Sea of Tranquility , a Recent Work by Our Playwright-In-Residence Cassius Carter Centre Stage Howard Korder, and We Couldn’T Be More Proud of What You Will Be Seeing

Welcome

UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff IN THIS CORNER and artists, I welcome you to The Old Jan 5 - Feb 10, 2008 Globe for this set of new plays in the Cassius Carter Centre Stage Cassius Carter Centre Stage and the Old Globe Theatre. OOO THE Our Co-Artistic Director, Jerry Patch, AMERICAN PLAN has been closely connected with the development of both In This Corner , an Old Globe- Feb 23 - Mar 30, 2008 commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Cassius Carter Centre Stage Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set the stage for an exciting 2008, filled with new work, familiar works produced with new OOO insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical DANCING from the golden age of Hollywood. IN THE DARK Our team plans to continue to pursue artistic excellence at the level expected of this (Based on the classic institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and MGM musical “The Band Wagon”) honor of leading the Globe since 2002, and I believe we have been successful in our Mar 4 - April 13, 2008 attempt to broaden what we do, keep the level of work at the highest of standards, and make Old Globe Theatre certain that our finances are healthy enough to support our artistic ambitions. With our Board, we have implemented a $75 million campaign that will not only revitalize our OOO campus but will also provide critical funding for the long-term stability of the Globe for THE future generations. GLASS MENAGERIE It is these future generations that I am thinking about as we begin the year. I am most April 12 - May 18, 2008 concerned about the Globe’s ability to reach and educate young people. We do a great deal Cassius Carter Centre Stage each year to reach almost 50,000 people with our Education and Outreach programs. OOO We must do even more.

HERSHEY FELDER ’S When you support The Old Globe, you are supporting the 6th largest non-profit theatre in BEETHOVEN, AS the country (out of over 2,000) and I assure you that we will do everything possible to keep I KNEW HIM your trust by creating great theatre and making certain that young people in our community May 3 - June 8, 2008 continue and strengthen their connection to this art form. Old Globe Theatre Again, Happy 2008 and welcome to this production!

LOUIS G. SPISTO CEO/Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Foundation Sheila and Jeffrey Lipinsky

Karen and Donald Cohn Conrad Prebys

Valerie and Harry Cooper Donald and Darlene Shiley

Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Globe Guilders Sheryl and Harvey P. White Joan and Irwin Jacobs Anonymous Las Patronas

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS SEA OF TRANQUILITY

BY Howard Korder

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Scott Bradley David Kay Mickelsen Robert Wierzel

SOUND DESIGN STAGE MANAGER Paul Peterson Elizabeth Lohr

DIRECTED BY Michael Bloom

Casting by Samantha Barrie

SEA OF TRANQUILITY by Howard Korder is presented by arrangement with Dramatists Play Service, Inc., in New York.

World Premiere presented by Atlantic Theater Company, New York City, 2004.

Old Globe Theatre, Donald and Darlene Shiley Stage January 12 - February 10, 2008

PERFORMANCES MAGAZINE P3 Cast of Characters

IN ORDER OF APPEARANCE

Ben ...... Ted Ko-ch * Ashley/Adele ...... Rosina Reynolds * Phyllis ...... Nike Doukas *

Josh ...... Sloan Grenz N Nessa ...... Erika Rolfsrud * Randy ...... Jeffrey Kuhn * Gilbert/Roman ...... Carlos Acuña *

Astarte ...... Joy Farmer-Clary N

Kat ...... Ashley Clements N

Milton ...... Tony von Halle N Johannsen/Barry ...... Ned Schmidtke *

Stage Manager ...... Elizabeth Lohr * Assistant Stage Manager ...... Moira Gleason *

“Life is bearable even when it is unbearable. That is what is so terrible; that is the unbearable thing about it." — Geoff Dyer , Out of Sheer Rage

Setting: Santa Fe, New Mexico. Present.

