REVOLUCIÓN CANANA, El Instituto Mexicano De Cinematografía and Tequila Tres Generaciones Present

Total Page:16

File Type:pdf, Size:1020Kb

REVOLUCIÓN CANANA, El Instituto Mexicano De Cinematografía and Tequila Tres Generaciones Present CANANA, el Instituto Mexicano de Cinematografía and Tequila Tres Generaciones present MARIANA CHENILLO FERNANDO EIMBCKE AMAT ESCALANTE GAEL GARCÍA BERNAL RODRIGO GARCÍA DIEGO LUNA GERARDO NARANJO RODRIGO PLÁ CARLOS REYGADAS PATRICIA RIGGEN REVOLUCIÓN CANANA, el Instituto Mexicano de Cinematografía and Tequila Tres Generaciones present REVOLUCIÓN Mexico - 2010 - 100mins - 35mm - Spanish INTERNATIONAL PRESS PREMIER PR Produced by Pablo Cruz In Berlin Feb 10-20, 2010 Executive Producer Geminiano Pineda Köthenerstrasse 5 (am Potsdamer Platz) Associate Producers Gael García Bernal and Diego Luna 8th floor, Apt number 811 10963 Berlin – Germany Office Tel: +49 (0)30 2300 3139 / 5572 Mobile: +44 (0)7710 199 324 Email: [email protected] www.premierpr.com Ten voices at the forefront of Mexican cinema join together to celebrate the hundred year WORLD SALES anniversary of the Mexican revolution. This multi-faceted and energetic compilation CELLULOID DREAMS expresses the historical moment which still 2 rue Turgot echoes in today’s society. 75009 Paris T: + 33 1 4970 0370 F: + 33 1 4970 0371 [email protected] www.celluloid-dreams.com The story of a village expecting the arrival of a special guest. Written and Directed by Fernando Eimbcke Cinematography: Alejandro Cantú Editing: Mariana Rodríguez Producers: Jaime B. Ramos, Christian Valdelievre Cast: Ansberto Flores López, José del Rosario Aguilar Hernández, Rufina Rosas Arteaga, Virgilio López Moran, Justo Martínez García A Production by Cinepantera FERNANDO EIMBCKE He studied film direction at the Centro Universitario de Estudios Cinematográficos of the UNAM (1992- 1996). He started his career directing music videoclips and short films. His feature debut in Mexican cinema was Temporada de patos (Duck Season) in 2004, which won several awards including the Ariel Award (Mexican Oscar) for Best Film. His latest film, Lake Tahoe was received positively at Berlin International Film Festival, winning the FIPRESCI award and the Alfred Bauer Award, at Cartagena International Film Festival he received the India Catalina Award, winner of the Semilla Award for Best Feature Film at Cero Latitud in Ecuador. Winner for Best Direction at Guadalajara International Film Festival. THE WELCOMING by Fernando Eimbcke This is the story of Elisa, whose father’s last wish is to be buried in Mexico. Elisa, an American citizen, doesn’t understand why her father wants to be buried in a country that forced him to emigrate in order to survive. Upon Elisa’s arrival to her father’s village she understands how little is left from the Mexican Revolution in which her grandfather fought, however she discovers the value of the homeland and why it is worth it to go back. Director: Patricia Riggen Script: Patricia Riggen, Jorge Riggen Producers: Jorge Riggen, Sofía Riggen Cinematography: Checco Varese Art Direction: Lizette Ponce Music: Eduardo Gamboa Editing: Mario Sandoval Sound: Joe Milner Cast: Adriana Barraza, Carmen Corral PATRICIA RIGGEN She was born in Guadalajara, México, and holds an MFA in Film Direction from Columbia University. Her first short film La Milpa, screened in more than 30 film festivals and won the Mexican Academy Award, the DGA East Coast Student Filmmaker Award and the Gold Medal from the Student Academy Awards. Her by Patricia Riggen next short, Family Portrait, won the Jury Price in Short Filmmaking at Sundance in 2005 and was named Best Documentary Film at the Aspen Short Film Festival. In 2007 she released her first film La Misma Luna at Sundance Film Festival, BEAUTIFUL which became a huge box office success in Mexico and USA. & BELOVED LUCIO by Gael García Bernal Lucio spends the weekend with his grandmother and his cousins preparing his flag salute for school. The visit of his rebellious cousin Omar will make him reflect on the true meaning of patriotic actions and symbols. Director: Gael García Bernal Producer: Arturo Sampson Cinematography: Lula Carvalho Editing: Miguel Schverdfinger Original Music: Leo Heiblum CAST: Aldo Carpintero Bernal, Benny Emmanuel Mendoza Yirene, Isaac Figueroa Borquez, Samantha Mayer, Yolanda Patricia Abbud Lozoya. A Production by Ecatombe GAEL GARCÍA BERNAL At age 19 he left Mexico’s television world to study acting at the Central School of Speech and Drama in London. Director Alejandro González Iñárritu tracked him down and offered him a part in Amores Perros. Subsequently, García Bernal starred in some of Mexico’s most celebrated recent films, including Y tu mamá también (2001) and El crimen del Padre Amaro (2002). In 2004 he starred as a young Che Guevara (Argentinian Marxist Revolutionary) in The Motorcycle Diaries. García Bernal also directed his first feature film, Déficit, which premiered at Semaine International de la Critique Cannes 2007. He participated as one of the directors in the project 8 along with Mira Nair, Gus Van Sant and Wim Wenders which premiered as