INTRODUCTION
Stanley Kubrick (1928–1999) began making films at the age of 25, releasing his first big feature The Killing, ‘However vast in 1956. Over the following four decades, he directed cinema classics such as Lolita, Dr. Strangelove, 2001: the darkness, A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket and his final film in 1999, Eyes Wide Shut. we must supply Kubrick did not allow himself to be controlled by Hollywood studios, delivering films of pertinence and power, sometimes of controversy and always of our own light.’ originality. Working across genres, he inspired future generations of film makers and artists alike. Stanley Kubrick This exhibition explores the impact of one of the most innovative and influential film makers of all time through the work by some of today’s most talented artists. Brought together by Mo’Wax and UNKLE founder, artist, DJ and lifelong Kubrick fan, James Lavelle, the artists have each provided a new or existing work inspired by Stanley Kubrick. Responding to either a theme, film, scene or character from the Kubrick archives, or the man himself, together they bring new perspectives on the master filmmaker’s life and work. CURATOR’S STATEMENT
I discovered Stanley Kubrick at my local video store I can’t think of any other filmmaker whose influence when I was a teenager. From the day I saw 2001: transcends so many creative spheres. From set design, A Space Odyssey, my life changed forever. His work to music, to pioneering film techniques, Kubrick was a became a guiding influence, a reference point, and true visionary who continues to provide a rich source remained so throughout my career. In terms of sounds, of inspiration for artists across the board. aesthetic and ethos, he has been a constant presence It has been a privilege to watch the artists in this in everything I’ve ever created and it is an honour to be exhibition respond to and reinterpret Kubrick’s work, able to pay homage to him through this exhibition. creating everything from sculptures, paintings, I first made contact with Stanley Kubrick whilst I was installations, music, short films, and even smell! recording my debut album Psyence Fiction under the My aim was to produce an immersive experience guise of UNKLE. I tracked down his assistant and asked for the visitor, that I hope will encourage and inspire whether he would be interested in directing a music a new generation to make provocative art that both video, given that the sound, aesthetic and ideology of advances and enhances culture. the record was suffused in his work. I was both thrilled and surprised to hear that he was interested in the idea James Lavelle of the video, but he was busy filming Eyes Wide Shut, and he asked me to contact him again after the film was finished. Sadly, our conversation was never concluded. Looking back, I still find it fascinating to see the profound influence Stanley’s work had on me as a young artist. I wanted, more than anything, to involve him in the universe I was trying to build. EXHIBITORS 2 Mat LIST Collishaw
b. 1966 A primate’s face overlays a Lives and works in London human skull encased in a space helmet. Collishaw’s A Ω, 2016 allusion to Kubrick’s 2001: Courtesy of the artist A Space Odyssey juxtaposes and Blain Southern ape and astronaut to suggest a kind of reverse archaeology – the ancient past discovering the distant future.
1 Christiane 3 Stuart Kubrick Haygarth b. 1932 Christiane Kubrick’s vibrant b. 1966 Haygarth’s glowing tower Lives and works in Hertfordshire colourful paintings appear Lives and works in London of electric fires refers to a in the sets of Stanley Kubrick’s scene in The Shining which Remembering Stanley, 1999 PYRE, 2016 A Clockwork Orange and Eyes Kubrick shot twice, once for Courtesy of the artist Wide Shut. This intimate and Courtesy of the artist Jack Nicholson’s take, and contemplative portrait depicts once to capture the roaring her husband of 40 years sitting fireplace. Kubrick’s frequent quietly in their garden in use of fire as a motif in The Childwickbury, Hertfordshire. Shining was echoed ironically in the coincidental accidental burning down of the film’s set during production in 1979. 