DEC Is Told Marshall Will Be FC Site

Total Page:16

File Type:pdf, Size:1020Kb

DEC Is Told Marshall Will Be FC Site The Minnesota American Legion and Auxiliary LegionnaireVolume 100, Number 4 For God and Country April 2018 DEC is told Marshall will beThis year’s FC Fall Conference site will be held at (drum roll please)… Marshall, Minnesota. The conference had originally been slated for Brainerd, but after a visit from the Minnesota Convention Corporation, it was determined that the city did not have the facilities necessary for the conference. Corporation Chairman Pat Logan told the Department Executive Committee meeting at Buffalo that contact was made with several of the large resorts in the Brainerd area, Continued on Page 6 Olson gives update Building 22 was dedicated in March. It will have 100 private rooms and many amenities. A Spanish- on 100th Convention American War cannon sits on the lawn outside the new Veterans Home in Minneapolis. With the 100th National Convention in Minneapolis less than five months away, the Department Executive Committee heard a report from Convention Corporation President Jeff Olson about the big plans for this August. Minneapolis’ $113 million remake is done Olson said 14 Minnesota high school bands have signed By Al Zdon The Minneapolis home has a rich history of service to up for the convention parade, which will be held Sunday, Eight years ago, the Minnesota Veterans Home in Minnesota veterans. The oldest buildings on the campus Aug. 26, on the Nicollet Mall in downtown Minneapolis. Minneapolis was at a low point, cited for numerous were built in the 1880s to serve the Civil War veterans. It will be the most high school bands in a national parade infractions, and providing facilities that by modern stan- Building 22 sits in the middle of a 53-acre campus that in many years. dards were sub-par. is bordered on one side by the Mississippi River and on The parade will start at either 4 or 4:30 p.m. as the organ- With the completion of Building 22, the third phase of the other side by Minnehaha Creek. A bridge over the izers try to not conflict with a Twins game that day at near- an ambitious $113 million makeover of the Minneapolis creek is currently closed while it too is brought up to cur- by Target Field. campus, the veterans home is now the jewel of a very rent codes in an $8 million project. Olson said he has been asked about bringing buses to the good system. The dedication brought out several hundred veterans parade, and he said there is a lack of parking downtown. He The new building, which will provide 100 industry- and others who filled the two large common rooms that asked that anybody who plans to bring a bus to the parade standard rooms, completes the makeover which began in are part of the campus. The larger part of the crowd had 2010. Continued on Page 7 Continued on Page 3 New Prague Scout Rochester gearing up Family Day at the Eagle of the Year forThis year’sstate Minnesota convention American Legion convention, the Twins is July 13 Joseph Taylor of New The annual American Prague has been selected 100th annual, will be held at Rochester. An official registration form is on page 2 of this Legion Family Day at the as Minnesota’s American Twins will be Friday, July Legion Eagle Scout of the Minnesota Legionnaire. The convention will be held July 18-21 beginning with 13, vs. the Tampa Bay Year. Rays. Taylor, who was eligi- the Department Executive Committee meeting at 7 p.m., Wednesday the 18th. The convention itself will open on Tickets are $21 and are ble for the award through in the Home Plate view the service of his grandfa- Thursday Mayo Civic Center. The Auxiliary’s 99th annual convention will begin the section. cial group rate for the ther, John Baldwin, is a Tickets can be Legion. senior at New Prague same day at the Kahler Grand Hotel. The official hotels for the convention are the Kahler obtained by contacting the For special orders, or High School. He is the Twins by phone (612- for further information, son of Robert and Karen Grand, the Kahler Inn and Suites and the Marriott. Those attending must make their own reservations. 