an Opening Film at the Rome International Film Festival. He most recently starred in Rudo y Cursi (2008) with Diego Luna, directed by Carlos Cuarón. THE HANGING A boy and a girl on a donkey rescue a priest hanging from PRIEST a tree. He will take them to a new place. by Amat Escalante Directed, written and edited by Amat Escalante Cinematography: Lorenzo Hagerman Producer: Jaime Romandía Cast: Cirilo Recio, Héctor Cortés Barrientos, Ámbar Sixto Marroquín, Pardo A Production by Mantarraya Producciones y Tres Tunas AMAT ESCALANTE He is a self-taught filmmaker from the city of Guanajuato, Mexico. He began to devote himself completely to cinema at the age of 15. After completing two short films, he wrote and directed his first feature, Sangre, a film shot in his native Gua- najuato that premiered in the Official Selection Un Certain Regard of the Cannes Film Festival in 2005, where it received the FIPRESCI Prize (award). His second film Los Bastardos premiered at the Official Selection Un Certain Regard Cannes in 2008. He also won the New Visions Award at the Catalonian International Film Festival, Feature Film Competition Award at the Morelia International Film Fes- tival, won the Best Ibero-American Film Award at Mar del Plata Film Festival, the Critics Award at Lima Latin American Film Festival, won the Student Jury Award and Best Director at Bratislava International Film Festival. THIS IS MY KINGDOM A group of good Mexican people and some friends by Carlos Reygadas of other nations come together to celebrate a feast on the countryside. Directed, written and edited by Carlos Reygadas Cinematography: Gerardo Barroso, Andrea Borbolla, Amat Escalante, Pau Esteve, Pedro, González Rubio, Sebastián Hoffman, Pablo Nuñez, Jaime Romandía Emiliano Villanueva, Alexis Zabé Producers: Carlos Reygadas, Jaime Romandía A Production by Nodream and Mantarraya CARLOS REYGADAS He studied Law in Mexico, afterwards he specialized in Armed Conflicts in London and worked for the United Nations. In 1997 Reygadas participated in a film competition in Belgium with his first short film, Maxhumain. Shortly after that, in 1999, he began writing his first long film, Japón. The film was presented at the Rotterdam Film Festival and received a special mention for the Caméra d’Or award at the 2002 Cannes Film Festival as well as the Coral Award of the Havana Film Festival. He directed Batalla en el Cielo in 2005 which was nominated for the Palme d’Or at Cannes and won the FIPRESCI Prize at Rio de Janeiro International Film Festival. In 2007 his film Stellet Licht competed once more for the Palme d’Or at the 2007 Cannes Film Festival winning the Jury Award, he also won the Grand Prize at Riga International Film Forum ‘Arsenals’, the Golden Colón at Huelva Latin Before the Revolution, landlords or businessmen used to pay their employees with vouchers redeemable only in their own stores, known as “Estate Stores”. The same wage policies are still used nowadays by some corporations and the government. Directed and written by Mariana Chenillo Producer: Laura Imperiale Cinematography: Gerónimo Denti, Miguel López, Serguei Saldivar Tanaka Editing: Mario Sandoval Cast: Mónica Bejarano, Gerardo Trejo Luna, Heleanne Beltrán, by Mariana Chenillo Joel Figueroa Borquez, Luis Fernando Zárate, Juan Cristóbal Castillo, Marcela Morett, Omar Ramírez, Carlos A. Rangel THE A Production by Cacerola Films MARIANA CHENILLO She graduated from the Centro de Capacitación Cinematográfica (CCC) of Mexico City in 1995, where she specialized in film directing. Since 2005 she has taught at CCC and has also served as a counselor in the area of direction and direction assistance. Cinco días sin Nora (2008) was her first feature film as director and writer, winner of the Audience Award at Morelia International Film Festival, Miami ESTATE International Film Festival, Best Direction Award at Moscu International Film Festival, Best Script Award at the Skip City Festival in Japan, Best First Feature Award at Expresión en Corto Festival in Guanajuato, Selected as an Opening Film for Latin Beat Festival in New York, winner of “El Abrazo” award for the best feature film in Biarritz, France and winner of the Best Feature Film and Best Direction at STORE the Los Angeles Latino International Film Festival. R-100 by Gerardo Naranjo Two workers, The Turc and The Rat, run away from their violent past. When they reach the highway, they have to take a risk to continue. Director: Gerardo Naranjo Script and Editing: Gerardo Naranjo and Mauricio Katz Cinematography: Gerardo Naranjo Producers: Monica Lozada, Mauricio Katz Cast: Noe Hernandez, Manuel Jimenez, Toño Rodríguez, Raúl Dueñas A Production by Cineloko GERARDO NARANJO He began working on film criticism and in 1997 directed his first short Perro Negro. From there Gerardo went on to pursue a Masters in Directing at the American Film Institute in Los Angeles. His Masters thesis The Last Attack of the Beast won several awards and much critical acclaim and acted as a springboard for his debut feature film Malachance (2004). The next year he co-wrote and starred in Azazel Jacobs’ The Good Times Kid (2005).