4 Iain Forsyth and 5 Marc Jane Pollard Quinn b. 1973, b. 1972 Individual voices are b. 1964 These images of social Live and work in London broadcast to each set in a Lives and works in London unrest are drawn from media collection of 114 analogue reportage. Consonant with Requiem for 114 radios, 2016 History Painting radio sets. As the voices from Kubrick, Quinn’s dramatic (London, 8 August 2011), 2011 Vocalists: some radios join together and contrasting use of colour Matt Berninger (The National), in harmony, others find the History Painting in his depiction of violence Jehnny Beth (Savages), space between clear and (Kiev, 22 Jan 2014), 2014 serves to heighten a sense of Casper Clausen (Efterklang/ broken reception. Collectively unease inthe viewer. Courtesy of the artist Liima), Jarvis Cocker, Jimi these unseen singers perform & Private collection Goodwin (Doves), Rachel a new version of Dies Irae from Goswell (Slowdive/Minor the Roman Catholic Requiem Victories), Blaine Harrison Mass, used by Kubrick in the (Mystery Jets), Joe McAlinden soundtrack of The Shining and (Linden, ex. Superstar/BMX A Clockwork Orange. Bandits), Aimée Nash The number 114 refers to (The Black Ryder), Beth Orton, Kubrick’s fictional CRM 114 Conrad Standish, Jonnine Discriminator device from 6 Dexter Standish (HTRK), Elena Tonra Dr. Strangelove and coded Navy (Daughter), Rachel Zeffira references in A Clockwork (Cat’s Eyes) Orange, 2001: A Space Odyssey and Eyes Wide Shut. b. 1991 Dexter Navy’s Lliffe is an Art Direction: Matthew Healey Lives and works in London uncensored representation Technical Production: of 21st century youth culture. Lliffe, 2016 Artists & Engineers His film is much inspired by Courtesy of the artist Kubrick’s intricate use of Commissioned by Colston colour to convey emotion. Hall and Ginkgo Projects for Bristol New Music 2016. Funded by Urban Creation. Courtesy of the artists and Kate MacGarry 7 James Lavelle and John Isaacs, 8 Toby featuring Azzi Glasser Dye b. 1974, b. 1968, b. 1970 This outwardly playful multi- Lives and works in London Dye pays homage to Kubrick Live and work in London media, olfactory environment, in this installation, applying The Corridor, 2016 and Berlin belies sinister undertones. his pioneering camera Duration: Infinite Loss of innocence and abuse and narrative techniques. In Consolus – Full of Hope of power find expression Scored by James Lavelle and Each of the four endlessly and Full of Fear, 2016 through the over-scaled teddy Keaton Henson looping films are set in the Wall illustration by bears, and the banal food Concept Devised and Directed same location but feature a by Toby Dye Giovanni Estevez produce boxes reference the different character inspired pantry scene in The Shining. A Black Dog Films and Ridley Scott by Kubrick’s filmography. Courtesy of the artists Associates Production Perfume designer Azzi Glasser’s Featuring: Joanna Lumley, Aidan Soundtrack With thanks to Kerstin Fritsche scent ‘A Space Odyssey’ Gillen, Cherry Vaughn-White, Chris UNKLE’s Lonely Soul (ft Richard evokes Kubrick’s film whilst Akrill, Mark Brent, Melody Reynolds, Ashcroft) accompanies Toby also alluding to his optioning Oli Newhall and Nicholas White Dye’s moving picture. This was of Patrick Suskind’s classic Executive Producers: Katie Dolan, the original piece of music that novel Perfume. Trevor Beattie, Kai-Lu Hsiung Producer: Rebecca Mills James sent to Stanley Kubrick Soundtrack Co-Producer: Ben Porter for the music video that never A collaboration with Detroit was. The track features on Writers: John Alison, Chris Bovill, techno pioneer Carl Craig, Toby Dye UNKLE’s critically acclaimed and Domenico “GG” Canu Director of Photography: debut album Psyence Fiction. and Marco Baroni of Italian Ed Wild B.S.C. electronic dance ensemble Editor: Julian Eguiguren Planet Funk, also featuring Movement Director: Caroline Pope spoken word artist and VFX: MPC designer Michele Lamy, and UNKLE collaborator Elliott Music: UNKLE Power. The piece was based Courtesy of the artists on a conversation between two HALs from the original unreleased 2001: A Space Odyssey script. 9 Adam Broomberg 11 Julian and Oliver Chanarin Rosefeldt b. 1970, b. 1971 Broomberg and Chanarin’s b. 1965 In this film Cate Blanchett Live and work in London installation translates the Lives and works in Berlin plays a factory girl reciting famous carpet design from the the Suprematist Manifesto in The Shining Carpet (WT), 2016 Suprematism/Manifesto, 2015 Overlook Hotel, the fictional a Futuristic building. This is Courtesy of the artists location of The Shining, to the Courtesy of the artist one of her 13 different roles With special thanks to exhibition space. Crossing performing provocative artists’ Kerry Neon Ryan and the boundaries of fiction writings, originally shown on Peter Karageorgevitch and reality, this act recalls individual screens. It includes the ambiguous narrative of a scene with a mysterious Kubrick’s horror masterpiece. black slab floating in mid air reminiscent of the monolith in 2001: A Space Odyssey.