659-3400) or on their call Brian Bessler at the Continued on Page 6 JOSEPH TAYLOR The conventions are the annual business meetings of the website. Ask for the spe- Twins at 612-659-4083. Legion and Auxiliary Walking the Point in Vietnam VETERANS DAY ON HILL -- The Waite Park Post Color Guard led a group of several hundered veterans up the hill to the Capitol for the Veterans Day on the Hill event. Veterans later met with their legislators. Page 8-10 Page 2 Minnesota Legionnaire April 2018 NewBoatswain’s Navy Mate Chief chiefpetty officer. Hepart has served ofleges the I never heardfuture of.” married of there.The He isAmerican now Meseret, and their twoLegion chil- much to the post. Petty Officer Chris Penn is for the past 13 years. One factor weighing in stationed in San Diego at dren, Christopher III and But that day will come, a large man, soft-spoken Penn spent much of his was that many of his rela- Explosive Ordnance Emnet, live in San Diego. “I Williams said. “We have to and very skilled in what he growing up in the tives had served, it was kind Disposal (EOD) Training call Emnet my ‘chief baby,’ bring in members like Chief does. Dorchester area of Boston, of a family tradition. and Evaluation Unit One. because she waited to be Penn,” said Williams. “And He is the rock and the but moved to St. Paul when One day at high school, He operates the vehicle and born until the day after I we have to do it now.” future of the U.S. Navy. he was a sophomore in high he spotted a couple of boat shop for the training made chief.” “Here’s the future of The And someday, he may be school. He was a star ath- recruiters checking in at the center. Penn is a member of 3M American Legion. No mat- the rock and future of The lete, playing tight end in front desk. They were wear- Five months ago, Penn Post 599. With his Navy ter where he is, he’ll be a American Legion – all football and power forward ing their dress whites. “I was made chief. duties, it might be a while leader.” because he went to church in basketball at St. Paul liked that uniform and I He and his wife, before he can contribute one day. Central. went up and talked to them. “I told him he was join- As his high school career I pretty much recruited ing the Legion,” said ended, though, he was up in myself. I was sold on the Department Vice the air about his future. Navy.” Commander Dan Williams, “One day my mom took me He signed up on a who is also a pastor at Holy aside and asked me what I delayed entry program, and Christian Church in St. was going to do after I grad- after he graduated from Paul. “Well, I may have uated. I looked at her like a high school he headed for said, ‘Is that okay?” deer in the headlights. I did- boot camp at Great Lakes in Williams said he recruit- n’t have an answer. She Chicago. ed Penn because he knew asked me if I’d thought His first duty was aboard him well. “I knew his par- about the military.” the USS Duluth, LPD-6, an ents, I knew his family, and Penn was hoping to con- amphibious warfare ship. I knew he had something to tinue his sports career at After one cruise, they offer.” college, but the offers he decommissioned Duluth, The Navy thought so got in the mail came from and Penn was assigned to too. Five months ago, they places like South Dakota the USS Denver, LPD-9. promoted Penn to chief and Iowa. “They were col- He didn’t have a rate early on, but he gravitated towards being a boatswain’s mate because of what they did on the ship. “I liked the variety of work, running the cranes, doing underway replenishments, working different jobs on the deck. I liked the responsibility.” In 2008, he was assigned to recruiting duty in the Twin Cities and he stayed for three years. “It was a good time to be home. My grandmother died during that time, and I got to spend some time with her. And I met my future wife while I was here.” In 2011, he was sta- DAN WILLIAMS AND CHRIS PENN tioned in Hawaii, and was Please Join the Posts Below in Supporting the 100th National Convention The National Convention Corporation of Minnesota would like to thank the Posts below for sponsoring our convention and invite those that aren’t on the list to consider participating. Contributions to the convention will be directed towards the Minnesota Convention Corporation’s hosting responsibilities and other ways to make this the best convention yet. Posts of Distinction Audubon Post 339 Grand Meadow Post 140 New Ulm Post 132 ($5,000 and up) Aviation Post 511 Gust F. Holden Post 253 Nicollet Post 510 Merton‐Dale Post 80 Backus Post 368 Hackensack Post 202 Northrop Post 522 North St. Paul Post 39 Beatty‐Humphries Post 323 Harris Post 139 Northside Post 230 Rudolph Priebe Post 172 Becker Post 193 Hastings Post 47 Norwood Young Post 343 Bellingham Post 441 Hawley Post 382 Okabena Post 608 Posts of Patriotism Bigelow Post 496 Hills Post 399 Peter Leuze Post 420 ($1,000 to $2,499) Billie Brown Post 627 Hopkins Post 320 Prior Lake Post 447 Austin Post 91 Boyd Post 198 Hugo Post 620 Prudent Van Risseghem 395 East Grand Forks Post 157 Bruno Post 563 Ironton Post 443 Public Safety Post 449 Ecklund‐Holmstrom Post 117 Buffalo Post 270 Janesville Post 281 Richard Howard Ferrell 46 Everett H.
Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Robert Reed – Sanctuary
    Robert Reed – Sanctuary III (42:02 , CD, Tigermoth Records, 2018) Seit einigen Jahren lebt Magenta Mastermind Robert Reed in seinem ganz eigenen Mike Oldfield- Mikrokosmos. Mit „Sanctuary III“ fügt der walisische Multi- Instrumentalist, ganz wie seine Inspirationsquelle auf dessen Frühwerken, wiederum zwei weitere, jeweils knapp 21- minütige Kapitel der ganz eigenen Geschichte hinzu. Dabei versucht sich Reed offensichtlich an mehr persönlicher Eigenständigkeit, um auch den gewissen A-ha Effekt der beiden Vorgängeralben nicht weiter zu überspannen. So kommt ein wesentlich folkloristischer Unterton hinzu (u.a. durch Troy Donockley an Uilleann Pipes und Flöte, wie wiederumLes Penning an der Blockflöte), wie auch die vokalen Parts einen wesentlich größeren Raum einnehmen. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Zusammen mit u.a. Simon Phillips am Schlagzeug, sowie dem mehrstimmigen Synergy Vocals Gesangsensemble geht es wieder in eine Welt grob irgendwo zwischen „Ommadawn“, „Hergest Ridge“ und „Platinum“ gelegen. Trotzdem erkennt man den gereiften Ansatz von Reed, der wesentlich sinfonischer, in den Ideen aber auch eine Spur einfacher, weitaus melodischer und akustisch durchaus sparsamer ausfällt. Dennoch ist auf „Sanctuary III“ vieles von den Arrangements, dem typischen Gitarrensound, sowie den verwendeten Instrumenten (natürlich auch die unvermeidlichen Tubular Bells) und dem lautmalerischen Gesang in jenem Terrain angesiedelt, welches man von den Vorgängeralben kennt. Sanctuary III by robert reed Damit ist zweifelsohne immer noch eine deutliche Verbeugung vor dem musikalischen Idol erkennbar.
    [Show full text]
  • Quadraphonicquad Multichannel Engineers of All Surround Releases
    QuadraphonicQuad Multichannel Engineers of all surround releases JULY 2021 UPDATED 2021-7-16 Type Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow MCH Dishwalla Services, State MCH Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Quad Abramson, Mark 1973 Judy Collins Colors of the Day - The Best Of CD-4/Q8/QR/SACD MCH Acquah, Ebby Depeche Mode 101 Live SACD The Outrageous Dr. Stolen Goods: Gems Lifted from P: Alan Blaikley, Ken Quad Adelman, Jack 1972 Teleny's Incredible CD-4/Q8/QR/SACD the Masters Howard Plugged-In Orchestra MCH Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A MCH Ainlay, Chuck David Alan David Alan DVD-A MCH Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD MCH Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V MCH Ainlay, Chuck Everclear So Much for the Afterglow DVD-A MCH Ainlay, Chuck George Strait One Step at a Time DTS CD MCH Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD MCH Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc MCH Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD MCH Ainlay, Chuck Mavericks, The Trampoline DTS CD MCH Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD MCH Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD MCH Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD MCH Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD MCH Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD QSS: Ron & Howard Quad Albert, Ron & Howard 1975
    [Show full text]
  • Mike Oldfield XXV: the Essential Mike Oldfield Mp3, Flac, Wma
    Mike Oldfield XXV: The Essential Mike Oldfield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: XXV: The Essential Mike Oldfield Country: Europe Released: 1997 Style: Pop Rock, Synth-pop, Ambient MP3 version RAR size: 1372 mb FLAC version RAR size: 1590 mb WMA version RAR size: 1649 mb Rating: 4.9 Votes: 839 Other Formats: AHX XM TTA VOX DXD APE AU Tracklist Hide Credits Tubular Bells (Excerpt) 1 4:16 Producer – Simon Heyworth, Tom Newman Hergest Ridge (Excerpt) 2 4:54 Producer – Tom Newman 3 Ommadawn (Excerpt) 6:57 4 Incantations (Excerpt) 4:38 Moonlight Shadow 5 3:35 Producer – Simon Phillips 6 Portsmouth 2:00 7 Good News 1:44 Sentinel (Remix) 8 3:56 Producer – Tom Newman , Trevor Horn The Bell (Remix) 9 3:06 MC – Viv Stanshall*Producer – Tom Newman , Trevor HornRemix – Mike Oldfield 10 Let There Be Light 4:19 11 Only Time Will Tell 4:25 12 The Voyager 4:22 13 Women Of Ireland 6:27 14 Tubular Bells III (Excerpt) 3:40 Companies, etc. Phonographic Copyright (p) – Warner Music UK Ltd. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Oldfield Music Ltd. Copyright (c) – Oldfield Music Overseas Ltd. Made By – Warner Music Manufacturing Europe Credits Artwork By [Design & Art] – Bill Smith Studio, London Engineer – Mike Oldfield (tracks: 10 to 14) Photography – David Scheinman Producer, Written-By – Mike Oldfield Notes This compilation (P) 1997 Warner Music UK Ltd./Virgin Records Ltd. (C) 1997 Oldfield Music Limited for the United Kingdom and Oldfield Music Overseas Limited for the world outside the United Kingdom.
