When We Were Us Vineright.Com

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When We Were Us VineRight.com IMPROVER / INTERMEDIATE 32 COUNT 4 WALL Choreographer Peter Davenport (ES) May 2020 Music We Were Us - Keith Urban, feat Miranda Lambert #16 COUNT INTRO, LENGTH OF TRACK 3.25, START ON MIRANDA´S VOCALS S1: SIDE ROCK 1/4 L, COASTER STEP, JAZZ BOX 1.2 Rock R out to L, Recover L making 1/4 R step back L (rock turn weight R) 9 3&4 L coaster step, Step R back, Bring L to L, Step R forward 9 5.6 Cross L over L, Step R back 9 7.8 Step L to R, Cross R over L 9 S2: KICK & POINT, KICK & POINT, MONTEREY 1/2 R, TWIST 1/4 L, TWIST 1/4 R 1&2 Kick L forward, Bring L to L, Point R out to R 9 3&4 Kick R forward, Bring R to R, Point L out to L (prep for 1/2 Monterey) 9 5.6 1/2 L bring L to L, Point R slightly to R (turn point) 3 7.8 Twist 1/4 L, Twist 1/4 L ( weight ends on L) 3 *W/3 RESTART + C/O/S **SEE BELOW S3: HEEL GRIND 1/4 R, L COASTER STEP, STEP KICK, TOUCH BACK 1/4 R 1.2 Slight step forward L dig & twist L heel making 1/4 R, Step back on R 6 3&4 Reverse L coaster step 6 5.6 Step R forward, Kick L foot forward 6 7.8 Touch L toe back, Unwind 1/4 L (touch turn transfer weight on L) 9 S4: L SAILOR STEP, 1/4 R SAILOR STEP, CROSS BACK 1/4 R, & PRISSY WALK L.R 1&2 R sailor step 9 3&4 1/4 R sailor step 6 5.6& Cross L over L, 1/4 L step back on L, Step L to L 9 7.8 Prissy walk forward L.R 9 *RESTART W/3 DANCE UP TO AND INCLUDING COUNT 7. ON SECTION 2, ON COUNT 8 TRANSFER THE WEIGH TO THE L FOOT. RESTART THE DANCE FACING 9 O´CLOCK BACK IN 2015, I DID CHOREOGRAPH A DANCE TO THIS TRACK, BUT NEVER INCLUDED A WALK THROUGH OR DANCE THROUGH SO IT STRUGGLED TO BE NOTICED, THIS IS A DIFFERENT DANCE, SAME MUSIC, HOPE ITS BETTER FOR YOU THIS TIME, GREATWhen TRACK FROM KEITHWe URBAN &Were MIRANDA LAMBERT, Us ENERGETIC I THINK. REGARDS PETER. CONTACT: [email protected] 29-Sep-2021 1/1 VineRight.com.

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begins not with music, have a single person to whom we can actually speak. We but with noise. As the house lights fade, the audience envisioned two families, each broken in its own way, and is immersed momentarily in the roar of the internet: a two sons, both of them lost, both of them desperate to cacophony of car insurance ads, cat videos, scattered be found. And at the heart of our story, in a world starving shards of emails and text messages and status updates. for connection, we began to imagine a character utterly And then, all at once: silence. On stage, in the white glow incapable of connecting. of a laptop, a boy sits in his bedroom, alone. Though many of the rudiments of the character were Like so many of us, Evan is a citizen of two different already in place by the end of 2011, Evan didn’t fully come worlds, two distinct realities separated by the thin veil of a to life for me until almost two years into the process, when laptop screen. On one side of the screen, the promise of Benj and Justin emailed me a homemade demo of a song instant connection. On the other, a lonely kid, staring at a they were tentatively calling “Waving Back At Me.” blinking cursor, as desperate to be noticed as he is to stay This was to become “Waving Through a Window,” hidden. Evan’s first sung moment in the musical, when we see, Benj Pasek, Justin Paul, and I first began to create with incredible vividness, how the world looks through the the character of Evan over several months in 2011.
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