avril lavigne goodbye lullaby album download rar Goodbye Lullaby. Maturity already proven to be Avril Lavigne’s bugaboo way back in 2004 when she stumbled through a Chantal Kreviazuk co-written sophomore set called Under My Skin, the former mall punk once again returns to reflection for her fourth album, 2011’s Goodbye Lullaby. The occasion for introspection is Lavigne’s divorce from Sum 41 singer Deryck Whibley, who has some presence as a producer and phantom on Goodbye Lullaby, sometimes even standing at the helm for a lovelorn, regretful tune. Lavigne has songwriting credits on every cut here, bearing sole responsibility for half of the tunes. These are not the ones that stick. The ones that stick are Max Martin productions that he co-wrote, including first single “What the Hell,” which approximates Avril’s irrepressible brattiness only without seeming much fun at all. Despite Martin’s immense skill, he can’t quite get Avril to crack a smile here and her sorrow feels affected in a way that, say, P!nk’s never did on her comparable Funhouse. Lavigne once again seems to be grappling with emotions just beyond her reach, never articulating her angst or crafting a melancholy melody, making Goodbye Lullaby feel affected, not genuine. Goodbye Lullaby. Goodbye Lullaby Studio album by Avril Lavigne. General information. Release date. Recorded. Genre(s) Length. Label. Producer(s) Albums chronology Previous Current Next The Best Damn Thing Goodbye Lullaby Avril Lavigne. Singles. The album debuted inside the top five in over 15 countries such as the United States and Canada, topping the charts in Japan, Australia, Greece, Taiwan, Korea, Singapore, Hong Kong and the Czech Republic. The lead single of the album, "What the Hell", was released on 7 January 2011, and achieved worldwide chart success; reaching the top twenty in the United States and the United Kingdom, the top ten in Europe and Australia and the top five in Asia. The following singles, "Smile" and "Wish You Were Here", had moderate chart success worldwide. The album also includes an extended version of the soundtrack single for the 2010 film Alice in Wonderland , titled "Alice". By November 2013, the album sold around 1.8 million copies, out of which over 425,000 in Japan and over 373,000 in the U.S. The color scheme for the album is green. Contents. Background and development [ edit | edit source ] The album and lead single's release dates had been pushed back several times. The album was originally scheduled for release on 17 November 2009. Later, in January 2010, Lavigne stated that the album cover had been photographed and the first single would be released in April followed by the album in June. In May, Lavigne said that she considered the album too serious and "mellow" and would return to the studio to balance the album out, "With an album, I don't want to rush it out. I have a very serious record, so I think I need to put a couple upbeat, fun songs on it." In August 2010, Lavigne returned to Henson Recording Studios with producer Alex da Kid. During these sessions, Lavigne had strep throat, and the people involved were required to wear surgical masks. Despite her doctor's warning, Lavigne recorded vocals, "I wasn't able to sing for the last forty-eight hours because I could do permanent damage to the vocal cords." She revealed that she had been "trying new stuff" and that she was "exploring". Lavigne added that she had enough material for two records. In October 2010, Lavigne was featured in Maxim for the November issue. During the interview she revealed that she had finished Goodbye Lullaby after two and a half years. However, in November, Lavigne announced that her album had been completed for a year, citing her record company as the reason for the album's delays. Lavigne stated that her record company wanted something more upbeat to keep up with mainstream radio, "Radio's very rhythmic and urban and dance today. I think they wanted me to do something more like that, but that's not what my vision was for this album". The entire track listing for the album was revealed on 21 December 2010, after some were announced in early December. It was also announced that two songs on the album, "4 Real" and "Goodbye", were both written and produced solely by Lavigne herself. The remaining tracks were either written by Lavigne or co-written with longtime collaborators Evan Taubenfeld, Butch Walker, and Max Martin. Lavigne