting" scheduled for May 27, 2016 and the attached criminal referral will formally be entered into the public record, along with very brief public testimony.

Should you or Governor Ige have any questions about this criminal referral alleging criminal misconduct by the University of Hawaii System, please don't hesitate to contact me at your earliest possible convenience.

Thank you for your time!

Sincerely,

Vincent A. Clemmons, Esq., C.O.S. to Jorge I. Camara of the H.F.P.A. (917) 740­9426 or (310) 272­9510

http://www.GoldenGlobes.com

3 attachments Letter to Loretta Lynch.pdf 116K 2016 G.G. Program Booklet.pdf 17369K About Jorge I. Camara.edited.pdf 197K

https://mail.google.com/mail/u/0/?ui=2&ik=5a046f4367&view=pt&search=inbox&msg=154ef2829b70c762&siml=154ef2829b70c762 1/1 5/26/2016 University of Hawaii Mail ­ Formal criminal referral alleging criminal misconduct by the University of Hawaii System filed with the U.S. Attorney G… Late Testimony Board of Regents

Formal criminal referral alleging criminal misconduct by the University of Hawaii System filed with the U.S. Attorney General.

Vincent Clemmons Thu, May 26, 2016 at 1:03 PM To: [email protected] Cc: [email protected], David Lassner , Amy Luke , Jodie Kuba , Jan Gouveia , Risa Dickson , Robert Bley­ Vroman , Roxie Shabazz , Michael Kaptik , Mie Watanabe , Carrie Okinaga , Christine Quemuel , Peter Arnade

Dear Chief of Staff Winer

Attached to this e­mail, in P.D.F., is a formal criminal referral alleging criminal misconduct by the University of Hawaii System, which has been formally filed with U.S. Attorney General Hon. Loretta E. Lynch.

There is a U.H.S. Board of Regents Committee on "Independent Audit" meeting" scheduled for May 27, 2016 and the attached criminal referral will formally be entered into the public record, along with very brief public testimony.

Should you or Congressman Schatz have any questions about this criminal referral alleging criminal misconduct by the University of Hawaii System, please don't hesitate to contact me at your earliest possible convenience.

Thank you for your time!

Sincerely,

Vincent A. Clemmons, Esq., C.O.S. to Jorge I. Camara of the H.F.P.A. (917) 740­9426 or (310) 272­9510

http://www.GoldenGlobes.com

3 attachments Letter to Loretta Lynch.pdf 116K 2016 G.G. Program Booklet.pdf 17369K About Jorge I. Camara.edited.pdf 197K

https://mail.google.com/mail/u/0/?ui=2&ik=5a046f4367&view=pt&search=inbox&msg=154ef4ecf5228581&siml=154ef4ecf5228581 1/1 5/26/2016 University of Hawaii Mail ­ Formal criminal referral alleging criminal misconduct at the University of Hawaii System filed with U.S. Attorney Gener… Late Testimony Board of Regents

Formal criminal referral alleging criminal misconduct at the University of Hawaii System filed with U.S. Attorney General.

Vincent Clemmons Thu, May 26, 2016 at 1:10 PM To: [email protected] Cc: [email protected], Robert Bley­Vroman , David Lassner , Amy Luke , Peter Arnade , Roxie Shabazz , Ryan Yamaguchi , Jan Gouveia , Jodie Kuba , Risa Dickson , Carrie Okinaga , Mie Watanabe

Dear Chief of Staff Lin:

Attached to this e­mail, in P.D.F., is a formal criminal referral alleging criminal misconduct by the University of Hawaii System, which has been formally filed with U.S. Attorney General Hon. Loretta E. Lynch.

There is a U.H.S. Board of Regents Committee on "Independent Audit" meeting scheduled for May 27, 2016 and the attached criminal referral will formally be entered into the public record, along with very brief public testimony.

Should you or Senator Hirono have any questions about this criminal referral alleging criminal misconduct by the University of Hawaii System, please don't hesitate to contact me at your earliest possible convenience.

Thank you for your time!

Sincerely,

Vincent A. Clemmons, Esq., C.O.S. to Jorge I. Camara of the H.F.P.A. (917) 740­9426 or (310) 272­9510

http://www.GoldenGlobes.com

3 attachments Letter to Loretta Lynch.pdf 116K 2016 G.G. Program Booklet.pdf 17369K About Jorge I. Camara.edited.pdf 197K

https://mail.google.com/mail/u/0/?ui=2&ik=5a046f4367&view=pt&search=inbox&msg=154ef55e1666158f&siml=154ef55e1666158f 1/1 Vincent A. Clemmons, Esq. Investigative Journalist http://www.IRE.org http://www.GIJN.org http://www.NLGJA.org

Chief of Staff to Jorge I. Camara, President Emeritus & Chairman Emeritus, Treasurer Foreign Press Association http://www.GoldenGlobes.com

677 Ala Moana Boulevard, Suite 226 , Hawaii 96813-5416 Phone: (917) 740-9426 – FAX: (917) 740-9228

1274 North Hayworth Avenue Beverly Hills, 90046-5203 Phone: (323) 650-0557 – FAX: (310) 388-5680

Cell & Text: (310) 272-9510

E-mail: [email protected]

Formal Personal, Private, Confidential & Privileged Correspondence

Notice of Title 18, Codes: 1700, 1701, 1702, 1703, 1708, 1029, 1030, 1037, 1343, 2701

U.S.P.S. Restricted Delivery! For The Eyes Of The Addressee(s) Only

May 20, 2016

Hon. Loretta E. Lynch, J.D., U.S. Attorney General c/o James B. Comey, Director; Federal Bureau of Investigation U.S. Department of Justice Executive Office of the U.S. Attorney General Robert F. Kennedy Building 950 Pennsylvania Avenue, NW, Suite 5111 Washington, DC 20530-2001

1 Dear Attorney General Lynch:

Re: Formal referral for criminal prosecution pertaining to systemic and systematic criminal conspiracy and racketeering acts perpetrated by the University of Hawaii System:

Conspiracy Against Rights—18 U.S.C. §241

Deprivation of Rights Under Color of Law—18 U.S.C. §242

Federally Protected Activities—18 U.S.C. §245

Criminal Interference With Right to Fair Housing—42 U.S.C. §3631

In reference to my previous letter to you, dated May 10, 2016, I am writing to formally and officially refer for criminal prosecution the University of Hawaii System, due to systemic and systematic bureaucratic violence that has, appallingly, put not only its own students and employees in an extremely bad light but that has inexplicably managed to besmirch my own good reputation.

I am a Jewish-Quaker, a pacifist who practices non-violence even in self-defense, and I am an alumnus of one of the most elite, prestigious and rigorous Quaker prep schools in the United States -- Wilmington Friends School (http://www.WilmingtonFriends.org) -- where you could not graduate unless you completed an arduous and exhaustive course in the long and distinguished history of non-violence and how to properly practice non-violence to bring about societal change for the better. Unfortunately, not even my outstanding Quaker Education in the history, art, science and practice of non-violence could prepare me for the outrageous and alarming bureaucratic violence foisted upon me by the University of Hawaii System’s higher ups. Talk about “the banality of evil.” Apparently, none of the muckety-muck bureaucrats at the University of Hawaii System know who the ultimate bureaucrat poster boy Heinrich Himmler is. Hannah Arendt must be rolling over in her grave. Most tragically, the bureaucrats at the University of Hawaii System do not know the meaning of “systemic” and “systematic” or how their conspiratorially vindictive and retaliatory bureaucratic actions toward a single individual is indicative of an overall institutional rot, ethical abyss, lawlessness and criminal mind-set amongst certain administrators at the University of Hawaii System as a whole. Could they possibly be so self-unaware? Apparently so. And therefore a criminal investigation will have to ensue.