10 Doug 12 Jonas Aitken Burgert b. 1968 Aitken’s sculpture recalls the b. 1969 Burgert’s oil painting depicts Lives and works in Venice, public pay phone used, futilely, Lives and works in Berlin a young girl holding a coloured California and New York City to avert nuclear catastrophe balloon. This reference to „folgt und folgt“, 2016 in Dr. Strangelove. Bathed in a childhood innocence Twilight, 2014 luminous glow, this familiar Courtesy of the artist and surrounded by dark and sinister Courtesy of the artist and object takes on a foreign Blain Southern imagery alludes to the duality 303 Gallery, New York; Galerie nature, appearing as a relic of human nature which Kubrick Eva Presenhuber, Zurich; from a bygone civilization explored frequently in his films. Victoria Miro Gallery, London; suspended in time. Regen Projects, Los Angeles 13 Rachel 15 Seamus Howard Farrell b. 1969 Howard’s evocative painting b. 1965 Inspired by the assemblages Lives and works in London is inspired by the sinister, Lives and works in London of Joseph Cornell and the symbolic imagery in Kubrick’s still life paintings of Giorgio Darkness and Light, 2014–2015 Tempest in (a) glass\ The Shining. From this Morandi, Farrell describes a diaphanous Courtesy of the artist and seemingly abstract painting a his installation as ‘a swim arrangement, 2016 Blain Southern ghostly creature emerges, as in the Kubrick aquarium’. It if to suggest that something Courtesy of the artist features a ‘personal/domestic dark and malicious is waiting museum’ and diverse glass to happen. Its title echoes his objects that are engraved with well known quote ‘However the titles of Kubrick’s films, vast the darkness, we must addressing the ambiguity supply our own light’. between art and craft.
14 Michael 16 Mat Nyman Chivers b. 1944 Nyman’s video deconstructs b. 1973 The form of Chivers’ marble Lives and works in London Kubrick’s narrative process in Lives and works in sculpture derives from a digital Dr. Strangelove and echoes Dartmoor, Devon manipulation of a ten second A Phoney War, 2016 his own memory of the terror sequence from Kubrick’s 2001: Eye, 2016 Footage courtesy of he felt on first seeing the A Space Odyssey: the moment Columbia Pictures film. Its comedic phone calls Courtesy of the artist when the camera focuses are re-cut to induce fear and on the astronaut’s eye as he Courtesy of Michael anxiety as characters appear enters the ‘Stargate’. This data Nyman Ltd. to vibrate hypnotically. For was then translated into stone, the soundtrack he combines the two-tone pattern alluding extracts from the film with his to Kubrick’s love of chess. 1976 piano piece 1–100. 17 Gavin 19 Samantha Morton Turk and Douglas Hart b. 1967 This mirrored maquette of the b. 1977, b. 1961 Actress, screenwriter and Lives and works in London infamous maze in the grounds Lives and works in London director, Morton’s semi- of the fictional Overlook Hotel autobiographical film draws The Shining, 2007 Anywhere Out Of This in The Shining creates a visual on the experience she had World, 2016 Courtesy of the artist and pun on the title of the film. as a child of first watching Ben Brown Fine Arts, London Turk’s work frequently Directed by Douglas Hart Kubrick’s 2001: A Space deals with illusion and the Written by Samantha Morton Odyssey sitting alone at the ambiguous relationship back of a vast and nearly Courtesy of the artist with the between representation and empty cinema. kind permission of Warner reality. Here the maze serves Bros. Ent. All Rights Reserved. as a metaphor for being psychologically lost.