stated that her vocals were the most important instrument to her during the album's recording, "Typically the lead vocal gets buried in the track and you can't always hear the quality, character, or emotion after a certain point. I wanted my voice to be the main instrument." Recording [ edit | edit source ] Lavigne began recording in her home studio in November 2008 with the song "Black Star", only a month after completing The Best Damn Tour. To help promote her first fragrance, Black Star, Lavigne needed a short theme that would be used for the TV spots. "Black Star" was composed in a Malaysian hotel during her tour. The jingle was eventually expanded into a short introduction to the album, which Rolling Stone later described as "an ethereal lullaby that turns epic with tinkling Coldplay-like pianos and soaring strings." Recording began with minimal instruments, usually starting with Lavigne singing only to acoustic guitar, with additional instruments added later. Lavigne described the process: "It’s stripped down. I love performing that way, so I really felt like it was time to make a record like that. To just make it all about the vocal and the performance, and the vibe, and the emotion." Because she has a studio in her home, Lavigne was able to compose and record at her leisure. She also used the piano to compose the majority of the songs. "The piano is more of an emotional instrument. It stirs up different emotions for me and moves me in a different way than the guitar can." By July 2009, nine tracks had been recorded, including the songs "Fine", "Everybody Hurts" and "Darlin'", the latter being the second song Lavigne wrote as a 15-year-old while living in Napanee, Ontario. Lavigne stated that this album would be different from her previous work, "The other albums I've done, the songs are all over the place. This is the most consistent album all the way through." Composition [ edit | edit source ] Lavigne described the album as being about "life". She stated, "It's so easy for me to do a boy-bashing pop song, but to sit down and write honestly about something that's really close to me, something I've been through, it's a totally different thing." The album serves as a return to Lavigne's older musical style and is largely acoustic. With the exception of the album's lead single, Lavigne describes the songs on the album as different from her earlier material, "I'm older now, so I think that comes across in my music, it's not as pop-rock and it's a little more mellow and it's deep". She said, "[For] this record, I just really, really wanted to sing. I just wanna have silence around me, and have these acoustic songs and really deliver." In November 2010, British producer Alex da Kid, who worked with Lavigne beginning in August 2010, stated that some songs on the album will have a hip-hop sound, "We've got some things that are hip-hop leaning, and we've got some things that are more pop/rock leaning". In December, it was announced that the songs produced by Alex da Kid would not be on the album but Lavigne stated, "we're gonna do something with that stuff, I'm just not sure what yet". Lavigne described the first single off the album, "What the Hell", as "a broad message about personal freedom", calling it her "most pop track on the record", the least personal song from the album and the song most reminiscent of her previous work. Another song, "Stop Standing There", has been described as having an "early- '50s girl-group feel" and "Smile" is about Lavigne's gratitude for special people in her life. "Push" is about relationships and "Wish You Were Here" shows Lavigne's vulnerable side. Lavigne described the song "Everybody Hurts" as "different. but not different to stray away from who I am and what I am." "Goodbye" is one of the two songs Lavigne wrote and produced on her own. She says it's about moving on in life and leaving something secure. Lavigne stated that "Goodbye" is the most personal song she has ever written and was the inspiration for the album's title. Critical response [ edit | edit source ] Goodbye Lullaby received mixed reviews from music critics based on aggregate score of 58 from Metacritic. Andy Greenwald of Entertainment Weekly , a partner of CNN, said Goodbye Lullaby seeks a balance, "The first half is loaded with glossy confections, while the second consists of quieter reflections clearly inspired by . Deryck Whibley", her ex-husband. The review