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YOUNG GRADS, BIG IDEAS Luis Jacob, 36, Visual Artist, BA 1996 University College
OFC 5/18/07 1:48 PM Page 1 WINNERS OF THE SHORT STORY AND POETRY CONTEST of CAN A BRAIN CHANGE? BIG BOOST FOR THE HUMANITIES THE CABBAGE PATCH GRAD UUNIVERSITY OF TORONTOT YOUNG GRADS, BIG IDEAS Luis Jacob, 36, visual artist, BA 1996 University College SUMMER 2007 • VOL. 34 NO. 4 PM40065699 From Good...to Great Clearsight and Wellington West join forces Together: We’re Canada’s #1 ranked brokerage For the third year in a row, Wellington West has been ranked #1 in Investment Executive’s Annual Brokerage Report Card and #1 in Report on Business Magazine’s annual list of The 50 Best Employers in Canada. We’re one of the fastest growing With more than 40,000 client accounts and $8 billion in assets under management, Wellington West is one of Canada’s fastest growing investment fi rms. We’re NOW accessible across Canada With more than 100 experienced advisors located in 29 branches across Canada, we’re now able to accommodate the investment needs and account sizes of all alumni. We’re the market leader in affi nity benefi t programs With a growing list of affi nity partners, we’re now endorsed by more than 18 leading institutions representing more than 1.725 million alumni. Free Investment Guide Offer Sign up for our free investment Contact us today to learn more about the Clearsight Investment e-newsletter, The ViewPoint, and you Program from Wellington West. Find out how the strength of will receive a free copy of the 2007 two can make your fi nancial picture look great in 2007. -
Some Mind-Photos in No Particular Order Seeing Barcelona Pavilion
Thursday Confidential never encountered demand for any of our records like we did for that first Final Fantasy record. The original The first time Betty Burke played the Thursday Confiden- packaging for Final Fantasy “Has A Good Home” was tial, all sorts of mayhem broke out. hand-folded and had a large collaged insert that Owen It was a crisp fall night, and we were warming up the made. We had to keep shipping CDs to Owen on tour as crowd for our Blocks comrades Tomboyfriend. The drum- he kept selling out of them. No one else involved with mer (Roland 880 beats trapped in an iPod) was chugging Blocks had been able to sell anywhere near as many re- along relentlessly, and we were in the middle of a fever- cords so quickly. I realized that we couldn’t possibly hope ish testimony, when a man in a suit brought a round of to keep folding these things as fast as these people wanted drinks to the stage. We’re not big drinkers, but we love to buy them. We gave in and got the packaging mass-pro- free things, so it was appreciated. Tomboyfriend were also duced. Around this time Liisa faded out her involvement, treated to a round. mass-producing things meant that there were fewer inter- esting craft problems to solve. As the gifts were sipped, the man came to the front of the stage and shouted in my ear, “I’m a drummer. I play with To try and cut off our organizational problems as they Bruce Springsteen. -
Mccarthy William Morrison Mccarthy (“Bill”), Born September 10Th, 1942, Aged 76 Years, Died Unexpectedly on September 26Th, 2018, While Aboard an International Flight
McCARTHY William Morrison McCarthy (“Bill”), born September 10th, 1942, aged 76 years, died unexpectedly on September 26th, 2018, while aboard an international flight. Bill was a proud resident of North Lake Ainslie and didn’t do things by halves. He was a long-time business owner of Strathlorne Service Centre in Inverness. He was dedicated to his community, whether it was as a member of Lake Ainslie Development Association or as a member of Shean Co-op Board of Directors, serving as past president of North Inverness Forest Management, as well as a past chair of Central Inverness Community Health Board. Bill was passionate about community development and recently served on the Inverness Area Advisory committee, Inverness County Food Advisory, and, in the past, the Inverness-Richmond Community Futures Committee. Bill is survived by his wife of almost 42 years, Margaret (“Maggie”) Herbert, North Lake Ainslie, his daughter, Mary McCarthy, grandchildren Amber, Adam, Brooke and Claire and great-grandson Kiyan, all of Minneapolis, Minnesota, US. A memorial reception will be held on October 13th, 2018, from 2:00 p.m. – 4:00 p.m. at the Lake Ainslie Fire Hall in Scotsville. If you wish to make a donation in Bill’s memory, please consider the Lake Ainslie Volunteer Fire Department or a charity of your choice. AUCOIN “Constant” Marcellin Aucoin of Cheticamp, formerly of Belle Cote, Inverness County. Age 89, passed away peacefully surrounded by his family on Friday, September 21st, 2018, at the Cape Breton Regional Hospital, Sydney. Born in Belle Cote on November 12th, 1929, he was a son of the late Thomas and Elizabeth (Deveau) Aucoin. -
Erik Rutherford Toronto: a City in Our Image
Erik Rutherford Toronto: a city in our image Here in an Irish pub on the trendy rue Montorgueil, my friends and I have gathered to share a last drink. After seven years in Paris, I am moving back to my native Toronto. In only a few days, in a similar bar on College Street, I will be asked, sincerely or out of courtesy, why I have renounced life in Paris to come to ‘dreary’ Toronto. And yet for my friends here – most of them young expatriates from the U.K., Canada and the U.S. – no such expla- nations are needed. On the contrary, they spend my farewell evening sheepishly justifying their own reasons for staying behind and repeating the refrain: ‘You are right to go.’ Like them, I feel that life will be better in Toronto, not because I have better friends or a better job there, but because the city itself will allow things to happen. Why this sentiment should be so strong, especially when set against Paris, one of the world’s most envied and prestigious cities, has much to do with the very aspect of Toronto that shames many Torontonians: its physical landscape. In Jonathan Raban’s classic study of urban living, Soft City, he says that ‘Cities, unlike villages and small towns, are plastic by nature. We mould them in our images: they, in their turn, shape us by the resistance they offer when we try to impose our own personal form on them.’ Paris strongly resists our attempts to ‘impose.’ As we sit in its cafés, wander its manicured gardens, or stream down its corridor streets from one monument to the next, we bend to its dictates.