    [Show full text]
  • Mick Glossop
    known producers and engineers in their own right, among their number Alan Douglas and Steve Power. Mick Glossop Mick moved on to form successful and enduring partnerships as a producer with bands like The He was in on the ground floor at two of the most influential studios that marked what is Waterboys, Furniture and The Wonder Stuff. Never one to rest on his laurels, Glossop continued to work acknowledged as the birth of the modern recording era yet he still retains the passion and with bands so cutting edge their talents sometimes slid enthusiasm that influenced a generation of engineers who sat beside him. Mick Glossop between the cracks, such as Lower (The Gentle Art of Conditioning) and Shin Hae Chul’s arty N.E.X.T., as talks to NIGEL JOPSON about quadraphonic pan pots, the firstSSL , and inspiring musicians. well as finding time to form a productive late-album affiliation with Lloyd Cole. The most defining landmark in Mick’s career ICK GLOSSOP’S NAME is synonymous later Ricochet albums. must surely be his long association with Van with two benchmark UK recording studios He went on to work with an influential array of Morrison, having recorded and mixed 15 of the Irish Mof the late 1970s and early 1980s — the new wave and post-punk stars including The Ruts, troubadour’s albums, and had his fingers on the Richard Branson-owned Manor and Town House Penetration, The Skids, The Alarm, Tubeway Army, faders of practically every tune the prolific songsmith — and he was chief engineer at both.
    [Show full text]
  • EURASIA MAILORDER British List 2021/8/2 Updated How to Order
    EURASIA MAILORDER British List 2021/9/1 updated How to Order 10CC [HOW DARE YOU!] (UK / MERCURY / 75 / FOC/WI) EX/EX USD 16 / EURO14 10CC [SAME] (UK / UK RECORD / 74 / WI) EX/EX USD 25 / EURO21 10CC [SHEET MUSIC] (UK / UK RECORD / 74 / WI) EX/EX USD 23 / EURO19 11.59 [THIS OUR SACRIFICE OF PRAISE] (UK / DOVETAIL / 74 / WI) EX+/EX USD 180 / EURO152 9.30 FLY [SAME] (UK / EMBER / 72 / FOC) EX+/EX USD 342 / EURO288 ABSOLUTE ELSEWHERE [IN SEARCH OF ANCIENT GODS] (UK / WB / 76 / GIMC/WB) EX/EX USD 61 / EURO52 ABSOLUTE ELSEWHERE [IN SEARCH OF ANCIENT GODS] (UK / WB / 76 / GIMC/WB/SOC) EX/EX USD 34 / EURO29 ABSOLUTE ELSEWHERE [IN SEARCH OF ANCIENT GODS] (UK / WB / 76 / GIMC/WB) EX+/EX USD 52 / EURO44 ACHOR AND FRIENDS [HOSANNA TO THE SON OF DAVID] ( / / / ) EX+/EX+ USD 52 / EURO44 ADRIAN WAGNEFR [DISTANCES BETWEEN US] (UK / ATLANTIC / 74 / ) M-/EX USD 43 / EURO36 ADRIAN WAGNEFR [INSTINCTS] (UK / CHARISMA / 77 / ) EX/EX USD 34 / EURO29 AFFINITY [SAME] (ITA / AKARMA / / FOC) M-/M- USD 34 / EURO29 AFTER THE FIRE [SIGNS OF CHANGE] (UK / RAPID / 78 / WI) EX/EX USD 144 / EURO121 AFTER THE FIRE [SIGNS OF CHANGE] (UK / RAPID / 78 / ) EX/EX USD 108 / EURO91 AL ET AL [STRANGE AFFER] (UK / ARNY'S SHACK / / ) VG/VG+ USD 252 / EURO212 ALAN BOWN [STRETCHING OUT] (UK / ISLAND / 71 / FOC) EX/EX USD 34 / EURO29 ALAN BOWN [STRETCHING OUT] (UK / ISLAND / 71 / FOC) EX/EX USD 25 / EURO21 ALAN COHEN BAND [BLACK BROWN & BEIGE] (UK / ARGO / 73 / WI) EX/EX USD 90 / EURO76 ALAN SKIDMORE QUINTET [TCB] (UK / PHILIPS / 70 / ) EX+/EX+ USD 295 / EURO248 ALEANNA [SAME] (UK /
    [Show full text]
  • GERMAN SCENE Importantly, Macdonald Noted That a Lot Ofnew German Music Was in Germany Until It Found Critical Favour in the UK
