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Melissa Rain Anderson AEA ~ SAG - AFTRA www.melissarainanderson.com Voice: Soprano w/ Belt Range: low Bb — high C, Belt to E Television Law & Order: SVU Guest Star NBC Peter Leto, dir. Lipstick Jungle Guest Star NBC Timothy Busfield dir. National Tour South Pacific Head Nurse Jerry Zaks dir. starring Robert Goulet Off-Broadway Shine! Mrs. O’Leary NYMF Peter Flynn dir. / Devanand Janki chor. Bonnie & Clyde: A Folktale Emma NYMF Mark Waldrop dir. / Josh Rhodes chor. (by Hunter Foster / Rick Crom) Babes in Arms Baby Rose Encores! Kathleen Marshall dir. / Rob Fisher m.d. (cast recording) Tenderloin Jessica Encores! Walter Bobbie dir. / Rob Fisher m.d. (cast recording) Time and Again Bessie MTC Susan Schulman dir. / Rob Ashford chor. Regional You Can’t Take It with You Essie Carmichael Geva Theatre Center Mark Cuddy dir. starring Robert Vaughn A Christmas Carol Mrs. Cratchit Geva Theatre Center Mark Cuddy dir. Urinetown! The Musical Josephine Geva Theatre Center Mark Cuddy dir. / Peggy Hickey chor. Inherit the Wind Mrs. Krebs Geva Theatre Center Skip Greer dir. A Christmas Carol Mrs. Fezziwig Geva Theatre Center Emma Griffin dir. Babes in Arms Baby Rose Auditorium Theatre Marc Robin dir. / Kevin Stites m.d. Kismet Ayah Music Circus Marcia Milgrom Dodge dir. The Music Man Ethel Music Circus Glenn Casale dir. Training BFA in Theater: United States International University Voice: Joan Lader On-Camera: Heidi Marshall Skills/Other Experience Her “Johnny One-Note” can be heard on A Richard Rodgers Celebration and Encores from Encores! (DRG) Dialects: Standard and Lower British / Teaching / Directing / Tweety Bird impression .

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Broadway National Tours Off-Broadway/New York Regional Workshops, Nyc Film / Tv Training Special Skills
ROBERT ROKICKI www.robertrokicki.com AEA Eyes: Green / Hair: Brown Voice: Bari-Tenor / Height: 6’2 BROADWAY Pump Boys and Dinettes (Cancelled Production) LM/Jim (u/s) Circle in the Square Theatre NATIONAL TOURS th Evita 25 Anniversary -dir. Hal Prince, chor. Larry Fuller Magaldi (u/s, performed) Troika Entertainment (Equity) Miss Saigon –dir. Barry Ivan Featured G.I. PCLO / Dancap OFF-BROADWAY/NEW YORK South Pacific -dir. Walter Bobbie, MD Paul Gemignani Sailor/Featured Soloist Carnegie Hall -chor. Casey Nicholaw Babes in Toyland -dir. Peter Flynn Simple Simon Lincoln Center Kiss and Make Up -w/David Sabella Capathia Jenkins Dillon Jenkins Lucille Lortel Theatre Kiss Me, Kate -dir. Brett Smock Gangster #2 Lucille Lortel Theatre Talk of the Town Robert Sherwood Oak Room at Algonquin Behind the Limelight –dir. Michael Unger Policeman NYMF New Stages at the York -w/ Marx & Lopez of Ave. Q Featured Soloist York Theatre Children of Eden -All-Star Benefit Storyteller York Theatre See Jane Run -New Play Piano Player (lead) Prospect Theatre REGIONAL Beauty and the Beast -dir. Norb Joerder Gaston West Virginia Public Theatre *Carbonell Award Nomination Actors’ Playhouse, Miami Thoroughly Modern Millie Trevor Graydon West Virginia Public Theatre The Pajama Game -chor. Patti Colombo Prez Music Theatre of Wichita Treasure Island (world premiere) -dir. Marc Robin Mr. Alan Fulton Opera House Little Shop of Horrors Orin West Virgina Public Theatre Stonewall’s Bust (world premiere play) Paul (lead) Mountain Playhouse Unnecessary Farce (play) Todd Mountain Playhouse Forever Plaid -dir. Bob Durkin Smudge West Virginia Public Theatre Ragtime –w/ Norm Lewis & Michael Rupert Conductor/New Rochelle North Carolina Theatre A Christmas Carol -dir.