There will be one 15-minute intermission

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

N Student from The Old Globe/University of San Diego Master of Fine Arts Program

Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

P4 PERFORMANCES MAGAZINE Production Sponsors Sea of Tranquility is supported, in part, by the following generous sponsors:

For more than a decade, Continental Airlines has provided Globe artists non- stop service between San Diego and Continental Airlines’ New York area hub, Newark Liberty International Airport. Continental Airlines has always been committed to the community, supporting charitable organizations of various interests and concerns across the country. Continental Airlines’ previous production support includes underwriting for Restoration Comedy, The Times They Are A-Changin’, Take Me Out, Bus Stop, Stones in His Pockets and Oldest Living Confederate Widow Tells All .

Irving Hughes is San Diego’s largest commercial real estate company that exclusively represents tenants. Jason Hughes, Principal of Irving Hughes represented the Globe in the acquisition of the Globe Technical Center in southeastern San Diego. The new 42,000 square-foot Technical Center will house the Theatre’s scene shop and warehouse. The Globe is grateful to Irving Hughes for finding the property for the Technical Center and generously supporting the Globe.

Microsoft is one of the largest corporate contributors in the United States high- tech industry to non-profit organizations. Microsoft employees are also some of the most generous employees giving both financially and volunteering their time to improve communities across the world. The Old Globe is appreciative of Microsoft’s in-kind donation of products and licenses, which support the theatre’s high quality artistic and education programs.

Thanks to support from many generous contributors, The Old Globe is one of the leading theatres in the United States and a cultural icon in San Diego. Join these donors today by calling (619) 231-1941 x2311 and contributing to the theatre’s annual fund in support of artistic and education programs.

PERFORMANCES MAGAZINE P5 Board of Directors

Dear Friends,

I am delighted to thank you, our dedicated subscribers and donors, for your support during The Old Globe’s very successful year in 2007. The Globe’s 16 productions received critical acclaim and enthusiastic audiences as the San Diego community once again showed its loyalty to our superb theatre. Last year, the Theatre also celebrated two milestones with the 20 th anniversary of The Old Globe/ University of San Diego Master of Fine Arts Program and the 10 th anniversary of the Globe’s production of Dr. Seuss’ How the Grinch Stole Christmas! .

The Globe’s Board, actors and staff were overjoyed when on November 15, 2007, the Globe’s Founding Director, Craig Noel, received the National Medal of Arts from President Bush. Craig has truly earned and richly deserves this prestigious award for his 70-year association with The Old Globe and significant lifelong contribution to American theatre.

It has been my privilege throughout the last two years to serve as The Old Globe’s Board Chair and work with the Globe’s dedicated Board Members, devoted volunteers, generous donors, talented actors and hard-working staff. Thank you for being here today and for supporting The Old Globe. We look forward to another great year of theatre in 2008!

Kathryn Hattox, Chair , Board of Directors BOARD OF DIRECTORS / OFFICERS Kathryn Hattox* Anthony S. Thornley* Deni S. Carpenter* Sandra Redman* Valerie Cooper* Tim K. Zinn* Chair Vice Chair Finance Vice Chair Development Vice Chair Nominating Secretary Treasurer

DIRECTORS Martin Goodman Jean Shekhter Bernard Lipinsky (1914-2001) Mary Beth Adderley-Wright Viviana Ibañez Nancy A. Spector Delza Martin (1915–2005) Joseph Benoit Deni Jacobs Louis G. Spisto* Patsy Shumway Robert Cartwright Daphne Jameson Daniel L. Sullivan, Ph.D. Donald Cohn* Timothy A. MacDonald* Julie H. Sullivan, Ph.D. HONORARY DIRECTORS Peter J. Cooper Sue Major Evelyn Mack Truitt Mrs. Richard C. Adams Stephen M. Cusato Fern Murphy Debra Turner (1912–2005) Elaine Bennett Darwin Marianne Nelson Crystal Watkins Clair Burgener (1921-2006) David W. Down Arthur Neumann Harvey White* Mrs. John H. Fox (1908–2003) Sue Ebner Robin Nordhoff Ruth Wikberg-Leonardi Audrey Geisel Joel Ewan David Ohanian June Yoder Paul Harter Pamela A. Farr Rafael Pastor Carolyn Yorston Gordon Luce (1925-2006) Jake Figi Conrad Prebys Deborah Young Dolly Poet (1921-2007) Sally Furay, R.S.C.J. John Rebelo Deborah Szekely Harold W. Fuson, Jr. Sara Rosenthal, M.D. EMERITUS DIRECTORS Hon. Pete Wilson Victor P. Gálvez Jeri Rovsek Garet B. Clark Robert Gleason Phyllis Schwartz J. Dallas Clark (1913–2005) *Executive Committee Member

