DOCSLIB.ORG

Will Htay Production Designer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Will Htay Production Designer Will Htay Production Designer Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Television Production Company Notes PILGRIM Lucasfilm Ltd. / Dir. Tony Gilroy Senior Concept Disney+ Producers: Kate Hazell, Jason McGatlin, John Designer Hampian, Chris Newman 2020 Exec. Producers: Sanne Wohlenberg, Diego Luna, Tony Gilroy, Kathy Kennedy Production Designer: Luke Hull Film Production Company Notes ANT MAN 3 Marvel Studios / Pym Dir: Peyton Reed 2022 Productions Prod: Kevin Feige United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BOND 25 Eon/MGM Dir. Cary Fukunaga Concept Designer Producers: Babara Broccoli & Michael G 2020 Wilson Executive Producer: Chris Brigham Production Designer: Mark Tildesley MERLIN/THE MERLIN SAGA Disney Dir. Sir Ridley Scott Lead Concept Designer Producer: Mark Huffam 2018 Production Designer: Chris Seagers STAR WARS: SOLO, A STAR Lucasfilm/Disney Dir. Ron Howard, Phil Lord & Chris Miller WARS STORY Executive Producers: Kathleen Concept Designer Kennedy, Phil Lord, Chris Miller 2018 Producers: Simon Emanuel, Allison Shearmur, John Swartz, Will Allegra Production Designers: Neil Lamont STAR WARS “JOSHUA Lucasfilm/Disney Executive Producer: Kathleen Kennedy TREE” & “WHITESNAKE” Producer: John Swartz Lead Concept Designer Production Designer: Neil Lamont 2018 THE VOYAGE OF DR. Universal Dir. Stephen Gaghan DOLITTLE Producers: Sarah Bradshaw, Susan Lead Concept Designer Downey, Joe Roth 2017 Production Designer: Neil Lamont STAR WARS: ROGUE ONE, Lucasfilm/Disney Dir. Gareth Edwards A STAR WARS STORY Executive Producers: Kathleen Concept Designer Kennedy, John Knoll 2016 Producers: Simon Emanuel, Allison Shearmur, John Swartz Production Designers: Neil Lamont & Doug Chiang STAR WARS Disney Director: J.J. Abrams EPISODE VII Executive Producer: Lucasfilm - CONCEPT DESIGNER Kathleen Kennedy 2014 Executive Producers:Tommy Harper, Jason D. McGatlin Producers: J.J. Abrams, Bryan Burk, John Swartz Co-producers: Tommy Gormley, Lawrence Kasdan, Michelle Rejwan, Ben Rosenblatt Production Designers: Rick Carter, Darren Gilford THE MAN FROM U.N.C.L.E. Warner Bros. Dir: Guy Ritchie, Prods: Steve Clark- Concept Designer Hall, Lionel Wigram, David Dobkin 2013 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes JUPITER ASCENDING Warner Bros Dirs: Andy Wachowski, Lana Wachowski Concept Designer Production Designer: Hugh Bateup 2013 EDGE OF TOMORROW Biscayne Pictures / Dir: Doug Liman (formerly known as ALL Warner Bros Producer: Jeff Silver YOU NEED IS KILL) Production Designer: Oliver Scholl Concept Designer 2012 ARTHUR & LANCELOT Warner Bros Dir: David Dobkin Concept Designer Production Designer: Gavin Bocquet 2011 JACK THE GIANT KILLER Red Lion Films Ltd Dir: Bryan Singer As a Concept Designer Production Designer: Gavin Bocquet 2011 WORLD WAR Z Plan B / Paramount Dir: Marc Forster Concept Illustrator Production Designer: Nigel Phelps 2011 BROKEN Ugly Duckling Films / Gold Dir: Sean Ellis Feature Film Circle Films Concept Visuals & Storyboards 2004 Commercials Production Company Notes LEXUS Smuggler Dir: Henry Alex-Rubin 2015 CANDY CRUSH Stink Dir: Ne-o 2014 02 Outsider Dir: Seyi Peter Thomas 2014 WAITROSE Knucklehead Dir: Siri Bunford 2013 ASDA Outsider Dir: Owen Harris 2013 SAINSBURYS Stink Dir: Phil Lind 2010 PARALYMPICS C4 Dir: Tom Tagholm 2012 BP Blink Dir: Noah Harris 2012 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes KFC Knucklehead Dir: Siri Bunford 2012 BRITAINS GOT TALENT ITV Dir: Oscar Cariss 