DOCSLIB.ORG

109192-Norah-Jones-Featuring.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
109192-Norah-Jones-Featuring.Pdf Norah Jones ...Featuring mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Jazz / Rock / Blues Album: ...Featuring Country: Russia Released: 2010 Style: Folk Rock, Country Rock, Pop Rock, Indie Rock, Blues Rock, Contemporary Jazz, RnB/Swing, Swing, Piano Blues MP3 version RAR size: 1322 mb FLAC version RAR size: 1463 mb WMA version RAR size: 1891 mb Rating: 4.4 Votes: 836 Other Formats: MPC VOX AHX AUD TTA VOC DXD Tracklist Hide Credits Love Me Bass – Lee AlexanderDrums – Dan RieserElectric Guitar – Jim 1 –The Little Willies CampilongoGuitar – Richard JulianMixed By – Matt MarinelliOrgan – Jon 3:51 DrydenProducer – Lee AlexanderRecorded By – Jay NewlandVocals, Piano – Norah JonesWritten-By – J. Leiber/M. Stoller* Virginia Moon –Foo Fighters Bass – Nate MendelDrums – Taylor HawkinsGuitar – Chris Shiflett, Joe 2 Featuring Norah BeebeMixed By – Elliot ScheinerProducer – Foo Fighters, Nick 3:51 Jones RaskulineczVocals – Dave GrohlVocals, Piano – Norah JonesWritten-By – Shiflett*, Grohl*, Mendel*, Hawkins* Turn Them –Sean Bones Bass – Mikey BonesDrums – Ryan "Tugboat" ThorntonMixed By – Caleb 3 Featuring Norah ShreveOrgan, Piano, Clavinet – Mark Phillips Producer – Jay Braun, 4:03 Jones Sean BonesVocals – Norah JonesWritten-By, Vocals, Guitar, Piano, Melodica – Sean Bones Baby It's Cold Outside –Willie Nelson Bass – Robert HurstDrums – Jeff HamiltonGuitar – Anthony 4 Featuring Norah WilsonHarmonica – Mickey RaphaelMixed By – Al SchmittProducer – 3:58 Jones Tommy LiPumaRecorded By – Al Schmitt, Steve GenewickVocals, Guitar – Willie NelsonVocals, Piano – Norah JonesWritten-By – Frank Loesser Bull Rider –Norah Jones And 5 Vocals, Guitar – Norah Jones, Sasha DobsonWritten-By – Rodney 2:58 Sasha Dobson Crowell Ruler Of My Heart –Dirty Dozen Acoustic Guitar – Jamie McLeanBaritone Saxophone – Roger Lewis Brass Band* Drums – Terence HigginsKeyboards – Frederick Sanders*Producer – 6 Featuring Norah Craig StreetRecorded By, Mixed By – S. Husky Höskulds*Sousaphone – 2:59 Jones And Robert Julius McKeeSteel Guitar [Pedal] – Robert RandolphTenor Saxophone – Randolph Kevin Harris Trombone – Sammie Williams*Trumpet – Efrem Towns, Gregory DavisVocals – Norah JonesWritten-By – Naomi Neville The Best Part Producer – Lee "Mistaree" Alexander*Recorded By, Mixed By – Matt 7 –El Madmo Boynton, Tom SchickVocals, Bass – Daru "El" Oda*Vocals, Drums, Saw – 3:25 Andrew "Mo" Borger*Vocals, Electric Guitar – Norah "Maddie" Jones*Written-By – Borger*, Oda*, Jones* –Outkast Take Off Your Cool 8 Featuring Norah Mixed By – Neal PogueProducer – Andre 3000Vocals – Norah 2:38 Jones JonesVocals, Guitar – Andre 3000Written-By – Andre Benjamin Life Is Better Bass – Antuan Barnett*Keyboards – Robert GlasperKeyboards, Drums – –Q-Tip Featuring 9 Marc ColenbergMixed By – Blair Wells, Kamaal FareedProducer – Q- 4:27 Norah Jones TipVocals – Q-TipVocals, Backing Vocals [Background Vocals] – Norah JonesWritten-By – K. Fareed*, R. Glasper* Soon The New Day –Talib Kweli Co-producer – Eric KrasnoDrums, Electric Piano [Wurlitzer] – Adam 10 Featuring Norah DeitchGuitar, Bass, Keyboards – Eric KrasnoMixed By – Russell 4:04 Jones ElevadoProducer – MadlibVocals – Norah Jones, Talib KweliWritten-By – Mason*, Jackson Jr.