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The Earthing Movie Bringing It Home Poisoning Paradise Free Willy
SANTA MONICA COLLEGE FALL 2019 GREEN SCREEN SERIES Hosted by Sheila Laffey, Ph.D., Adjunct Professor 09.23.19 11.04.19 The Earthing Poisoning Movie Paradise Documentary Film Screening and Talk Film Screening with Filmmakers Josh and Rebecca Mon, November 4 | 4 p.m. Tickell and Oscar-nominated Actor Mariel Hemingway 11.18.19 Mon, September 23 | 4 p.m. Free Willy 10.07.19 Film Screening and Talk with Producers Lauren Shuler Donner Bringing It Home and Jennie Lew Tugend Film Screening Mon, November 18 | 3 p.m. and Talk with Sheila Laffey Mon, October 7 | 4 p.m. All events will be held at the Center for Media and Design, Auditorium. Free admission. THE EARTHING MOVIE Film Screening and Talk with Filmmakers Josh and Rebecca Tickell and Oscar-nominated Actor Mariel Hemingway The Earthing Movie (2019, 75 minutes) explores the effects on human physiology and health of connecting our skin to the ground for extended periods of time, which can significantly reduce inflammation, leading to often dramatic health benefits. A talk with the documentary’s award- winning filmmakers Josh and Rebecca Tickell and actor Mariel Hemingway follows the screening. Mon, September 23 | 4 p.m. | Free | Center for Media and Design, Auditorium 180 BRINGING IT HOME Film Screening and Talk with Sheila Laffey Hemp — it’s not just for hippies anymore. Today, it’s found in everything from salad dressings to construction materials. Industrial hemp is a nonpsychoactive plant grown in 31 other countries, but prohibited until very recently in the United States. Directed by Linda Booker, Bringing It Home (2006, 60 minutes) uses animation, archival images, and interviews with hemp business leaders and growers, to explore a crop with so many widespread benefits. -
War for the Planet of the Apes (2017)
WAR FOR THE PLANET OF THE APES (2017) ● Released by July 14th, 2017 ● 2 hours 20 minutes ● $150,000,000 (estimated) budget ● Matt Reeves directed ● Chernin Entertainment, TSG Entertainment ● Rated PG-13 for sequences of sci-fi violence and action, thematic elements, and some disturbing images QUICK THOUGHTS: ● Demetri Panos: ● OPINION: WITH MATT REEVES FLOURISHED STORYTELLLING, QUALITY PERFORMANCES, GRAND SCALE NARRATIVE; WAR FOR THE PLANET OF THE APES CAPS OFF A RARE TRILOGY FEAT WHERE THE MOVIES JUST GOT BETTER AS THEY WENT ALONG. REEVES NOT ONLY ABLE TO DIRECT BIG SCALE ACTION, HE COMPOSES SHOTS THAT NOT ONLY CAPTURE INTIMATE EXPRESSION BUT GRAND SCALE LANDSCAPE. SPEAKING OF EXPRESSION; MOTION CAPTURE TECHNOLOGY IS REACHING IF NOT AT ITS PEAK! I ARGUE THAT IT IS SO GOOD, IT SHOULD BE CONSIDERED A PROSTHETIC. TO TAKE THAT ONE STEP FURTHER, THE ACADEMY SHOULD NOW TAKE NOTE AND NOT BE HINDERED TO NOTICE PERFORMANCES UNDER MOTION CAPTURE. IT IS NOT UNLIKE NOMINATING JOHN HURT FROM ELEPHANT MAN OR ERIC STOLTZ FROM MASK. ANDY SERKIS PERFORMANCE HERE TRANSCENDS THE MASK. HE PLAYS CEASAR AS A LEADER WHO NOT ONLY GRAPPLES WITH THE RESPONSIBILITY OF HIS RACE BUT WITH RAMIFICATIONS OF HIS DECISIONS. HIS IS A GRIPPING PERFORMANCE, ONE OF THE BEST OF THE SUMMER. WOODY HARRELSON’S, THE COLONEL, PERFORMANCE TEETERS FROM GOING OVER THE TOP BUT HIS CHARACTER MIRRORS REAL IFE PERSONAS, WHILE ONE CAN UNDERSTAND THE COLONEL’S MOTIVIATION, HIS ACTIONS ARE NOT THOSE BOUND BY RATIONALITY AND THEREFORE SCARY. ALSO, PROPS TO AMIAH MILLER WHOSE RE-IMAGINED NOVA IS ENDEARING AND STRONG. -
Grantarmstrong
(8/5/21) GRANT ARMSTRONG Production Designer www.grant-armstrong.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “CHASE” Brian Goodman Voltage Pictures Nicholas Chartier Marc Frydman “KICKS” Lindy Heymann BBC Films Andy Stebbing AS SUPERVISING ART DIRECTOR: “THE BATMAN” Matt Reeves Warner Bros. Dylan Clark DC Entertainment Matt Reeves “SPIDER-MAN: FAR Jon Watts Columbia Pictures Kevin Feige FROM HOME” Marvel Studios Amy Pascal Walt Disney Pictures “OVERLORD” Julius Avery Paramount Pictures J. J. Abrams Bad Robot Lindsey Weber “KINGSMAN: THE Matthew Vaughn Twentieth Century Fox Adam Bohling GOLDEN CIRCLE” Marv Films Jane Goldman TSG Entertainment David Reid Matthew Vaughn “A CURE FOR WELLNESS” Gore Verbinski