Warren Publishing, Inc. V. Microdos Data Corp.: Continuing the Stable Uncertainty of Copyright in Factual Compilations Ethan R
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Reflections on the 25Th Anniversary of Feist Publications, Inc. V. Rural Telephone Service Co
Santa Clara Law Santa Clara Law Digital Commons Faculty Publications Faculty Scholarship 2017 Reach Out and Touch Someone: Reflections on the 25th Anniversary of Feist Publications, Inc. v. Rural Telephone Service Co. Tyler T. Ochoa Santa Clara University School of Law, [email protected] Craig Joyce University of Houston Law Center, [email protected] Follow this and additional works at: https://digitalcommons.law.scu.edu/facpubs Part of the Intellectual Property Law Commons Automated Citation Tyler T. Ochoa and Craig Joyce, Reach Out and Touch Someone: Reflections on the 25th Anniversary of Feist Publications, Inc. v. Rural Telephone Service Co. , 54 HOUS. L. REV. 257 (2017), Available at: https://digitalcommons.law.scu.edu/facpubs/961 This Article is brought to you for free and open access by the Faculty Scholarship at Santa Clara Law Digital Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected], [email protected]. Do Not Delete 11/22/2016 5:54 PM HISTORICAL ESSAY REACH OUT AND TOUCH SOMEONE: REFLECTIONS ON THE 25TH ANNIVERSARY OF FEIST PUBLICATIONS, INC. V. RURAL TELEPHONE SERVICE CO. **Craig Joyce & Tyler T. Ochoa*** ABSTRACT 2016 marks the 25th anniversary of the Supreme Court’s opinion in Feist Publications, Inc. v. Rural Telephone Service Co., one of the Court’s landmark opinions in copyright law, and one that continues to define the standard of originality for copyrighted works in general and compilations of data in particular. The Feist case, however, was an unlikely candidate for landmark status. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
427177 1 En Bookbackmatter 171..189
Concluding Remarks Amongst all the confusion and ambiguities with the database directive, especially with the sui generis part, one needs to re-visit the three options that the first evaluation report had suggested in the context of possible amendments to the Directive.1 The first proposal relates to the possibility of repealing database right, the second option is maintaining status quo and the third option is amending the current structure of the right.2 While first two options are not desirable, the third option is much more viable. The report proposed to repeal database right from the Directive.3 On a practical note, it will be difficult to execute such proposition. One must refer to the view expressed in the report itself. It considered the amount of resistance such action would face from European publishers.4 There may be additional legal uncertainty to roll back to the time when there was no database right in Europe. The implications would be felt mostly in Common Law jurisdictions.5 Based on high number of cases that have already been decided, the proposition of rolling back may increase uncertainty, instead of resolving concerns associated with database right.6 These observations indicate that it is difficult to reach a consensus to remove a piece of legislation.7 Therefore, repealing database right from the Directive is not an ideal option. 1‘DG Internal market and services working paper: First Evaluation of Directive 96/9/EC on the legal protection of databases’ (Commission of the European Communities, 12 December 2005) available at <http://ec.europa.eu/internal_market/copyright/docs/databases/evaluation_report_en.pdf> (accessed 31 October 2016) (First Evaluation of Directive 96/9/EC), para [6]. -
1 in the UNITED STATES DISTRICT COURT for the EASTERN DISTRICT of PENNSYLVANIA WARREN PUBLISHING COMPANY and : JAMES WARREN
IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA WARREN PUBLISHING COMPANY and : JAMES WARREN, : Plaintiffs, : CIVIL ACTION : v. : : No. 08-3399 J. DAVID SPURLOCK d/b/a : VANGUARD PRODUCTIONS, : Defendant. : MEMORANDUM RE: DEFENDANT’S MOTION FOR ATTORNEY FEES Baylson, J. March 3, 2010 I. Introduction Plaintiffs James Warren and the Warren Publishing Company, of which James Warren is president and sole shareholder (collectively, “Plaintiffs”), commenced this copyright infringement action against Defendant J. David Spurlock, sole proprietor of publishing company Vanguard Productions. On August 4, 2009, the Court granted summary judgment in favor of Spurlock on the basis of fair use. Warren Publ’g Co. v. Spurlock , 645 F. Supp. 2d 402, 405 (E.D. Pa. 2009). Presently pending before the Court is Spurlock’s Motion for Attorney’s fees Pursuant to 17 U.S.C. § 505. (Docket No. 80.) For the reasons that follow, the Court will grant in part and deny in part the Motion, entitling Spurlock to a partial award of attorney’s fees. II. Factual and Procedural Background The Court’s Memorandum and Order granting Spurlock summary judgment detailed the facts and procedural background relating to the underlying action. See 645 F. Supp. 2d at 405- 10. The background relevant to the pending Motion is briefly summarized below. 