ends by giving a grade of B- with the justification that the singer seems to be desperate to share her artistic interior, which is far from fully formed. Stephen Thomas Erlewine of Allmusic compares Goodbye Lullaby to Under My Skin , also citing the divorce from Deryck Whibley as "The occasion for introspection". He concludes that Lavigne "seems to be grappling with emotions just beyond her reach, never articulating her angst or crafting a melancholy melody, making Goodbye Lullaby feel affected, not genuine." The Canadian newspaper The Globe and Mail compared Lavigne, in 2002, to a "younger, sassier version of Alanis Morissette", but that her old niche as the punky pop star been taken over by Ke$ha and that Goodbye Lullaby contains little to catch the ear of anyone who is not already a fan. The reviewer, Robert Everett-Green, criticizes the progression found within six songs: "it’s the basis of Pachelbel's Canon and about a jillion other pop songs." "Goodbye" was described as "a ballad with strings and piano that is the only thing Lavigne did all by herself, including the production. It's high in her register, and she sounds a bit like an angel with tattered wings. It's pretty slick, but it's just genuine-sounding enough to hint at what Lavigne might be able to do if she scraped off the production makeup". Bill Lamb from About.com gave to the album a rating of 3 stars, opining that: " Goodbye Lullaby leaves us waiting for the next chapter in Avril Lavigne's recording career. Perhaps with this album she has purged the weight of sadness and regret to prepare herself for the next steps forward. It sounds like we would all benefit if she has the courage to move forward in writing and producing songs on her own. The two tracks here indicate that she can be a very solid, compelling pop-rock artist when in complete control of the artistic vision. Mediocre Avril Lavigne remains more compelling than many artists, but Goodbye Lullaby feels a bit like a wasted moment in time". Jon Pareles from The New York Times was positive, expressing that "on Goodbye Lullaby , she's trying to be a little more expansive, vocally and emotionally, without leaving pop territory". Pareles saw, positively, that: "It’s the pop-factory material, not Ms. Lavigne’s own presumably more personal songs, that offers details, humor and a sense of letting go. Her grown-up seriousness could use a little more of them". Giving 3 stars out of 5, Jody Rosen of Rolling Stone stated that " Goodbye Lullaby is lovelorn and introspective, full of gusty tunes with a surprising message: Avril cares". Josh Langhoff of PopMatters criticised Lavigne's songwriting, stating "If you wanna know how NOT to do it, listen to the last five tracks on Goodbye Lullaby ". However, Langhoff and Rosen both praised "Stop Standing There", one of the seven songs Lavigne wrote on her own. Commercial performance [ edit | edit source ] Upon its release, the album debuted at number four on the Billboard 200, with first-week sales of over 87,000. As of January 2013, Goodbye Lullaby had sold over 373,000 copies in the US. In its second week, the album dropped to number 6 on the chart selling over 65,000 copies and returned to number 4 in its third week selling 23,000 copies, but fell to number 14 and number 32 in its fourth and fifth week. The album has spent a total of twenty six weeks on the Billboard 200, including a couple of re-entries. On 10 March 2011, Goodbye Lullaby debuted at number two on the Japanese Oricon Albums Chart, with sales of 135,410 units in its opening week – the largest opening of the album in a particular country. This was particularly impressive since it was released during the 2011 Tohoku earthquake, which cut off all promo. By January 2013, the album had sold over 410,000 copies in Japan, receiving Platinum certification in November 2012. In the United Kingdom, the album debuted at number nine, selling over 22,500 copies, ending Lavigne's streak of consecutive number-one albums in the UK at three holding the record for the most consecutive number one albums by a female artist. As of May 2012, the album has sold around 74,000 copies in the UK. In Canada, the album reached the 2nd position with sales of 13,000 copies. In Australia, the album topped the album's chart, selling over 15,000 copies. By February 2014, it had sold over 2 million copies, out of which over 430,000 were sold in Japan and over 375,000 were sold in