Eric Lau Is a London-Based Producer Who Has Been Busy Making Musical Waves for Others
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Diversity of Output Broadcast by BBC Radio One and BBC 1Xtra Between 2000-2004
Lisa Moult Student Number: 0416806D MA Art and Culture Management 2004 Course code: GRAD 519 The Effect of Management and Policy Change on the Diversity of Output Broadcast By BBC Radio One and BBC 1xtra Between 2000-2004. Submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand. Supervisor: Dr Lara Allen Home School: Humanities DECLARATION I declare that this research is my own, unaided work. It is submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any degree or examination at any other university. ………………………………… Lisa Moult The ……… day of ………………. 2005 i ACKNOWLEDGEMENTS This research would not have been completed without the knowledge, guidance, and assistance of a number of exceptional individuals. Sincere gratitude to my supervisor, Dr Lara Allen, who provided support, and guidance throughout the research, and without whose help it would not have been completed. Her advice with regard to recommended reading materials, and writing style were particularly invaluable. Thank you to everyone at Somethin’ Else, especially: Jez Nelson, whose knowledge revealed insightful opinion and debate; Sam Bryant, without whom I would not have been able to secure a number of the interviews used in this research; and Karen Pearson, Huw Owen, and Marcus Charalambos for agreeing to be interviewed as part of this research. Thank you to all 1xtra and Radio One personnel who talked to me about their work at each station, but who requested that their names and comments not be mentioned directly in the research. -
Sa-Ra Creative Partners “ Double Dutch / Death of a Star ” First Single Released November 9, 2004
SA-RA CREATIVE PARTNERS “ DOUBLE DUTCH / DEATH OF A STAR ” FIRST SINGLE RELEASED NOVEMBER 9, 2004. DEBUT ALBUM TO BE RELEASED IN 2005 Following their production work for Jill Scott, Erykah Badu, Common, Dr. Dre, Heavy D, Pharoahe Monche, Bilal, Jurassic 5, Foxy Brown, Killer Mike (outkast camp), and many others including work on J-Lo's current album, the SA-RA Creative Partners present their debut single on Ubiquity with an album to follow in 2005. Fans of the Neptunes, Outkast, Jay Dee, Prince & Sly Stone hold tight, this sh-- is truly cosmic! (2004) JOHN PEEL AWARD WINNER (BBC RADIO 1 GILLES PETERSON ‘WORLDWIDE’ AWARDS) CONFIRMED PRESS COVERAGE TO DATE: “SA-RA IS DOPE!” Straight No Chaser (Cover Story), Dazed & PHARRELL Confused, The Fader, The Observer, Bbc Collec- “SA-RA WILLIAMS tive, Echoes, Undercover, Warp (Japan), Juice NOW! THAT’SIS MY SH-- ALL RIGHTI’M (Germany), RE:UP, International DJ, Yellow Rat LISTEN KANYE WEST Bastard, XLR8R, Keyboard, Tokion, NV Maga- “HOW MAN ING TO” zine, The Ave, Flaunt, Miami New Times, Soma, SAY THEY PRODUCE B-Informed, URB Next 100 (2005) Y PEOPLE CAN DR. DRE RECENT APPEARANCES: ME?” - Taz Arnold From SA-RA Creative Partners featured In Common’s New Video ‘The Corner’ directed By Kanye West - The Roots Pre-Grammy Party (Los Angeles) RADIO/PRESS CONTACT: - Los Angeles Natural History Museum Showcase AARON MICHELSON - New Years Eve @ Electric Factory (Philadelphia) with The Roots, Black Sheep & Rahzel [email protected] - 2004 Worldwide Awards Show (December 15 @ Cargo, London) (949) 764-9012 EXT. 14 - Sway & Tech Guest Appearance WWW.UBIQUITYRECORDS.COM - Gilles Peterson ‘Worldwide’ One Hour Special (BBC Radio 1) WWW.SA-RA.NET - Benji B ‘Deviation’ One Hour Interview (BBC Radio 1xtra) - 2004 Red Bull Music Academy Featured Speaker - Distortion 2 Static Interview (WB 20, San Francisco) MANAGEMENT: - Live Performance With Roberta Flack For Trace Magazine JARRET MEYER, RAWKUS ENT. -
Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes. -
Fantastic Feasts Pot Luck Chill Seekers Cruise
