Crawford-Lyric VUIKSMBM8

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Crawford-Lyric VUIKSMBM8 Metro Smash By McManus Plays Garden “Billy TheTtid” Tops Bill did NOT SO or* THtY A«B the oADcrr- vou LOUD croi-'-V- , thanks ran. tip-, —“Sporting Chance KNOWTHEV LET ME SEE GoiN'TO MENTION! we DIDN'T kmow Feature n^ioeo oug**o'«> THAT- OOE^ THE NAMES.IN ^OU V/ERE THERE Companion. IT MENTION PAPER POOL>H4U- TO-MOIWCMb 'THIS V/ILUMAKE At the New Oarden Sunday for ANT l_AVT NIGHT? NAMES? I'VE GOT TO STOP IT A <JREAT one day only, is one of Metros big- STORY sent hits and an epic of the old west. "Billy the Kid" Is one of the most exciting pictures that has come to the screen that speaks. A mighty drama, a perfect romance, a picture whose magic is due to King Vidor the man who made: "The Big Parade,” who now brings some of the most n^agnlflcant scenes ever made, to the screen. Laurence Stallings, author of “The Big Parade" and other hits, who wrote the stirring dialogue. John CLARK GABLE wJQAN CRAWFORD Mack Brown, Wallace Berry, Kay -^POSSESSED* Johnson, Karl Dane and others in Scene from * three feature bill the cast which this epic to brings at the that life. Lfiic opens Sunday. The companion feature, "Sport- ing Chance” with Buster Collier, Claudia Dell and James Hall, is “Possessed” With a thrilling melodrama of the race track. There will be the usual THE NEWFANGLES Interesting short subjects. Crawford-Lyric (Mom’n Pop) Stung! By Wood Cowan The change of program for Mon- day and Tuesday presents "Ladies "Possessed,” Joan Crawford’s of the Big House,” with Sylvia latest Metro-Goldwyn-Maj'er pic- Sidney and "The Guardsmen” with ture, opening Sunday at the I,yr)c Alfred Lunt and Lynn Fontanne. theater for two days, is an ada)>- THE tation the successful Sel- COSH. SUGAR, ^ VOU MEAN Ladles of the Big House—ladles of Edgar NO, TOUR TICKCTS THAT ISN'T THE IDEA _ ROACHIS WERE BR\CKS Y without lace—ladles without wyn play "The Mirage.” Clark rsAv that WCLL, WHAT ADMITTED TOO TO WOULD WE HAVE GONE.IF men been bruised Gable, who last scored GOOES' T'GIVE US A BREAK IF IT charms for have opposite OUR TICKETS THE DANCE-THE WE KNEW IT WOULD COST by contuct with a selfish mob—is Greta Garbo in "Susan Lennox,” LIKE THIS ! DID COST GyWE CHCK y- DIDN'T there hope for them? Can they has the leading male role. Jt ■ INCLUDE DINNER AND COVER US FIFTEEN BUCKS? TAKE AND US FIFTEEN! be nice; can they live and love; do The heroine of "Possessed,” GLADYS' ts' ■/ EVERVTRING CHARGE ARE EXTRA IT FROM ME, PEOPLE DON! they want to be true to their al- made famous by Florence Reed in two Tickets’ •> DOLLARS SHUFFLE OUT FREE TICKETS most forgotten hopes and Ideals? the stage version, gives Miss Craw- a House answers ford a wide of to duly — THERE'S ALWAYS A TRICK Ladles of the Big range acting oppor- with a "Yes". Featur- tunities. 8he Is seen as a factory DANCE AND IN IT SOME PLACE! smashing ing Sylvia Sidney, "American Trag- worker who cannot reconcile her- THEY ARE If edy" girl. Gene Raymond, “Per- self to the poverty and drab exist- HAVING A sonal Maid," boy friend, Wynn ence of her class. Instead, she a makes the most TIME- "City Streets” Gibson, and smash- of her charm by GREAT ing dramatic cast. The com- going to New York, where she be- FOR EVERY- panion feature is "The Guards- comes Intimate with Gable In the 19 men" with the big Broadway stars role of a young millionaire with po- THING Alfred Lunt and Lynn Fontanne. litical ambitions. Those who like laughs which come The love of Gable for Miss Craw- from brilliant lines