Recommended publications
  • International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
    THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC.
    [Show full text]
  • 5Bfbeeac3776649f9b212fdfb326
    5 Foreword raymond Walravens 9 opening and Closing Ceremony / awards 10 world Cinema Amsterdam Competition 20 mexiCan landsCapes Features 22 new mexiCan Cinema presentation paula Astorga riestra 24 postCards From a new mexiCan Cinema Carlos BonFil 42 mexiCan landsCapes shorts 46 speCial sCreenings (out oF Competition) 51 speCials 55 world Cinema Amsterdam open Air 62 world Cinema Amsterdam on Tour 63 we would like to thank 67 index Filmmakers A – Z 69 index Films A – Z 70 sponsors and partners Foreword From 12 through 22 August, the best independently world Cinema Amsterdam Competition produced films from Latin America, Asia and Africa The World Cinema Amsterdam competition programme will be brought together in one festival: World Cinema features nine truly exceptional films, taking us on a Amsterdam. fascinating odyssey around the world in Chad, South Africa, Thailand, Malaysia, Turkey, the Philippines, World Cinema Amsterdam is a new initiative by Argentina, Mexico and Nicaragua, and presenting work independent art cinema Rialto, which for many years both by filmmakers who have more than earned their has been promoting the presentation of films and spurs and debut films by young, talented directors. filmmakers from Africa, Asia and Latin America. Award winners from renowned foreign festivals such as Cannes or Berlin, and films that have captured our In 2006, Rialto started working towards the realization attention elsewhere will have their Dutch or Amsterdam of its long-cherished dream: to set up a festival of its premieres during the festival. own dedicated to presenting the many pearls of world The most recent productions by the following cinema.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Amat Escalante
    Amat Escalante Escalante nació por en Barcelona, España, Escalante was born fortuitously in Barcelona, proveniente de una familia compuesta de padre Spain, as his family, composed by a Mexican mexicano y madre americana. La primera etapa father and an American mother. He spent most de su vida transcurrió en Guanajuato, México, y of his early years in Guanajuato, Mexico, but en el año 2001 se mudo a España para estudiar moved to Spain in 2001 to study film editing and edición y sonido en el Centro para Estudios sound at the Center for Cinematographic Studies Cinematográficos de Catalunya (Centre d’Estudis of Catalonia (Centre d’Estudis Cinematogràfics Cinematogràfics de Catalunya, CECC). Después de Catalunya, CECC). After his stint in Barcelona, de su estadía en Barcelona, se matriculó en la he joined the International School of Film and Escuela Internacional de Cine y Televisión (EICTV) Television (EICTV) in Havana, Cuba; Back in en La Habana, Cuba; de regreso en México dirigió Mexico, he directed a short film AMARRADOS un pequeño corto cinematográfico AMARRADOS (2002) that received an award at the 2003 (2002) que recibió una condecoración en Berlinale Berlinale International Film Festival. He worked Internacional Film Festival en su edición 2003. as an assistant of Carlos Reygadas in BATALLA Trabajó como asistente de Carlos Reygadas en EN EL CIELO (2005), which entered the 2005 BATALLA EN EL CIELO (2005) la cual compitió Cannes Film Festival. Reygadas co-produced en el año 2005 en Cannes Film Festival. Reygadas some of Escalante’s first films. One of those coprodujo algunos de los primero filmes de films SANGRE (2005), was included in Un Escalante.