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

P6 PERFORMANCES MAGAZINE The Old Globe Reorganizes Leadership Team

Leadership Gifts to The Old Globe In December, The Old Globe’s Board of Directors announced the reorganiza - tion of its leadership team. After 26 years as the Globe’s Artistic Director, Jack O’Brien retired his post and assumed the title of Artistic Director The Old Globe would like to recognize and thank the following generous individuals Emeritus. O’Brien, one of the most sought-after directors in the commercial who have made extraordinary gifts of and not-for-profit theatre, has served the Globe with a tenure that is remark - $1 million or more to this organization. These able for both its longevity and artistic achievement. For the past several major contributions have been designated for years the demands of O’Brien’s schedule have made it difficult for a full time artistic projects, the endowment and facilities, presence at the Globe, and he felt it was time to step down and transition and help The Old Globe remain one of our into this new role. Jack has left a lasting legacy at the Globe that is rivaled country’s great theatre institutions. only by his stature in the theatre industry, and we wish him success in all his future endeavors. $20,000,000 or greater Donald and Darlene Shiley Lou Spisto, who has led the Globe since 2002, will continue executive leadership of the artistic and financial program with the new title of CEO/Executive Producer. Board Chair Kathryn Hattox noted, “Lou has $10,000,000 or greater Conrad Prebys built an excellent team, achieved financial stability and brought the Globe’s theatrical art to unprecedented heights. Our finances and the work on our stages have never been in better shape.” $5,000,000 or greater Sheryl and Harvey P. White Jerry Patch, a nationally-respected dramaturge and an industry leader in the development of new plays — brought to the Globe by Spisto and O’Brien Kathryn Hattox in 2005 to oversee day-to-day artistic operations and increase new play Karen and Donald Cohn development — will become Co-Artistic Director with Darko Tresnjak. Tresnjak will expand his position from oversight of the Summer Shakespeare Festival to a broader role in the Globe’s artistic management with Patch. $1,000,000 or greater Both men continue to report to Spisto and, working as they have, they are California Cultural and looking forward to continuing to serve this community with artistic and Historical Endowment education programs of the highest caliber.

Estate of Dorothy S. Prough The Rivkin Family Estate of Beatrice Lynds Audrey S. Geisel / San Diego Foundation Dr. Seuss Fund

Mr. and Mrs. Victor H. Ottenstein Mrs. Helen Edison The Stephen and Mary Birch Foundation PICTURED LEFT TO RIGHT : DARKO TRESNJAK , LOU SPISTO AND JERRY PATCH ; PHOTO BY CAROL SONSTEIN