    278 THE AMBIENT CENTURY AMBIENCE IN THE ROCK ERA 279 was a comparison. 13y 1975 Oldfield had 1973). Moreover most writers accuse the eminent British musicologist Ian returned to form with an elaborate album of instnnnental timbres MacDonald ofinventing the label during the early 19705 when he wrote about featunng Celtic harp and bodhran, Greek synthesizers, Northum­ German music in the New lvlusical In fact during December of 1972 brian pipes and African drumming. As with Tubular Bells, Ommadawn featured MacDonald published three articles titled 'Germany , two Sally Oldfield 011 backing vocals but expanded the contributors to of them double broadsheet pages. In not one line did he mention the term brass, and the sound of uileann pipes courtesy of The Chieftains' 'krautrock'! Moloney. Even OldfIeld's brother Terry played the pan pipes. The African Instead MacDonald gave a jaw-droppingly accurate description of German drummers ofJabula came into their own on the finale of the nineteen- rock ofthe late 60s and early 70s. For openers he stated that in the UK there was minute 'Part One' would be heard again on Oldfield's 1978 doublc­ a total ofcontinental rock. Secondly, there was a strong album Incarltatiol1S. 1984 Oldfield was great folk-rock songs with spirit among Germany's youth since 1968. They disliked rich P\fwl,()-I'\ 111 er1elln Reilly such as 'To France' and that year he also scored Roland groups playing in their country and a lot of students demanded free entry. The film The Killing Fields. Yet his first success would not go away concept of 'the revolutionary head' was paramount, a concept which 'chal­ and in 1992 Warner Bros.
    [Show full text]
  • Studio Manoeuvres
    Studio Manoeuvres Exploring historical, technological and aesthetic crossovers between electroacoustic music and experimental rock music of the late 1960s and early 1970s Yannis Patoukas Master's Thesis Institute of Sonology Royal Conservatoire of The Hague The Netherlands May 2019 [revised version November 2019] -Acknowledgements- Firstly, I am deeply grateful to my mentor, Richard Barrett, for his continuous support of my research and for sharing his knowledge, advice and motivation. I would also like to express my deepest appreciation to Kees Tazelaar for his insightful comments, encouragement and help. I would also like to extend my sincere thanks to John Kilgore and Fred Frith for contributing to the making of this thesis with interesting and precise information about Frank Zappa and Henry Cow respectively. Many thanks also go to the rest of my teachers, Raviv Ganchrow, Gabriel Paiuk, Paul Jeukendrup, Graham Flett, Joel Ryan, Peter Pabon, Johan van Kreij and Bjarni Gunnarsson for widening my research from various perspectives. Along those, my thanks and admiration also go to my fellow students and particularly to all the new friends I made in the past three years. I owe a very important dept to Dalton Danks, Laura Agnusdei, Riccardo Marogna, James Alexandropoulos-McEwan, Hibiki Mukai, Alexandre Coulon, Orestis Zafeiriou, Tony Guarino, Annick Odom, Lauge Dideriksen, Irene Ruipérez Canales, Hilde Wollenstein for realising my musical ideas and letting me record their sounds and to Marko Uzunovski and Chris Loupis for their technical support. This thesis would not have been possible without the continuous moral support of my family and close friends. Last but not least, I need to thank my dear Angeliki for her understanding and love, and for being always next to me to give me strength.