the U.S. – a worldwide moderate success. However, it paled in comparison to her first three albums. Promotion [ edit | edit source ] To promote the album, Lavigne embarked on her fourth worldwide tour, The Black Star Tour, in April 2011. Lavigne completed the tour in February 2012, bringing the Goodbye Lullaby album cycle to a close. Singles [ edit | edit source ] Lavigne premiered the lead single, "What the Hell", on Dick Clark's New Year's Rockin' Eve on 31 December 2010 during a pre-taped segment along with a performance of "Girlfriend". Lavigne said the song is "a really fun, upbeat party song, so it worked out really well to play it for the first time on New Year's Rockin' Eve." The following day, "What the Hell" was available as a free download for 48 hours from Lavigne's official Facebook page. The video for the single was released in January 2011. Lavigne asked her fans via Twitter what the next single should be, giving the choices between "Push" and "Smile", with "Smile" ultimately being chosen as the second release. Lavigne confirmed in July 2011 that "Wish You Were Here" would become the third and final single from Goodbye Lullaby, however, " Push " was released on February 20, 2012 as a promotional radio single exclusively in Japan, reaching a peak of 35 on the Japan Hot 100. Avril Lavigne (album) Avril Lavigne Studio album by Avril Lavigne. General information. Release date. Recorded. Genre(s) Length. Label. Producer(s) Albums chronology Previous Current Next Goodbye Lullaby Avril Lavigne Head Above Water. Singles. In both musical and lyrical aspects, the album represents a departure from her previous production, including a more pop and upbeat sound, but also featuring power and piano ballads. A pop-rock album, Avril Lavigne also incorporates other genres such as electronic music, industrial and punk rock. The album also features two collaborations: Lavigne's husband Chad Kroeger and American singer Marilyn Manson. The album received generally favorable reviews from music critics, who praised its carefree, feel good vibe, while also calling it one of her best albums. However, some criticized the "rebellious" attitude in some tracks, calling it forced and unnatural. The album impacted moderately on the charts, reaching the top-ten in over twelve countries while peaking at number 1 in China and Taiwan. Three singles were released from the album worldwide. The first, "Here's to Never Growing Up", garnered moderate success, reaching the top- twenty in Australia, Canada, the United Kingdom and the United States. The second, "Rock n Roll", received less impact, while the third, "Let Me Go" was somewhat better on the Canadian Hot 100 chart. Lavigne also released a controversial video for the Japan-only promotional single "Hello Kitty". To further promote the album, Lavigne embarked on her fifth tour, Avril Lavigne On Tour . Avril Lavigne sold worldwide more than 850,000 copies as of 2014. Contents. Background, development and release [ edit | edit source ] Three months after the release of Goodbye Lullaby , Lavigne announced that work on her fifth studio album had already begun, with eight songs written so far. Lavigne stated that the album would musically be the opposite of Goodbye Lullaby , with a release date rumored for sometime in 2012. Lavigne explained, " Goodbye Lullaby was more mellow, [but] the next one will be pop and more fun again. I already have a song that I know is going to be a single, I just need to re-record it!" In late 2011, Lavigne confirmed that she had moved to Epic Records, which is now headed by L.A. Reid, who signed Lavigne to Arista Records in 2000. In August 2012, it was reported that Lavigne had completed work on the album, stating on her Twitter, "That's a wrap boyz @hodgesmusic and chad @Nickelback . Woohoo. Super stoked for this record." In September 2012, Epic Records chairman L.A. Reid told Billboard that Lavigne "just completed" the album and that she enlisted her then- fiancée Chad Kroeger for a song. "She worked with Chad Kroeger, who is now her fiance, and they did a really good record," says Reid. He also revealed, "We're in the mixing process now and I expect to release it very soon. I'd like to get it out this year, but time seems to be flying. If we don't, it will be top of the new year." The same month, French website Charts in France announced that the album would be released in March, [10] however, in April 2013, the