Grand Timber Lodge: Movie List Note: Theater Reservations Are for 3 Hours
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Review: 22 Jump Street | Nouse
Nouse Web Archives Review: 22 Jump Street Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals Review: 22 Jump Street Delivering more action, more gags and more homoeroticism makes this sequel as funny as the first. Kate Barlow reviews Sunday 22 June 2014 Director: Phil Lord, Christopher Miller Starring: Jonah Hill, Channing Tatum, Ice Cube Running time: 112 minutes Rating: ★★★★☆ One of the most endearing features of a comedy is an ability to take the piss out of itself. 22 Jump Street certainly isn’t lacking in this quality. Its prequel didn’t hold back in mocking its own origins in TV, and now the next instalment mocks itself for being a sequel. Twists are made on the original humour: high school is now college, Korean Jesus is now Vietnamese and the drugs are now much harder to find. While these frequent throwbacks do begin to get a little tiring, the plot soon builds up and the film begins to find a voice of its own. The problem with endlessly referencing 21 Jump Street is that it makes it hard not to compare the two films, and in this scenario the second offering inevitably comes up short. 22 Jump Street returns to the college popularity stereotypes the first film so successfully and originally fought against, seeing Jonah Hill’s Schmidt return as bumbling cop and social reject, and Channing Tatum’s Jenko rise to be football jock and cop hero, emerging as a sort of hench Spider-Man. -
She's a Newspaperman and She's Pretty. Women Journalists in The
So What? Shes A Newspaperman and Shes Pretty. Women Journalists in the Cinema ¿Y qué? Es periodista y además es guapa. Mujeres periodistas en el cine Eta zer? Kazetaria da, eta polita gainera. Emakume-kazetariak zineman Ofa Bezunartea Valencia1, María José Cantalapiedra2, César Coca García3, Aingeru Genaut Arratibel4, Simón Peña Fernández5, Jesús Ángel Pérez Dasilva 6 zer Vol. 13 Núm. 25 ISSN: 1137-1102 pp. 221-242 2008 Recibido el 28 de marzo de 2008, aprobado el 20 de junio de 2008. Abstract This article is the result of a research project, funded by the University of the Basque Country, entitled The Journalistic Profession in the Cinema and its Reflection in Reality. The project included an analysis of 104 films, which form the basis of this article. Given that the cinema proposes and stipulates models of behaviour and that, simultaneously, it both reflects and influences reality, we review the cinematographic treatment received by women journalists in film. Keywords: Journalism · Cinema · Woman 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] 2Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] 3 Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] 4Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] 5 Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] 6Universidad del País Vasco/Euskal Herriko Unibertsitatea, [email protected] Ofa BEZUNARTEA, Mª José CANTALAPIEDRA, César COCA, Aingeru GENAUT, Simón PEÑA y Jesús A. PÉREZ Resumen Este artículo es el resultado de un proyecto de investigación financiado por la Universidad del País Vasco, titulado La profesión periodística en el cine y su reflejo en la realidad. -
S TU D IES a Incidencia De Reescrituras Fílmicas Na Relación De Nomeados E Premiados Dos Principais Galardóns
BOLETÍN GALEGO DE LITERATURA, nº 56 / 1º SEMESTRE (2020): pp. 23-40 / ISSN 2174-4025 ESTUDOS A incidencia de reescrituras fílmicas / na relación de nomeados e premiados STUDIES dos principais galardóns internacionais a longametraxes animadas Rocío G-Pedreira CIEC-IE-Universidade do Minho/ ICE-Universidade de Santiago de Compostela https://orcid.org/0000-0002-5102-5078 [Recibido, 23 abril 2020; aceptado, 4 xuño 2020] [G-Pedreira, R. (2020). A incidencia de reescrituras fílmicas na relación de nomeados e premiados dos principais galardóns internacionais a longametraxes animadas. Boletín Galego de Literatura, 56, “Estudos”, 23-40] DOI http://dx.doi.org/10.15304/bgl.56.6776 RESUMO O presente artigo pretende dar conta da presenza de reescrituras fílmicas de obras 23 literarias realizadas mediante técnicas de animación cuxa calidade as fixo merece- doras de ser nomeadas e/ou premiadas con algúns dos galardóns cinematográficos a nivel mundial máis importantes que contan cunha categoría específica para estas producións, en concreto os Óscar, Annie, Globos de Ouro e BAFTA. Ademais, tamén se analizará brevemente a influencia que ten a creación do hipertexto fílmico para a difusión do correspondente hipotexto. PALABRAS CHAVE Premios cinematográficos; cine de animación; reescrituras fílmicas; adaptación. ABSTRACT This article aims to report about the presence of film rewritings of literary works through animation techniques whose quality making them deserving of being nominees and/ or designed to award some of the most important film awards around the world with a specific category for animated films, in particular, the Oscars, Annie Awards, Golden Globes and BAFTA. Furthermore, it will be analysed briefly the influence of the creation of the film hypertext for hypotext diffusion. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES. -