    [Show full text]
  • Autumn Edition 2007
    AUTUMN EDITION 2007 SCOTTISH LODGES NATIONAL HEADQUARTERS Autumn 28 Great King Street, Edinburgh EH3 6QH EDINBURGH Located at 28 Great King Street, Edition Organising Secretary: Stuart Trotter Edinburgh, with meetings held weekly on Email: [email protected] Thursdays (7.30 p.m.). Speakers on alternate 2007 National Treasurer: Ken Fairgrieve weeks and, in between, Study/Discussion groups. Cost £1.00 per member, non-members £1.50 Email: [email protected] Front cover: ‘Spirit of the Night’ by John Atkinson Grimshaw (1836-93) Contact Christine Gear 0131 3333406 Email: [email protected] Editorial Whilst shopping in Inverness recently I was surprised to find in Waterstone’s Bookshop a whole GLASGOW Located at 17 Queen’s Crescent, section devoted to books on Angels and Fairies (the latter spelt more correctly here as ‘faeries’). The Glasgow with meetings held on Thursday main author, with several titles to her name, appears to be Doreen Virtue, Ph.D. (it’s always useful to evenings at 7.30 p.m. have the highest qualifications, even for faeries and angels, to impress the readers). She seems to Cost £2.00 per member, non-members £4.00 have cornered the market, not only with books but also with ‘oracle cards’, an ‘angel guidance board’ Contact Malcolm MacQueen and an instructional guide (through the faerie realms?) Email: [email protected] Other titles include ‘Seeing Angels: Hundreds of Experiences’ by Emma Heathcote-James, ‘Spirit Guides, Angel Guardians: Contact your Invisible Helpers’ by Richard Webster, ‘Faeries & Folklore of DUNDEE Meetings held every other Friday in the British Isles’ by Elizabeth Andrews, ‘Angels and Fairies’ by Iain Zaczel, ‘Enchantment of the Room T5 in the Tower Block of Dundee Faerie Realm: Communicate with Nature Spirits and Elementals’ by Ted Andrews and many, many University, Perth Road, Dundee at 7.30 p.m.
    [Show full text]
  • MIKE OLDFIELD the Studio Albums 1992-2003 Alle 8 Warner Bros.-Alben in Einer Box Und Download 4 Ausgewählte Alben Auf 180G-Vinyl VÖ-Datum 17.10.2014
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 012126 – 4688 7233 [email protected] MIKE OLDFIELD The Studio Albums 1992-2003 Alle 8 Warner Bros.-Alben in einer Box und Download 4 ausgewählte Alben auf 180g-Vinyl VÖ-Datum 17.10.2014 Sein bekanntestes Werk dürfte die 1973 entstandene Ein-Mann-Sinfonie Tubular Bells sein, ein Monumentalwerk, das in UK auf Platz 1 der Charts ging und 1975 mit einem Grammy ausgezeichnet wurde. Auch MIKE OLDFIELD selbst hängt mit Leib und Seele untrennbar an diesem bahnbrechenden Werk und schuf in seiner Warner-Zeit, also seit 1992, vier Fortsetzungen sowie vier weitere ungewöhnliche Alben mit neuen Themenkreisen. Im Oktober veröffentlichen Rhino Rec. nun alle acht OLDFIELD-Alben aus den Warner-Jahren in einer stabilen Papp-Box. Eine digitale Version zum Download steht ebenfalls bereit, und als Topping erscheinen die Alben Tubular Bells II, The Songs Of Distant Earth, Voyager und Tubular Bells 2003 jeweils auf 180 Gramm starkem Vinyl! Nach seinem Abschied von Virgin Records wechselte MIKE OLDFIELD im Jahr 1992 zu Warner Bros. und veröffentlichte die erste Fortsetzung seines Erstlings, Tubular Bells II, das sich wieder umgehend auf Platz 1 der UK-Charts (D: #7) spielte. Auf dem Album, das u.a. die Singles „Sentinel“, „Tattoo“ und „The Bell“ enthielt, wurde er von Tom Newman (der schon das Original produziert hatte) und dem Kultproduzenten Trevor Horn unterstützt. Eine weitere Fortsetzung erschien 1998 mit Tubular Bells III, die nur ein Jahr später von The Millennium Bell ergänzt wurde. Mit Tubular Bells 2003 wandte sich MIKE OLDFIELD dem alten Original zu und nahm es erneut auf, so dass er alle Vorteile fortgeschrittener Studiotechnik nutzen konnte, an die in den Siebzigern noch nicht einmal zu denken war.