FANTASTIC FEASTS 16 JANUARY,JAN 2021 MEAT AND GLUTEN-FREEREE DISHES FROM MASTERCHEFERCHEF WINNER JANE DEVONSHIRENSHIRE CHILL SEEKERS THE WINTERWATCH TEAM RETURNS TO UNCOVERER NATURE’S ICY SECRETSTS POT LUCK GIVE YOUR GARDEN YEAR-ROUND IMPACT WITH CAPTIVATING CONTAINERS CRUISE CONTROL EXPLORE THE CARIBBEAN ON A LEISURELY VOYAGE AROUND THE ISLANDS Happily ever after Davina McCall and Nicky Campbell are back with more tearjerking reunions on Long Lost Family YOUR ESSENTIAL SEVEN-DAY TV GUIDE Contents SASATURDAYTURDAY 16 JAJANUARY,NUARY 2021 4 DANCING ON ICE Meet this year’s line-up 6 MUST-SEE TV What not to miss 9 THE BAY There’s another murder to solve in Morecambe Bay 11 LONG LOST FAMILY Tissues at the ready for more emotional reunions 13 FINDING ALICE The drama with a stellar cast and addictive plot inger Beverley, whose hits Greatest Day 15 WINTERWATCH include and Bring the natural world MY WEEKEND SGet Up!, lives in London with into your home husband James O’Keefe and their dog, Zain. The 47-year-old 16 SOAPS Beverley Knight likes to spend her weekends 18 MOVIES reading and cooking up a storm 21 SPORT Twenty years ago, weekends tended to be and I’ve introduced James to the culinary 22 TV & RADIO GUIDE about going out. But these days they’re all delights of Jamaican cuisine. We’ll make brown about relaxing and spending time with James stew chicken or the traditional dish of Jamaica, 52 FOOD and our dog, Zain. On Friday, the minute I hear ackee and saltfish, which he does brilliantly. -
The BBC – Public Sector Radio, Jazz Policy and Structure in the Digital Age
The BBC – Public Sector Radio, Jazz Policy and Structure in the Digital Age Presented by: Professor Stuart Nicholson Emma Kendon Chris Hodgkins Jazz Services Ltd 132 Southwark Street London SE1 0SW 020 7928 9089 [email protected] www.Jazzservices.org.uk September 2009 Table of Contents Preface 4 Foreword 5 1 Summary and Recommendations 7 2 Introduction 10 3 Jazz in the UK – A Vibrant National Jazz Scene 11 4 Radio 13 5 The Market for Jazz in the UK 15 6 Comparison of BBC’s Audience for Jazz to the Jazz Attender 21 and the General Population 7 BBC Policy in Relation to the Broadcasting of Jazz 23 8 BBC Radio 2 40 9 BBC Jazz Awards and Service Reviews 41 10 Jazz and Public Sector Broadcasting in Europe 42 11 BBC Radio and Value for Money 45 12 Options and Actions for Change 47 Endnotes 53 Appendix 54 Regional structure – national perspective The role of public radio in the German Jazz Scene 3 Preface The authors of this report are Professor Stuart Nicholson – lecturer, broadcaster, journalist and author of six books on jazz, including Is Jazz Dead: or Has It Moved to a New Address, Emma Kendon – trustee of Jazz Services Ltd and Chris Hodgkins – Director of Jazz Services Ltd. The foreword is by the Guardian jazz critic John Fordham. The authors acknowledge the research support of Paul Wilson of the British Library and the support of the Association of British Jazz Musicians. 4 Foreword In 2008’s ‘The Future of Jazz in Public Radio’ report, author Michael Rüsenberg wrote: “Jazz in radio has always had to deal with a bad image - too late, too short, too little, threatened by the next programme reform.” Rüsenberg was dealing with jazz presentation on public radio stations in Germany. -
The Effect of Management and Policy Change on the Diversity of Output Broadcast by BBC Radio One and BBC 1Xtra Between 2000-2004
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wits Institutional Repository on DSPACE Lisa Moult Student Number: 0416806D MA Art and Culture Management 2004 Course code: GRAD 519 The Effect of Management and Policy Change on the Diversity of Output Broadcast By BBC Radio One and BBC 1xtra Between 2000-2004. Submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand. Supervisor: Dr Lara Allen Home School: Humanities DECLARATION I declare that this research is my own, unaided work. It is submitted in partial fulfillment for the degree of Masters of Arts in Arts and Culture Management at the University of the Witwatersrand, Johannesburg. It has not been submitted before for any degree or examination at any other university. ………………………………… Lisa Moult The ……… day of ………………. 