2 Per your office’s suggestion, I will attempt to meet with David Lassner, President of the University of Hawaii System to have him remediate the criminal situation, have him discipline or remove principal employees who have contributed to this unconscionable iniquitous situation and have him make systemic and systematic changes in both University of Hawaii System policy, practices, procedures, implementation and employees to prevent it from ever happening again. I still expect your office to prosecute to the fullest extent of the law, but meeting with David Lassner will, hopefully, begin the process of bringing sanity to a metaphorically Kafkaesque situation and bring “the rule of law” to a literally fascist institution of higher learning here in the United States of America in the year 2016. If, for whatever reason, I am unable to meet with Mr. Lassner, your office cannot say that I did not at least reach out to the University of Hawaii System in an attempt to bring about systemic and systematic change.

Lastly, the University of Hawaii’s taxpayer funded lawyers will argue that my criminal referral is “case specific” or that it is a so-called “isolated incident,” meaning my criminal referral is specific to my individual case alone and not indicative of a greater, i.e. system-wide, criminal problem at the University of Hawaii System, exemplified by its higher-ups acting like “bureaucratic thugs.” Well, if the University of Hawaii System’s higher-ups can treat me (an impoverished individual who has been nominated for the four times) like trash, you can just imagine what they are doing to poor and disenfranchised students matriculated within the University of Hawaii System as a whole or impoverished students applying to one of the University of Hawaii System’s campuses. Also, the University of Hawaii’s taxpayer funded lawyers will argue that this is a so-called civil matter, not a criminal one, which falls solely under the jurisdictional purview of the U.S. Department of Education’s Office for Civil Rights. They would be right -- up to a point. It was a civil matter alone until the University of Hawaii at Manoa illegally denied me admission to the University of Hawaii at Manoa on “a hastily trumped-up paperwork technicality, based-upon tampered with evidence.” Now that the University of Hawaii at Manoa has committed the bureaucratic violence of illegally denying me admission to the University of Hawaii at Manoa, the University of Hawaii System itself, not merely the University of Hawaii at Manoa, is liable for criminal prosecution and racketeering under federal law -- because, if this outrage can happen to someone as clearly academically and legally qualified as me, this kind of skullduggery is most certainly happening on an industrial scale at the University of Hawaii System as a whole to countless other impoverished (and,

3 therefore, axiomatically defenseless) students. So, thanks to the University of Hawaii at Manoa’s nakedly illicit action, it is now both a civil matter and a criminal matter encompassing the entirety of the University of Hawaii System itself; therefore, both the civil and the criminal aspects of this sordid affair must be prosecuted to the fullest extent of the law.

The above understood, in retrospect, I suppose I really should thank the University of Hawaii at Manoa for illegally denying me admission; because now I have endless amounts of time to write letters to critically important people like you exposing the University of Hawaii System for the bureaucratic bully and criminal caper that it is. The Lord works in mysterious ways.

Because, in a separate letter, I have instructed the Federal Bureau of Investigation’s Integrity Committee to investigate the U.S. Department of Education’s highly suspect handling of this unsettling matter, this particular letter to you has been forwarded to the White House Counsel:

Warren Neil Eggleston, J.D., White House Counsel The White House Executive Office of the President Office of the White House Counsel 1600 Pennsylvania Avenue, NW West Wing, 2 nd Floor Washington, DC 20500 (202) 456-7900 FAX: (202) 456-6279 E-mail: [email protected]

Of course, sent under separate cover, is the full detail -- i.e. , the What, the When, the Where, the Why and the How -- of the abovementioned criminal charges and a chronology of events putting them in their proper, albeit disquieting, context. Should you have any questions about this criminal referral , immediately contact me or my employer, Jorge I. Camara, at your earliest possible convenience:

Jorge I. Camara, President Emeritus & Chairman Emeritus, Treasurer Hollywood Foreign Press Association Board of Directors 646 North Robertson Boulevard West Hollywood, CA 90069-5022 (310) 657-1731 FAX (310) 657-5576 E-mail: [email protected] and/or [email protected] 4 Additionally, you may reach Mr. Camara on his H.F.P.A. Issued Direct Land-Line (323) 746-4382 or on his H.F.P.A. Issued Cell Phone (310) 254-6577. Because, as I explained to your office over the phone, Mr. Camara is currently undergoing chemo-therapy, he may not be readily available at the H.F.P.A. office; in which case he can usually be reached at his personal residence:

1274 North Hayworth Avenue Beverly Hills, California 90046-5203 (323) 650-0557

The offices of Senator Barbara Boxer and Dianne Feinstein will be sending you follow-up letters concerning this disquieting matter.

Thank you for your time!

Sincerely,

Vincent A. Clemmons, Esq. (Digitally signed and dated.) cc: Jorge I. Camara, President & Chairman Emeritus, Treasurer; H.F.P.A. Gregory Goekner, J.D., General Counsel; H.F.P.A. Dean Baquet, Executive Editor; The Times Hon. Barack H. Obama, President of the United States Executive Office of the President: c/o W. Neil Eggleston, J.D., White House Counsel; E.O.T.P. c/o Valerie Jarrett; Senior Advisor to the President; E.O.T.P. c/o Shaun L.S. Donovan, Director; O.M.B., E.O.T.P. Hon. Brian Schatz, (Senior) U.S. Senator for the State of Hawaii Hon. Mazie Hirono, (Junior) U.S. Senator for the State of Hawaii Hon. Dianne Feinstein, (Senior) U.S. Senator for California Hon. Barbara Boxer, (Junior) U.S. Senator for California Hon. Mark Takai, U.S. Congressman for the 1st District of Hawaii Hon. Vanita Gupta, Deputy Assist. Secretary, Civil Rights; U.S. D.O.J. Hon. John B. King, Jr., Acting Secretary; U.S. Dept. of Ed. Hon. Catherine E. Lhamon, Asst. Secretary; U.S. Dept. of Ed./O.C.R. Hon. Robin S. Minor, C.C.O.; U.S. Dept. of Ed./O.F.S.A. Hon. Randolph G. Moore, Chair; Regents Board, University of Hawai’i

5 Hon. David Lassner, President; University of Hawai’i Hon. Risa E. Dickson, Provost, University of Hawai’i Hon. Roxie Shabazz, Director of Admissions; University of Hawai’i Hon. Carrie K.S. Okinaga, J.D., General Counsel; University of Hawai’i Hon. Robert Bley-Vroman, Chancellor; University of Hawai’i at Manoa Hon. Lori Ideta, Interim V.C. for Students, University of Hawai’i Hon. Mie Watanabe, EEO/AA Director; University of Hawai’i

6 HOLLYWOOD FOREIGN PRESS ASSOCIATION®

73 rd ® ANNUAL golden globe awards

Sunday, January 10, 2016 HOLLYWOOD FOREIGN PRESS ASSOCIATION®

The 73 rd Annual

GOLDEN GLOBE® AWARDS

Sunday, , January 10,, 2016

HOLLYWOOD FOREIGN PRESS ASSOCIATION ®

Lorenzo Soria P R E S I D E N T Meher Tatna VI C E P R E S I D E N T Serge Rakhlin E X E C U T I V E S E C R E TA R Y Jorge Camara T R E A S U R E R

BOARD OF DIRECTORS

Ali Sar CH A I RMA N Luca Celada Helen Hoehne Anke Hofmann Theo Kingma Mario Amaya

Gregory P. Goeckner COO/ GENERAL COUNSEL Chantal Dinnage MA NAGING DIRECTOR

646 N. Robertson Blvd. West Hollywood, CA 90069-5022 p 310.657.1731 f 310.657.5576 [email protected] www.goldenglobes.com

