DOCSLIB.ORG

Little Orphan Ashley

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Little Orphan Ashley INSIDE: Market mayhem Page 3 Quay to the city Page 12 Eat & Drink Page 14 What’s On guide Page 19 cityhub.net.au DECEMBER 13, 2012 FREE LITTLE ORPHAN ASHLEY Trevor Ashley’s TrAsh at the Studio page 20 Bob Gould Anglicare warns Newstart needs a new start Bill posters could be illegal BY MAX CHALMERS “The majority report shows an unwillingness BY SHARON YE Vulnerable Sydneysiders will experience to accept the substantial evidence in favour of The City of Sydney has introduced a stringent new increasing rates of homelessness and food increasing the rate of Newstart by $50 per week.” grafitti policy banning bill posters across the majority insecurity if Federal Parliament does not increase Despite working on the Committee, Labor Senator of the city. the Newstart allowance, a prominent community Doug Cameron has also publicly rebuked its Replacing the existing graffiti policy made in group has warned. recommendations. 2004, Council’s new Draft Graffiti Management The warning comes just weeks after a Federal “I think [Newstart] should be increased…living on Policy has banned bill posters with the exception of Senate Committee investigating the social 245 dollars a week is impossible,” Mr Cameron told Triple J radio. five “character” areas. Under the Protection of the security allowance made a recommendation Ms King played down the Committee’s budgetary Environment Operations Act, bill posting is considered advising the government not to increase concerns and argued effective aid could be given illegal as a form of pollution. payments despite finding their current rates to be to those on Newstart without triggering a fiscal “Vandalism is a real concern for our community,” woefully inadequate. catastrophe. While the Committee recommended said Lord Mayor Clover Moore. “If it’s not removed Advocacy and welfare group Anglicare has parliament increase the number of hours an it can create an atmosphere of neglect and devalue lambasted the recommendation. individual could work while still receiving Newstart, property prices.” Director of Advocacy at Anglicare, Sue King said Ms King said the recommendation fell short. To tackle the problem, Council has installed nine keeping Newstart payments at $246.30 per week She said individuals should be allowed to work poster pillars providing a legal site for notices and fliers. would be particularly devastating for those living at least 12 hours per week while still gaining the Council has introduced five “character” precincts with Sydney’s high rental prices. benefits of the payment. where community posters can be displayed up to a “[It is] particularly problematic for people who are single on the Newstart allowance in the private “That’s a reasonable approach, really, week. The designated areas are found in Newtown, without having too much of a fiscal impact on Glebe, Darlington, Broadway and Surry Hills. rental market,” she said. “What we are finding coming through our government,” Ms King said. Living Sydney Councillor, Angela Vithoulkas said But Ms King maintained an actual increase to the areas like Newtown have special provisions because it emergency relief centres is increasingly those people are either homeless or at risk of payment was essential, which is currently well borders two local government areas (City of Sydney below the poverty line. and Marrickville), with King St as the boundary. homelessness and are very food insecure, which means they are often hungry or they often go “As long as Newstart is so inadequate we’re just “It is sensible to be mindful of the sensitivities of the pushing people into a poverty trap. We’re just different Councils and not have one side of the street without food.” Should this be illegal? Since the committee made its recommendation going to find more and more vulnerable and at risk vastly different to the other,” she said. families,” she said. But City of Sydney Greens Councillor, Irene them removed,” she said. it has faced criticism from a diverse coalition Doutney said the provisions are “totally inadequate”. But Ms Dountney said the new policy will be including community groups, Labor senators, the “If you lose your cat in Waterloo, there’s no point ineffective because there are few provisions for policing. Greens and the Australian Business Council. putting up a poster in Darlington,” she said. “You want “I don’t think it’s going to have any effect; I think The committee’s decision not to advise the your posters to be in the district around you. people will put up posters wherever they want,” she government to increase Newstart payments was “I think those five precincts are ridiculous … what said. “It seems we have a policy that is making them derived from a desire to keep the federal budget about Redfern, Waterloo, Rosebery, Paddington?” break the law that isn’t being policed.” balanced. Council spends over $2 million each year keeping Mr Doutney added it is a freedom of speech issue, However, Australian Greens Senator Rachel public spaces free from vandalism and pollution. Ms with posters remaining a valuable and legitimate form Siewert has derided the reasoning. Vithoulkas was adamant ratepayers should be wary of of expression in the community. “The committee has agreed that Newstart is inadequate, but has demonstrated a lack of will to these costs. “One man’s graffiti is another man’s street art,” she find appropriate and sufficient solutions to resolve “We need to be mindful that there is a cost to the said. “I don’t think we need to manage a lot of that art the clearly demonstrated inadequacy of the ratepayers because the people who put the posters up … those big band signs told me when things were on, payment,” she said. never take them down and Council has to pay to have which I’d never find out any other way.” Sky closes in on Chinatown Night Markets BY JASON MARSHALL becomes commercialised, we fear that it will lose Mr Stephens said. “When Blue Sky took it over, Controversy surrounds the City of Sydney that identity.” many left because [they] jacked the rates up.” Published weekly and freely available Sydney-wide. Council’s tender for the Chinatown Night Mr Wu said he was concerned Blue Mr Stephens said existing stallholders from Copies are also distributed to serviced apartments, hotels, Markets amidst news a private company with Sky would inevitably kick out the existing Blue Sky’s eastern suburbs markets replaced convenience stores and newsagents throughout the city. a questionable commercial history will run the stallholders to exert control. them. Distribution enquiries call 9212 5677. Published by community organisation. “This seems to be the model they operate on Blue Sky Markets Managing Director, Ross the Alternative Media Group of Australia. While every effort An association made up of stallholders, ... they don’t actually start anything but they go Alexander said Narrabeen Markets are still is made to ensure accuracy of content, The Hub takes no local businesses and community members out there and they hunt,” he said. “They try to popular, and though there are fewer stalls, there responsibility for inadvertent errors or omissions. known as Chinatown Food and Entertainment inherit the goodwill that’s already there and we is a long waiting list. ABN 48 135 222 169 Incorporated (CFEI) have been running the see this as a social injustice.” Mr Wu said that given Blue Sky’s history, the markets since 2008, but they were recently In April 2009, Blue Sky Markets won the Chinatown Markets are worried about a loss of Group Publisher: Lawrence Gibbons tendered to private company Blue Sky Markets. tender to run the West End Markets in Brisbane. heritage. Group Manager: Chris Peken Vice President of CFEI Tim Wu said The community market was run for He was grateful for Greens Councilor Irene Group Editor: Marcus Braid Council’s property department had attempted the previous six years by its founder, Peter Doutney’s help, but criticised Councillor Robert City Hub Editor: Jason Marshall to obtain revenue from the community market Hackworth and had become a much-loved Kok. Editors: Peter Hackney and Kate Horowitz since it became successful in late 2010. Brisbane institution. Immediately after the “We thought he would [help us] but to this Contributors: Max Chalmers, Adra Anthoney, Fabian Di Mr Wu said though Council had never takeover, the number of stalls was slashed, date, all he has said is he’ll look into this. That Lizia, Sharon Ye and Gavin Gatenby mentioned rent prior to this, they demanded sparking demonstrations. was two weeks ago and we haven’t heard from back payments at the rate of $2,600 per day until Arts Editor: Angela Bennetts Brisbane City Councillor Helen Abrahams him ever since,” Mr Wu said. it was pointed out not-for-profit organisations Contributing Arts Editor: Emma Salkild said the West End Markets grew well beyond the Lord Mayor Clover Moore and the Council’s like CFEI were exempt from such levies. initial contract with Blue Sky but mostly because CEO had refused to meet with them, said Mr Jeremy Bridie Arts Listings: Earlier this year, the administration of the of significant Council spending on market Wu. Live Music Editor: Imran Shahid community built and run market was put to infrastructure. A City of Sydney spokesperson said an Dining Editor: Jackie McMillan tender on behalf of Council by global real “As a result, they are extremely successful, independent panel was appointed to oversee Advertising Managers: David Sullivan, Mike Contos, estate services provider Colliers International, they are very crowded, but many of the local expressions of interest because the current Toni Martelli and Robert Tuitama who valued the markets between $140,000 and residents are no longer attending the markets contract for operating the Chinatown Night Design: Joanna Grace $150,000.