1 Beginning in 1958, Plaintiffs printed and published several magazines and comic books in the horror and monster film genre, including Famous Monsters of Filmland (“ Famous Monsters ”), Creepy , and Eerie , and commissioned several artists, including Basil Gogos (“Gogos”) to design cover art for the magazines. -
Science Fiction/San Francisco the Twice-Monthly News Zine for the San Francisco Bay Area
Science Fiction/San Francisco The twice-monthly news zine for the San Francisco Bay Area. Issue 11 November 2, 2005 Editors: Jean Martin, Chris Garcia, Jack Avery email: [email protected] Copy Editor David Moyce TOC eLOCs .........................................................Jean Martin................................................................................................................2-6 Editorial.......................................................Chris Garcia ................................................................................................................. 7 National Novel Writing Month....................Chris Garcia ..............................................................................................................7-8 Le Bal de Vampires preview..........................Chris Garcia ..............................................................................................................8-9 Anime Destiny preview ................................Jack Avery..................................................................................................................... 9 Once More With Feeling Cancelled .............Jack Avery..................................................................................................................... 9 Alan Lee Signs..............................................Diane Rooney........................... Photography Diane Rooney.................................10-12 Elevator to the Stars .....................................Jean Martin.............................. -
“The Rook” Information Guide
The Return of “The Rook” Information Guide There is a clear void in today’s American pop culture that is The Rook. It all began in the early 1960’s. Bill, or his adventure hero alter-identity “Billy De” began working in comics before he grew his first whisker. His fascination with comic books was shared by his partner in crime Marty Arbunich. Together they created some of the very first comic book fanzines; Fantasy Hero, Fantasy Illustrated, Yancy Street Journal and Voice of Comicdom, starting at the ripe age of 14. Bill and Marty worked tirelessly to meet self-imposed deadlines as if their loyal fans relied on their publications. On one occasion Bill even snuck into Sacred Heart High School’s art room and used the Dot printer to mass produce their fanzine. Before Comic Con became the premier pop-culture comic event, there was the World Science Fiction Convention (now known as WorldCon) and in 1964 it was in Oakland. Although only 523 were in attendance, this show would have resounding impacts on Bill’s career in comics. Also in attendance was maybe the greatest science fiction fan of all time Forrest J. Ackerman, who contributed to the first science fiction fanzine, The Time Traveler. In the same year, The Time Travelers, a science fiction film, would go into production. The cast included Forry Ackerman. The Rook’s return to comics is nearly 50 years to the date of the event that would inspire Bill’s creative direction. Forrest Ackerman would later go on to create the highly popular alternative comic character Vampirella in 1969. -
Juan Giménez: Cómic Y Animación. De As De Pique a Heavy Metal