HOLLYWOOD FOREIGN PRESS ASSOCIATION®

OFFICERS 2015-2016

LORENZO SORIA MEHER TATNA SERGE RAKHLIN JORGE CAMARA PRESIDENT VICE PRESIDENT EXECUTIVE SECRETARY TREASURER

BOARD OF DIRECTORS

ALI SAR LUCA CELADA HELEN HOEHNE ANKE HOFMANN THEO KINGMA MARIO AMAYA CHAIRMAN HFPA® MISSION STATEMENT

To establish favorable relations and cultural ties between foreign countries and the United States of America by the dissemination of information concerning the American culture and traditions as depicted in motion pictures and television through news media in various foreign countries;

To recognize outstanding achievements by conferring annual Awards of Merit (Golden Globe® Awards), serving as a constant incentive within the entertainment industry, both domestic and foreign, and to focus wide public attention upon the best in motion pictures and television;

To contribute to other nonprofit organizations connected with the entertainment industry and involved in educational, cultural, and humanitarian activities;

To promote interest in the study of the arts, including the development of talent in the entertainment field through scholarships given to major learning institutions. THE HOLLYWOOD FOREIGN PRESS ASSOCIATION® 2015 - -2016

ACTIVE MEMBERS

Paoula Abou-Jaoude Brazil Barbara Gasser Alexander Nevsky Russia Mario Amaya Colombia André Guimond Canada Yenny Nun-Katz Chile, Peru Vera Anderson John Hiscock Scott Orlin Germany Ray Arco Canada Helen Hoehne Germany Mira Panajotovic Serbia Husam “Sam” Asi United Kingdom Anke Hofmann Germany H.J. Park South Korea Rocio Ayuso Spain Nellee A. Holmes Russia Alena Prime Tahiti Ana Maria Bahiana Brazil Munawar Hosain Germany, Japan, United Kingdom Serge Rakhlin Russia, Ukraine Gilda Baum-Lappe Yoram Kahana United Kingdom Frank Rousseau Belgium, , French Antilles Philip Berk Australia, Malaysia Erkki “Erik” Kanto Finland Ali Sar Russia Elmar Biebl Germany Theo Kingma Australia, The Frances Schoenberger Germany Silvia Bizio Mirai Konishi Japan Elisabeth Sereda Austria Jorge Camara Dominican Republic Elisa Leonelli Italy Dierk Sindermann Germany, Switzerland Luca Celada Italy Gabriel Lerman Spain Judy Solomon Israel Jean-Paul Chaillet France Emanuel Levy Italy Lorenzo Soria Italy Tina Jøhnk Christensen Denmark Lisa Lu China Hans J. Spürkel Austria, Switzerland Rui Henriques Coimbra Portugal Lilly Lui Hong Kong Magnus Sundholm Sweden Jenny Cooney Carrillo Australia, New Zealand Ramzy Malouki Belgium, France, West Africa Takla-O’Reilly Dubai, Turkey Jean E. Cummings Japan Michele Manelis Australia Meher Tatna India, Singapore Yola Czaderska-Hayek Karen Martin Germany Jack Tewksbury Argentina Patricia Danaher Ireland Paz Mata Spain Herve Tropea Belgium, France Ersi Danou Greece Juliette Michaud France Lynn M. Tso Taiwan Noël de Souza India Kristien Gijbels Morato Belgium Katherine Tulich Australia, Croatia Gabrielle Donnelly United Kingdom Aud Berggren Morisse Norway Kirpi Uimonen Ballesteros Finland George Doss Egypt Yukiko Nakajima Japan Alessandra Venezia Italy Mahfouz Doss Egypt Yoko Narita Japan Marlène von Arx Switzerland Dagmar Dunlevy Canada Aniko Skorka Navai , Singapore Noemia Young Canada Armando Gallo Italy Janet R. Nepales Philippines Margaret Gardiner South Africa Ruben V. Nepales Philippines

Ricky Gervais feels right at home as host of the Golden Globe® Awards

tanding on the stage at the Beverly Hilton for the fourth time for one of the biggest nights of the year on the Hollywood calendar, returns a conquering hero. The three Sprevious telecasts which he hosted were ratings bonanzas and the talk of the town.

A winner of seven BAFTA Awards, three Golden Globes and two Emmys, Gervais remains one of the most talented and respected comedian-actors working today. He created and currently stars in the series Derek, for which he has been Emmy-nominated for two consecutive years.

Gervais first introduced himself to global audiences with his 2001 British TV hit The Office, in which he starred as his tragic creation, David Brent. The Office, would soon become a wildly successful global format, including an Emmy-winning -season run on NBC. Gervais is about to continue The Office saga by directing his fourth Hollywood movie, David Brent: Life on the Road.

Following The Office, Gervais starred and created a string of HBO projects: Extras, Life’s Too Short and The Ricky Gervais Show, which was based on his record-breaking podcast that has been downloaded more than 500 million times. He has also guest-starred on many popular TV series, including Curb Your Enthusiasm, Louie, , and .

On the film side, Gervais has co-starred in several features, includingNight at the Museum franchise, Muppets Most Wanted, Ghost Town and , and is currently putting final touches to , which he wrote and co-directed.

As a stand-up comedian, Gervais has sold over two million tickets in arenas around the world. He is also the author of the popular children’s book series “.” H FPA® PHILANTHROPY

Ice Cube and O’Shea Jackson, Jr.

Lady Gaga and HFPA President Lorenzo Soria

MGM’s claim of once having more stars than in the firmament was seriously challenged last August when 28 Hollywood stars participated in our Annual Installation banquet, handing out over $2 million to non-profits and educational institutions.

HFPA president Lorenzo Soria welcomed guests seated at red rose-decorated tables in the Champagne Room of the Beverly Wilshire Hotel, and then introduced Nick Jonas who roused the audience with his cover of Sam Cooke’s “What a Wonderful World This Would Be.”

First among presenters was who set the tone of the fun-filled evening by saying, “If you want to have a party and you want to give away $2 million, ’s gonna come to the party, I’m gonna come to the party, Jake’s gonna come to the party, because these people put their money where their mouth is.” Nick Jonas and Ashley Hinshaw and Jake Gyllenhaal Lady Gaga, and

She then announced grants for children’s health-related charities like Children’s Hospital , The Lollipop Theater Network, and St. Jude’s Children’s Hospital. She also paid tribute to publicist Nadia Bronson, “a mentor for many” and a great friend of the HFPA, who passed away last January. The Association previously established a scholarship in her name at the U.S.C. Annenberg School for Communication.

Halle Berry followed with a grant to FilmAid and GlobalGirl Media, an organization close to her heart. She apologized for having trouble reading the teleprompter without her glasses, but as she explained, “I’m 49 tomorrow.”

Soria then introduced the new officers and announced that the HFPA had handed out over $20 million in grants in the past 20 years, funding 1,000 scholarships and restoring 92 films, including Shadow of a Doubt, King Kong, and The Red Shoes. Then it was Lady Gaga’s turn and she brought down the house by alluding to an olive that was stuck in her nose. In announcing grants to the Los Angeles Music Center and the Young Musicians Foundation, she spoke of the role music played in her happiness as a child.

When Emily Blunt and Benicio del Toro missed their cue to appear onstage, (who announced a grant for Women Make Films and one for the , acknowledging her friend and costar )

Sarah Silverman and John Krasinski Jamie Lee Curtis and Nick Jonas

Brie Larson and Joe Manganiello Ty Burrell, and

had no trouble covering for them. When they finally showed up amid warm , Blunt confessed that she couldn’t see the teleprompter which was placed in the very back of the room, but del Toro came to her rescue, announcing grants to AFI, Cinematheque, UCLA and NYU. They were followed by Sarah Silverman and John Krasinski who mimed their presenter banter in a nod to their recipient ’s Festival. They were more audible when they announced grants for Outfest, UC Berkeley Film Archive, and the International Documentary Association.