Load more

Recommended publications
  • City Banners Inventory
    City Banners Inventory Breakdown of banner numbers per pole type Area Zone Location (Streets) Between Streets Rate Banner Size STD A A & B B QTY Circular Quay and Macquarie Street North Map 01 Zone 01 Alfred Street George Street to Phillip Street Premium 3 x 1 0 32 0 0 32 Map 01 Zone 02 Macquarie Place Reiby Place to Bulletin Place City 4.5 x 1.5 5 0 0 0 5 Map 01 Zone 03 Pitt Street Reiby Place to Bulletin Place City 4.5 x 1.5 0 0 0 6 6 Map 01 Zone 04 Bridge Street George Street to Macquarie Street City 4.5 x 1.5 0 0 0 14 14 Map 01 Zone 05 Macquarie Street Circular Quay to Bridge Street City 4.5 x 1.5 0 0 34 0 34 Map 01 Zone 06 Conservatorium Rd - Standard Cahill Expressway to Macquarie City 4.5 x 1.5 16 0 0 0 16 Map 01 Zone 07 Conservatorium Rd - Type B's Cahill Expressway to Macquarie City 4.5 x 1.5 0 0 0 6 6 Map 01 Zone 08 Phillip Street Alfred Street to Bridge Street City 4.5 x 1.5 0 0 2 6 8 Map 01 Zone 09 Customs House Loftus Street to Young Street City 4.5 x 1.5 0 1 12 1 14 George Street (Alfred Street to Martin Place) Map 02 Zone 01 George Street North Alfred Street to Bridge Street Premium 3 x 1 0 8 0 0 8 Map 02 Zone 01 George Street North Alfred Street to Bridge Street Premium 4.5 x 1.5 0 9 0 0 9 Map 02 Zone 03 York Street Margaret Street to Barrack Street City 4.5 x 1.5 0 9 0 5 14 Map 02 Zone 05 York Street - Wynyard Park Margaret Street to Wynyard Street City 4.5 x 1.5 7 0 0 0 7 Map 02 Zone 06 Erskine Street Sussex Street to York Street City 4.5 x 1.5 0 0 0 9 9 Map 02 Zone 07 Carrington Street Margaret Street to Wynyard Street
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • Full Thesis Draft No Pics
    A whole new world: Global revolution and Australian social movements in the long Sixties Jon Piccini BA Honours (1st Class) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2013 School of History, Philosophy, Religion & Classics Abstract This thesis explores Australian social movements during the long Sixties through a transnational prism, identifying how the flow of people and ideas across borders was central to the growth and development of diverse campaigns for political change. By making use of a variety of sources—from archives and government reports to newspapers, interviews and memoirs—it identifies a broadening of the radical imagination within movements seeking rights for Indigenous Australians, the lifting of censorship, women’s liberation, the ending of the war in Vietnam and many others. It locates early global influences, such as the Chinese Revolution and increasing consciousness of anti-racist struggles in South Africa and the American South, and the ways in which ideas from these and other overseas sources became central to the practice of Australian social movements. This was a process aided by activists’ travel. Accordingly, this study analyses the diverse motives and experiences of Australian activists who visited revolutionary hotspots from China and Vietnam to Czechoslovakia, Algeria, France and the United States: to protest, to experience or to bring back lessons. While these overseas exploits, breathlessly recounted in articles, interviews and books, were transformative for some, they also exposed the limits of what a transnational politics could achieve in a local setting. Australia also became a destination for the period’s radical activists, provoking equally divisive responses.