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“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
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Laquet Sharnell Pringle Performer Resume
Commercial - VO Agents: CESD | 212-477-1666 LAQUET SHARNELL PRINGLE AEA - SAG/AFTRA Height: 5’1 Hair: Black Eyes: Brown Voice: Mix/Belt - G5 BROADWAY LYSISTRATA JONES (Original Cast) Mhyrinne/Tiffany Walter Kerr Theater Dir/Chor: Dan Knechtges MEMPHIS (Original Cast) Ethel Shubert Theatre Dir: Christopher Ashley THE LION KING Ensemble Minskoff Theatre Dir: Julie Taymor SWEET CHARITY U/S Helene Al Hirschfeld Theatre Dir: Walter Bobbie National Tour BEAUTIFUL: THE CAROLE KING MUSICAL Swing National Tour Dir: Marc Bruni SWEET CHARITY U/S Helene National Tour Dir: Scott Faris OFF-BROADWAY AVENUE Q u/s Gary Coleman, u/s Kate/Lucy New World Stages LYSISTRATA JONES Mhyrinne/Tiffany Transport Group NYC WORKSHOPS/SHOWCASES/READINGS JAWBREAKER Featured Ensemble Dir: Gabriel Barre SWEETIE Hedy Dir: Pat Birch / Signature Theatre I DREAM Georgia Dir: Daniel Goldstein BRING IT ON: THE MUSICAL U/S Danielle & Nautica Dir/Chor: Andy Blankenbuehler SHREK: THE MUSICAL Baby Bear Dir: Jason Moore CATY BRIDGWATER Caty Bridgwater Dir: David Alpert DAYBREAK: A MUSICAL Kelly Dir: Johanna Pinzler MAKE MINE MANHATTAN Vocal Soloist Dir: Ben West REGIONAL THEATRE FLASHDANCE Kiki Gateway Playhouse ALL SHOOK UP Lorraine North Shore Music Theatre THE WIZ Dorothy Maine State Music Theatre BRING IT ON: THE MUSICAL U/S Danielle & Nautica Alliance Theater FOOTLOOSE Wendy Jo, u/s Rusty Carousel Dinner Theatre AIN’T MISBEHAVIN’ Charlaine Gateway Playhouse PRINCESSES: A NEW MUSICAL Carolyn Goodspeed Opera TELEVISION/FILM Unbreakable Kimmy Schmidt Lion King Dancer Netflix Devoted Lead Short Film Slyvia Plath Project Lead Short Film AS THE WORLD TURNS U/5 CBS STEP UP 3-D Tango Dancer Walt Disney Pictures TRAINING & EDUCATION NC SCHOOL FOR THE ARTS (Modern Dance Major): Trisch Casey, Brenda Daniels, Sean Sullivan, Diane Markham Acting: William Esper, Karen Kohlhaas, Nancy Mayans, Jennifer Monoco TV/Film: Marci Phillips, Kim Graham, Blaine Johnston, Jack Bowdan, Peter Bolte Improv: UCB, The PIT Voice: Amanda Flynn, Dr.
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REV-Digital-Playbill-Footloose.Pdf
1 Finding inspiration is important. At M&T Bank, we understand how important the arts are to a vibrant community. That’s why we offer our time, energy and resources to support artists of all kinds, and encourage others to do the same. Learn more at mtb.com. Equal Housing Lender. ©2018 M&T Bank. Member FDIC. 2 Serving Hometowns Since 1870 mygenbank.com | 315.568.5855 3 The rev Administrative staff Jessica Alexander Ed Bauso Lauren Bice Director of Audience Marketing Administrative Services/Grant Manager Assistant Assistant Melissa Carbonaro Lisa Chase Billy Goheen Business Director of Company Mgmt. Manager Education Apprentice Geoffrey Howard Tiffany Howard Nancy Hunt Technical Director, Costume Shop Audience Services Education Manager/Designer Associate Michael Iannelli Erin Katzker Josh Katzker Director of Production Educational Artistic Associate/ & Operations Theatre Manager PiTCH Coordinator Lynnette Lee Rocky Love Christopher Lynch Managing Technical Company Director Director Manager Dylan Parmenter Marshall Pope Lisa Robillard Facilities & Vehicles Props Master Audience Services Manager Manager Olivia Semsel Brett Smock Ashley Wilson Marketing Producing Wardrobe/Rentals Manager Artistic Director Supervisor The rev board of directors Kelly Wejko Roberta Williams Connie Bouck Susie Gaynes Secretary nd President 1st Vice President 2 Vice President Cayuga County WHMB P.C. Supreme & County Court Cathy Benson Joe Bartolotta Patrick Carbonaro Treasurer Bill Abdallah JBJ Real Property Carbanaro Law CFCU Community Offices, P.C. Credit Union Matt Chalanick Denise Driscoll Menzo Case Peggy Dickman Charles T. Driscoll Generations Bank The Real Estate Dickman Farms Agency Masonry Restoration Co., Inc. Diana Gagliostro David Tehan Angela Winfield Judy Foresman Muldoon Dry Cleaners, Inc.