Jake Gyllenhaal presented the largest single award among the 67 grants to and the UCLA Film & Television Archive, which together received $350,000 for their efforts. Others stars announcing grants were Bryan Cranston (Los Angeles City College); Allison Janney and Ty Burrell ( Film Festival, LA Conservancy, Museum of the Moving Image, and Library Foundation); and Jane Fonda Allison Janney and

Jack Huston and , and Jon Hamm

Elizabeth Banks (Motion Picture Fund, New Filmmakers Lab, SAG Foundation, Independent Filmmakers Project); Dakota Johnson and Topher Grace (LA County High School for the Arts, University of , and Pablove); Andrew Garfield and Saoirse Ronan (Higher Education); America Ferrera and Jason Isaacs (Latin Cinema of LA, Streetlights, Cal State Summer Arts, and Foundation); Joe Manganiello and (Film Independent Project Evolve, Film Independent Live Read Series); Ice Cube and his actor son O’Shea Jackson, Jr. (Ghetto Film School, Inner City Arts, Inner City Filmmakers, Young Storytellers); Sophia Bush and Zachary Levi (Coalition of Asian Pacifics, Echo Park Film Center, USC Cinematic Arts & Engineering School); and Jack Huston and John Boyega (Exceptional Minds, Ensemble Studio Theater, and Gingold Theater Group). Grants of $125,000 were presented both to the University of California, Los Angeles for fellowships and institutional support, and to the film program at the Los Angeles County Museum of Art for promoting cultural exchange. The Sundance Institute also received $100,000 for its training and mentoring programs. Joe Manganiello, Sophia Bush and Zachary Levi Jason Isaacs and America Ferrera Jamie Lee Curtis

Dakota Johnson and Brie Larson Jon Hamm and Ty Burrell

In 2015, the HFPA announced a separate pledge of $2 million, the largest individual donation in its history, to Los Angeles City College’s cinema and television department. That gift will go toward both scholarships and upgrading studio, post production and theater facilities at the school, which will be renamed the HFPA Center for Cinema and Television at LACC. That, Soria promised, was “the first of several major grants and endowments we will be announcing in the next few months.”

A further donation was announced a few days ago.

$2,000,000 went to California State University at Northridge, Department of Cinema and Television, to be used equally to fund scholarships for underprivileged students and to upgrade the editing faciities. And $500,000 went to the American Cinematheque for capital improvements.

The evening was best summed up by who mused, “What kind of people would put on a TV show in Hollywood,

Benicio del Toro and Emily Blunt make a shitload of money and give it all away? Only foreigners.” HFPA® 2015 DONATIONS

HIGHER EDUCATION FELLOWSHIPS PROFESSIONAL TRAINING & MENTORING PROMOTE CULTURAL EXCHANGE THROUGH FILM & INSTITUTIONAL SUPPORT Coalition of Asian Pacifics in Entertainment - $15,000 American Cinematheque - $45,000 California Institute for the Arts (CalArts) - $60,000 Film Independent, Project: Involve - $40,000 Cal State Fullerton Philanthropic Foundation - $15,000 - $30,000 Cal State Long Beach - $60,000 Independent Filmmaker Project (, NY) - $20,000 FilmAid International - $60,000 Cal State Los Angeles - $60,000 International Documentary Association - $10,000 Latin American Cinemateca of Los Angeles - $10,000 Cal State Northridge - $60,000 Motion Picture & Television Fund - $10,000 Library Foundation of Los Angeles - $10,000 Columbia University - $60,000 New Filmmakers Los Angeles - $10,000 Museum of the Moving Image - $10,000 Los Angeles City College - $25,000 Foundation - $10,000 Los Angeles Conservancy - $35,000 Mt. San Antonio College Foundation - $5,000 Streetlights - $10,000 Los Angeles County Museum of Art/Film - $125,000 - $48,000 Women Make Movies - $10,000 San Francisco Silent Film Festival - $10,000 University of California, Los Angeles - $125,000 Sundance Institute - $100,000 Toronto International Film Festival - $15,000 University of California, Berkeley Film Archive - $20,000 HFPA SCHOLARSHIP/FELLOWSHIP PRE-PROFESSIONAL TRAINING & EDUCATION University of Illinois at Champaign-Urbana (Ebertfest) - $10,000 ENDOWMENTS California State Summer School Arts Foundation - $25,000 SPECIAL PROJECTS American Film Institute - $20,000 Echo Park Film Center - $10,000 CalArts - $12,500 Ghetto Film School - $30,000 Children’s Hospital - $25,000 Cal State Fullerton - $5,000 GlobalGirl Media - $10,000 Ensemble Studio Theatre - $15,000 Cal State Long Beach - $5,000 Inner-City Arts (Downtown LA) - $30,000 Gingold Theatre Group/Shaw Festival - $10,000 Cal State Los Angeles - $2,650 Inner City Filmmakers (Santa Monica) - $30,000 Lollipop Theater Network - $20,000 Cal State Northridge - $5,000 Los Angeles County High School for the Arts - $25,000 Pablove Foundation - $7,500 Columbia University - $20,000 Performing Arts Center of Los Angeles (Music Center) - $5,000 Young Musicians Foundation - $10,000 Los Angeles City College - $4,000 Young Storytellers Foundation - $10,000 Loyola Marymount - $20,000 PRESERVE THE CULTURE & ONE TIME GRANTS Mt. San Antonio College Foundation - $5,000 The Film Foundation, Inc./UCLA Film & New York University - $20,000 Television Archive - $350,000 CalArts - $58,672 UCLA - $20,000 Film Noir - $25,000 Exceptional Minds - $15,000 University of North Carolina - $5,000 Outfest (UCLA LGBT project) - $35,000 LAUSD/USC Arts & Engineering Magnet - $25,000 University of Southern California - $20,000

HFPA Donates to LACC

In addition to covering the entertainment industry for their worldwide audience, members of the Hollywood Foreign Press Association have been equally passionate about the philanthropic side of the organization.

Throughout the years, the HFPA has been privileged to be able to share the success of the Golden Globe Awards with numerous entertainment-related organizations, schools and universities and students. In 2015, the Hollywood Foreign Press Association expanded its philanthropic program with the donation of a record $2 million grant to Los Angeles City College.

Over the summer months LACC’s film and television facilities were completely overhauled and upgraded to the highest standards.

“The LACC Foundation has been truly honored to be the recipient of this extraordinary gift from the Hollywood Foreign Press,” said Robert Schwartz, Executive Director of the Los Angeles College Foundation. “This donation will be transformational in its impact, not only in the upgrade of facilities at the college’s cinema and television program, but also in the effect that this will have on the lives of the more than 1,500 students who will study at the HFPA Center for Cinema and Television each semester.”

Today, the newly named HFPA Center for Cinema and Television at LACC features a studio in honor of longtime Golden Globe Award producer and a theater after LACC alumnus, Golden Globe winner and Cecil B. deMille recipient, . SHOW YEAR RECIPIENT SHOW YEAR RECIPIENT

72 2015 40 1983 71 2014 39 1982 70 2013 38 1981 69 2012 Morgan Freeman 37 1980 Cecil B. 68 2011 36 1979 67 2010 35 1978 66 2009 34 1977 65 2008 {no award given} 33 1976 {no award given} ® 64 2007 32 1975 Hal B. Wallis deMILLE 31 1974 63 2006 62 2005 30 1973 61 2004 29 1972 AWARD 60 2003 28 1971 59 2002 27 1970 58 2001 26 1969 57 2000 25 1968 56 1999 24 1967 55 1998 Shirley MacLaine 23 1966 54 1997 22 1965 53 1996 21 1964 Joseph E. Levine 52 1995 20 1963 51 1994 Robert Redford 19 1962 50 1993 18 1961 49 1992 17 1960 48 1991 16 1959 47 1990 15 1958 46 1989 14 1957 Mervyn LeRoy 45 1988 13 1956 Jack L. Warner 44 1987 12 1955 43 1986 11 1954 Darryl F. Zanuck 42 1985 10 1953 PAST RECI PIENTS 41 1984 9 1952 Cecil B. deMille D ENZEL WASH I N GTON