    [Show full text]
  • Hetherington Shortlist for Kenneth Slessor Prize 2017
    Media Release 2017 Shortlists announced for 2017 NSW Premier’s Literary Awards 26/4/2017 The works of today’s leading Australian writers have been shortlisted for the 2017 NSW Premier's Literary Awards, the State Library of NSW announced today. Thirty judges considered a record number of over 600 of entries across 11 prize categories, with the winners to be announced on the eve of the Sydney Writers’ Festival on Monday 22 May 2017. $310,000 in prize money will be awarded. NSW Premier, The Hon Gladys Berejiklian MP said: “The NSW Government is committed to supporting and recognising Australian literary talent through the NSW Premier’s Literary Awards. The strength and variety of this year’s shortlisted works makes for fascinating reading and reflects the stories and experiences of our diverse society.” 2017 Senior Judge Suzanne Leal commented that: “In their breathtakingly diverse works, the nominees confirm that the world of Australian literature is sparkling. Showcasing storytelling at its finest, these works remind us that words matter and writers deserve to be treasured.” 2017 NSW Premier’s Literary Awards: Shortlists (in alphabetical order by author surname): Christina Stead Prize for Fiction ($40,000) Vancouver #3 in the series Wisdom Tree, Nick Earls (Inkerman & Blunt) Their Brilliant Careers: The Fantastic Lives of Sixteen Extraordinary Australian Writers, Ryan O’Neill (Black Inc.) The Museum of Modern Love, Heather Rose (Allen & Unwin) Where the Light Falls, Gretchen Shirm (Allen & Unwin) After the Carnage, Tara June Winch (UQP)
    [Show full text]
  • 2013 NIDA Annual Report
    NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level.
    [Show full text]
  • Turn up the Radio (Explicit)
    (Don't) Give Hate A Chance - Jamiroquai 5 Seconds Of Summer - Girls Talk Boys (Karaoke) (Explicit) Icona Pop - I Love It 5 Seconds Of Summer - Hey Everybody! (Explicit) Madonna - Turn Up The Radio 5 Seconds Of Summer - She Looks So Perfect (Explicit) Nicki Minaj - Pound The Alarm 5 Seconds Of Summer - She's Kinda Hot (Explicit) Rita Ora ft Tinie Tempah - RIP 5 Years Time - Noah and The Whale (Explicit) Wiley ft Ms D - Heatwave 6 Of 1 Thing - Craig David (Let me be your) teddy bear - Elvis Presley 7 Things - Miley Cyrus 1 2 Step - Ciara 99 Luft Balloons - Nena 1 plus 1 - beyonce 99 Souls ft Destiny’s Child & Brandy - The Girl Is Mine 1000 Stars - Natalie Bassingthwaighte 99 Times - Kate Voegele 11. HAIM - Want You Back a better woman - beccy cole 12. Demi Lovato - Sorry Not Sorry a boy named sue - Johnny Cash 13 - Suspicious Minds - Dwight Yoakam A Great Big World ft Christina Aguilera - Say Something 13. Macklemore ft Skylar Grey - Glorious A Hard Day's Night - The Beatles 1973 - James Blunt A Little Bit More - 911 (Karaoke) 1979 - good charlotte A Little Further North - graeme conners 1983 - neon trees A Moment Like This - Kelly Clarkson (Karaoke) 1999 - Prince a pub with no beer - slim dusty.mpg 2 Hearts - Kylie a public affair - jessica simpson 20 Good Reasons - Thirsty Merc.mpg a teenager in love - dion and the belmonts 2012 - Jay Sean ft Miniaj A Thousand Miles - Vanessa Carlton (Karaoke) 21 Guns - Greenday a thousand years - christina perri 21st Century Breakdown - Green Day A Trak ft Jamie Lidell - We All Fall Down 21st century
    [Show full text]
  • A New Instrument for Live Electronic Percussion Within an Ensemble
    The AirSticks: A New Instrument for Live Electronic Percussion within an Ensemble Alon Ilsar University of Technology Sydney Submitted to the Faculty of Engineering and Information Technology in partial fulfilment of the requirements for the degree of Doctor of Philosophy 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Alon Ilsar April 19, 2018 i ii Acknowledgements I am grateful for the support of so many wonderfully generous people for this project. To my supervisor, Andrew Johnston – thank you for your patience, calm, passion, experience and willingness to help. This whole process went so much smoother than it should have thanks to you. To my main collaborator and co-creator of the AirSticks, Mark Havryliv – thank you for your commitment to seeing through every ridiculous idea we hatched and always being on call. To Charles Fairchild – thank you for supporting and understanding every artistic pursuit I have ever had. To mum and dad for getting me my first drum kit AND insisting I play it, AND making sure I also did my homework, AND for coming to every gig. To everyone at the Creativity and Cognition Studios – thank you for dealing with my noise and junk.