PERFORMANCES MAGAZINE P7 Craig Noel Receives National Medal of Arts

The Globe is thrilled to announce that Founding Director Craig Noel was named a recipient of the 2007 National Medal of Arts. The awards were presented to this year’s honorees by President George W. Bush and Mrs. Laura Bush in an East Room ceremony at the White House on Thursday, November 15. Established by Congress in 1984, the National Medal of Arts is the country’s highest honor for artistic excellence. Award recipients are selected based on their contributions to the creation, growth, and support of the arts in the United States. The nine 2007 National Medal of Arts Recipients include Morton Lauridsen, composer; the Lionel Hampton International Jazz Festival; N. Scott Momaday, author, essayist, poet, professor, painter; R. Craig Noel, Founding Director, The Old Globe; Roy R. Neuberger, art collector; Les Paul, guitarist, inventor; Henry PRESIDENT BUSH PRESENTED THE 2007 N ATIONAL MEDAL OF ARTS TO OLD GLOBE THEATRE FOUNDING DIRECTOR CRAIG NOEL DURING A CEREMONY AT Steinway, arts patron; George Tooker, painter; Andrew Wyeth, THE WHITE HOUSE . painter. Tony Award-winner Jack O’Brien, whom he brought on board as Craig's contributions to the American theatre – both locally and Artistic Director in 1981. Scores of great American actors, such as nationally – are legion. He has enriched the larger community Marion Ross, David Ogden Stiers and Kelsey Grammer, have through his support and encouragement of playwrights, actors and worked with Craig and are indebted to him. His passion for arts artists and through the nurturing of an entire generation of citizens education fueled many innovative programs, including the Globe who have become today's theatregoers and arts supporters. He is Educational Tours in 1974, the renowned Master of Fine Arts gradu - considered one of the “deans” of the regional theatre movement and ate acting program, in conjunction with University of San Diego in took the lead in a significant revival of American interest in 1987, and Teatro Meta, which began in 1983 and went on to become Shakespeare, having launched San Diego National Shakespeare an award-winning, bilingual playwriting program that served Festival in 1949. He also established the first full Actors’ Equity thousands of young people in the San Diego region. company in California and was one of the original developers of a We at the Globe have always known Craig as “the Father of San comprehensive arts education program. Diego Theatre,” recognizing that he has been a guide, mentor and Craig has been associated with The Old Globe since its incep - ally to virtually every professional theatre endeavor in this commu - tion and has guided the organization through its metamorphosis nity. His many honors include the California Governor's Award for from a community theatre to one of the nation's most successful the Arts; the San Diego Union-Tribune's list of 25 persons who not-for-profit arts organizations. At age 92, Craig’s tenure and direc - shaped the city's history; San Diego's Living Treasure Award; and the torial credits at the Globe represent a milestone not yet achieved by San Diego Critics Circle named its annual honors “The Craig Noel any other living director in United States history. He has helmed Awards for Excellence in Theatre.” Craig remains active and contin - more than 225 productions at the Globe, including the world pre - ues to enrich the theatre community through his unflagging support mieres of Lillian Garrett-Groag's The White Rose and Reuben of playwrights, directors, actors and theatre artisans. He is truly a Gonzalez's The Boiler Room ; along with American premieres of Alan national treasure, and we couldn’t be more thrilled that the President Ayckbourn's Mr. A’s Amazing Maze Plays and Intimate Exchanges . Most of the United States has selected him to receive the National Medal recently, he directed Over the River and Through the Woods and worked of Arts. with Tony-Award winner John Rando on the 2006 production of Moonlight and Magnolias . Under his leadership, he oversaw the expan - sion of the Globe to a three-theatre complex and played an instru - mental role in the careers of many directors – including three-time

P8 PERFORMANCES MAGAZINE Craig Noel: Envisioning The Future

The Old Globe’s Education programs began with the same praised Master of Fine Arts visionary man who shaped the Theatre’s artistic life: Craig Noel. program, a partnership of The Old Considered the Father of Educational theatre in San Diego, his Globe and the University of San accomplishments are many. For those audiences who have come Diego that has been a mainstay of to love San Diego’s Junior Theatre, it is notable that Mr. Noel the Theatre’s programming for first conceived Junior Theatre as an Old Globe program that twenty years. has since found its own home and expanded to an exciting Mr. Noel has watched as opportunity for young theatre enthusiasts to learn and perform. programs grew and changed with Mr. Noel also built such exemplary projects as Teatro Meta and the needs of the community. He has Camp Orbit. Teatro Meta’s 17-year lifespan helped to build a bi- supported and encouraged the staff CRAIG NOEL (CENTER ) WITH lingual, collaborative bridge with our neighbor Tijuana and of the Education Department, VISTING STUDENTS . enriched the lives of thousands of young people. Camp Orbit sharing his wealth of ideas and his gave a “total theatre experience that ‘orbits’ the world of theatre passion for excellence. Mr. Noel’s ebullient presence at Globe at The Old Globe.” Education events evokes excitement and awe from teachers and The Globe Educational Tour was the very beginning of students who know his incredible story and who are honored to Craig Noel’s vision for the Master of Fine Arts program. The know that he has never lost his passion for quality Educational program put Old Globe understudies on the road delivering programs that serve the San Diego Community and build the energetic productions in area schools and gave the performers audiences and artists of the future. The Education Department the opportunity to work and train with Old Globe professional salutes Craig Noel and gives its heartfelt thanks for the solid directors. The desire to provide top-notch professional training grounding and high standards he has set for the department. for young performers eventually became the internationally-