2016 Cecil B. deMille® Award Recipient

about

From his first notable appearance on screen in A Soldier’s Story, Denzel Washington has always stood out among the crowd. And over a distinguished career in which he’s won three Golden Globes and two , he’s been the ultimate Hollywood star. Who can forget his Detective Alonzo Harris in Training Day or Rubin Carter in The Hurricane. The list is endless: Steve Biko, Malcolm X, Joe Miller in Philadelphia, Frank Lucas in American Gangster, Whip Whitaker in Flight. Critic Gavin Smith best sums up his talent when he writes, “Integrity. That’s the quality that Washington has most come to embody in his acting across 30-plus years. It lies at the heart of his appeal, and on screen, circumstances permitting, he seems to naturally exude it. Self-control is key. As a rule, Washington doesn’t do misfits, mavericks, or loners. He embraces genre material while anchoring it to resolutely level-headed life-sized humanity—no mean feat in today’s Hollywood.” He once described the arc of his career as “chopping wood slowly,” attributing his early successes to people like Bruce Paltrow (St. Elsewhere), Ed Zwick (Glory), (Cry Freedom) and Julia (The Pelican Brief). He holds no brief with those who call Hollywood racist. “There’s racism everywhere,” he said in one of the many press conferences HFPA members have had with him over the years. “People are racist. People are biased. That’s a part of life. All I know is I had to work very hard. Everybody has to work very hard no matter what color you are.” He has been married to musician-singer Pauletta Pearson for 30 years. They met in 1977 when they both appeared in a TV movie, Wilma, and are the proud parents of four adult children. What makes their marriage work so well? “I think friendship is key. We’re friends still. And responsibility helps too. But my wife has done a wonderful job in making sure all our kids have a good spiritual base.” In spite of his unparalleled success, he hasn’t forgotten the lean years “when I worked as a garbage man, when I worked for the post office. I worked in factories. I had nightshifts at a record pressing plant. And I remember before Pauletta and I were married, we had one dollar between us. I let her take the train while I sneaked on, both figuring how we were going to eat when we got downtown. I don’t forget.” And he’s philosophical about turning 60. “In Asian cultures they talk about that as being the age of mastery.’ Okay, that makes sense. That’s when you learn to simplify your life. When you’re young you’re constantly running around, and when you start getting older you think you’re doing less, but the reality is you’re just as effective or more so than you once were. So I embrace it. I mean, it’s life.” When he gave $1 million dollars to Nelson Mandela and the New South Africa, there was no public announcement. That’s not his style. “I’m involved in a lot of different organizations. I do a lot of work for the Boys’ and Girls’ Club. I happen to believe that you have to grab a person’s mind when they’re very young. Prejudice is taught, discrimination is taught, by somebody older. So that’s why I’m involved in teaching young people.” How difficult is it maintaining his high standards? “I’m still looking for movies that inspire. I’m determined to work harder and harder. I like the mail I get. I like how people are responding to what I’m doing. So I will continue to send a positive message.” The late called him the consummate method actor, but he doesn’t appreciate titles or definitions. He doesn’t like to intellectualize or discuss his work. He doesn’t see himself as anything special. “That’s for someone else to say,” he adds. “I just do my job the way I know how.” So what is the best thing about being Denzel Washington? “Being alive is good. I’ve been blessed. My family is everything to me.”

The Hollywood Foreign Press Association is proud to present this year’s Cecil B. deMille Award to Denzel Washington for outstanding contribution to the world of entertainment. D ENZEL WASHINGTON a life in film and FILM television (2016) Actor The Bone Collector (1999) Actor The Equalizer (2014) The Siege (1998) Actor 2 Guns (2013) Actor He Got Game (1998) Actor Flight (2012) Actor Fallen (1998) Actor Safe House (2012) Actor The Preacher’s Wife (1996) Actor Cry Freedom (1987) Actor Unstoppable (2010) Actor Courage Under Fire (1996) Actor Power (1986) Actor The Book of Eli (2010) Actor, Producer Devil in a Blue Dress (1995) Actor A Soldier’s Story (1984) Actor The Taking of Pelham 123 (2009) Actor Virtuosity (1995) Actor Carbon Copy (1981) Actor The Great Debaters (2007) Actor, Director Crimson Tide (1995) Actor American Gangster (2007) Actor Philadelphia (1993) Actor TELEVISION Deja Vu (2006) Actor The Pelican Brief (1993) Actor Inside Man (2006) Actor (1993) Actor Much Ado About Nothing The March (2013) Narrator The Manchurian Candidate (2004) Actor (1992) Actor Malcolm X Happily Ever After: Fairy Tales for Every Man on Fire (2004) Actor (1991) Actor Ricochet Child (1997, 1995) Voice Actor Out of Time (2003) Actor (1991) Actor Mississippi Masala Great Performances (1992) Narrator Antwone Fisher (2002) Actor, Director, Producer (1990) Actor Mo’ Better Blues The George McKenna Story (1986) Actor John Q (2002) Actor Heart Condition (1990) Actor License to Kill 1984) Actor Training Day (2001) Actor Glory (1989) Actor St. Elsewhere (1982-88) Actor Remember the Titans (2000) Actor The Mighty Quinn (1989) Actor Flesh & Blood (1979) Actor The Hurricane (1999) Actor For Queen and Country (1988) Actor The Wilma Rudolph Story (1977) Actor

Starry N ights with the Golden Globes® at the Cocoanut Grove

blinking electrified amber eyes. Stars twinkled in the blue ceiling sky, with a full Hawaiian moon shining over a painted landscape and splashing waterfall in one corner; on the other side of the grand room was a wide plush staircase perfect for dramatic entrances. The city of make-believe had never seen anything like it.

Nearly three decades after it opened, the Cocoanut Grove was still the hottest nightspot in Southern California, attracting the biggest stars in an endless celebration of the Golden Age of Hollywood. So naturally it was a perfect match for the 7th annual Golden rom the day in 1921 when the Ambassador Hotel opened those Globe Awards ceremony of 1950. The still-fledging awards event Fgold leaf and etched palm tree doors to the Cocoanut Grove put on by the Hollywood Foreign Correspondents Association nightclub, Hollywood glitterati flocked there to see and be seen. (precursor to today’s HFPA), had already sampled four venues in The Moorish-style extravaganza had overhead coconut trees and its brief history – from Fox Studios to , real palm fronds donated by from his film The Knickerbocker Hotel, and the Hollywood Roosevelt Hotel. But for Sheik. Life-like stuffed monkeys swung from the branches with the next two decades, with only four exceptions, the Globes would and make their home at the Ambassador’s glamorous Cocoanut Grove. Robert Wyler, Cathy O’Donnell, William Wyler, Haya Harareet, and Honoring the films of the previous year, the winner for Best Picture was director ’s All the King’s Men.

The night of the Globes has always been memorable but one standout at the Cocoanut Grove was in 1954 – the year the hottest star in the room, , was upstaged when all eyes followed actress Vikki Dougan, in one of her famous ‘backless’ dresses celebrated in song by the folk music group, the Limeliters. Not that it mattered to Marilyn, who still got plenty of love as she clutched her trophy for World Film Favorite. Marilyn, being Marilyn, knew how to work the press, and in the end she and her Globe were the most photographed couple of the night. Yes, the Hollywood Foreign Press shared many cherished memories with the William Wyler (Best Director-Ben Hur) historic Cocoanut Grove, as part of our own colorful history. These days the venue may have changed, but nothing stops the flow of champagne and laughter at what, even back then, was already considered the best party in town. Jack Lemmon and Eddie Fisher Anthony Quinn and Edmond O’Brien – THE GOLDEN GLOBES® 1960

The 17th Golden Globe Awards were held March 9, 1960 at the Doris Day Ambassador Hotel’s famous nightclub and hot spot, the and Rock Hudson Cocoanut Grove with a glittering crowd of 1,200 in attendance. The show, presided over by emcee , was aired locally on KTTV with plans to syndicate it later, a somewhat controversial decision protested by AFTRA as the actors present were not going to be paid.