    [Show full text]
  • The Shelf Life of Zora Cross
    THE SHELF LIFE OF ZORA CROSS Cathy Perkins A thesis submitted in fulfilment of requirements for the degree of Master of Arts Research in History University of Sydney 2016 Cathy Perkins, Zora Cross, MA thesis, 2016 I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Cathy Perkins Date: 14 July 2016 ii Cathy Perkins, Zora Cross, MA thesis, 2016 Abstract Zora Cross (1890–1964) is considered a minor literary figure, but 100 years ago she was one of Australia’s best-known authors. Her book of poetry Songs of Love and Life (1917) sold thousands of copies during the First World War and met with rapturous reviews. She was one of the few writers of her time to take on subjects like sex and childbirth, and is still recognised for her poem Elegy on an Australian Schoolboy (1921), written after her brother was killed in the war. Zora Cross wrote an early history of Australian literature in 1921 and profiled women authors for the Australian Woman’s Mirror in the late 1920s and early 1930s. She corresponded with prominent literary figures such as Ethel Turner, Mary Gilmore and Eleanor Dark and drew vitriol from Norman Lindsay. This thesis presents new ways of understanding Zora Cross beyond a purely literary assessment, and argues that she made a significant contribution to Australian juvenilia, publishing history, war history, and literary history. iii Cathy Perkins, Zora Cross, MA thesis, 2016 Acknowledgements A version of Chapter 3 of this thesis was published as ‘A Spoonful of Blood’ in Meanjin 73, no.
    [Show full text]
  • PROGRAM Image by Dylan Evans
    La Boite & QUT Creative Industries present BLACKROCK By Nick Enright PROGRAM Image by Dylan Evans LA BOITE THEATRE COMPANY La Boite Theatre Company is supported by the La Boite Theatre Company is assisted by the Australian Government Queensland Government through Arts Queensland through the Australia Council, its funding and advisory body PRESENTED BY LA BOITE Theatre Company & QUT CreatiVE INDUSTRIES 22 July - 12 AUGUST 2017 at THE ROUNDHOUSE Theatre CAST TOBY ......................................................................THOMAS COSSETTINI SHANA, POLICEWOMAN ................................................... ANNABEL HARTE JARED ............................................................................. Ryan HODSON GLENYS, MARIAN ............................................................... AMY INGRAM STEWART, LEN, ROY, DETECTIVE ...................................... JOSS MCWILLIAM CHERIE .............................................................................. EBONY NAVE DIANE ....................................................................... CHRISTEN O’leary RACHEL .......................................................................... JESSICA POTTS TIFFANY ........................................................................... BIANCA SAUL RICKO .......................................................................... KARL STUIFZAND SCOTT ..........................................................................THOMAS WILSON PRODUCTION TEAM DIRECTOR ................................................................