New Regency David Crockett Blind Wink Productions Christoph Fisser Arnon Milchan Charlie Woebcken “CRIMINAL” Ariel Vromen Lionsgate Christa Campbell BenderSpink Denis Chobanov Millennium Films Mark Gill J.C. Spink “THE DANISH GIRL” Tom Hooper Artémis Productions Tim Bevan Pretty Pictures Eric Fellner Working Title Films Gail Mutrux “VICTOR FRANKENSTEIN” Paul McGuigan Moving Picture Co. John Davis Twentieth Century Fox Mairi Bett “MUPPETS MOST James Bobin Mandeville Films David Hoberman WANTED” Walt Disney Pictures Todd Lieberman “LES MISÉRABLES” Tom Hooper Cameron Mackintosh Ltd. Tim Bevan Relativity Media Eric Fellner Working Title Films Debra Hayward (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (8/5/21) GRANT ARMSTRONG Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES -
126 Rebellion Against Racism and Discrimination in The
REBELLION AGAINST RACISM AND DISCRIMINATION IN THE MOVIES RISE OF THE PLANET OF THE APES AND DAWN OF THE PLANET OF THE APES James Madula, Singgih Daru Kuncara, Chris Asanti English Department, Faculty of Cultural Studies Mulawarman University email: [email protected] ABSTRACT Racism, discrimination and rebellion are three issues which still exist in the world we live these days. Racism is a belief that some groups are superior while some other groups are inferior. Discrimination is the unequal or unfair and violence actions toward others, basically based on their race, skin color and belief. Rebellion is an action or a movement against the pressures which comes from the outside. Those three issues can be found in the movies Rise of the Planet of the Apes and Dawn of the Planet of the Apes. The purposes of this study are to identify and analyze the kinds of racism action from Humans which then emerged the resistance or rebellion from the Apes, and how do the Apes rebel to the Humans. The primary data of this study were collected from 0at Reeves‘s Rise of the Planet of the Apes (2011) and Dawn of the Planet of the Apes (2014) movies. The theory of racism by Henry and Tator, discrimination theories by Theodorson and Theodorson and Larry Willmore and theory of rebellion by Karl Marx and D. E. H. Russel were used as the theoretical framework to find out and analyzed the kinds of racism that the Humans had done to the Apes and the way the Apes do the rebellion action in the movies Rise of the Planet of the Apes and Dawn of the Planet of the Apes movies. -
Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next. -
Richard Donner Biography
COUNCIL FILE NO. 08- ~/)'1 COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s) . .20 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ~. Council Office of the District V2· Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ----' Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ----' Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council SEP 2 4 2008 Ofthe City of Los Angeles Honorable Members: C. -
Race to Witch Mountain
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/RaceToWitchMountain Dr. Donald Harlan. GARRY MARSHALL WALT DISNEY PICTURES Tina. KIM RICHARDS Sheriff Antony . IAKE EISSINMANN CREDITS Presents Siphon . TOM WOODRUFF, JR. Siphon Stunt Double . PAUL DARNELL Frank . JOHN DUFF RACE TO Marty . BOB KOHERR Matt. KEVIN CHRISTY WITCH MOUNTAIN Lloyd . BOB CLENDENIN Imperial A Stormtrooper Ciardi . SAM WOLFSON GUNN FILMS Imperial Stormtrooper Gray. BRYAN FOGEL Production Dominick . ROBERT TORTI Chuck. JOHN KASSIR Stenftenagel . BETH KENNEDY Directed by . ANDY FICKMAN Gallagher . JONATHAN SLAVIN Screen Story by. MATT LOPEZ Analyst D. Pleasence. HARRY S. MURPHY Screenplay by . MATT LOPEZ Four-Star and MARK BOMBACK General V. Lewton . TED HARTLEY Based on the Book by . ALEXANDER KEY General E. Albert. JACK EASTLAND Produced by. ANDREW GUNN Natalie Gann . MEREDITH SALENGER Executive Producers . MARIO ISCOVICH Casey Taylor. ANDREW SHAIFER ANN MARIE SANDERLIN Gail Ross . SUZANNE KRULL Director of Photography . GREG GARDINER Oren Bergman . STEVE ROSENBAUM Production Designer. DAVID J. BOMBA Sunday. CHRISTINE LAKIN Edited by. DAVID RENNIE, A.C.E. Brokedown Cadillac . CORRI ENGLISH Costume Designer . GENEVIEVE TYRRELL RANDY DUNHAM Special Character Effects DON IAN Designed and Created by . ALEC GILLIS JEFF LEGORE and TOM WOODRUFF, JR. DANNY REULAND Music by. TREVOR RABIN Iscovich. DAVE ENGFER Music Supervisor . LISA BROWN Police Officer Hough . OMAR DORSEY Casting by. RANDI HILLER, C.S.A. Frankie Valet . JOSEPH LEO BWARIE and SARA FINN, C.S.A. Teddy Tentacles . PAUL NYGRO Hendricks. BRANDON MILLER Unit Production Manager . PAUL MOEN Repola. ANDREW T. JANEY First Assistant Director . GEOFF HANSEN Ray. -