2012 HENNESSY Hungry Man Dir: Johnny Green (Manila Shoot) 2012 RANGE ROVER Hungry Man Dir: Johnny Green 2011 THREE Knucklehead Dir: Charlie Crane 2011 EA GAMES Smuggler Dir: Henry-Alex Rubin 2011 TRAVELODGE Knucklehead Dir: Ben Gregor 2011 K-Y JELLY Knucklehead Dir: Ben Gregor 2010 TOYOTA Hungry Man Ltd Dir: Paul Gay 2010 T-MOBILE Smuggler Dir: Henry-Alex Rubin 2010 TITLEIST Radical Media Dir: Greg Kohs 2010 RENAULT Smuggler Dir: Henry-Alex Rubin 2010 UPS Gartner Dir: Raymond Bark 2010 SAINSBURYS Stink Ltd Dir: Phil Lind 2010 GOODYEAR Station Films Dir: Roenberg 2010 ELECTROLUX 76 Ltd Dir: Jan Secouet 2010 Illinois Lottery BUENO FILMS LLC Dir: 2010 INDIA SEASON C4 Dir: Various 2009 DIRECT LINE 76 Ltd Dir: Peter Lydon 2009 PIZZA HUT 76 Ltd Dir: Peter Lydon 2009 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes HOME OFFICE Hungry Man Dir: Samuel 2009 Christopher SUNSILK Partizan Dir: Andy Fogwill 2009 TOSHIBA Hungry Man Dir: Andy Amadeo 2009 PRUDENTIAL Gerard De Thame Films Dir: Gerard De Thame 2009 YAKULT Station Films Ltd Dir: Owen Harris 2009 RIMMEL Annex Films Dir: Fatima 2009 VISA Gartner LA Dir: Raymond Bark 2009 VIMTO Passion Pictures Dir: Against All Odds 2009 CHRIS MOYLES C4 Dir: Phil Lind promo 2009 DIRECT LINE 76 Ltd Dir: Yann Secouet 2009 ABSOLUTE RADIO Hungry Man Dir: Stephen Pearson 2008 COUNTRY LIFE Hungry Man Dir: Paul Gay 2008 JAMIE OLIVER C4 Dir: Phil Lind CH4 Promo 2008 NCSC/COL Method Films Dir: Richard Anthony 2003 KFC Home Corp Ltd Dir: Ben Sidley 2008 BURGER KING Hungry Man Dir: Roderick Fenske "Man-Cademy" 2008 LILT Hungry Man Dir: Roderick Fenske 2008 XBox Smith & Jones Dir: Ulf Johanson "Rock Band" 2008 Electrolux 76 Ltd Dir:Yann Secouet 2008 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes Electrolux Atmosfar Dir: Henrik Halgren 2008 Sainsbury's Partizan Dir: Patrik Bergh 2008 888.com Crossroads Films Dir: Jam 2008 Boots Hungry Man Ltd Dir: Allen Coulter 2007 Electrolux Partizan Dir: Patrik Bergh 2007 Heart FM Hungry Man Dir: Paul Gay 2007 Toyota Yaris Hungry Man Dir: Allen Coulter 2007 Norwich Union Hungry Man Dir: Samuel 2007 Christopher HSBC Hungry Man Dir: Tony Barry 2007 Twinings Hungry Man Dir: Allen Coulter 2007 118 118 Hungry Man Dir: Owen Harris "Training Times" "Miniac" 2007 Gloss Magazine Joy @ RSA Dir: Mehdi Norowzian 2006 Transport for London Hungry Man Dir: Paul Gay "Endcall" 2006 Electrolux 76 Ltd Dir: Jan Secouet 2006 McDonalds Le Pac / Method Dir: Christian Lyngbye 2006 BMW Film Four Idents Hungry Man Dir: Samuel "Field" "Mansion" Barn Mansion" Christopher 2006 Toyota Viral Hungry Man Dir: Owen Harris 2006 KFC Owen Harris Dir: Owen Harris "Are We There Yet" 2006 Lucozade Serious Pictures Dir: Ivan Bird 2006 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes Honda Partizan Midi Minuit Dir: Antoine Bardou - "Choir" Jacquet 2005 Winner D&AD Awards M & S Partizan Midi Minuit Dir: Michael Gracey "The Christmas Show" 2006 Inland Revenue Serious Pictures Dir: Joanna Bailey "Vacuum" 2006 Curry's Mustard Dir: Terence Stevens- 2005 Prior Project Light Joy @ RSA Dir: Mehdi Norowzian 2005 Baileys Minis Passion Pictures Dir: John Robertson 2004 Smirnoff Ice Partizan Dir: James Pilkington Saga Insurance Vodafone/T4 Idents Carlsberg Euro 2004 Idents 2004 Flora / Becel Method Films Dir: Richard Anthony 2004 Canterbury Tales idents BBC Broadcast/Method Dir: Richard Anthony 2003 Kenco Rappor Joy Films Dir: Albert Kodagolian 2003 Cereal Partners Method Films Dir: Steve Dell 2003 Femcare P & G Production International Dir: Susannah Hayes 2003 AOL 8 Method Films Dir: Gerald McMorrow 2003 Big Issue Method