2005 i ACKNOWLEDGEMENTS This research would not have been completed without the knowledge, guidance, and assistance of a number of exceptional individuals. Sincere gratitude to my supervisor, Dr Lara Allen, who provided support, and guidance throughout the research, and without whose help it would not have been completed. Her advice with regard to recommended reading materials, and writing style were particularly invaluable. Thank you to everyone at Somethin’ Else, especially: Jez Nelson, whose knowledge revealed insightful opinion and debate; Sam Bryant, without whom I would not have been able to secure a number of the interviews used in this research; and Karen Pearson, Huw Owen, and Marcus Charalambos for agreeing to be interviewed as part of this research. -
Tender – January 2015 BBC Radio 1 and Radio 1Xtra Are Seeking
Tender – January 2015 BBC Radio 1 and Radio 1Xtra are seeking applications from Independent Production companies to take on the production of a number of our shows. The following are being offered for tender: BENJI B AND B TRAITS - as a bundle on Radio 1 / Radio 1Xtra: Benji B (Simulcast)* 180 mins Thursday 0100-0400 B Traits* 180 mins Saturday 0100-0400 *These shows are part of the WoCC FRICTION AND TODDLA T - as a bundle on Radio 1 / Radio 1Xtra: Friction (Simulcast)* 180 mins Tuesday 0100-0400 Toddla T (Simulcast)* 180 mins Friday 0100-0400 *These shows are part of the WoCC PHIL TAGGART - stand alone on Radio 1: Phil Taggart 60mins Thursday 2100-2200 This is part of the WoCC ANNIE NIGHTINGALE - stand alone on Radio 1 / Radio 1Xtra: Annie Nightingale (Simulcast) 180mins Wednesday 0100-0400 This is part of the Indie quota -- Page 1 -- All contracts will be offered on an initial 12 month basis with an option to extend by up to a further 24 months by mutual agreement. The new shows will all have a start date in the week beginning 30th March 2015 While the programmes in all the strands are weekly, the exact number of programmes can be affected by schedule changes for bank holidays, Christmas etc. We invite applications from all Independent Production companies who can clearly demonstrate relevant experience and expertise. All Independent Production Companies must be registered on the BBC Radio Indie database (full details via [email protected]) This document lays out the detail of what is required in the tender, how the process will be managed and the timetable for doing so. -
BBC Trust Changes to Radio 1 and Radio 1Xtra Assessment of Significance May 2012
BBC Trust Changes to Radio 1 and Radio 1Xtra Assessment of significance May 2012 Getting the best out of the BBC for licence fee payers BBC Trust / Assessment of significance Contents The Trust’s decision 1 Background to the Trust's consideration 2 Test of significant change 5 Impact 5 Financial implications 8 Novelty 8 Duration 8 May 2012 BBC Trust / Assessment of significance The Trust’s decision The Trust has considered the BBC's proposal to make changes to Radio 1 and Radio 1Xtra, and has formed the view that the proposals do not constitute a significant change to the UK Public Services. It has therefore decided that a Public Value Test is not required in this case. In reaching this decision the Trust considered the likely impact of the proposals on users of the services and on others, the financial impact, the novelty of the proposals and their proposed duration. • Impact on users – better links between Radio 1 and Radio 1Xtra may lead to a small increase in audience for 1Xtra. News provision is likely to remain of a high quality, and possibly have increased impact on 1Xtra. Changes to the BBC Introducing Nations opt shows are unlikely to diminish the BBC’s new music offering overall. Live music will remain a core part of 1Xtra’s schedule, with spend in this area unchanged. These changes are therefore likely to lead to a small but positive impact on users of Radio 1 and 1Xtra overall. • Impact on others – these proposals are likely to have little impact on the wider market.