and adroitly ford becomes a stumbling block conceived situations will enjoy when he aspires to become gover- "The Guardsmen”, the new Metro- nor of his state. To render him Goldwyn-Mnyer feature. The free to execute a successful cam- Guardsmen Is a diverting story of paign, she consents to an engage- an actor who becomes jealous ment with a boy from her home of his own wife, and makes love town whom she does not love. But to her in the disguise of a Russian when at the nominating convention Cossack officer. The protagonists her name .is made the butt of of this farcial situation are Alfred heckling propaganda Miss Craw- Lunt and Lynn Fontanne, noted ford resorts to more drastic meas- stage stars of the Theater Guild, ures, which results In a dramatic who In this film, make their first denouement of interesting conse- bow to talking picture audiences. quences. There will be the usual enter- Wallace Ford, well-known New BOOTS AND HER BUDDIES Oh!! Martin taining short subjects on this de- York stage leading man, makes his Oh, By lightful bill. Special added fea- first appearance on the screen In tures are China dinner ware given this picture. The cast also includes to ladles on Wednesday. Profit- Skeets Gallagher, Frank Conroy, sharing on Thursday night when Marjorie White, John Miljan and to > $25 in gold is distributed pat- Clara Blandlck. r Satur- / r~ rons and Country Store on Second Feature—Buck Jones, HKTfc To BOWfctt V*, 60M MXI- WW, \T WA4 ABSOUfttW NCTmtUO, OFFICER 1 i day night when 30 baskets of choice the screen's greatest outdoor star. <A)t WEHt 6\H?\N VlAysttft A eatbles are given to patrons. In “One Man Law”. Wt, Wt wtwt Mcmpvto BV THE HARHVXS/b HO W \6MT AVY.! VVSVEKW — vvrat <*AMt AWO TWfc BKC\TfcMt»T WiOWVTN- Of WJ ^CCAOEWT rtl«E , X KAO TK' MOBbt AT Tv\' WWVt TWE U6«W> wtwt OUT , T^t Boy S.WM& THAT fc VOGK>G VMD, HMAE.O KOWWL bEMRCH — bVEMCt'b WK-> ^tRlOO^LV WA& \HiOREO U, TANcfe *4_\_ T*\W*B \^» •bVtViCE, WIETTV CUftMttfr--AM' y\i£ LYRIC TO — HOWC ---WWtvi XT KVA. ^BOOT ? \T « — FBATl'HR RILL 3 \ DIMONO WP6 KISSING! SUNDAY — MONDAY jug r~rxr\ <6«) M ATINKKi All —am' Kt KAO \X 9*ut«.10<? bVoWE TK' Note—We liave tile best sound KVBN1NO .10c 'Me GAVAE bfAtf^EO , CAObE X reproduction In the .state—onr Kxcept Ra(« Sun., and Ilolldityw bAVi ST! theater has perfect acoustics. “WE’LL LOSE OR I WIN—together!” SUNDAY ONLY King Vidor’s Mighty Production YOU’LL BILLY THE KID ADORE with JOHN MACK BROWN WALLACE BEERY KAY JOHNSON KARL DANE CO-FEATURE SPORTING CHANCE Freckles Sh-h-h!! By Blosser with BUSTER COLLIER CLAUDIA DELL JAMES HALL SELECT SHORT SUBJECTS ^ as tho girl wlio cam hied I HAVE** DON'T TALK gORSOW.... Shucks.' x ve X WANT To RlffHT PEEUMSj NONSENSE, MELLINGER.'wns SHH« DON'T GIVE IF ITS <301 MS all for love in TUAT IT wokJT BE / WOE JUST DEPRESSED SEEW him Son\£- A vJROHS OF LONS / BECAUSE IT- he was TU£ lb wane >t>u WON., TUES. .. it ASKAy THAT vJE .... LON6 fioa we amd, “S. Xso dont twinn Mju're settiws VJW£R£ Bur IT TIN'S STAKJDIWS TICKET AT FEEL BETTER. VJELL AS OOESW'T SE£AA ASESIT THE OODLES KNOW THIS... AND,UNDER N.y SYLVIA BEFORE TVfAT WAPPEWS, QUIClcuy AS YOU OUGHT I'Ll BE SlaD X I •WOWPER. IP A COT OF PATIENTS ARE HIS MAm£ \waS DEPoT,TH£ TIME LET’S HEAR WHAT Pillow here, You'll VOU'D Tb Melp yoO. SIDNEY CO we A PA^OR LIKE THAT ses! WAS LOOKIMG FOR Find a piece of f goasou.... MORE HE'S GOING] Borson-’ Clarence Brown’s DOCTOR ? especially 1 HAD IT OM THE HECTORS RUBY.... PAPER WITH A NAME JO SAY- in prndaettoa VIHEw EWD AND ADDRESS ON thews OP my TbMSuE aaellimser..' twats With fllnidovn'* moat IT... SEE IF you “Ladies of never been JUST funclnntlnir man IT?