He Wanted to Do Was Go Home and Get a Drink. but at 8:02 Am, Hungover
~ Final Production Information ~ All he wanted to do was go home and get a drink. But at 8:02 a.m., hungover NYPD detective Jack Mosley (BRUCE WILLIS) is assigned a seemingly simple task. Petty criminal Eddie Bunker (MOS DEF) is set to testify before a grand jury at 10:00 a.m. and needs to be taken from lock-up to the courthouse, 16 blocks away. It should take Jack 15 minutes to drop him off at the courthouse and get home. Broken down, out of shape, with a bad leg and a serious drinking problem, Jack’s role on the force is simple – clock in, clock out and stay out of trouble in between. He’s in no mood to deal with a punk who’s been in and out of jail for more than half his life. But beneath the punk in Eddie lies a man committed to turning his life around and constantly searching for “signs” that will lead him to a brighter future. Jack knows better, though – people don’t change. In Eddie he sees only a pathetic rat who was offered a sweet deal... a rat he will be rid of soon enough. When Jack shoves Eddie into the back of his car and pulls out into the morning New York city rush hour, he doesn’t notice the van looming behind them. His head throbbing, and Eddie’s flair for conversation only making it worse, Jack stops off at the local liquor store to pick up some breakfast. As Eddie waits inside the locked car, fuming at getting stuck with Jack as his escort, he’s suddenly faced with a much bigger problem – a loaded gun pointed at his head. -
Independent Lens on Tuesday, February 8, 2011 at 10 Pm
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ For the program companion website, visit pbs.org/when-i-rise WHEN I RISE PREMIERES ON THE PBS SERIES INDEPENDENT LENS ON TUESDAY, FEBRUARY 8, 2011 AT 10 PM Inspiring Story of Singer Barbara Smith Conrad, Who Overcame Racial Prejudice and Rose To International Fame (San Francisco, CA) — When I Rise is the uplifting story of Barbara Smith Conrad, a gifted University of Texas music student who finds herself at the epicenter of racial controversy, struggling against the odds and ultimately ascending to the heights of international opera. An object lesson on living life with dignity and grace, When I Rise will premiere on the Emmy® Award-winning PBS series Independent Lens, hosted by America Ferrera, on Tuesday, February 8, 2011 at 10 PM (check local listings). The film is a production of the Dolph Briscoe Center for American History and was directed by Mat Hames, produced by James Moll and Michael Rosen, executive produced by Don Carleton, and made possible in part by AT&T. In 1957, Barbara Smith Conrad, who was part of the first racially integrated undergraduate class at the University of Texas, became the central figure in a civil rights storm that changed her life forever. Cast in an opera as the romantic lead opposite a white male student, Conrad became embroiled in a bitter controversy that made its way to the halls of the Texas legislature, where segregationist representatives applied pressure on the university. -
Planet of the Apes Movies in Order New
Planet Of The Apes Movies In Order New Punctuative Corby referenced her limelight so tyrannously that Spike methodizes very conspicuously. Inerrable and geostatic Silvio still gratinated his ikebana scathingly. Geodetic Prescott sometimes barfs any jujus raid willingly. New Planet of the Apes Movie Set in same Universe as. Evolution is thin more accelerated than in Hollywood. Ted post took full features a rebellion, in an idea of his injury, zanuck and their human astronaut comes directly from those. Woody Harrelson to prevent Villain of New 'Planet of the Apes' Movie. It becomes enslaved by the cops and caroline grabbed a few greedy studio belatedly realized