Fecha recepción: 29/03/2016 Fecha revisión: 29/04/2016 Fecha preprint: 30/04/2016 Fecha de publicación: 02/05/2016 Juan Giménez: cómic y animación. De As de Pique a Heavy Metal (1981, Gerald Potterton) Diego Mollá Furió| [email protected] MHCJ nº 7 | Año 2016 Artículo nº 5 (77) Universidad de Valencia Páginas 115 a 138 mhjournal.org ________________________________________________________________________________ Resumen Palabras clave La relación entre el cómic y la animación se inició a comienzos del siglo XX. Juan Giménez, Heavy Metal (1981), El cómic ha suministrado historias a la industria de la animación, que ha animación. adaptado en largometrajes y series para televisión. Nuestro trabajo pretende Sumario analizar esta relación a partir de la figura del guionista y dibujante argentino 1. Introducción 2. Metodología. 2.1. Comic Juan Giménez, con una amplia producción de cómics y colaborador en el y animación. Los inicios. 2.2. Televisión. largometraje de animación Heavy Metal (1981, Gerald Potterton). Filmation n y el público infantil. 2.3. Ralph Bakshi e Ivan Reitman. Animación para Analizaremos la irrupción del cómic en la cinematografía y, posteriormente, adultos. 2.4. Juan Giménez. Formación y en la programación televisiva; cómo y qué personajes se adaptaron según el primeros trabajos. 2.5. El cómic bélico. El presupuesto destinado a su realización y a las necesidades de emisión y detallismo técnico. 2.6. La ciencia ficción y el diseño de dispositivos tecnológicos. 3. exhibición; la evolución de la animación desde registros infantiles y juveniles Resultados. 3.1. Heavy Metal (1981, Gerald hasta la irrupción de Ralph Baskhi y la introducción de temáticas adultas. -
EZ-Backup Marketing Manager: Ernest P
AMIGA Hard Disk Drives A Undwtm "AMIGA mazm Volume 4 Number 4 * COMPUTING"! US $3.95 Canada $4.95 Your Original AMIGA* Monthly Resource Installing an AMIGA Hard Disk Drive AMIGA HARD DISK DRIVES Programming: MultiSORT Arguments in AmigaBASIC SharedHi Quality Version Available on AMIGALAND.COM Libraries Snapshot: (/!&& pame, rm 'eu) &o$mn) Virus SpaceCutter World Tour Golf $ . AmiEXPO New York And More! 07447074710904 AmiEXPO Art Contest Winners Reach for the best... one W 1' reach for The Works! Platinum Edition." Tbp value for your Amiga® and true integration from a company that prides itself on excellence! The Works! Platinum Edition —5 programs with a common interface, 1 box, 1 easy-to-use manual, and 3 non-copy protected disks. And it works on any Amiga com puter with at least 512K RAM. Within minutes you'll be able to write a letter, balance a checkbook, call a bulletin board system, create a mailing list, and print any spreadsheet sideways. You can't top that! WORD PROCESSING MODULE Based on the most popular Amiga word processor available. It has a 104,000+ word spelling checker with scientific and technical supplements. A 470,000+ word thesaurus with definitions. Prints IFF graphics. Supports mail merge. Shows BOLD, Underline, and Italics. Clipboard compatible and MORE! SPREADSHEET MODULE Created from the fastest Amiga spreadsheet. It contains 68881 math coprocessor support. Imports Hi Quality Version Available on AMIGALAND.COMand exports Lotusr“.WKS files. 8 graph types in 8 vibrant colors hot linked to spreadsheet. Complete macro language. Displays BOLD, Underline, and Italics. Clipboard compatible and MORE! DATABASE MODULE A Flat File Manager containing exten sive mathematical functions. -
Subject Index
SUBJECT INDEX ABORTION National Law University, Delhi Abortion 1. Jalan, Varsha and Bajoria, Vivek Medical termination of pregnancy act, 1971: A doctrinal anachronism discounted by society ALL INDIA REPORTER, 96, 2009: p. 129. 2. Mathur, Anand Kishore D. Comparative study of abortion laws in various families of law. INDIAN JOURNAL OF LEGAL STUDIES, II, 1979: p. 64. 3. Mathur, B.B.L. Constitutional limitations on abortion laws: A study of the American and the Indian law. INDIAN JOURNAL OF LEGAL STUDIES, II, 1979: p. 110. 4. Shallu Debate on Abortion law: Controversial issue in medico-legal jurisprudence CRIMINAL LAW JOURNAL, 2, 2010 (June): p. 175. ACCESS TO JUSTICE Access To Justice 5. Brooke, Lord Justice Access to justice and judicial review. JUDICIAL REVIEW, 11(1), 2006 (March): p. 1. 6. Chagtai, Nusrat Access to justice and human rights in malawi: The role of the malawi law society JUDICIAL REVIEW, 11(3), 2006 (September): p. 248. ACCIDENT Accident 7. Kumar, N. Vijia Rash and negligent driving of motor vehicles. SUPREME LAW TODAY, 2, 2008: p. 24. 8. Ramesan, V.P. Dazzling headlights and smashed dreams. CRIMINAL LAW JOURNAL, 116 [1(3)], 2010 (February): p. 82. 15 16 Accounting National Law University, Delhi ACCOUNTING Accounting 9. Vittal, N. Role of the accounting profession: An outsider’s perspective INCOME TAX REPORTS, 272(1), 2005 (January): p. 1. ADJUDICATION Adjudication 10. Barmes, Lizzie Adjudication and public opinion. LAW QUARTERLY REVIEW, 118, 2002: p. 600. 11. Baxi, Upendra On the problematic distinction between “legislation” and “adjudications”: Forgotten aspect of dominance. DELHI LAW REVIEW, 12, 1990: p. -
Aurkezpena Presentación