singer announced that she was still working on the album, stating, "I've been working on this record for a year, so it's been quite a while," she said. "As soon as I played [producer LA Reid] the song, he wanted to put it out right away". The Canadian singer with his latest album (Avril Lavigne) has sold about 615 000 copies. "So I'm actually still in the studio - I'm still making my record. I still have one more song left to write that I'm going to do by myself because I love to do that. It's important to me. But it's just - it's all happened so fast, and I'm so excited." On 8 August 2013, Lavigne revealed the cover art for the album via her Instagram account. The cover features a closeup of her face against an all- black background, with her eyes ringed in smeared eyeliner, while her hair is pulled back tight on her head. In an interview at the radio station WRVE, Lavigne confirmed that the album would be available to pre-order on 24 September 2013 and would be released later on 5 November 2013. The official track listing was later revealed on 5 September, while the entire album streamed on iTunes and her official website on 29 October. Avril Lavigne sold worldwide more than 850.000 copies. Recording [ edit | edit source ] Recording sessions began in November 2011, and took place over a period of almost two years, concluding in July 2013. One of the first confirmed producers and writers for the album was Nickelback's frontman, Chad Kroeger. The first song they wrote was "Let Me Go", a breakup ballad. "We started off [in March 2012] just getting to know each other, and then we really bonded through music," Lavigne said. Eventually, Lavigne and Kroeger became romantically involved in July 2012, and a month later they got engaged. Kroeger co-wrote 10 songs on the album, being the producer of three, and co-producer of four. They promised power ballads, piano ballads, string arrangements and a duet. Lavigne also worked with Evanescence former member David Hodges, commenting, "I’ve just spent 17 days working with Chad Kroeger and David Hodges. And the three of us have been writing a lot of songs together. A lot. And recording and having a really good time, having a really great time. They’re very talented musicians and it feels good for me to be around people like that". Boys Like Girls frontman Martin Johnson also worked with Lavigne on the album, co-producing five songs, including the lead single "Here's to Never Growing Up". In a Billboard interview, Lavigne revealed that she worked with Marilyn Manson on a track called "Bad Girl". She said about the collaboration, "It’s a heavier tune and I thought his voice would be perfect on it, so I hit him up. I called him and he came over to the studio and he really liked the track and he just put some vocals down on it. He was a pro and he did an amazing job. I really appreciate him as an artist and I love his style and I really respect him and his art, and I thought it was really cool to have him on this record". In an interview for 4Music , Lavigne teased a female collaboration, but it didn't make to the album. Because Lavigne had written so many songs for her fifth album, she was considering releasing two back-to-back albums. This is the second time that Lavigne has mentioned writing enough material for more than one record, the first during the production of Goodbye Lullaby . "I kinda wanna do the back-to-back records because I've worked so hard on writing a ton of songs and I just wanna make it perfect. And then because there were so many it was like, 'OK well what makes sense?'," she commented. Composition and themes [ edit | edit source ] — Lavigne talking about the album's diversity. In an interview for Nylon, Lavigne stated that the album was "more artistic" than her previous efforts, explaining, "This time it's not just all songs about relationships and dudes. I just wanted to write songs and make something that was a little more artistic. I wanted to go down that road, I wasn't trying to write a big radio record." While discussing the album's style for Entertainmentwise , Avril opined, "The album is really all over the place. There are piano songs which are just piano and vocals, some very raw, emotional pieces. There are a few summer songs, it’s nostalgic." Regarding the album's lyrical meaning, she commented, "Lyrically I pushed myself to talk about different subjects I haven't talked about before. I didn't want to