GERRY CANAVAN Associate Professor of English Department of English, P.O
GERRY CANAVAN Associate Professor of English Department of English, P.O. Box 1881, Marquette University, Milwaukee, WI 53201-1881 414-288-6860; [email protected] Fields of Expertise: 20th and 21st Century Literature; Genre Studies; Popular Culture Education: 2006-12, Duke University, Durham, NC 2002-04, Univ. of North Carolina at Greensboro, Greensboro, NC 1998-02, Case Western Reserve University, Cleveland, OH Degrees: Ph.D., Literature, Duke University M.F.A., Fiction, University of North Carolina at Greensboro B.A., English and Philosophy, Case Western Reserve University Academic Experience: 2018-present, Associate Professor, Marquette University 2021-, Associate Chair, English department 2019, Director of Graduate Study, English department (planned term interrupted by medical leave) 2012-2018, Assistant Professor, Marquette University 2011-12, Anne T. and Robert M. Bass Fellowship for Undergraduate Instruction, Duke University 2007-10, Teaching Assistant, Duke University 2004-06, Lecturer, Univ. of North Carolina at Greensboro 2003-04, Teaching Asst., Univ. of North Carolina at Greensboro I. PUBLICATIONS A. Books 2016 Octavia E. Butler. Modern Masters of Science Fiction. Champaign, IL: University of Illinois Press. xviii + 225pp. B. Peer-Reviewed Articles 2020 “The Legend of Zelda in the Anthropocene.” Paradoxa 31: “Climate Fictions” (2020): 145-170. 2019 “Eden, Just Not Ours Yet: On Parable of the Trickster and Utopia.” Women’s Studies 48.1 (2019): 59-75. 2017 “Hokey Religions: STAR WARS and STAR TREK in the Age of Reboots.” Extrapolation 58.2-3 (2017): 153-180. 2017 “OBEY, CONSUME: Class Struggle as Revenge Fantasy in They Live.” Film International 14.3-4: “The Lives and Deaths of the Yuppie” (2017): 72-84. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Crimes of the Powerful States, Corporations and Human Rights
Module Guide Crimes of the Powerful: States, Corporations and Human Rights DSS_6_COP Division of Social Sciences Level 6, Semester 2 Table of Contents 1. Module Details ......................................................................................................... 3 2. Short Description ..................................................................................................... 3 3. Aims of the Module .................................................................................................. 3 4. Learning Outcomes ................................................................................................. 4 4.1 Knowledge and Understanding ............................................................................... 4 4.2 Intellectual Skills ...................................................................................................... 4 4.4 Transferable Skills ................................................................................................... 4 6. Feedback ................................................................................................................. 7 7. Student Evaluation .................................................................................................. 7 8. Introduction to Studying the Module ....................................................................... 8 8.1 Overview of the Main Content ................................................................................. 8 8.2 Overview of Types of Classes ............................................................................... -
Benicio Del Toro Mathieu Amalric Psychotherapy of A
WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s. -
Dean Tavoularis
DEAN TAVOULARIS Né aux États-Unis Il vit et travaille à Paris. Directeur artistique de films et artiste- peintre, il compte plus de 50 ans de carrière aux côtés de metteurs en scène de légende … Arthur Penn, Michelangelo Antonioni, Wim Wenders, Francis Ford on les nomme à Hollywood –, ils ont Coppola, Roman Polanski. posé les jalons d’un corps essentiel du cinéma : donner une matière aux visions L’artiste, né en 1932 à Lowell dans le d’un cinéaste. Parmi leurs successeurs, Massachusetts, de parents grecs originaires Dean Tavoularis s’est imposé comme du Péloponnèse, arrive à l’âge de 4 ans à le plus précieux, précis et inventif. Son Long Beach en Californie. regard sidérant n’est pas étranger à la Son père travaille dans la compagnie de réussite de Coppola : nous lui devons café familiale. Son environnement familial les salons opaques du Parrain, les néons encourage les goûts du jeune Dean pour le luminescents de Coup de cœur, la folie dessin et les beaux-arts et à 17 ans il intègre sauvage du labyrinthe où les personnages une des premières Film School des Etats- d’Apocalypse Now s’égarent – ainsi que les Unis et rejoint les studios Disney, qui font costumes des bunnies Playboy. Sa vision ne véritablement office d’école de cinéma. En se limite pas à son domaine, elle englobe parallèle il suit des cours d’architecture, de le projet dans sa totalité. » écrit Léonard dessin et d’art. Son apprentissage au sein Bloom dans un article de Numéro consacré des studios Disney lui permet de mettre à Dean Tavoularis (avril 2019).