Films Dir: Richard Anthony Lloyds TSB Flawless Films Dir: Gerald McMorrow 2002 Pepsi Flawless Films Dir: Gerald McMorrow 2002 Macdonalds Bliss Films Dir: David Knight 2002 Coca Cola Itinerant Films Dir: Sebastian Strasser 2001 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes Magic FM 400 Films Dir: Jon Hollis 2001 Sugar Puffs Itinerant Films Dir: Matthew Judd 2000 Pot Noodle Quiet Storm Dir: Trevor Robinson 2000 Walkers Crisps Uli Meyer Films Dir: Uli Meyer 2000 Granada Granada Dir: Gerald McMorrow 2000 Dove The Clinic Dir: Phil Dupee 2000 Times Blink Dir: Harry Rankin 2000 Going Places Blonde Films Dir: Mattthew Judd 2000 OnDigital Blonde Films Dir: Matthew Judd 2000 Rothman's Lights Blonde Films Dir: Matthew Judd 1999 Concept Design / Set Design / Channel4, MTV, Nickleodeon, BBC Installation Design TV and Sky TV Other Production Company Notes CORRINE BAILEY RAE Moxie Pictures Dir: James Griffiths 2005 CORRINE BAILEY RAE Moxie Pictures Dir: James Griffiths 2005 NEED ONE Martina Topley-Bird Dir: Richard Anthony 2004 NEED ONE Martina Topley-Bird Dir: Richard Anthony 2004 ROAD RAGE Catatonia Dir: Gerald McMorrow 1998 ROAD RAGE Catatonia Dir: Gerald McMorrow 1998 SIA Blackdog/RSA Dir: Cassius Coleman "Little Man" 1999 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SIA Blackdog/RSA Dir: Cassius Coleman "Little Man" 1999 DJ Cut le Roc Jordan Scott Dir: Jordan Scott 1999 DJ Cut le Roc Jordan Scott Dir: Jordan Scott 1999 THE BALLAD OF TOM JONES Tommy & Cerys Dir: Gerald McMorrow 1998 THE BALLAD OF TOM JONES Tommy & Cerys Dir: Gerald McMorrow 1998 I'LL SHOW YOU
Load more

Recommended publications
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Review of Rogue One: a Star Wars Story
    DVD reviews Rogue One: A Star Wars Story (Gareth Edwards US 2016). Walt Disney Studios 2017. Region 1. 2.39:1 widescreen. US$23. Sean Guynes-Vishniac After the release of Revenge of the Sith (Lucas US 2005), the third film in the Star Wars prequel trilogy in 2005, George Lucas and Lucasfilm had no plans to add further feature films to the multi-billion-dollar franchise. This was in part because fans of the original Star Wars trilogy (1977–83) hated the prequels, and because Lucas was now interested in television, starting with the animated series The Clone Wars (2008–14, 2019). When Disney bought Lucasfilm, they announced a new trilogy extending the saga of the Skywalker family, and several standalone non-saga ‘anthology’ films to fill narrative gaps in the universe; Rogue One: A Star Wars Story is the first of these anthology films. Its position raises important questions about the contemporary state of the transmedia sf franchise, while its narrative looks at the limits and possibilities of sf blockbusters’ political work. To provide an easy entry into the franchise’s storyworld, Rogue One offers a cast of new characters that fit (and slightly modify) well-known franchise types: protagonist Jyn Erso (Felicity Jones), for example, pairs the scruffiness of Han Solo with the paternal drama of Luke Skywalker; Chirrut Îmwe (Donnie Yen) takes on the Jedi mystique and mentor role of Obi-Wan Kenobi; K-2SO (Alan Tudyk) is the non-human, comedy-relief sidekick, a cynical update of C-3PO. Cassian Andor (Diego Luna), however, stands out thematically, mixing the scoundrel qualities of Solo with the risky charm of Lando Calrissian, and bringing a moral ambiguity to the normally black-and-white world of Jedi and Sith; perhaps these qualities have led to Andor’s being named as the protagonist of one of the upcoming Star Wars series on the new streaming service Disney+.