CRAIG NOEL LEAGUE MEMBERS Planned Giving Society of The Old Globe Craig Noel guided The Old Globe through its metamorphosis from a community theatre of the highest standards to one of the nation’s most successful non-profit theatres. When Globe Board Members established a planned giving society to help secure the future of the theatre through donors’ gifts of planned gifts, bequests and other estate planning options, it was an easy decision to name the society after Craig Noel. Craig Noel League members are leaving their legacy at the theatre and addressing the most critical long-term need of the Globe, to grow its endowment, a protected investment fund that earns interest, which provides the theatre with a reliable income stream to supplement annual ticket sales and donations. The Old Globe would be pleased to meet with you to discuss your goals for leaving a lasting gift to the Theatre. For more information, please contact Director of Development, Todd R. Schultz at (619) 231-1941x2310 or [email protected]. Anonymous (14) Craig and Mary Hunter Arthur and Marilyn Neumann Jeanette Stevens Robert S. Albritton* Barbara Iredale* Craig Noel Eric Leighton Swenson Diana Barliant Bob Jacobs Greg and Polly Noel Anne C. Taubman Nancine Belfiore Joseph E. Jessop* PACEM (Pacific Academy of Cherie Halladay Tirschwell Alan Benaryoa J. Robert and Gladys H. King Ecclesiastical Music) Marian Trevor (Mrs. Walter M.)* Dr. and Mrs. Edgar D. Canada Marilyn Kneeland Mrs. Margaret F. Peninger* Evelyn Mack Truitt Garet and Wendy Clark Jean and David Laing Velda Pirtle* Ginny Unanue J. Dallas* and Mary H. Clark Jerry Lester Foundation Florence Borgeson Plunkert* Carol and Lawrence Veit R. Patrick and Sharon Connell Dr. Bernard Lipinsky* Dolly* and Jim Poet Harvey* and Jordine Von Wantoch Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Heather Manion Dorothy Shorb Prough* Merle and Phil Wahl Carlos and Patricia Cuellar Calvin Manning Brenda Marsh-Rebelo and John Rebelo Holly J.B. Ward Patricia and Donn DeMarce* Chris and Jill Metcalf Donald and Darlene Shiley Sheryl and Harvey P. White Mrs. Philip H. Dickinson Paul I. and Margaret W. Meyer Patsy and Forrest Shumway Mrs. Jack Galen Whitney Dr. and Mrs. Robert Epsten Judy and George Miller B. Sy and Ruth Ann Silver Stanley E. Willis II* Frank A. Frye, III Steve Miller Stephen M. Silverman Julie Meier Wright Nancy Reed Gibson Dr. Robert W. Miner Roberta Simpson Carolyn Yorston Robert Gleason and Marc Matys Shirley Mulcahy Dolores and Rod Smith *Deceased Marcy Goldstone Laurie Dale Munday John and Cindy Sorensen Kathryn Crippen Hattox Stanley Nadel and Cecilia Carrick Marje Spear David and Debbie Hawkins Alice B. Nesnow Nancy A. Spector and Alan R. Spector