*, Charles*, Green* Little Lou, Ugly Jack, Prophet John Acoustic Guitar – Bob KildeaBass – Mick CookeDrums, Percussion – –Belle And Richard ColburnElectric Guitar – Stevie JacksonElectric Piano Sebastian* 11 [Wurlitzer], Organ – Chris GeddesEngineer – Todd BurkeLead Vocals – 4:25 Featuring Norah Norah Jones, Stuart MurdochProducer, Mixed By – Tony Jones HofferSynthesizer – Sarah Martin Written-By – Kildea*, Geddes*, Cooke*, Colburn*, Martin*, Jackson*, Murdoch* Here We Go Again –Ray Charles Bass – Tom FowlerDrums – Ray BrinkerGuitar – Irv Kramer*Mixed By – 12 Featuring Norah Al SchmittOrgan [Hammond B3] – Billy PrestonProducer – John 3:58 Jones BurkRecorded By – Terry HowardVocals, Keyboards – Ray CharlesVocals, Piano – Norah JonesWritten-By – D. Lanier*, R. Stegall* –Norah Jones Loretta Featuring Gillian Engineer [Recording Engineered By, For Effanel Music Remote] – John 13 3:19 Welch And David HarrisMixed By – Jay NewlandVocals – Norah JonesVocals, Acoustic Rawlings Guitar – David Rawlings, Gillian WelchWritten-By – Townes Van Zandt Dear John Bass, Backing Vocals [Background Vocals] – Catherine PopperCello – –Ryan Adams Julia KentDrums – Brad PembertonElectric Guitar – J.P. 14 Featuring Norah Bowersock*Mixed By – Ryan Adams, Tom SchickProducer – Tom 4:36 Jones SchickSteel Guitar [Pedal Steel] – John Graboff*Violin – Claudia ChopekViolin, Viola – David Gold Vocals, Acoustic Guitar – Ryan AdamsVocals, Piano – Norah JonesWritten-By – N. Jones*, R. Adams* Creepin' In Acoustic Guitar – Kevin BreitBacking Vocals [Background Vocals] – –Norah Jones Adam Levy, Daru OdaBass – Lee AlexanderOrgan [Pump] – Rob 15 Featuring Dolly 3:01 BurgerProducer – Arif Mardin, Norah JonesRecorded By, Mixed By – Jay Parton NewlandSnare – Andrew BorgerVocals – Dolly Parton, Norah JonesWritten-By – Lee Alexander Court & Spark –Herbie Hancock Bass – Dave HollandDrums – Vinnie ColaiutaEngineer, Mixed By – Helik 16 Featuring Norah HadarGuitar – Lionel LouekePiano – Herbie HancockProducer, Arranged 7:36 Jones By – Herbie Hancock, Larry KleinSoprano Saxophone – Wayne ShorterVocals – Norah JonesWritten-By – Joni Mitchell More Than This –Charlie Hunter Drums – Stephen ChopekEngineer, Mixed By – Joe FerlaGuitar [8-string] 17 Featuring Norah – Charlie HunterPercussion – Chris LovejoyProducer – Charlie Hunter, 4:10 Jones Joe FerlaTenor Saxophone – John Ellis Vocals – Norah JonesWritten-By – Bryan Ferry Blue Bayou –Norah Jones Mixed By – Tom SchickRecorded By – David Hough, Sharon 18 Featuring M. 3:43 CullenVocals – Norah JonesVocals, Guitar – M. WardWritten-By – J. Ward Melson*, R. Orbison* Companies, etc. Phonographic Copyright (p) – Blue Note Records Copyright (c) – Blue Note Records Recorded At – Avatar Studios Recorded At – Ocean Way Recording Recorded At – RPM International Studios Mixed At – Capitol Studios Mixed At – Market Street Mixed At – The Sound Factory Produced At – The Sound Factory Mastered At – Sterling Sound Manufactured By – ООО "Ди Ви Ди-Клуб" Credits A&R – Ronette Bowie Art Direction, Design – Frank Harkins Compilation Producer – Eli Wolf Creative Director – Gordon H Jee Mastered By [Compilation] – Greg Calbi Photography By – Autumn de Wilde* Product Manager – Zach Hochkeppel Notes Compilation ℗ The copyright in this sound recording is owned by Blue Note Records © 2010 Blue Note Records. All rights reserved. © 2010 Blue Note Records. All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, public performance, broadcasting, hiring or rental of this recording prohibited. 1: From the album THE LITTLE WILLIES released March 7, 2006 on Milking Bull Records ℗ 2006 Milking Bull Records under exclusive license to EMI Music NA 2: From the album IN YOUR HONOR released June 14, 2005 on Roswell Records/RCA ℗ 2005 Roswell Records Inc. under license from Sony Custom Marketing Group, SONY MUSIC ENTERTAINMENT 3: From the album RINGS released July 21, 2009 on Frenchkiss Records ℗ 2009 Frenchkiss Records 4: From the album AMERICAN CLASSIC released August 25, 2009 on Blue Note Records ℗ 2009 Blue Note Records 5: From the ITUNES ORIGINALS performance released February 9, 2010 ℗ 