Bing Crosby, deMille Award honoree

The studios, however, had sanctioned their presence, which may or may not have been in retaliation for an actors’ strike led by , then-President of SAG, two days earlier. The hour-long show was sponsored by Gelatin-in-Capsules, a health stimulant.

112 members of the Hollywood Foreign Press Association voted for the winners in all categories except for World Film Favorite Actor and Actress, which were based on international newspaper and fan magazine reader polls, and awarded that year to Rock Hudson and Doris Day.

Ben Hur and its director William Wyler won Best Picture and Best Director. Andrew Marton, second unit director, was given a special award for his direction Cocoanut Grove ballroom of the chariot race in the film.

Tony Curtis and Olivia DeHavilland and Rupert M. Allan Jr.

Steve Parker, Shirley MacLaine, William Wyler and Haya Harareet Marilyn Monroe and Debbie Reynolds

Some Like It Hot won Best Comedy, and its stars Jack Lemmon and Marilyn Monroe won Best Actor and Actress for Comedy. In fact, this was the only American acting award that Monroe won in her entire career, though she won Globes for World Film Favorite three times.

Army Archerd in Daily Variety had this to say about her appearance: “Marilyn Monroe, covered to the chin in her furs, left no doubt as to her reputation for underclothes as she undulated on-off stage. didn’t attend.” Archerd went on to take another shot, this time at presenter : “Jayne Mansfield got on stage moving every muscle, fluffed a “” credit, and said, “I have to be international in every department.” Black Orpheus (France-Brazil) was one of five foreign films that won that night. The others were Aren’t We Wonderful (Germany), The Bridge Alma and Alfred Hitchcock (Germany), Odd Obsession (Japan), and Wild Strawberries (Sweden).

Anthony Franciosa won Best Actor Drama for Career and no-show Elizabeth Taylor, apparently indisposed, won for Suddenly, Last Summer.

Other awards since retired included Best Motion Picture to Promote International Understanding which went to The Diary of Anne Frank, and Andy Williams and the Samuel Goldwyn Award for the Best Motion Picture made Outside of the US which went to Room at the Top. and Doris Day

Cocoanut Grove dinner

Jayne Mansfield and and Andy Williams Special Awards for Famous Silent Film Star went to Francis X. Bushman and Ramon Novarro, and the International Stars of Tomorrow were , , , , , , and .

George Hamilton and and won Special Monique Van Vooren Journalistic Merit awards. According to Archerd, Powell, who later declared “I honestly didn’t know it was on tv” despite the presence of television cameras, made strike jokes and “w.c. jokes,” and referred to an ongoing Troy Donahue and Barbara Stanwyck fight between Hopper and Ed Sullivan. Hopper had a television special on NBC in January in competition with Sullivan’s eponymous CBS show, and her guest list was impressive. But what made Sullivan mad was that he had just paid $10,000 to Charlton Heston to appear on his show when he found out that Hopper only paid him and her other guests (, , and Joan Crawford) the union minimum, $210, for an interview appearance. As the evening wore on, Archerd described Mrs. William Wyler as the “heroine of the evening who gave instructions which W.W. followed: Get off fast.”

Jayne Mansfield,

Ed Sullivan, and Sophie Tucker

Angie Dickinson and Ricardo Montalban , and Louella Parsons 2015 and the goldeN ® globe went to

BOYHOOD BEST MOTION PICTURE - DRAMA BEST DIRECTOR - MOTION PICTURE BEST PERFORMANCE BY AN ACTRESS Boyhood IN A MOTION PICTURE - DRAMA Still Alice

EDDIE REDMAYNE THE GRAND HOTEL GEORGE CLOONEY BEST PERFORMANCE BY AN ACTOR BEST MOTION PICTURE - MUSICAL OR COMEDY CECIL B. DEMILLE RECIPIENT IN A MOTION PICTURE - DRAMA The Theory of Everything ARMANDO BO, ALEXANDER DINELARIS, ALEJANDRO GONZÁLEZ IÑÁRRITU, NICOLÁS GIACOBONE J.K. SIMMONS BEST PERFORMANCE BY AN ACTRESS BEST SCREENPLAY - MOTION PICTURE BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A Birdman IN A SUPPORTING ROLE IN A MOTION PICTURE BEST PERFORMANCE BY AN ACTRESS MOTION PICTURE Boyhood IN A MOTION PICTURE- Whiplash MUSICAL OR COMEDY Big Eyes

LEVIATHAN BEST MOTION PICTURE - FOREIGN LANGUAGE HOW TO TRAIN YOUR DRAGON 2 Alexander Rodnyansky and Andrey Zvyagintsev BEST MOTION PICTURE - ANIMATED BEST PERFORMANCE BY AN ACTOR Bonnie Arnold and Dean DeBlois IN A MOTION PICTURE - MUSICAL OR COMEDY Birdman GINA RODRIGUEZ JOANNE FROGGATT “GLORY“ from Selma FARGO BEST PERFORMANCE BY AN ACTRESS IN A BEST PERFORMANCE BY AN ACTRESS IN BEST ORIGINAL SONG - MOTION PICTURE BEST MINI-SERIES OR MOTION PICTURE TELEVISION SERIES - MUSICAL OR COMEDY A SUPPORTING ROLE IN A SERIES, John Legend and MADE FOR TELEVISION Jane the Virgin MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION Downton Abbey

KEVIN SPACEY JÓHANN JÓHANNSSON BEST PERFORMANCE BY AN ACTOR BEST ORIGINAL SCORE - MOTION PICTURE IN A TELEVISION SERIES - DRAMA THE AFFAIR The Theory of Everything House of Cards BEST TELEVISION SERIES - DRAMA BEST PERFORMANCE BY AN ACTRESS IN A BEST PERFORMANCE BY AN ACTOR MINI-SERIES OR MOTION IN A SUPPORTING ROLE PICTURE MADE FOR TELEVISION IN A SERIES, MINI-SERIES OR The Honorable Woman BEST PERFORMANCE BY AN ACTRESS MOTION PICTURE MADE FOR TELEVISION BEST PERFORMANCE BY AN ACTOR IN A The Normal Heart IN A TELEVISION SERIES - DRAMA MINI-SERIES OR MOTION PICTURE MADE The Affair FOR TELEVISION Fargo

JEFFREY TAMBOR BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES - MUSICAL OR COMEDY TRANSPARENT Transparent BEST TELEVISION SERIES - MUSICAL OR COMEDY WAS THERE A MOVIE THAT CHANGED YOUR LIFE CHANNING TATUM JULIANNE MOORE COOL HAND LUKE THREE WOMEN What the movie’s saying about freedom – how Paul Newman could be imprisoned It was first time that I really truly noticed a directorial voice () WOMAN UNDER and still be free. Newman’s just sort of THE INFLUENCE effortless. He never looked like he was - trying, but he was doing so much and I had never seen a film like it or a per he just had that life going on behind his formance as raw and open. There is no eyes. It spoke to me personally and I was membrane between and me as the viewer. I felt like it was happening - just like, I wish I could land even in the through me and to me as an audience mem ballpark of whatever he was doing. That ber, and I felt totally out of control when I is definitely the pinnacleof who I want to was watching it which was really thrilling. be as an actor.