PERFORMANCES MAGAZINE P9 Program Notes THE QUESTION OF THERAPY Santa Fe 7 Santa Fe, NM, is known as a tourist destination, a haven for the rich and famous, and a Mecca for artists and writers. But many locals know another side of Santa Fe, where separate com - munities frequently find themselves at odds with each other. The divide between wealth and poverty in Santa Fe has been cited as a cause for a recent crime wave, according to the Santa Fe Reporter (November 2006). “Whenever there is income disparity, there is more crime,” non-profit program manager Sara Koplik stated. “And Santa Fe is incredibly disparate – to the level of Latin America.” The physical proximity between the separate communities is often so close that new homes and lavishly remodeled blocks sit DOES TALK THERAPY beside older bunga - REALLY WORK? lows dating back to the The question is deceptively complicated. In recent 19th century. years, the effectiveness of psychotherapy – regarded as the Sunset Magazine reported that the basis of talk therapy as it’s currently practiced – has been rising price of real estate called into question by medical professionals and critics was forcing fourth- and alike. But measuring the success of talk therapy poses fifth-gener - ation Santa many challenges. Fe resi - SANTA FE , NEW MEXICO dents to For one, the experience of talk therapy is as different as move outside the city limits for affordable housing. Thomas the patients and the practitioners themselves. In other Chavez, the director of the Palace of the Governors, Santa Fe’s his - torical museum, advised, “If you want to live [in Santa Fe], you words, no two therapies are alike. Some therapists focus on have to come here wealthy or else take a vow of poverty.” dealing with the past, while others believe that correcting a The division is not merely economic. Santa Fe is known as person’s thought patterns and/or behavior is most benefi - “The City of Three Cultures,” a name which refers to the Native cial. More and more therapists prefer cognitive behavioral American, Hispanic, and Anglo-American cultures. But the name therapy (CBT) over traditional psychotherapy, emphasizing is an oversimplification of the collision between the three commu - that reviewing the past is not only unnecessary to healing, nities. “We’re different cultures within cultures,” Chavez went on to say. “It’s a mixture. In Spanish, mestizaje. It’s a concept that but can be counterproductive. These practitioners believe has to do with everything from food to music to blood.” that it is not important for patients to return to the origins Conflicts revolve around claims to the land, which began as of their problems; rather, they should correct the errors in early as the mid-1500s, when the Navajo people fought against the perceptions that lead them to the conclusion that life is Spaniards who moved in from the southeast-battles that lasted hopeless. until the late 1800s. Warring was not limited to invaders, Another complicating factor however; the Anasazi, another southwestern tribe of Native Americans, fought each other and reportedly became victims of is a patient’s regimen of med - cannibalism (see article on page 11). More recently, new arrivals to ications, often prescribed as Santa Fe have included retirees, celebrities, and the very wealthy. part of the overall therapy. A People of privilege and means have catapulted housing prices in November 1995 study conclud - Santa Fe, making in-town purchases impossible for descendants ed that “psychotherapy alone of families that have been there for generations. did not differ in effectiveness As local artist Lynda Feman told the New York Times, “Santa Fe is impossible. I’ve lived here for 25 years, and I’m maxed out. from medication plus psy - It needs to change.” chotherapy.” However, a later — Kim Monteilbano Heil study reported that a combina -

P10 PERFORMANCES MAGAZINE The following is taken from THE QUESTION OF THERAPY DID CANNIBALISM KILL ANASAZI CIVILIZATION? by Julie Cart, The Japan Times, July 13, 1999