18 Nathan 20 Jane and Coley Louise Wilson b. 1967 Inspired by Kubrick’s penchant b. 1967 Focussing on Kubrick’s Lives and works in Glasgow for symmetry, Coley has Live and work in London unrealised project, Aryan taken his title from the twin Papers, the Wilsons’ film is as The Grady Twins, 2004–2016 Unfolding the Aryan Papers, sisters in The Shining. These much about a movie that never 2009 Courtesy of Nathan Coley two almost identical models of happened as it is a portrait of Studio and Parafin, London Edinburgh churches evolved Courtesy of the artists Johanna ter Steege, Kubrick’s from his 2004 project Lamp With special thanks to Art AV chosen lead actress. The of Sacrifice, a series of scale Wilsons undertook extensive models of every ‘Place of research re-photographing Worship’ listed in Edinburgh’s stills in the Stanley Kubrick Yellow Pages. Archive (UAL). 21 Harland 23 Jamie Miller Shovlin b. 1964 Both an artist and a writer, b. 1978 Shovlin offers an insight into Lives and works in London Miller has based many of Lives and works in London Kubrick’s cognitive processes. his paintings on classic Consistently revising a film’s Gravity All Nonsense Now, 2016 Post, 2016 Penguin book covers. With script during its production Courtesy of the artist and his acute sense of detail for Courtesy of the artist and coming up with novel ways White Cube the timeworn covers and to deliver this new material fascination for typefaces, visually, Kubrick’s perfectionist he often incorporates his projects were notoriously own humorous and ironic arduous for cast and crew. phrases. Here he creates a cover for Kubrick’s A Clockwork Orange.
22 Jason 24 Pink Shulman Twins b. 1965 Through ‘durational’ b. 1978, b. 1974 Juha and Vesa Vahviläinen‘s Lives and works in London photography, Shulman has Live and work in Helsinki film takes inspiration from condensed the entirety of both The Shining and Full 2001 Space Odyssey, Overlook, 2016 Kubrick’s sci-fi epic, 2001: A Metal Jacket. It follows a group 1968, 2016 Space Odyssey onto a single Courtesy of the artists of animated creatures who, Courtesy of the artist sheet of photosensitive paper. Supported by AVEK – through collisions, conflict, The complex accumulation of The Promotion Centre transformative action, mayhem frames creates an abstract for Audiovisual Culture and chaos, are forced to either image out of what is ordinarily evolve or perish. Special a linear cinematic experience. thanks to 25 Invader 27 Warren Du Preez and Nick Thornton Jones b. 1969 This portrait of Alex, the b. 1971, b. 1966 Du Preez and Thornton Jones’ Lives and works in London ultra-violent protagonist Live and work in London sensual and stylish work, of A Clockwork Orange, is often made in collaboration Rubik Kubrick, 2016 Paradise, 2016 constructed from individually with leading musicians, blurs Courtesy of the artist and coloured tiles. A character so Courtesy of the artists the boundaries between the Lazarides Gallery iconic as to be immediately worlds of advertising and art. recognisable. Here, their photography takes inspiration from the intensity and eroticism of Kubrick’s Eyes Wide Shut.