    [Show full text]
  • Executive Producer)
    PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime).
    [Show full text]
  • Widescreen Weekend 2008 Brochure (PDF)
    A5 Booklet_08:Layout 1 28/1/08 15:56 Page 41 THIS IS CINERAMA Friday 7 March Dirs. Merian C. Cooper, Michael Todd, Fred Rickey USA 1952 120 mins (U) The first 3-strip film made. This is the original Cinerama feature The Widescreen Weekend continues to welcome all which launched the widescreen those fans of large format and widescreen films – era, and is about as fun a piece of CinemaScope, VistaVision, 70mm, Cinerama and IMAX – Americana as you are ever likely and presents an array of past classics from the vaults of to see. More than a technological curio, it's a document of its era. the National Media Museum. A weekend to wallow in the nostalgic best of cinema. HAMLET (70mm) Sunday 9 March Widescreen Passes £70 / £45 Dir. Kenneth Branagh GB/USA 1996 242 mins (PG) Available from the box office 0870 70 10 200 Kenneth Branagh, Julie Christie, Derek Jacobi, Kate Winslet, Judi Patrons should note that tickets for 2001: A Space Odyssey are priced Dench, Charlton Heston at £10 or £7.50 concessions Anyone who has seen this Hamlet in 70mm knows there is no better-looking version in colour. The greatest of Kenneth Branagh’s many achievements so 61 far, he boldly presents the full text of Hamlet with an amazing cast of actors. STAR! (70mm) Saturday 8 March Dir. Robert Wise USA 1968 174 mins (U) Julie Andrews, Daniel Massey, Richard Crenna, Jenny Agutter Robert Wise followed his box office hits West Side Story and The Sound of Music with Star! Julie 62 63 Andrews returned to the screen as Gertrude Lawrence and the film charts her rise from the music hall to Broadway stardom.
    [Show full text]
  • Duplicity (2009) Julia Roberts E Clive Owen Sono Spie Amanti in Una "Commedia Svitata" Ad Alta Concentrazione Alcolica
    Duplicity (2009) Julia Roberts e Clive Owen sono spie amanti in una "commedia svitata" ad alta concentrazione alcolica. Un film di Tony Gilroy con Julia Roberts, Clive Owen, Paul Giamatti, Tom Wilkinson, Wayne Duvall, Dan Daily, Lisa Roberts Gillan, David Shumbris, Rick Worthy, Oleg Stefan. Genere Thriller durata 129 minuti. Produzione USA 2009. Uscita nelle sale: venerdì 10 aprile 2009 Il film racconta la storia di due spie industriali (nonché ex amanti) che si ritrovano ad essere rivali sul lavoro. Marzia Gandolfi - www.mymovies.it Claire Stenwick è un'avvenente agente della CIA con licenza di sedurre, Ray Koval è un agente dei servizi segreti britannici sedotto (drogato e gabbato) dal fascino della concorrenza. A New York, cinque anni dopo, Claire e Ray si ritrovano loro malgrado occupati per la stessa multinazionale, che vorrebbe entrare in possesso della formula di un prodotto rivoluzionario in anticipo sull'azienda rivale. Innamorati con riserva, diffidenti per mestiere, i due amanti depongono le armi, praticano l'amore, bevono champagne, bruciano di passione e pianificano di imbrogliare i magnati delle industrie concorrenti. Tra Dubai e Miami, tra Cleveland e Roma, tra salti temporali e sentimenti senza fine, Claire e Ray getteranno la maschera e berranno alla salute di una sfida inaugurata con un Margarita e finita "in bollicine". Già dal titolo, 'Duplicity' esplicita la sua doppia natura, la sua appartenenza a regimi discorsivi diversi che cercano di trovare una loro complementarietà. Da un lato l'inequivocabile 'spy story', dall'altro la 'screwball comedy', ovvero la "commedia svitata" del desiderio che si consuma in un'attesa carica di sfide, brividi, azioni e conversazioni seduttive e continuamente rilanciate.