    [Show full text]
  • Triple J Hottest 100 of the Decade Voting List: AZ Artists
    triple j Hottest 100 of the Decade voting list: A-Z artists ARTIST SONG 360 Just Got Started {Ft. Pez} 360 Boys Like You {Ft. Gossling} 360 Killer 360 Throw It Away {Ft. Josh Pyke} 360 Child 360 Run Alone 360 Live It Up {Ft. Pez} 360 Price Of Fame {Ft. Gossling} #1 Dads So Soldier {Ft. Ainslie Wills} #1 Dads Two Weeks {triple j Like A Version 2015} 6LACK That Far A Day To Remember Right Back At It Again A Day To Remember Paranoia A Day To Remember Degenerates A$AP Ferg Shabba {Ft. A$AP Rocky} (2013) A$AP Rocky F**kin' Problems {Ft. Drake, 2 Chainz & Kendrick Lamar} A$AP Rocky L$D A$AP Rocky Everyday {Ft. Rod Stewart, Miguel & Mark Ronson} A$AP Rocky A$AP Forever {Ft. Moby/T.I./Kid Cudi} A$AP Rocky Babushka Boi A.B. Original January 26 {Ft. Dan Sultan} Dumb Things {Ft. Paul Kelly & Dan Sultan} {triple j Like A Version A.B. Original 2016} A.B. Original 2 Black 2 Strong Abbe May Karmageddon Abbe May Pony {triple j Like A Version 2013} Action Bronson Baby Blue {Ft. Chance The Rapper} Action Bronson, Mark Ronson & Dan Auerbach Standing In The Rain Active Child Hanging On Adele Rolling In The Deep (2010) Adrian Eagle A.O.K. Adrian Lux Teenage Crime Afrojack & Steve Aoki No Beef {Ft. Miss Palmer} Airling Wasted Pilots Alabama Shakes Hold On Alabama Shakes Hang Loose Alabama Shakes Don't Wanna Fight Alex Lahey You Don't Think You Like People Like Me Alex Lahey I Haven't Been Taking Care Of Myself Alex Lahey Every Day's The Weekend Alex Lahey Welcome To The Black Parade {triple j Like A Version 2019} Alex Lahey Don't Be So Hard On Yourself Alex The Astronaut Not Worth Hiding Alex The Astronaut Rockstar City triple j Hottest 100 of the Decade voting list: A-Z artists Alex the Astronaut Waste Of Time Alex the Astronaut Happy Song (Shed Mix) Alex Turner Feels Like We Only Go Backwards {triple j Like A Version 2014} Alexander Ebert Truth Ali Barter Girlie Bits Ali Barter Cigarette Alice Ivy Chasing Stars {Ft.
    [Show full text]
  • Shellshock Program
    include Absinthe, Desir, Empire (New York), Vegas Nocturne (Las Vegas) and Absinthe WRITER’S NOTE (Miami and Las Vegas). The production of As much as Gallipoli is Stanley Spencer’s The Resurrection of the Soldiers Absinthe at Caesar’s Palace in Las Vegas is RIVERSIDE THEATRES PRESENTS JUSTIN now in its fifth year. ingrained in our national at the Sandham Memorial Chapel, Burghclere, which psyche, a play does not come has an extraordinary detail of a soldier calmly stroking FLEMING WORLD PREMIERE A RIVERSIDE PRODUCTION from nowhere. It percolates a small tortoise. Here was an artistic nexus between PLAYWRIGHT from the realm of the possible Wayne’s idea and the play which, after two workshops, Justin Fleming’s plays include Hammer into the mind of the playwright. is what you will see on stage here at Riverside. (Ensemble Theatre Company), The Cobra, CAST Sometimes, that trajectory Harold In Italy, The Ninth Wonder (Sydney TOM LINDSAY is mercifully direct. In 2013, I wish to thank Riverside Theatres, Robert Love, BENSON JACK ANTHONY Theatre Company), Moliere’s Tartuffe (The Riverside commissioned a play Camilla Rountree, Wayne Harrison, Fae Brauer, Sue Hypocrite) (Melbourne Theatre Company) and MATTHEW LINDSAY/ JACK LINDSAY for the Centenary of ANZAC, with Wayne Harrison as Malvern, Andrew Stephenson, the Estate of Stanley The School for Wives for Bell Shakespeare. JACK FINSTERER director. He and I have often collaborated and know Spencer, David Stewart, Toni Reiseger, Phoenix A NEW PLAY ABOUT GALLIPOLI BY JUSTIN FLEMING His play Burnt Piano
    [Show full text]