LEONARDO DICAPRIO TAXI DRIVER TAPS It is still one of my favorite films to this To watch that film as a young man was one of day. It was one of the first films where the more immersive experiences in the psyche of another individual. To be actually completely I saw young actors playing really such tricked into thinking that Travis Bickle wasn’t intense roles and it was very emotional. having a sort of a breakdown because you so BOB ODENKIRK I was a sensitive kid so I could really get identified with his loneliness and his longing, BRYAN CRANSTON into what people were going through, like THE LAST DETAIL and then he ultimately betrays you. And so that COMING HOME tough times or suffering and bad things It challenged me to do more to me was one of the transformative, and still ’s movie had a profound happening or you had to overcome some- heavy stuff but to the greatest ever made. emotional impact on me for what it said thing. To see younger people in control in keep it light about relationships and mental health such a responsible way if you will, I have never really gotten to see. LIAM HEMSWORTH A GUIDE TO RECOGNIZING L’AVVENTURA YOUR SAINTS My great ambition was to be Sarah Bernhardt, For me Dito Montiel’s movie was Eleanora Duse, to be one of the great theatre actresses. We didn’t have television at home so I something completely DR. STRANGELOVE different and unique. didn’t watch TV and we never went to the cinema. I was working as a waitress in my aunt’s It’s terrifying, the subject matter is very bed and breakfast in Brighton and it was a rainy scary, but done in a satirical and funny afternoon and I didn’t have anything to do and there was this really stinky little fleapit of an way. It was a revelation to me that a I saw it at 12 or 13. It didn’t make movie could make you feel so many cinema. They either played pornography or art me want to be a filmmaker but it made movies, and I just wandered in and sat down. different ways at the same time. You me want to be involved in film. There on the screen was in Anto- could laugh one moment but feel like And Stallone’s whole story of writing nioni’s L’Avventura. You know those moments your guts are being pulled out of you the screenplay was very influential to when you’re young and you see something for the the next. I found that to be really spe- me and he was truly the people’s first time? I was just breathless with excitement champion as far as I was concerned. cial. And I always aspired to be a part afterwards. From that moment I always thought I remember rooting for him at the of film in a different way and wanted to be a cer of something that resonates with people - Academy Awards like somebody had tain kind of film actress. became the same way, even a little bit. snuck into Hollywood. And in a way my great teacher about film acting, you know, just when I did , I kind of felt a watching her. similar way, like I had somehow gotten across the wall or something. NAKED Besides ’s direction and ’s performance the fact that it was HFPA members attended more so local made it more universal; something than 600 press conferences in about it made it feel very global to me 2015. Here are some of the responses to one of our questions. WAGNER MOURA MICHAEL KEATON ROCCO AND HIS BROTHERS MIDNIGHT COWBOY (Visconti) pointed the way to neo realism Stylistically, its use of music, those for Brazilian Cinema, performances, I hadn’t seen a movie TOM MCCARTHY resulting in films like City of God made like that before. GANDHI Richard Attenborough introduced me

to a world I had never seen with ideas at

that time that were beyond me JENNIFER JASON.LEIGH DOG DAY AFTERNOON - I was 14 when that came out. So I wasn’t actu ally old enough to see the movie. But me and my girlfriends would go. And we would find someone in line that would buy tickets for us. And I saw it, literally, 17 times. It completely opened my eyes and changed my world in a way, about what a film can do, what acting can be. It was so real and so alive and so emotional and intense. And I felt JOANNE FROGGATT myself caring for these people that were so on the WHATEVER AHPPPENED edges of society. Al Pacino’s performance is just, TO BABY JANE beyond. It’s just really, really spoke to me as an It was the first time I saw women artist, that he could reach me in that way. portrayed in a different way; I had THE TURNING POINT no idea actresses (Bette Davis, Joan You got to go inside the female PATHS OF GLORY Crawford) were allowed to do that experience of one woman staying ’s anti- sort of thing on screen home () and the other changed my life and it altered me politically and consciously. (Shirley Maclaine) choosing a career RYAN GOSLING HOLD THAT GHOST JANE FONDA I haven’t really gone that way in my GRAPES OF WRATH career, but that kind of slapstick (Abbott My father’s film, which obviously I saw and Costello) was my first real THE HILL very, very young I think is responsible exposure to film I love Sydney Lumet’s film, both as for my activism. My father didn’t talk a piece of art and what it says about much, but he made these movies like man and confinement and friendship Grapes of Wrath, The Oxbow Incident, , and that kind of got into my DNA. In terms of acting, it was a Broadway play when I was twelve with and it was the first time that I saw someone on It was the first film that ever exploded in stage who had become a person. They my mind. It was creatures interacting with weren’t acting and I said well, people and I didn’t know how they did that. that’s different, you know, It really opened my mind to the possibilities and it really moved me. of what a human brain could create. It was such an overwhelming experience for me in that movie theater and it really inspired me to want to reach and create on the level that made other people feel how I felt when I was SAMUEL L watching that movie. Figuratively and .JACKSON literally, it took me to another world. KING KONG The 1933 version, it was the first movie BOBBY CANNAVALE I saw, I watched that and said, I have to REBEL WITHOUT A CAUSE be a movie star. James Dean. I didn’t know that actors could act like that

Corinne Foxx

Corinne Foxx Miss Golden Globe 2016

Corinne Foxx, 21, is the daughter of Golden Globe award-winning actor, . Currently a senior at USC, she will graduate next May. She is signed to LA Models and has studied acting at the Howard Fine Acting Studio and the American Academy for Dramatic Arts. She was featured in a spring/summer campaign for Icing stores, NYLON Magazine and ASOS Magazine. In February 2015, she appeared on her first major fashion magazine cover for Rollacoaster Magazine. Corinne has developed a bullying prevention program and has hosted a school-wide “Bullying Prevention Week,” a cause close to her heart through high school and college.

Here is Corinne, in her own words:

Having an entertainer as a parent, it becomes easy to put off your education and run wild with extravagant privileges. It is easy for one to get lost in the limelight of Hollywood. However, I have always had my north stars to guide me: my two little sisters. Right after high school, I was given the opportunity to start in the entertainment industry. I had the ability to pursue acting and modeling at a young age. However, I stayed strong in my desires to be accepted to a university on my own: without using my name, without donations or promises of special appearances by my dad. I am about to graduate from the University of Southern California and will receive a Bachelor of Arts in Public Relations and a minor in Marketing. My sisters have watched me move into the dorms, get my first apartment, join a sorority, study for final exams and study abroad in . For the last four years, they have watched me grow academically and personally as a result of my studies. I hope that they will say: “I want to graduate from college, just like Sissy.”

Throughout the years I’ve grown up watching my dad establish himself as a well- respected actor. I’m honored that the HFPA has given me the opportunity to now share the same stage where he’s been recognized for some of his greatest accomplishments. dick clark productions

Executive Producers: Allen Shapiro, Mike Mahan Supervising Producer: Louise Van Patten and Barry Adelman Line Producer: Nicole Velasco Directed By: Louis J. Horvitz Coordinating Producer: Don Harary Co-Producer: Melissa Trueblood Lighting Designer: Robert Dickinson Consulting Producer: Production Designer: Brian Stonestreet Music Director: Lenny Stack

A SPECIAL THANK YOU TO:

Fiji Michael Carter Tim Girard InStyle Magazine Mike Goodridge Yangaroo Lindt Chocolate Moet & Chandon The Los Angeles County Sheriff’s Department Marian Miller Noble Security The Beverly Hills Fire Department Max Cipicchia Sisu The Beverly Hills Police Department Metal Toad The Beverly Hilton

2016 PROGRAM DESIGNED AND CREATED BY: MARIA DIMULESCU - Email: [email protected] www.mariadimulescu.com DAN HALVERSON - Email: [email protected] PRINTED BY: Boss Litho ® THE GOLD EN GLOBE AWARDS produced by the Holly wood Foreign Press Association® with dick clark productions and presented by NBC