    [Show full text]
  • Seville Film
    SEVILLE IS CINEMA Seville is a city for recording films. Seville has been and continues to be the setting for many national and international television productions and series. We are very pleased to show you the tourist interest places of that have been the setting for these films, as well as information regarding them. How many times have you seen the Plaza de España in “Lawrence of Arabia” or in “Star Wars: Episode II”, and the Casa de Pilatos in “1492: Conquest of Paradise”? Come and visit these prominent landmarks in situ! The Real Alcázar The Real Alcázar is a monumental complex that date back to the Early Middle Ages, constituting the most important civil building in Seville. The surrounding walls, which can be admired from the Plaza del Triunfo, date from the early 10th century. The Patio del Yeso (Courtyard of the Plaster) belongs to the Almohad period between 1147 and 1237. Its ornamentation inspired later Nasrid architecture, but it was the Christian constructions that gave the complex its current appearance. The Gothic Palace, built during the reign of Alfonso X, has been modified due to the work carried out in the 16th century by the Lisbon earthquake of 1755. The most outstanding features in its rooms are the tiled plinths, the work of Cristóbal Augusta between 1577 and 1583, the set of 18th century tapestries depicting the Conquest of Tunis and the reproduction of the Virgin de La Antigua. The Courtroom, built in the middle of the 14th century during the reign of Alfonso XI, is the first example of the Mudejar style in this area, representing a perfect combination of the Islamic and Christian styles.
    [Show full text]
  • W Talking Pictures
    Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version.
    [Show full text]
  • Two Page Summary Venture Capital Pitch 2020 Brent J
    TWO PAGE SUMMARY VENTURE CAPITAL PITCH 2020 BRENT J. ZORICH MA BSID ENTREPRENEUR AND PRINCIPAL TECHNICAL ARTIST PORTFOLIO SUMMARY WWW.BRENTZORICH.COM RESUME ACADEMICS • DESIGN DEPT RANKED TOP 10 NATIONALLY • UNDERGRAD DESIGN STUDENT BODY PRESIDENT • ACCAD GRAD DEPT FOUNDED CGI IN 1960’S • UNDERGRAD DESIGN THESIS: NIKE RETAIL DESIGN • BEST PRACTICES REVIEW COMMITTEE • • COFOUNDER • • MASTERS THESIS: AUTORIGGING DINOSAURS IN PYTHON OUTREACH PROGRAM • EXECUTIVE TRAINEE • • SIGGRAPH & GDC BOOTHS • ADODE PRERELEASE ARCHITECTURE TEAM FOR FIRMS RANKED #1 AND #2 LEAD RIGGING BASKETBALL RIGGING RIGGING RIGGING PHOTOSHOP ON CENTRAL FOOTBALL PROTOTYPING PROTOTYPING THE IPAD PRO 2 GLOBALLY SMART SKINNER RIGGING PIPELINE SOFTWARE: 6. GENERATE ILM LEVEL KEYFRAME CONTROL RIG OPTIMIZE CHARACTER FOR 1. START WITH YOUR MODEL CONTROL RIG INSTANTLY 7. WITH GUI BUTTONS 8. IN GAME USE WITH GUI • WROTE ENTIRE TECHNOLOGY BY MYSELF IN MEL AND PYTHON • CUSTOMIZABLE UPON REQUEST: FEATURED AT SIGGRAPH AND GDC GENERATE AND ALIGN 2. SKELETON WITH GUI ATTACH MODEL TO • ADVISED BY ILM COFOUNDER AFFILIATE TO NOT SELL BELOW $20 MILLION SKELETON AND PICK REFERENCE IN ZBRUSH, NEXT - • 3 ACQUISITION REVIEWS WITH 3 SEPARATE FORTUNE 100 COMPANIES THE NUMBER OF SKIN 3. INFLUENCES WITH GUI GEN, OR MOBILE PROXY WITH CORRECT SKIN WEIGHTS THAT • RAISED INVESTMENT MONEY FROM BANKING ALUM OF HARVARD AND YALE ALIGNS WITH MODEL. TRANSFER WEIGHTS THEN UNREFERENCE. TEST SKIN WEIGHTING WITH • FEATURED ON THE COVER OF A WORLDWIDE MAGAZINE 4. THIS HAPPENS ALL WITHIN GUI. 5. GUI POSER LIBRARY • TECH BURNED TO WORLDWIDE MAGAZINE’S INCLUDED ACCOMPANYING DVD OVER 80 HOURS SAVED • 250 UNIVERSITIES ON 6 CONTINENTS RECEIVED PRODUCT EITHER 6. 9.