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Production Images Released for Hadestown at the National Theatre Click Here to Download
12 November 2018 Production images released for Hadestown at the National Theatre Click here to download Music, lyrics and book by Anaïs Mitchell Developed with Rachel Chavkin Olivier Theatre Press Night 13 November, in rep until 26 January Following record-breaking runs at New York Theatre Workshop and Canada’s Citadel Theatre, Hadestown comes to the National Theatre prior to Broadway. In the warmth of summertime, songwriter Orpheus and his muse Eurydice are living it up and falling in love. But as winter approaches, reality sets in: these young dreamers can’t survive on songs alone. Tempted by the promise of plenty, Eurydice is lured to the depths of industrial Hadestown. On a quest to save her, Orpheus journeys to the underworld where their trust in each other is put to a final test. Celebrated singer-songwriter Anaïs Mitchell and director Rachel Chavkin have transformed Mitchell’s acclaimed concept album into a genre-defying new musical that mixes modern American folk music with vintage New Orleans jazz to reimagine a sweeping ancient tale. ‘Inventive. Beguiling. Luminous. Spellbinding.’ – New York Times The cast includes Sharif Afifi, Reeve Carney, André De Shields, Rosie Fletcher, Amber Gray, Beth Hinton-Lever, Carly Mercedes Dyer, Eva Noblezada, Seyi Omooba, Gloria Onitiri, Patrick Page, Aiesha Pease, Joseph Prouse, Jordan Shaw and Shaq Taylor. Directed by Rachel Chavkin, with set design by Rachel Hauck, costume design by Michael Krass, lighting design by Bradley King, sound design by Nevin Steinberg and Jessica Paz, choreography by David Neumann, musical direction and vocal arrangements by Liam Robinson, orchestrations and arrangements by Michael Chorney and Todd Sickafoose, with Ken Cerniglia as dramaturg.
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Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936
Hart, Lorenz (1895-1943) Lorenz Hart (standing, by Raymond-Jean Frontain right) with Richard Rodgers in 1936. Encyclopedia Copyright © 2015, glbtq, Inc. Library of Congress Prints and Photographs Entry Copyright © 2002, glbtq, Inc. Division. Reprinted from http://www.glbtq.com Barely five feet tall, balding early, and possessing a disproportionately large head, Larry Hart was the first to disparage his own attractiveness. His jokes, however, masked a deeply-rooted inability to accept the possibility of romantic happiness or sexual gratification. Hart impulsively proposed marriage to several women friends, none of whom thought his offer serious. And when he allowed himself to act upon his desire for other men, he seems to have had difficulty performing sexually. (Biographer Frederick Nolan quotes one unidentified male partner's shock at discovering Hart cowering in the bedroom closet after sex, suggesting that the songwriter was unable actively to pursue homosexual pleasure without being overcome by guilt.) The result of such emotional imbroglio is that, despite having written lyrics as witty as any sung on the Broadway stage before or since, Hart is best remembered for his songs of unfulfilled desire and failed romance. Born Lorenz Milton Hart on May 2, 1895, to an immigrant Jewish family, Hart learned from his entrepreneur father that self-assertion allows survival. Never without a business venture, many of which were dishonest, Hart's father provided Larry with a lasting model for the cycles of impulsive free-spending and resulting impecuniosity that characterized Hart's own life. Hart entertained both friends and strangers lavishly, often living far beyond his means, but with a (sometimes unfounded) optimism that something would turn up.
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A GRAND NIGHT for SINGING Is Presented Through Special Arrangement with R & H Theatricals
FLORIDA REPERTORY THEATRE 2013-2014 SEASON HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS MUSIC BY LYRICS BY RICHARD RODGERS OSCAR HAMMERSTEIN II MUSICAL ARRANGEMENTS BY ORCHESTRATIONS BY FRED WELLS MICHAEL GIBSON & JONATHAN TUNICK CONCEIVED BY WALTER BOBBIE SPONSORED BY FINEMARK NATIONAL BANK & TRUST and THE GALLOWAY FAMILY OF DEALERSHIPS STARRING ALEXANDRA HALE • ANTOINETTE HENRY* • JACOB JANUARY ERIN MOSHER* • JOE PAPARELLA* DIRECTED BY MICHAEL MAROTTA** MUSIC DIRECTOR ASST. MUSIC DIRECTOR ANDREW SMITHSON GARY STROH SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER † † BRUCE R. BAILEY MATTHEW McCARTHY***† ROBERTA MALCOLM SOUND DESIGNER PRODUCTION STAGE MANAGER ASST. STAGE MANAGER KATE SMITH JANINE WOCHNA* JESSICA A. SHORT A GRAND NIGHT FOR SINGING is presented through special arrangement with R & H Theatricals: www.rnh.com. Originally produced by Roundabout Theatre Company, New York City, in 1993. 2013-14 GRAND SEASON SPONSORS GE Foundation The Fred & Jean Allegretti Foundation • Bruce & Janet Bunch • Cheryl & David Copham Gholi & Georgia Darehshori • Ed & Ellie Fox • John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Florida Repertory Theatre is a fully professional non-profit LOA/LORT Theatre company on contract with the Actors’ Equity Association that proudly employs members of the national theatrical labor unions. *Member of Actors’ Equity Association. **Member of the Stage Directors and Choreographers Society. ***Member of United Scenic Artists. †Member of Florida Repertory Theatre’s Ensemble of Theatre Artists CAST ALEXANDRA HALE ANTOINETTE HENRY* JACOB JANUARY ERIN MOSHER* JOE PAPARELLA* PIANIST FLUTIST GARY STROH MADISON BROCHIN TIME & PLACE Evening.
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Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
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South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
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Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances.
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Act Ii Original Broadway Cast Recording
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George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette
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