Agendas in the Fondation Le Corbusier
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Le Corbusier: from the Primitive Hut to the Cabanon
» Benton, T. (2018). Le Corbusier: From the primitive hut to the cabanon. A&P Continuidad (8), 1-10. Le Corbusier: From the primitive hut to the cabanon Recieved: April 25, 2018 Tim Benton Accepted: June 20, 2018 English Español Insufficient attention has been paid to Le Corbusier’s search for origins in the La búsqueda que hace Le Corbusier de los orígenes en las viviendas vernáculas e Corbusier associated the simple hut with wasted. […] What nuisance, what un- house through the winter, when his friends vernacular dwellings he observed, drew and inhabited. In parallel with his de- que observaba, bosquejaba y habitaba no ha recibido la debida atención. En for- L creativity and intimacy. Whenever possi- happyness, stupidities ; how many pu- abandoned him, complaining of the cold. Here velopment of a machine-age architecture dominated by geometry and reason ma paralela al desarrollo de la arquitectura de la era de la máquina, dominada ble he escaped from the city to an existence erile, negative and destructive gestures, he worked intensely on the plans for his par- he explored the basis of contentment in the simple life of peasants and fisher- por la geometría y la razón, exploró la satisfacción que sienten campesinos y cut off from stress and turbulence, close to some of them even unintentional! (Le ents’ house and the design of a house for the men, and the rough shacks they built with their own hands. The ten years during pescadores en el marco de una vida simple desarrollada en viviendas rudimen- nature and ‘honest’ men and women. -
Professor Tim Benton
Surreal Things: Surrealism and design, 11 – 12 May 2007 Speakers’ biographies Tim Benton Professor of Art History, former head of department and Dean of Arts, The Open University, Milton Keynes. Publications include Les Villas de Le Corbusier et Pierre Jeanneret: 1920–1930, The Modernist Home as well as ‘Le Corbusier: La Villa La Roche’, ‘Villa Savoye and the Architect's Practice’, ‘From the Arengario to the Lictor's Axe: Memories of Italian Fascism’, ‘Humanism and Fascism’, ‘The little “maison de weekend” and the Parisian suburbs’, ‘From Jeanneret to Le Corbusier: Rusting Iron, bricks and coal and the modern Utopia’, ‘Pessac and Lège revisited: standards, dimensions and failures’, ‘Charlotte Perriand: Les années Le Corbusier’ ‘Representing Modernism’ and numerous other chapters and articles. Exhibitions and exhibition catalogues include Thirties: British Art and Design Before the War (co-curator); Le Corbusier: Architect of the Century (co-curator), Le Corbusier.: La Ricerca Paziente (co-curator); Le Corbusier et la Mediterrannée (co-curator); Art and Power: Europe Under the Dictators 1930–1945 (co-curator); Art Deco (co- curator and co-editor of the catalogue) and Modernism: Designing a New World. Stephanie D’Alessandro (M.A., Ph.D., University of Chicago) is Associate Curator of Modern Painting and Sculpture at the Art Institute of Chicago. A specialist of the art and culture of the Weimar Republic, D’Alessandro has lectured and published widely. Works of note include German Expressionist Prints: The Marcia and Granvil Specks Collection (2004); Das Gesicht der Weimarer Republik: Physiognomische Diskurse 1918 bis 1933 (2000); and Still More Distant Journeys: The Artistic Emigrations of Lasar Segall (1997). -
PRESS RELEASE Iconic Houses European Lecture Tour Tim Benton
ICONIC HOUSES ICONICHOUSES LECTURE .ORG Photos Daniels Bougot. Courtesy Association Cap Moderne Amsterdam, 3 September 2018 FOR IMMEDIATE RELEASE Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies 4th Iconic Houses European Lecture Tour - Tim Benton on Eileen Gray’s tour de force The 4th edition of the Iconic Houses European Lecture Tour takes place from 9 -16 October 2018, when Tim Benton, Professor Emeritus in Art History (Open University), will tour five European cities -Oslo, Cologne, Rotterdam, Prague and Brno- with a lecture on Eileen Gray’s iconic Villa E-1027 by the sea on the Côte d'Azur. After many years of struggle to get the restoration and management of Villa E-1027 on track, Eileen Gray’s tour de force is open to the public and a member of the Iconic Houses Network since 2015. Tim Benton Tim Benton (b. 1945) is a leading researcher in Modernist architecture, with Le Corbusier as his special field of expertise. His research interests also include drawing, photography and painting. Benton has published a number of books, including a classic study of the design of Le Corbusier’s villas in Paris in the 1920s that was republished in a revised edition by Birkhäuser: The Villas of Le Corbusier and Pierre Jeanneret 1920-1930 (2007). He is currently working on a book on Le Corbusier’s domestic architecture (1910-1951). He has contributed to exhibitions at the Victoria and Albert Museum; Art Deco 1910-1939 (2003), and Modernism Designing a New World (2006), and to the first retrospective exhibition of Charlotte Perriand in the Pompidou Centre, Paris (2006). -
Cap Moderne Eileen Gray Et Le Corbusier, La Modernité En Bord De Mer Collection « Regards… »
Les Éditions du patrimoine présentent Cap Moderne Eileen Gray et Le Corbusier, la modernité en bord de mer Collection « Regards… » Eileen Gray, Le Corbusier : deux grands noms de l’avant-garde du XXe siècle. Réouverture du site en mai 2020 après une campagne de restauration sur la villa E-1027. Un site naturel unique dominant la Méditerranée. Contacts presse : Éditions du patrimoine : [email protected] - 01 44 54 95 22 Clair Morizet : [email protected] - 01 44 54 95 23 Ismael Loubatières : [email protected] - 01 44 54 85 50 Communiqué de presse Lieu paradisiaque sur le rivage de la Méditerranée, avec une vue enchanteresse sur la baie de Roquebrune, le site de Cap Moderne est également un concentré d’architecture d’avant- garde. Au fil du temps, entre la fin des années 1920 et le début des années 1950, des personnaliés aussi diverses et attachantes que la designer irlandaise Eileen Gray et son compagnon Jean Badovici, le plombier couvreur niçois Thomas Rebutato et sa famille, l’architecte Le Corbusier et sa femme Yvonne s’installent sur ce morceau de terre loin de toute urbanisation. Chacun y construit un lieu adapté à ses besoins, du plus moderne au plus minimal, l’ensemble finissant par constituer un environnement harmonieux au cœur duquel le bar-restaurant « l’Étoile de mer » offre à tous un rendez-vous convivial où se nouent de nombreuses amitiés. Avec les cinq Unités de camping conçues par Le Corbusier – qui y édifia son Cabanon – le microcosme s’ouvrait aussi aux vacanciers de passage.