    [Show full text]
  • Valkyrie Talent
    Valkyrie Talent: Tom Cruise, Bill Nighy, Terence Stamp, Tom Wilkinson, Clarice van Houten, Kenneth Branagh, David Bamber, Thomas Kretschmann, Eddie Izzard. Date of review: Thursday 22nd January, 2009 Director: Bryan Singer Duration: 122 minutes Classification: M We rate it: 2 and a half stars. Valkyrie has been widely billed as the first of Tom Cruise’s steps back into the A-list stratosphere. After all the couch-jumping, manager-firing, studio-hopping, Scientology-spouting weirdness, Tom has apparently decided to get his career back on track (despite the fact that it is arguably in quite good shape, with the star sporting a recent Golden Globe nomination for his quite hilarious turn in Ben Stiller’s Tropic Thunder). Valkyrie is indeed a very serious and sombre film, and despite the fact that it’s backed by a healthy budget, it is a film that is all about performances, so with all of that in mind, it does seem like a decent choice for an actor bent on returning to centre stage. Valkyrie is one of many recent films that tells a story about World War II as a good old espionage thriller, replete with the odd reflection upon some of our contemporary world’s conflicts. The film’s plot revolves around one of the numerous attempts that Germans army officers made to assassinate Adolf Hitler. Anyone who knows his or her history knows that there were quite a few attempts to kill the Nazi leader, but it’s of course also a widely known fact that Hitler survived all of those attempts, and the he suicided when the Allied victory became apparent.
    [Show full text]
  • Noir Guilt Complex
    Hugvísindasvið Noir Guilt Complex The Death of Women as a Catalyst for Character Development and Plot in the Films of Christopher Nolan Ritgerð til BA-prófs í kvikmyndafræði Sverrir Sigfússon Janúar 2015 Háskóli Íslands Hugvísindasvið Kvikmyndafræði Noir Guilt Complex The Death of Women as a Catalyst for Character Development and Plot in the Films of Christopher Nolan Ritgerð til BA-prófs í kvikmyndafræði Sverrir Sigfússon Kt.: 240890-2409 Leiðbeinandi: Lára Marteinsdóttir Janúar 2015 Extract This essay provides a feminist analysis of Christopher Nolan’s films; examining the complicate role of women in relation to the guilt-ridden protagonists, with their deaths serving as a foundation for the narrative trajectory of the male characters, and how this conveys messages to the audience that propagate the prevailing patriarchal worldview. Nolan actively blends disparate genres, infusing them with film noir influences that predicate his use of this recurrent theme. Arguments will be supported by source material from E. Ann Kaplan, Janey Place, Christine Gledhill, Edward Dimendberg, Richard Armstrong, and Sylvia Harvey, as well as a varied assortment of articles, interviews, and profiles written about Christopher Nolan and his films, along with further material relating to film noir. The essay is split into five segments; an introduction, two theoretical chapters, an analytical chapter split into four sub-chapters, and final words. The first theoretical chapter establishes the traits of film noir and the roles of women in noir films. The second theoretical chapter provides a short biography of Christopher Nolan and then connects his films to the previously established film noir, as well as detailing its revival as neo-noir.
    [Show full text]