GETXOKO KOMIKI AZOKA SALÓN DEL CÓMIC DE GETXO GETXOKO KULTUR ETXEA / AULA DE CULTURA DE GETXO Villamonte, A‐8, 48991 Algorta‐Getxo (BIZKAIA) tel. (+34) 94 491 40 80 – 94 431 92 80 / fax. (+34) 94 431 92 84 e‐mail: [email protected] web: www.salondelcomicdegetxo.net / www.getxo.eus __________________________________________________________________________________________ AURKEZPENA PRESENTACIÓN Getxoko Komiki Azokaren 16. ekitaldia ospatuko El Salón del Cómic de Getxo celebra este año su du aurten, bineten munduaren zaleentzako décimo quinta edición, una cita obligada para los derrigorrezko topaleku dena, ez bakarrik Euskal aficionados al mundo de la viñeta, dentro y fuera de Herrian, baita kanpoan ere. Euskadi. Azaroaren 3tik 5era, liburu‐denda, argitaletxe¡, Del 3 al 5 de noviembre, la plaza Estación de Las merchandising‐denda eta fanzineen 60 Arenas reunirá 60 stands de librerías, editoriales, salmenta‐gune kokatuko dira Areetako Geltokia establecimientos de merchandising y fanzines en los plazan eta bertaratzen direnek azken que el público podrá adquirir las últimas nobedadeak eskuratu eta sailak osatu ahal novedades, completar sus series y adquirir también izango dituzte, baita komiki zaharrak, cómics antiguos y ejemplares de coleccionista, bildumagile‐produktuak eta era guztietako además de encontrar todo tipo de artículos de merchandising‐produktuak eskuratu ere. relacionados con el mundo de la historieta. Eskaintza komertzialaz gain, jarduera‐programa Junto con el área comercial, el Salón acogerá bizi‐bizia izango da Azokan eta, -
B Otto Binder
Vol. 3, No. 143 / November 2016 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck If you’re viewing a Digital J.T. Go (Assoc. Editor) Edition of this publication, Comic Crypt Editor PLEASE READ THIS: Michael T. Gilbert This is copyrighted material, NOT intended for downloading anywhere except our Editorial Honor Roll website or Apps. If you downloaded it from another website or torrent, go ahead and Jerry G. Bails (founder) read it, and if you decide to keep it, DO Ronn Foss, Biljo White THE RIGHT THING and buy a legal down- load, or a printed copy. Otherwise, DELETE Mike Friedrich IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT Proofreaders ANYWHERE. If you enjoy our publications Rob Smentek enough to download them, please pay for them so we can keep producing ones like William J. Dowlding this. Our digital editions should ONLY be downloaded within our Apps and at Cover Artists & Colorists: www.twomorrows.com George Wilson, Jesse Santos, et al. With Special Thanks to: Contents Heidi Amash Ernesto Guevara Writer/Editorial: That “Seventies” Issue! . 2 Sal Amendola Adam Haney Ger Apeldoorn Jim Kealy “[Gold Key] Didn’t Follow What Marvel Or DC Was Doing” . 3 Richard J. Arndt Al Kracalik An interview with Dr. Spektor creator “Dinosaur Don” Glut, conducted by Richard Arndt. Bob Bailey Mark Lewis ACBA—The Academy Of Comic Book Arts . 37 Bernie Bubnis Art Lortie A very informal history of comics creators’ 1970s professional association by Sal Amendola. -
39155 369E8e52840f888dd93c
Age of Ultron (AU) (crossover Amazing Spider-Man Annual, The. Anole 698 series) 698 See Spider-Man, Amazing Spider- Ant-Man (1st) 225, 226, 229, 231, Index Agent X 679 Man Annual, The 235, 236–37, 240–41, 300, 305, Agents of S. H. I. E. L. D. (TV Amazing Spider-Man Special, The. 317, 325, 485, 501–03, 628, 681. Italic numerals refer to pages of the series) 699. See also Captain See Spider-Man, Amazing Spider- See also Giant-Man; Goliath (1st); TASCHEN book 75 Years of Marvel America, Captain America: Man Special, The Henry (Hank) Pym; Wasp, The which include images. The Winter Soldier (movie); Amazing Spider-Man, The (book). See (1st); Yellowjacket (1st) S. H. I. E. L. D. Spider-Man, Amazing Spider- Ant-Man (2nd) 581, 591, 628, 653. A Aggamon 281 Man, The (book) See also Scott Lang “Amazing Case of the Human Torch, Aja, David 685, 697 “Amazing Spider-Man, The” (comic Ant-Man (3rd) 691 The” (short story) 55 Alascia, Vince 29, 63, 68, 100 strip). See Spider-Man, “Amazing Antonioni, Michelangelo 468 A.I.M. (Advanced Idea Alcala, Alfredo 574 Spider-Man, The” (comic strip) Apache Kid 120. See also Western Mechanics) 381 Alderman, Jack 73 Amazing Spider-Man, The (movie). Gunfighters (vols. 1–2) Aaron Stack 596. See also Machine Aldrin, Edwin (“Buzz”) 453 See Spider-Man, Amazing Spider- Apache Kid, The 106 Man Alex Summers 475. See also Havok Man, The (movie) Apocalypse 654 Aaron, Jason 691, 694 Alf 649 Amazing Spider-Man, The (TV Apollo 11 453 ABC (American Broadcasting Alias (live TV version) 699 series) (1977–79).