End Credits, 2016 Inspired by Kubrick’s 2001: A Space Odyssey, this film Soundtrack by UNKLE and 26 Futura is a journey through time Keaton Henson and space, with science and Post Production: Duncan Horn art colliding to create new b. 1955 Lenny McGurr, whose and Roman Vrbovsky frontiers. It is accompanied Lives and works in New York graffitti pseudonym Futura, @ Glassworks by a specially produced soundtrack by James Lavelle/ was inspired by Kubrick’s Editor: James Rose Pointman, 2000 UNKLE and Keaton Henson. movie 2001: A Space Odyssey @ Cut & Run Courtesy of the artist began painting on the New York subway system as a Producer: Campbell Beaton teenager in the early 1970s. With thanks to Hector His pioneering abstract style @ Glassworks continues to draw influence from Kubrick. Courtesy of the artists 28 Rut Blees 30 Paul Luxemburg Insect b. 1967 This historic barn in b. 1971 Paul Insect, most famous Lives and works in London Glastonbury, Somerset is Lives and works in London for his street art, has been the location that was chosen inspired by David Pellam’s The Final Duel, (Barry Lyndon), Clockwork Britain, 2012 by Kubrick for the fateful Penguin book cover for Pilton Tithe Barn, Somerset, duel in Barry Lyndon. The Courtesy of the artist A Clockwork Orange. This work 2016 perfectly preserved interior alludes to the film’s portrayal Courtesy of the artist contains something of the of violent, disaffected youth. artifice of the film set. Insect combines bold colours and Union Jack motif with silk screen process to suggest a fusion between 1960s pop art and contemporary street art.
29 David 31 Philip Nicholson Castle b. 1970 The ostensibly erotic quality of b. 1942 An airbrush artist best known Lives and work in Berlin Nicholson’s painting resonates Lives and work in Yorkshire for designing the iconic posters with the themes of Kubrick’s for Kubrick’s A Clockwork Portrait of Jade Vixen, 2016 Various works, 2016 Eyes Wide Shut. Both painting Orange and Full Metal Jacket, Courtesy of the artist and film feature imagery that Courtesy of the artist Castle presents a new artwork suggest a decadent version of featuring a portrait of Kubrick bourgeois romance, laced with surrounded by iconic motifs implicit violence. Nicholson’s from his films and a never work echoes Kubrick’s used alternative poster design commentary on a sexual for Full Metal Jacket. A 1971 power game that is at once portrait of Alex, the protagonist exploitative and punishing. of A Clockwork Orange, is realised as a light box. 32 Charlotte 34 Mark Colbert Karasick b. 1984 Colbert juxtaposes the b. 1959 This meditative installation character of the astronaut, Lives and works in Somerset comprises a vast painting Odyssey 01, 2013 which here symbolises human with a marble inscription, SK1928, 2016 Courtesy of the artist and kind’s power to surpass its accompanied by the sound Gazelli Art House environment, with surroundings Courtesy of the artist of a vintage Adler typewriter. suggestive of decay. The haunting image recreates Photographed to Kubrick’s baby photo painted commemorate the fifteenth in encaustic medium onto anniversary of Kubrick’s 220 paper sheets. death, the work is an affectionate homage to 2001: A Space Odyssey.
33 Polly 35 Koen Morgan Vanmechelen b. 1980 Using taxidermy to create her b. 1965 Koen Vanmechelen explores Lives and works in London trademark surreal sculptures Lives and works in Hasselt the image of the eye that and tableaux, Morgan draws Belgium recurs frequently in Kubrick’s Metanoia, 2016 her inspiration from the explicit films. Combining the human Encounter – C.C.P., 2004 Courtesy of the artist and implicit sexual imagery of eye with his own signature Kubrick’s A Clockwork Orange. Courtesy of the artist and chicken motif, Koen invites us Cramming a serpent within BVBA The Cosmopolitan to consider the borders of our a triangular frame resonates Chicken humanity, the fluidity of our with the suggestive symbolism perception and potential for of the bulging codpieces worn hybrid states of consciousness. by Alex and his Droogs. 