President: Lorenzo Soria Photography: Armando Gallo, Magnus Sundholm Talent Coordinators: Scott Orlin, Elisabeth Sereda Digital & Social Media Team: Paoula Abou-Jaoude, Mario Amaya, Ana Maria Bahiana, Seating Committee: Silvia Bizio, Jorge Camara, Jenny Cooney Carrillo, Luca Celada, Erkki Kanto, Meher Tatna, Katherine Tulich Karen Martin, Paz Mata, Herve Tropea Marlène von Arx Kirpi Uimonen Ballesteros COO and General Counsel: Gregory P. Goeckner Ticketing Committee: Rocio Ayuso, Helen Hoehne, Anke Hofmann, HFPA Managing Director: Chantal Dinnage Zoya Malinskaya, Yuki Nakajima Support Staff: Zoya Malinskaya, Lisa Tyler, David Castro Production Liaison: Paoula Abou-Jaoude, Noel de Souza Public Relations: Sunshine Sachs Michele Manelis, Frances Schoenberger Awards Tabulation: Ernst & Young Public Accountants Banquet Supervisors: Lilly Lui, Alessandra Venezia THIS PUBLICATION IS OWNED AND COPYRIGHTED BY THE HFPA© Security & Logistics: Theo Kingma, Ali Sar, Dierk Sindermann Editorial Director: Lorenzo Soria Media Credentials: Munawar Hosain, Janet R. Nepales, Ruben V. Nepales Editors: Philip Berk , Meher Tatna Foreign Film Symposium: Andre Guimond, Serge Rakhlin Copy Editor: Jack Tewksbury Red Carpet: Sam Asi, Rui Coimbra, Dagmar Dunlevy, Margaret Gardiner, Contributors: Vera Anderson, Theo Kingma Munawar Hosain, Yoram Kahana, H.J. Park, Hans Spürkel Cover Photo: Image Group L.A. Press Rooms: Elmar Biebl, Jorge Camara, Patricia Danaher, Helen Hoehne, Anke Hofmann, Yoram Kahana, Gabriel Lerman, Paz Mata, Scott Orlin, Serge Rakhlin, Elisabeth Sereda, Jack Tewksbury, Katherine Tulich, Kirpi Uimonen Ballesteros, Marlène von Arx

GOLDEN GLOBE(S)®, HOLLYWOOD FOREIGN PRESS ASSOCIATION® and GOLDEN GLOBE® statuette design mark are the registered trademarks and service marks and the GOLDEN GLOBE® statuette the copyrighted property, of the Hollywood Foreign Press Association. Copyright© MMXVI Hollywood Foreign Press Association. All rights reserved

Who Is Jorge I. Camara? If You Have To Ask, You're Probably Living In An Ivory Tower

“Academia is the death of cinema. It is the very opposite of passion. Film is not the art of scholars, but of illiterates.” ―

Jorge I. Camara, my boss, is the President Emeritus & Chairman Emeritus, and the current duly elected Treasurer, of the Hollywood Foreign Press Association (H.F.P.A.).

My boss, Jorge I. Camara, who was President of the Hollywood Foreign Press Association (H.F.P.A.) at the time (2008-2009), presided over the 66th Annual Golden Globe Awards, which was broadcast on N.B.C. on January 11, 2009 to well over 15 million viewers worldwide. It was during the 66th Annual Golden Globe Awards that legendary film director Steven Spielberg was bestowed the prestigious Cecil B. DeMille Award by the always magnanimous Hollywood Foreign Press Association (H.F.P.A.).

Steven Spielberg receiving the illustrious Cecil B. DeMille Award from the H.F.P.A. was the capstone of my boss’ long tenure as a six-time elected President of the H.F.P.A. and as a six-time elected Chairman of The Board of Directors of the H.F.P.A. Steven Spielberg is unquestionably one of the all-time great filmmakers and my boss, Jorge I. Camara, considered it to be one of his proudest achievements and the capstone of his sixth tenure as President of the Hollywood Foreign Press Association, the great auteur, Steven Spielberg, finally received the Cecil B. DeMille Award from the Hollywood Foreign Press Association.

1 ______

Jorge I. Camara, President Emeritus & Chairman Emeritus Hollywood Foreign Press Association Board of Directors 646 North Robertson Boulevard West Hollywood, CA 90069-5022 (310) 657-1731 FAX (310) 657-5576

Website: http://www.HFPA.org and/or http://www.GoldenGlobes.com

E-mail: [email protected] and/or [email protected] ______

The annual Golden Globe Awards, bestowed by the very gregarious Hollywood Foreign Press Association (H.F.P.A. - http://www.HFPA.org), along with the Oscars, bestowed by the much-much more buttoned-down, slightly dour Academy of Motion Picture Arts & Sciences (A.M.P.A.S. - http://www.Oscars.org), are Hollywood’s most prestigious awards for artistic merit. Mr. Camara, having been elected by his peers in the H.F.P.A. six times as President of the H.F.P.A. and having been elected by his peers in the H.F.P.A. six times as Chairman of the Board of the H.F.P.A., is considered the Dean of the Hollywood Foreign Press Association (H.F.P.A.).

The Hollywood Foreign Press Association (H.F.P.A.) is a world- renowned, beloved and cherished American non-profit institution composed of expert, esteemed, globetrotting, press-credentialed international movie critics. Often unbeknownst to the most passionate cinéaste, however, is that, besides bestowing the prestigious annual Golden Globe Awards, the Hollywood Foreign Press Association (H.F.P.A.) is an I.R.S. Internal Revenue Code Section 501(c)(3) non-profit charity that gives away millions upon millions in grants each year to advance the arts and sciences of cinema. Elite film schools, exulted film provocateurs, cherished film preservation societies, and young, aspiring, but impoverished, film directors and film actors, respectively, all receive generous, no-strings- attached cash grants each year from the H.F.P.A. to help conserve, diversify, modernize, and continually improve the arts and sciences of cinema.

Over the course of more than forty-five years as a member of the H.F.P.A., Mr. Camara, as stated earlier, has been entrusted by his peers in the H.F.P.A. six times to be President of the H.F.P.A. and has been entrusted by his peers in the H.F.P.A. six times to be Chairman of the Board of the H.F.P.A. (Mr. Camara’s last term as President of the H.F.P.A. was 2007- 2009 and Mr. Camara’s last term as Chairman of the Board of the H.F.P.A.

2 was 2009-2010.) Although he didn't officially run for the office, Mr. Camara was elected in June 2011 and June 2012 as Vice President of the H.F.P.A.; and, although very reluctant to serve yet another H.F.P.A. elective term in yet another H.F.P.A. elective office, Mr. Camara magnanimously accepted his H.F.P.A. peers' write-in vote of confidence and was installed as Vice President of the Hollywood Foreign Press Association for the years of 2011 and 2012. This was his third time being elected Vice President of the H.F.P.A. by his peers in the H.F.P.A.

After many years of selfless service to the noble profession of journalism and to the H.F.P.A., Mr. Camara had formally retired in 2013 from any formal elective office of the H.F.P.A. and, as President Emeritus and Chairman Emeritus of the H.F.P.A., served on the H.F.P.A. Board of Directors only in an ex officio capacity; however, Mr. Camara was implored by his peers in the H.F.P.A. to come out of retirement and he was elected once again by his H.F.P.A. peers to the Board of Directors of the H.F.P.A. in 2013. Mr. Camara is the current duly elected Treasurer (2015-2016) of the H.F.P.A.

Mr. Camara has received the very coveted International Media Award, from the prestigious and much beloved Publicists Guild of America (https://www.cameraguild.com/Home.aspx), in exceptional recognition of his “outstanding coverage of film and television,” and the Southern California Motion Picture Council's (http://socalmpc.org/index.html) Bronze Halo for “outstanding contributions to the entertainment industry.”

In addition to being a very distinguished member of the Hollywood Foreign Press Association (H.F.P.A.), Mr. Camara is a long-time member of the Broadcast Film Critics Association (http://www.CriticsChoice.com), and also served briefly as President of the Los Angeles Film Critics Association (http://www.lafca.net/index.html) 1988-1999.

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