be so simple. I tried to really express myself and go deeper." [. ] "There's a bunch of summer songs then a couple of songs which are pretty nostalgic, about looking back like ‘17’. I guess I didn’t mean for it to turn out like that but it’s good." While discussing the songs on the album, Avril revealed, "I'm really excited about the song 'Hello Kitty' that I've written for this record, because I'm obsessed with Hello Kitty and it's really fun and the sound is different," she said. "It sounds like nothing I've done before, and I even throw a little bit of Japanese in it". She also described the song called "Rock n Roll" as "LOUD, impressive and it stands for so many other things than just music – that’s really what it comes down to - and it’s a song that I’m just putting the final touches to now". She also called her duet with Marilyn Manson as "heavier" and "rock". While responding what was her favorite song on the album, Lavigne answered, "'Give You What You Like,' 'Hush Hush' and 'Bad Girl.'" Songs [ edit | edit source ] The album's opening track "Rock n Roll" is an upbeat, pop-punk song, about a boisterous declaration of rebellion on which Lavigne puts up her "middle finger to the sky" to "let 'em know that we're still rock and roll," while the second track, "Here's to Never Growing Up", is a celebration of being forever young. The third track "17" was considered a "fizzy, buzzing look back on adolescence," over a "steady" beat, "long acoustic" strums and "yelping" vocals. The fourth track, "Bitchin' Summer", is a mid-tempo song where she and the object of her affection are like "high school lovebirds" and she’s picking him up at the liquor store. "Let Me Go", the fifth track, is a duet with Lavigne's husband and Nickelback's frontman Chad Kroeger, and was described by Lavigne as a " the journey of love through one's life, going from one stage in one love into finding the right one." The sixth track "Give You What You Like" is a sensual-sounding ballad about the exchange of physical pleasures to combat loneliness. The seventh track "Bad Girl" finds Avril teaming up with Marilyn Manson in a rock, industrial and nu-metal, with Manson singing about his pervy "daddy" fantasies while Avril invites him to "do whatever" and more. "Hello Kitty" sees Lavigne flirting with electronic music and techno pop, while also featuring a dubstep breakdown. Lyrically, Lavigne pointed out that the song "is about her love of the Japanese brand" but also has a "flirtatious" meaning. The ninth track, the pop-rock "You Ain't Seen Nothin' Yet", finds its protagonist rounding "third base and headed for a home run," while the bouncy "Sippin' on Sunshine" with lyrics about the sunshine being delivered by way of a kiss. The breakup track "Hello Heartache" has a background vocal hook crawling "la-la-la" and a skittering backbeat, while "Falling Fast" guardedly celebrates new love with "hushed" rock elements and "crystallized" melody. The album's final track, the piano-driven "Hush Hush", emits a rush of feelings—regret, anger, desperation, nakedness, and finally, faint hopefulness. The only promotional single "How You Remind Me" was released in Japan on 11 December 2012, as a digital download on the One Piece Film: Z soundtrack. It was released on 19 December 2013 as a digital download in the UK. The song was included in the Japan, Taiwan, China Tour Edition of the album as one of the bonus tracks. Singles [ edit | edit source ] On 9 April 2013, the album's lead single, "Here's to Never Growing Up", produced by Martin Johnson of the band Boys Like Girls, was released. The song was critically acclaimed and was the album's most successful single. The track peaked at number 20 on the Billboard Hot 100 in the US, also reaching the top-twenty in Australia, Canada and the UK, while reaching the top-ten in Ireland and Japan. A lyric video featuring submitted photographs of fans "never growing up" was released onto Lavigne's official Vevo account the same day as the release of the single. [57] The song's official music video was later released on 9 May 2013. The second single, "Rock n Roll", premiered on Lavigne's official YouTube channel on 18 July 2013 and was released on 27 August, with the music video premiering a week earlier on 20 August, while the lyric video for the song, featuring fan-made videos submitted through Instagram, was released onto Lavigne's official Vevo account on 12 August 2013. [59] The