36 Norbert 38 Doug Schoerner Foster b. 1966 A 360° Virtual Reality re- b. 1961 Inspired by the famous Lives and works in London creation of a scene in 2001: Lives and works in London ‘Stargate’ sequence in 2001: A Space Odyssey in which A Space Odyssey, Foster’s Das Problem der Befahrung Beyond the Infinite, 2016 the character Dr. Francis Poole installation takes the form of des Weltraums, 2016 runs vertically through the Courtesy of the artist an endless widescreen ‘tunnel’. Courtesy of the artist and circular centrifugal living area Rendered with luminous Happy Finish of the Discovery One space textures borrowed from nature craft. The title refers to the 1929 that flow from a central book by Hermann Noordung vanishing point, this immersive whose visionary concepts for installation draws in the a space station inspired Arthur viewer, aiming to momentarily C. Clarke and Kubrick. suspend them in time. Soundtrack A collaboration with composer, cellist and UNKLE collaborator 37 Nancy Philip Sheppard. Philip is also working with UNKLE on the Fouts UNKLE Redux show for the Summer Series at Somerset b. 1945 This ‘breathing’ camera, of the House this July. Philip has Lives and works in London exact type used by Kubrick, worked with the likes of suggests that his legacy lives Kubrick’s Camera, 2016 Björk, Scott Walker and most on through the powerful films recently Disney, scoring Kubrick’s Chair, 2016 he created. Fouts has also original music for Star Wars: Made by John Reeves installed a super-size director’s The Force Awakens. (on The River Terrace, chair on the River Terrace, Somerset House) Somerset House. Courtesy of the artist 39 Haroon Mirza and 41 Sarah Anish Kapoor Lucas b. 1977, b. 1954 The skilful interplay of b. 1962 The concrete penis lying on Live and work in London dissonant sound and Lives and works in London a crushed car dominates the controlled light to create a room and is suggestive of Bit Bang Mirror, 2013–2015 Priapus, 2013 heightened sense of drama is the iconic murder weapon Courtesy of the artists central to Kubrick’s filmmaking. Courtesy of the artist and used by Alex, the ultra-violent and Lisson Gallery Mirza’s immersive installation Sadie Coles HQ protagonist of A Clockwork incorporates a concave mirror Orange. The industrial nature by Kapoor, and uses the tension of Lucas’ sculptural materials between sound and light to reflect the bleak urban illicit both psychological and landscape of Kubrick’s film. visual discomfort in the viewer. Soundtrack Accompanying Lucas’ sculpture is a collaboration between musician and producer Mick Jones (The Clash and Big Audio 40 Paul Dynamite) and UNKLE. Mick’s signature guitar sound is Fryer prominent throughout the length of the composition. b. 1963 This work makes a direct Lives and works in London reference to the iconic final scene in Kubrick’s The The Second Law, 2016 Shining. Encased within a Courtesy of the artist glass-fronted upright freezer, Fryer has created a realistic waxwork figure covered in ice and snow. However, instead of depicting the film’s protagonist, Jack Torrance, it bears an eerie resemblance to the director himself. 42 Chris 43 Thomas Levine Bangalter b. 1960 A self-portrait by Kubrick is b. 1975 Musician and cinematographer Lives and works in projected into the viewer’s Lives and works in Paris Bangalter is best known for Northamptonshire peripheral vision using LED being one half of the electronic Camera A, Scene 136, light technology. This ‘visual music duo Daft Punk. Taking his Mr. Kubrick is Looking, 2016 Take 1, 2005–2016 echo’ appears and disappears cue from Kubrick, Bangalter’s Courtesy of the artist and in a moment like a phantom. Courtesy of the artist and careful selection of camera Sphere 9 Ltd Levine is fascinated by the Daft Life Ltd. equipment, particularly his ‘sensory energy’ and ‘spiritual choice of lenses, together dimension’ of light. with his use of natural light and an emphasis on the on- point perspective, is central to his work.