2010 Blue Note Records 6: From the album MEDICATED MAGIC released April 23, 2002 on Ropeadope Records ℗ 2002 Sheridan Square Records, a division of Sheridan Square Entertainment, Inc. 7: From the album EL MADMO released May 20, 2008 on Team Love Records ℗ 2008 under license from Team Love Records 8: From the album SPEAKERBOXXX/THE LOVE BELOW released September 23, 2003 on Arista Records ℗ 2003 Arista Records Inc., under license from Sony Custom Marketing Group, SONY MUSIC ENTERTAINMENT 9: From the album THE RENAISSANCE released November 4, 2008 on Universal Motown ℗ 2008 Universal Motown Records, a Division of UMG Recordings, Inc. 10: Contains elements of "Sheba's Song" (Paul Charles, John Mason) Published by Autumn Music. Used by permission. From the album EARDRUM released August 21, 2007 on Blacksmith/Warner Bros. Records ℗ 2007 Warner Bros. Records Inc. A Warner Music Group Company 11: Produced and mixed at The Sound Factory, Los Angeles. From the album WRITE ABOUT LOVE released October 12, 2010 on Matador Records ℗ 2010 Rough Trade Records. Licensed courtesy of Matador Records under license from Rough Trade Records 12: Recorded at RPM International Studio, Los Angeles, CA. Mixed at Capitol Studios, Hollywood, CA. From the album GENIUS LOVES COMPANY released August 31, 2004 on Concord Records ℗ 2004 Concord Records Inc. 13: From the DVD LIVE IN 2004 released November 16, 2004 on Blue Note Records ℗ 2004 Blue Note Records 14: From the album JACKSONVILLE CITY NIGHTS released September 27, 2005 on Lost Highway Records ℗ 2005 UMG Recordings, Inc. 15: From the album FEELS LIKE HOME released February 10, 2004 on Blue Note Records ℗ 2004 Blue Note Records 16: Recorded at Avatar Studios, NYC and Ocean Way Recordings, Hollywood, CA. Mixed at Market Street, Santa Monica, CA. From the album RIVER: THE JONI LETTERS released September 25, 2007 on Verve Records ℗ 2007 The Verve Music Group, a Division of UMG Recordings, Inc. 17: From the album SONGS FROM THE ANALOG PLAYGROUND released September 25, 2001 on Blue Note Records ℗ 2001 Blue Note Records 18: From the DVD LIVE FROM AUSTIN, TX released July 29, 2008 on New West Records ℗ 2008 New West Records, LLC The Booklet Has 8 Pages. Barcode
Load more

Recommended publications
  • EL TRIUNFO DE NORAH JONES Un Grammy En Esta Edición En La Categoría De Músicas Del Mundo
    EL PAÍS DE LAS TENTACIONES VIERNES 28 DE FEBRERO DE 2003 13 SORPRESA: una cantante de 23 años es la gran ganadora de los Grammy de este año. Ocho pequeños gramófonos. Cinco para ella, que incluyen dos tan destacados como el que se otorga a la mejor cantante femenina y disco del año; y tres más para el compositor de su primer single (Don’t know why, como canción del año), los ingenieros de sonido y el productor. Segunda sorpresa: Norah Jones es lo que se denomina una torch singer, una cantante fla- mígera de baladas que parecen jazz pero no terminan de serlo. Un estilo que nunca ha ter- minado de pasar de moda —Diana Krall es el ejemplo de que siempre ha tenido un públi- co— pero que tampoco era lo que se llama un género de actualidad en la época de la elec- trónica, el nuevo rock y las cantantes grito- nas dadas al exceso tipo Mariah Carey. Tercera sorpresa: Norah Jones es hija de Ravi Shankar. El músico más popular de la In- dia gracias a The Beatles, el que enseñó a to- car el sitar a George Harrison y ahora tiene 82 años. Pero la relación de Norah con su padre y con la India ha sido puramente anecdótica, casi inexistente. Durante más de diez años no se vieron y aunque últimamente han hecho públicamente las paces y Shankar ha expresa- do en un comunicado lo orgulloso y contento que se siente de su hija americana, ella ha evi- tado siempre hablar de su progenitor.