    [Show full text]
  • Overview of Programs and Exhibitions, Late May–June 2019
    CALENDAR ADVISORY OVERVIEW OF PROGRAMS AND EXHIBITIONS, LATE MAY–JUNE 2019 Please see below for major screening series, highlighted events, and current exhibitions. Additional programs will be added as confirmed. SCREENING SERIES Panorama Europe Film Festival THROUGH MAY 19, 2019 The eleventh edition of the annual festival of new films from Europe, co-presented by MoMI and the European Union National Institutes of Culture (EUNIC), features seventeen films, including nine directed by women. Upcoming films include: Baikonur, Earth from Italian director Andrea Sorini, who will appear in person; Light as Feathers, from Dutch writer/director Rosanne Pel; Several Conversations About a Very Tall Girl, considered the first Romanian film to feature a lesbian love story, with director Bogdan Theodor Olteanu appearing in person; Babis Makridis’s Pity, which was co-written with Yorgos Lanthimos’s frequent writing partner Efthimis Filippou; from Hungary, One Day (Egy Nap), with director Zsófia Szilágyi in person; and Salomé Lamas’s acclaimed Extinction. Press Release | Schedule & Tickets See It Big! Action THROUGH JULY 7 See It Big! Action offers up favorites of the action-film genre, highlighting work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. Upcoming: a Memorial Day weekend marathon of all six Mission: Impossible films; Police Story, 48 Hrs., Heat, Miami Vice, Big Trouble in Little China, Hard Boiled, Face/Off, Die Hard, Death Proof, Hooper, Point Break, Haywire, Three the Hard Way, Coffy, and Set It Off. See It Big! is the Museum’s signature big-screen series, co-programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky.
    [Show full text]
  • Contenido Estrenos Mexicanos
    Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148
    [Show full text]
  • Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
    APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off.
    [Show full text]
  • Our Time Pressbook
    OUR TIME (Nuestro Tiempo) A film by Carlos Reygadas 173 min / Mexico, France, Germany, Denmark, Sweden / 2018 /Spanish/English /Certificate TBC Venice Film Festival Film premiere 2018 São Paulo International Film Festival – Best Foreign Film, Critics Award Release 12 July 2019 FOR ALL PRESS ENQUIRIES PLEASE CONTACT: Sue Porter/Lizzie Frith – Porter Frith Ltd Tel. 07940 584066/07825 603705 [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – [email protected] Dena Blakeman – [email protected] 79-80 Margaret Street London W1W 8TA Tel. 020 7299 3685 [email protected] SYNOPSIS: Carlos Reygadas turns the camera on himself in this tale of a marriage at breaking point. Real-life couple Reygadas and his wife Natalia play Juan and Esther, who live a peaceful yet unusual existence on a Mexican cattle ranch; unusual insofar as they are in an open relationship and Esther is having an affair with an American horse trainer. Juan, for his part, can handle it as long as he hears how things are going, but when Natalia stops giving him information, the dynamic quickly shifts, forcing Juan to examine his fragile masculinity. Further information and downloads here Photo set can be downloaded here CAST Esther Natalia López Juan Carlos Reygadas Phil Phil Burgers Lorena Lorena Juan (son) Yago Martínez Children Eleazar Reygadas, Rut Reygadas CREW Director Carlos Reygadas Producer Jamie Romandía, Carlos Reygadas Co-Producers Michael Weber, Katrin Pors, Moisés Cosío Associate Producers Jamal Zeinal Zade, Dan Wechsler,
    [Show full text]
  • Actores Transnacionales: Un Estudio En Cinema Internacional
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar………………………………………………………………………………………………………….
    [Show full text]
  • Jan. 4 Ttimes
    The Wolfpack The Toilet Times January 2017 www.cphswolfpack.com School News Em’s Giggles DEN Schedule Change Information by Emilee Guernsey, by Emilee Guernsey, Editor-in-chief Editor-in-chief As the second semester begins, the students in the hallways have begun to murmur about the new DEN schedule and the changes being made. An entire new school calendar is being released, and every day students’ home DENs will be different. What’s round and bad-tempered? The reason for these changes is because of a conflict with the amount of time spent in CTE, Career Technology Education, A vicious circle. classes. If CP does not meet the state’s requirements, they could lose funding for any CTE classes we offer. If there is H2O on the inside “With our current schedule, we do not meet the number of re- quired minutes,” librarian Debby Barnes said. “Instead of extend- of a fire hydrant, what’s on the ing the school day, we are modifying DEN so we meet the state outside? CTE requirement while not losing our personalized DEN time.” K9P. Students will still be able to switch into different DEN tutorials when needed, but if a student does not use the DEN portal to switch, they will have to go to the home DEN that corresponds How do you clean a tuba? with the calendar and that student’s schedule. With a tuba toothpaste. “The calendar just lets students know where they must go if they do not use the portal to schedule themselves elsewhere,” Barnes said... (cont.
    [Show full text]
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
    [Show full text]
  • Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
    <half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK.
    [Show full text]