song received very limited commercial success, being a success in Japan, where it reached number five. However, it only managed to peak at number 37 in Canada, number 45 in Australia, number 68 in the UK and number 91 in the U.S. "Let Me Go" featuring Chad Kroeger was confirmed as the album's third single. It premiered on the radio station KBIG on 7 October 2013. It was officially impacted Contemporary hit radio in Italy on 11 October 2013. It was later made available for purchase on iTunes along with its music video on 15 October 2013. Worldwide, "Let Me Go" was more successful than "Rock n Roll", reaching a peak of number 12 on the Canadian Hot 100 chart and the top-forty in Austria. Elsewhere, it also achieved moderate impact in the UK and the US. On 27 February 2014, Lavigne revealed on her Twitter page that she would be releasing two singles in two different territories. Later, she revealed that "Hello Kitty" was going to be released in Asia, shooting its music video in March 2014. Lavigne also revealed the cover art for the single and its music video was released on 21 April 2014. Its music video was heavily criticized by critics, with Billboard labeling it "abhorrent" and "lazy". Its depiction of Japanese culture was met with widespread criticism, which has included suggestions of racism, with Lavigne denying it. "Hello Kitty" debuted at number 75 on the Billboard Hot 100 chart, due to the popularity of its music video. On The Download: Avril Lavigne’s ‘Goodbye Lullaby’ It’s been a long time coming. Four years, to be exact. Now, Avril Lavigne’s new album, “Goodbye Lullaby,” is finally here! Some might call the Canadian native’s style “pop,” some call her “rock” and some try to describe her as everything in between. Well, I say, ‘Let’s refrain from labeling her.’ She is simply a musician, plain and simple. And true musicianship means taking a leap and not being afraid to explore every kind of sound and emotion that inspires you, which is exactly what she does on this album. So, we all know Avril originally from her “Complicated” days — and more recently, from her “Girlfriend” days. On her fourth album, the angst is still there, but it’s not as prevalent as it has been in the past. We definitely get that sound in the lead single, “What The Hell?”, but don’t let that catchy song fool you. The rest of the album is much more subdued and meditative. She’s showing signs of growing up as evidenced in songs like “Push” and “I Love You.” She poignantly explores heartbreak in “Not Enough” and “Remember When.” Perhaps the most personal song on the album, “Goodbye,” is a hard one to listen to, particularly if you’ve ever had your heart broken. The words, as simple as they are, are all too true. As she sings, “I have to go, I have to go and leave you alone,” the song builds into a crescendo and tugs at the heartstrings. Still, the album isn’t all “what if’s” and “goodbyes.” In “Smile,” she sings about making out with someone all night and then waking up with a new tattoo. Never one to be lacking in the lyrics department, in her signature ballad, “Wish You Were Here,” she sings, “Damn, damn damn, what I’d do to have you here… I love the way you are with who I am. Don’t have to try hard.” Just as a fair warning, she makes good use of swear words on the album, which I’m personally a sucker for in songs. Avril worked with producer Max Martin on “Goodbye Lullaby,” as well as ex-husband Deryck Whibley (of whom a lot of the songs seem to be about, but you can read into it what you will). Yet, there seems to be no ill will between the two. The proof is in the words sung by an older, wiser Avril. Copyright © 2021 by NBC Universal, Inc . All Rights Reserved. This material may not be republished, broadcast, rewritten or redistributed. Read More. Jennifer Lopez Drops Sizzling Summer Anthem ‘Cambia El Paso’ With Rauw Alejandro. Avril lavigne goodbye lullaby album download rar. Artist: Avril Lavigne Album: Avril Lavigne Label: Epic Records Genre: Pop, Pop Rock Quality: MP3 Total Size: 133 mb ______. 01. Rock N Roll 3:26 02. Here`s To Never Growing Up 3:34 03. 17 3:24 04. Bitchin` Summer 3:31 05. Let Me Go (Feat. Chad Kroeger) 4:27 06. Give You What You Like 3:45 07. Bad Girl (Feat. Marilyn Manson) 2:56 08. Hello Kitty 3:17 09. You Ain`t Seen Nothin` Yet 3:14 10. Sippin` On Sunshine 3:30 11. Hello Heartache 3:49 12. Falling Fast 3:13 13. Hush Hush 4:01 14. Rock N Roll (Acoustic) 3:23.