    [Show full text]
  • Nawang Khechog the Great Arya Tara Tibetan Meditation Music 5:11
    Playlists by David Ruekberg Dance to Awaken the Heart, Rochester, NY #27: January 28, 2017 Artist Song Title Album Length Nawang Khechog The Great Arya Tara Tibetan Meditation Music 5:11 Maneesh de Moor Morning Praise Om Deeksha 8:54 Ernst Reijseger Homo Spiritualis Cave Of Forgotten Dreams (Original Motion Picture Soundtrack) 2:21 Hukwe Zawose Nhongolo The Essential Guide To Africa 8:54 Dead Can Dance Nierika Memento 5:46 Deva Premal Guru Rinpoche Mantra Deva Lounge 7:23 Balligomingo Purify Absolute More Relaxed [Disc 2] 4:13 Manu Dibango Bessoka (Version Courte) The Essential Guide To Africa 3:28 Miriam Makeba Pata Pata 2000 Homeland 3:49 Thievery Corporation The Lagos Communique African Groove 3:55 Christina Aguilera featuring Steve Winwood Makes Me Wanna Pray Back To Basics 4:11 The Beatles Tomorrow Never Knows (Remastered) Revolver (Remastered) 2:59 Brian Eno & Rick Holland Glitch Drums Between The Bells 2:58 Sean Dinsmore Mangalam (Chillums at Dawn Remix) Dakini Lounge: Prem Joshua Remixed 6:00 India.Arie Slow Down Voyage To India 3:53 Jai Uttal Guru Bramha Shiva Station (Bonus Edition) 4:24 Bon Iver Lisbon, OH Bon Iver 1:34 Ulrich Schnauss Amaris Passage 5:20 David Ruekberg Silence_5s.mp3 Silence 0:05 Itzhak Perlman Bach: Violin Partita #2 In D Minor, BWV 1004 - 3. Sarabanda Bach: Sonatas & Partitas For Solo Violin [Disc 2] 3:52 Anoushka Shankar Ancient Love Rise 11:08 Ray Lynch Her Knees Deep In Your Mind Conversations With God 6:19 Soloists of the Ensemble Nipponia [Shakuhachi, Shamisen, Biwa, EsashiKoto] Oiwake ("Esashi Pack-horseman's
    [Show full text]
  • The Little Willies Norah Jones, Richard Julian and Company Take a Side Trip Into the Country
    DECEMBER 2011 ISSUE MMUSICMAG.COM Q&A antry L Richard Julian, Lee Alexander, Christian Norah Jones, Jim Campilongo, Dan Rieser THE LITTLE WILLIES Norah Jones, Richard Julian and company take a side trip into the country “It’s lIKE EATING A BIG BOWL OF MY seemed like a cool idea to cover his original until recently. It’s fun playing in the South, grandma’s macaroni and cheese,” jazz-pop tunes, but every time we got together we but we also know that in the South some superstar Norah Jones says of her childhood ended up playing songs by other people as of these songs are stapled into people’s love for country music. “It feels nostalgic.” well. The name stuck, but the concept didn’t. brains. We were a bit nervous about playing Today she expresses that fondness in part in Nashville because we weren’t sure how with the Little Willies, the group she first How do you choose the material? well the performances would go down. helped form in 2003 with singer and guitarist JONES: We just do songs we love, without JULIAN: It is different. I remember an Richard Julian, guitarist Jim Campilongo, any consideration of how well-known they instance where we played [Kristofferson’s] bassist Lee Alexander and drummer Dan are. For a listener, hearing someone cover a “For the Good Times” in Manhattan. A really Rieser to perform country tunes at a small famous song is a different sort of experience. prominent songwriter who was there asked New York City venue. The Willies’ new People often ask if it’s daunting to cover the me whose song that was.