/ CAN MAKE SICK BEFORE.' THEM-. }<<-' out wy the Big Clark Gable Feninrr Si— Hurh'JiMin In ^OITIUS House” “OSiE VIA N I.AW" 'rCvv>V- 'k uzm&wamBM-i ANOTHER DRAMATIC SMASH I HIT FOR SYLVIA SIDNEY I CO-FEATURE ! -wi JBHwnsath MATt'ltDAY PIIOCIIAM Thf MmI Amaa'tiK Drnniallr Thrill ('» Screen Ha> Known! “THK KIlOh'T PACK” — with — Adolphe Mrnjoii. Pnt O'llrlcit. Mnrr Brian, Mae Clarke/ Alan Dolarra Contelln In Our Boarding House By Gene Ahern Out Our Way By J. R. Williams "RXPKIVil VK WOMEN” The prise picture of the rear. Tn-nlle — Connlrr Slnre — Free (Ilia of Chicken and Cro- Vou mini sec “The Guardsman” prrloa. > —New York American. me. aimt so Goofw — Selected Choice 8hort alv/uJ — Subjects Tove, \F THAT tM FACT HE’S SMART P1WECTLY WPOSITE STEEL PIER V<jEV_\_ Mat. 10c, 15c Eve. 15c, 25c Nbu SKIP DOWAj VVA1tMMAN<b SMART EMOUOH TO GET ovl SAT. SUN. EVE. PRICES UMCLE BUSV SEES amos,THerets AMD -Tell -tHe OOG A»mT GOOF*/, WHEH HE A The bou. o' th \Mooos MA*i DOWMS-TAlRS GEMTlEMAM the*h X Am HES AmBUKJ* AVjOMGi COM\M’, tJUST UV<E > fJAMED WASHBURN -THA-r X LEFT NEW mw a HAV.F ASV-EEP AN', wHo WA/dTs To see: EARLV -tHis ALU OF A SUOO\KI' HAMILTON VoO t HE Looks MORHilMG FOR <S,TAFrr£» OlGGiM THEATER T > MAD B CrT \JEAJTl1R. A , IK1 AM1 tRWIN' East Main St. Dial 3-8923 BURtED ©OhJE MAVB& THAT!? •To LOOK OV/ER FlMD A f \MTY*E CEMEUT SUNDAY AND MONDAY V -JUSTTF WAV SOMS OIL LIL DAGOVER IN » PROPERTV hs*. V-V? His face: is “THE WOMAN FROM MONTE CARLO” with WALTER HUSTON and OUTSTANDING WARREN WILLIAMS BEACHFRONT VALUE Room* with meals— m low a* CO-FEATURE •5 Ben Lyons & Ona Munson In Dally SBS»' thuk dMki wkio fcooUloo Is sorwetf cub “THE HOT HEIRESS” ■aerolog.
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  • IN PERSON & PREVIEWS Dil Dhadakne Do + Intro by Writer and Lyricist Javed Akhtar India 2015. Dir Zoya Akhtar. with Anil Kapo
    IN PERSON & PREVIEWS Dil Dhadakne Do + intro by writer and lyricist Javed Akhtar India 2015. Dir Zoya Akhtar. With Anil Kapoor, Shefali Shah, Priyanka Chopra. 170min. Digital. Hindi with EST. 12A This romantic comedy-drama follows the misadventures of a family, their friends and a dog as they embark on a cruise to celebrate a 30th wedding anniversary. Yet it’s not long before suppressed emotions, resentments and insecurities emerge and threaten to upset the holiday. The film itself is a family affair too: the director and producer are brother and sister and both children of lyricist Javed Akhtar. Joint ticket with Javed Akhtar in Conversation £25, concs £20 (Members pay £2 less) SAT 1 FEB 12:15 NFT1 Javed Akhtar in Conversation TRT 90min The multi award-winning Javed Akhtar is a master of the Indian musical and one of Bollywood’s most noted screenwriters, poets and lyricists, whose credits include Deewar, Zanjeer and Sholay, and iconic songs such as ‘Ek Ladki Ko Dekha’, ‘Do Pal Ruka Khwabon Ka Karwan’, ‘Main Koi Aisa Geet Gaoon’ and ‘Kal Ho Naa Ho’. Join us for this special event celebrating Akhtar’s 75th birthday, where he will share insights into his craft of writing for the Bollywood musical. Tickets £15, concs £12.00 (Members pay £2 less). For joint ticket offer see left SAT 1 FEB 15:50 NFT1 Preview: Midnight Family Mexico 2019. Dir Luke Lorentzen. 81min. Digital. EST. 15. Courtesy of Dogwoof In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned a cut throat underground industry of for-profit, privately run ambulances.
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