    [Show full text]
  • Mike Oldfield Boxed Mp3, Flac, Wma
    Mike Oldfield Boxed mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Boxed Country: Europe Released: 1983 Style: Folk Rock, Experimental, Prog Rock, Ambient MP3 version RAR size: 1570 mb FLAC version RAR size: 1779 mb WMA version RAR size: 1241 mb Rating: 4.2 Votes: 756 Other Formats: FLAC AA MP2 MP1 VOC VOX MP3 Tracklist Hide Credits Tubular Bells 52:42 Tubular Bells (Part 1) Bass [String Basses] – Lindsay Cooper Drums – Steve BroughtonFlute [Flutes] – Jon FieldMC – Vivian StanshallProducer [Assistance], Engineer [Assistance] A 25:55 – Simon Heyworth, Tom Newman Remix – Alan PerkinsRemix [Assistance] – Phil NewellVoice [Other Voices] – Manor Choir, Nasal ChoirVoice [Voices] – Mundy Ellis, Sally Oldfield Tubular Bells (Part 2) Bass [String Basses] – Lindsay Cooper Drums – Steve BroughtonFlute [Flutes] – Jon FieldMC – Vivian StanshallProducer [Assistance], Engineer [Assistance] B1 21:34 – Simon Heyworth, Tom Newman Remix – Alan PerkinsRemix [Assistance] – Phil NewellVoice [Other Voices] – Manor Choir, Nasal ChoirVoice [Voices] – Mundy Ellis, Sally Oldfield The Sailor's Hornpipe Acoustic Guitar, Producer [Assistance], Engineer [Assistance] – Tom Newman B2 Arranged By – Oldfield*Producer [Assistance], Engineer [Assistance] – Simon 3:55 HeyworthRemix – Alan PerkinsRemix [Assistance] – Phil NewellWritten-By – Trad.* Hergest Ridge 40:13 Hergest Ridge (Part 1) Conductor [Choir, Strings] – David BedfordCymbal – William MurrayFlute – C Terry OldfieldOboe – June Whiting, Lindsay Cooper Producer [Assistance], 21:33 Engineer
    [Show full text]
  • University Centre Colchester (UCC)
    University Centre Colchester (UCC) Staff Profile Name: Phil Toms Job title/role: Head of Schools: Digital Media, Music & Performing Arts Subjects taught/administrative Phil has administrative and artistic responsibility for the School, responsibilities: its programmes and activities. A versatile musician and dedicated educator, Phil contributes to a range of academic programmes, live performances and student auditions. Qualifications and Membership of BA (Hons) Music, University Centre Colchester Professional bodies: MSc Music Technology, University of York He is an Associate of the London College of Music (ALCM) and has qualified teacher status (QTS). Phil has received numerous awards for his commitment to music making, and to championing the Arts throughout Essex. Experience in Education: After completing his studies, Phil, started a freelance career in instrumental and classroom music teaching. Following three years travelling between prep schools, secondary schools and Colchester Royal Grammar School teaching double bass, piano and music technology, Phil took up a teaching post at Shenfield High School, quickly becoming Head of Music and later Assistant Head of Expressive Arts. In 2006, Phil joined the School of Music at Colchester Institute teaching a variety of degree modules in Music Education and diploma classes from musicianship to music business. Following the formation of University Centre Colchester (UCC), Phil was appointed to his current post. Biography and personal interests: Phil has an eclectic musical background from classical music & jazz to prog-folk. He is also a busy composer and arranger, working with singers from Judy Dyble (Fairport Convention) to Jon Anderson (Yes), arranging strings for album tracks. Phil is an acknowledged authority on the works of Mike Oldfield and in 2018 took Tubular Bells Live on a UK tour.
    [Show full text]