    [Show full text]
  • A Conversation with Richard Julian by Frank Goodman (2/2006, Puremusic.Com)
    A Conversation with Richard Julian by Frank Goodman (2/2006, Puremusic.com) To get started talking about Richard Julian, I just have to put his music on. "Cold Grey Sky." He's got everything I want to hear, going on. One line makes you want to laugh, the next one makes you want to break right down and cry. They're just not as far apart as they used to be. "I thought she asked me for the world once, all she wanted was some comfort and nothing more..." Met him first a few years back with a good friend of mine he was dating at the time, at the Folk Alliance in Jacksonville. He's got a really kooky look around the eyes that's a little hard to get a bead on at first. He's no glad hander, and he's not from the country. This friend of mine had a way of dating really good songwriters, so I made a note of where Richard was playing the next day or two. When I caught up with a show that afternoon, I noticed a number of sharp writers there. He knocked me out so fast I didn't know what hit me. And then song after song he made it clear that he had a whole trunk full of that. He played his axe really well, but only as the song required, no special anything. No tunings, half capos, no props. He used some chords outside the folk syllabus, but he knew how to do it. He blew everything else I saw that weekend away, solo.
    [Show full text]
  • Network Notebook
    Network Notebook Spring Quarter 2018 (April - June) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • It's Always the Uiet Ones
    His novels are epic, explicit — and shapedIT’S by his peculiar ALWAYS THE childhood. John Irving talks to Ariel Leve about his lost father, being seduced UIET ONES at 11, and getting a second stab By the age of 23, Norah Jones was the world’s biggest-selling jazz singer — at life. Portraits: Jonathan but struggled to drop her guard and accept her fame. Has she recovered enough Torgovnik now to let people in? By Ariel Leve. Photographs by Todd Selby he hotel lobby on Manhattan’s Jones is relieved to be ignored. She has urban landscape. She’s lived in the eforeLower the East journey Side is begins, buzzing the with never been an attention-seeker. She is neighbourhood for many years, but is T detailsactivity. arrive. There There are effeminate is a stunning in an understated way; even considering a move out of Manhattan, B notemen from in his sunglasses assistant: and “John ski sayshats, it bored, is with professionally-applied make-up, her across the East River to Brooklyn. There’s an open boatlong-legged ride, so you models should in bring knee-high rain gear, boots big brown eyes, dark wavy hair and a sense that she too is evolving after her just in case.”punching And advice: BlackBerrys request a and,specific outside driver the lustrous skin allows her the freedom to breakthrough success eight years ago. who knows theglass way doors, from a Toronto posse of airport paparazzi. to the They ghost past the cameras. Several times during our time together boat basin inare Pointe waiting Au Baril,for someone Ontario.
    [Show full text]
  • ALEXANDER Mcqueen in Partnership With
    ALEXANDER McQUEEN In partnership with Supported by With thanks to ALEXANDER Technology partner = transparent t = Safe area McQUEEN First published by V&A Publishing to accompany the exhibition Alexander McQueen: Savage Beauty in 2015 at = white type the Victoria and Albert Museum, South Kensington London SW7 2RL EDITED BY CLAIRE WILCOX With thanks to © Victoria and Albert Museum, London The moral rights of the authors have been asserted Hardback edition ISBN 9781 85177 827 0 Paperback edition ISBN 9781 85177 859 1 10 9 8 7 6 5 4 3 2 1 2019 2018 2017 2016 2015 A catalogue record for this book is available from the British Library. All rights reserved. No part of this 26.09.14_Alexander McQueen_Final publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publishers. Every effort has been made to seek permission to reproduce those images whose copyright does not reside with the V&A, and we are grateful to the individuals and institutions who have assisted in this task. Any omissions are entirely unintentional, and the details should be addressed to V&A Publishing. Designer: Charlie Smith Design Copy editor: Denny Hemming Origination by DL Imaging Printed in Italy by Conti Tipcolor S.R.L. V&A PUBLISHING CONTENTS FOREWORDS No. 2 No. 4 No. 6 ARTISTRY VISCERA IMAGINATION Nadja Swarovski – 7 Jonathan Akeroyd – 8 PLATO’S ATLANTIS: MUSEUM OF THE MIND – 179 THE SHINING AND CHIC – 261 ANATOMY OF A COLLECTION
    [Show full text]