Soundtrack collaborator and critically Chris Levine’s installation is acclaimed musician Josh accompanied by an original Homme of Queens of the piece of music from Eyes Stone Age. 44 Peter Wide Shut composer Jocelyn A fourth piece of music Kennard Pook. The composition was comes from Mercury an unreleased track from the Rev, critically acclaimed b. 1949 juxtaposes images of Eyes Wide Shut sessions. psychedelic rock group Lives and works in London characters from Dr. Strangelove A second piece of music from the USA, featuring with world leaders charged Trident; A Strange Love, comes from acclaimed Simon Raymonde from with nuclear arsenals. Using 2013–2016 composer Max Richter, an ethereal dreamscape band imagery of the film’s famous influential voice in post Cocteau Twins. Music by UNKLE War Room, he shows that the minimalist composition, and All four compositions ghosts of the past still inhabit Courtesy of the artist with recently released Sleep; the are interspersed with the the present. longest continuous piece of voice of actor Brian Cox, as the kind permission of Sony/ recorded classical music well as an exclusive interview Columbia Pictures and The in history. with Christiane Kubrick, Stanley Kubrick Archive, UAL A third piece of music recorded at the Kubrick Kennard’s installation comes from long time UNKLE family home in St Albans. 45 Joseph Kosuth b. 1945 Kosuth chose Somerset Lives and works in London House’s historic Nelson and New York staircase to install his work. It aptly comprises a transcript (‘A Grammatical Remark’ #9, of the confrontation between London), 2016 Jack and Wendy on the Courtesy of Joseph Kosuth stairs in a key scene from studio The Shining. This work is the ninth installation in a series begun in 1989, which to date has included exhibitions in eight countries.
James Lavelle would personally like to thank fellow UNKLE collaborators; Jack Leonard, Matthew Puffett, Cameron Craig and Steven Weston for their efforts and creative contributions. 17 16
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1. Christiane Kubrick 8. Toby Dye 16. Mat Chivers 24. Pink Twins 32. Charlotte Colbert 40. Paul Fryer 2. Mat Collishaw 9. Adam Broomberg 17. Gavin Turk 25. Invader 33. Polly Morgan 41. Sarah Lucas 3. Stuart Haygarth & Oliver Chanarin 18. Nathan Coley 26. Futura 34. Mark Karasick 42. Chris Levine 4. Iain Forsyth & 10. Doug Aitken 19. Samantha Morton 27. Warren du Preez & 35. Koen Vanmechelen 43. Thomas Bangalter Jane Pollard 11. Julian Rosefeldt & Douglas Hart Nick Thornton Jones 36. Norbert Schoerner 44. Peter Kennard 5. Marc Quinn 12. Jonas Burgert 20. Jane & Louise Wilson 28. Rut Blees Luxemburg 37. Nancy Fouts 45. Joseph Kosuth 6. Dexter Navy 13. Rachel Howard 21. Harland Miller 29. David Nicholson 38. Doug Foster 7. James Lavelle & John 14. Michael Nyman 22. Jason Schulman 30. Paul Insect 39. Haroon Mirza & Isaacs, ft. Azzi Glasser 15. Seamus Farrell 23. Jamie Shovlin 31. Philip Castle Anish Kapoor Daydreaming with Audio Visual ADi Audiovisual Stanley Kubrick 6 July – 24 August For Somerset House Presented by James Lavelle Director of Exhibitions: Claire Catterall In partnership with Senior Exhibitions Manager: Rosie Wanek Assistant Curator: Jonathan Powell With additional support by the Exhibitions Assistant: Alice Quine Curated by James Lavelle and James Putnam Thanks to our partners Bowers & Wilkins, Jayhawk For DayDreaming With Fine Art Transportation, Executive Producer: Neon Lauro, Kerry Neon Ryan Jane Davies With Special Thanks to Creative Consultant: Jill Christiane Kubrick, Jan Silverman Van Coenegrachts Harlan and the Kubrick Artist Liaison: Lauren Jones Family and Trustees, Con (daydreamingwith.com) Gornell and Nicki Adams at Warner Bros. Pictures and the Exhibition Design Kubrick Archive (UAL), Leigh & Richard Greenwood Brian Message, Sadie Coles, with Miska Lovegrove Lazarides Gallery, Graham and Mathilde Bretillot Southern, Finnish Institute, Lisson Gallery, White Cube, Graphic Design Matthew Puffett, John Nolan, Marwan Kaabour Jack Leonard, Steve Weston at Barnbrook and Cameron Craig, Medeia Lighting Studio ZNA Cohen, Siobhan Andrews, K2 Printing, Art AV, Paul Hahn, Exhibition installation JP, Sammi and all at ATC and technicians Management, Hector McLeod The White Wall Company at Glassworks, Nathan Coley somersethouse.org.uk/dreamkubrick