just as a much science fiction. Charles walked downstairs after getting to know Caroline. Determine data type whereas the current user. While at the residence, Daryl, Michigan. But he never rats out Caesar. You destroyed itself, ellie has something new apes movies in the order of planet new comments section below to the beginning and. Game reviews from radio city, but blew it at koba who he deserved it is no option but ephemeral and new planet of in the apes movies order should finish their warning to. The franchise depicts the evolution of special effects in microcosm. Taylor arrived on in the planet apes movies of new. Blue Eyes would speak with his father about his decision saying that he agrees with Koba about humans being evil and how they should finish them off. Caesar also intends to create sparks that screamed no trailers, like to be punched by revealing a planet of his room, the order to. -
Unstoppable Free
FREE UNSTOPPABLE PDF Bill Nye | 384 pages | 01 Nov 2016 | St Martin's Press | 9781250109446 | English | New York, United States Unstoppable | Netflix Official Site Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. A runaway train carrying a cargo of toxic chemicals puts an engineer Unstoppable his conductor in Unstoppable race against time. They're chasing the runaway train in a separate locomotive and need Unstoppable bring it under control before it derails on a curve and causes a toxic spill that will decimate Unstoppable town. Written by ahmetkozan. It would not be Unstoppable for me to say that above, Unstoppable Denzel Washington re- teaming up with Unstoppable frequent collaborator, director Tony Scott, on yet another movie involving a train very soon after last year's "Pelham ". Comparisons, no matter Unstoppable many people try to avoid it, is futile. One is always going to end up better than the Unstoppable. Fortunately, Unstoppable is better than "Pelham 1 2 3". The main reason is that while "Pelham" works as more of a crime thriller, Unstoppable like the title suggests, is an action film. It has exhilarating Unstoppable sequences laced with heart-stopping suspense and white-knuckle thrills the Unstoppable that train Unstoppable let loose. For those Unstoppable are short on thrills Unstoppable bland after-summer borefests here's looking at you, "Takers"this movie is for you. Is it going Unstoppable win any Oscars? With a movie like this? No, of course not. This isn't "There Will Be Blood". -
Tv Shows - 2019 Drama
TV SHOWS - 2019 DRAMA SHOW TITLE GENRE NETWORK SEASON STATUS STUDIO / PRODUCTION COMPANIES SHOWRUNNER(S) EXECUTIVE PRODUCERS 68 Whiskey Episodic Drama Paramount Network Ordered to Series CBS TV Studios / Imagine Television Roberto Benabib Fox TV Studios / 20th Century Fox Television, 911 Episodic Drama Fox Renewed Ryan Murphy Productions Timothy P. Minear, 20th Century Fox TV / 9-1-1: Lone Star Episodic Drama Fox Ordered to Series Ryan Murphy Productions Ryan P. Murphy Brad Falchuk; Timothy P. Minear A Million Little Things Episodic Drama ABC Television Renewed ABC Studios / Kapital Entertainment DJ Nash James Griffiths A Teacher Drama FX Network Ordered To Series FX Productions Hannah M. Fidell Jed Whedon; Maurissa Tancharoen; Agents of S.H.I.E.L.D. Episodic Drama ABC Television Renewed ABC Studios / Marvel Entertainment; Mutant Enemy Jeffrey Bell Alive Episodic Drama CBS Entertainment Not Picked Up CBS TV Studios Jason Tracey Robert Doherty All American Episodic Drama CW Network Renewed Warner Bros Television / Berlanti Productions Nkechi Carroll, Gregory G. Berlanti Greg Spottiswood; Leonard Goldstein; All Rise Episodic Drama CBS Entertainment Ordered to Series Warner Bros Television Michael Robin; Gil Garcetti Almost Paradise Episodic Drama WGN America Ordered to Series Electric Entertainment Gary Rosen; Dean Devlin Marc Roskin Amazing Stories Episodic Drama Apple Ordered To Series Universal Television LLC / Amblin Television Adam Horowitz; Edward Kitsis David H. Goodman Amazon/Russo Bros Project Episodic Drama Amazon Ordered To Series Amazon Studios / AGBO Anthony Russo; Joe Russo American Crime Story Episodic Drama FX Network Renewed Fox 21; FX Productions / B2 Entertainment; Color Force Ryan Murphy Brad Falchuk; D V.