CHACO CANYON, NM - It is one of the great prehistoric puzzles: What caused the Anasazi people, who had one of the most sophisticated civilizations in North America, to abandon their beauti - ful stone dwellings in the mid-12th century? What made families walk away, seemingly in great haste, leaving behind food cooking over fires and sandals hanging on pegs?...... Now, at least one chilling explanation has come forth from physical anthropologist Christy Turner. With the publication this spring of “Man Corn: Cannibalism and Violence in the Prehistoric tion of therapy and medication is “often the best way to American Southwest," which he wrote with his late wife, anthropolo - treat depression.” Other findings indicated that while drug gist Jacqueline Turner, he has managed to anger Native Americans, rile scientists, horrify New Agers and provide a fascinating theoretical therapy relieved symptoms faster, talk therapy was more glimpse into the collapse of a great civilization... . effective over a longer period of time. ...The book debunks the traditional view of the Anasazi as peace - There is also the question of who the therapist is. In a ful agriculturists, whose1 modern-day descendants are the highly spir - 1995 study, psychologists, psychiatrists, and social workers itual Hopi, Zuni and Pueblo peoples... . did not differ in their effectiveness, and all did better than ... Turner contends that a “band of thugs" - Toltecs, for whom marriage counselors and family doctoring. Treatment by cannibalism was part of religious practice - made their way to Chaco Canyon from central Mexico. These invaders used cannibalism to mental-health specialists yielded significantly better results overwhelm the unsuspecting Anasazi and terrorize the populace into than care administered by primary care physicians. Still, submission over a period of 200 years... . the generalized nature of such conclusions precludes an ...The Anasazi fled the oppressive cultists and sought haven deep accurate assessment of what kind of individual offers the in remote canyons. The next time any part of the culture appeared, most effective therapy. these Pueblo people were found to have constructed elaborate dwellings adhered to the sheer sides of cliffs. Generations of scientists have postulated that such suspended I tell people to act as if they can change and that the villages - located far from water - represented a fear of a great foe. act will become real, in time, but I don't believe it Turner suggests the Anasazi took up these defensive positions does. How can it? It's an act. An imitation. A habit. 1 “ against a horrible enemy - the evil that had infiltrated their own What good is that? When someone says to you life's people... . impossible? And looks to you for help? Just go on ...The notion that the Hopi - revered by scholars as wise and pretending? I don't believe it anymore. They need a gentle astronomers who lived in an enlightened society - would solution. I don't have one. There isn't one. You can't be capable of killing and eating members of their own clan solve existence. Existence... solves you. stunned scientists. Anthropologists acknowledge than any theory that seems to — Ben in Sea” of Tranquility portray Pueblo Indians in a negative light would be hard to sell. “Our understanding of the Anasazi is exactly parallel to what Talk therapy can work. But how, why, and with whom was thought of the Maya years ago - this advanced society responsi - are not as clear. For those seeking treatment, perhaps the ble for beautiful things, that now we realize was not a peaceful place," better question is: “Can therapy work for me?” With that said David Wilcox, curator of the Museum of Northern Arizona. “We are in a period where everything Native American is (seen question, one at least knows where to begin finding as) spiritual, sensitive a1nd wonderful. We would like to believe that answers. — Kim Monteilbano Heil all of the nasty stuff was introduced by the Europeans, and before that it was all truth, beauty and love. Sorry, that's just not so. These were complex societies. We are all capable of doing those things."

FOR MORE INFORMATION ABOUT THIS PRODUCTION , PLEASE VISIT OUR WEBSITE AT WWW .T HE OLDGLOBE .ORG PERFORMANCES MAGAZINE P11 P rofiles

Carlos Acuña Nike Doukas Productions; Sweet Charity, Never Too Late , (Gilbert/Roman) (Phyllis) Crown Uptown Theatre; Star Spangled Girl, THE OLD GLOBE: THE OLD GLOBE: Singin’ in the Rain, Cabaret, Funny Money , Debut. ELSE - Much Ado About Bigfork Summer Playhouse. FILM WHERE: The Nothing. REGION - SHORTS: Today, Mourning After, Weapons of Merchant of Venice, AL: Tonight at 8:30 , Udder Destruction. TV: In the Heat of the Night, Seven Deadly Sins, The Antaeus Deadly Relations. Ethos Theatre Co; Company; Ridiculous Rumours of Our Fraud, Major Sloan Grenz Death, Tres Stage Barbara, The Beard of Avon, Much Ado About (Josh) Theatre; Dangerous Corner, Underground Nothing, Everett Beekin, Pygmalion, Arms and the THE OLD GLOBE: Theatre Company; Bye Bye Margarita, Man, The Norman Conquests (among others), Debut. THE OLD Guthrie Lab; Claudia’s Family , Catalina South Coast Repertory; God of Vengeance, GLOBE/USD PRO - Players Theatre Company; 6RMS RVR VW , Communicating Doors , A Contemporary FESSIONAL Desert Players Theatre Co.; Caras y Mascaras , Theatre; The Affliction of Glory, The Wood ACTOR TRAINING Tucson Pastorela , Electricidad (Workshop with Demon, Mark Taper Forum; Julius Caesar, PROGRAM: Pericles . Mark Taper Forum), Thirteen Days (with Shakespeare Festival LA; The Importance of ELSEWHERE: San Francisco Mime Troupe), Borderlands Being Earnest, Berkeley Repertory Theatre; Titanic, Parade, Theatre Company. FILM: Three Breaths Measure for Measure, Our Town, Shakespeare Superstar, Weathervane Repertory; Hamlet, (2008), Serum, The Gauntlet, A Little Silence, Santa Cruz; Twelfth Night, A Midsummer Romeo and Juliet, Whit & Will Players; Henry Reign of the Fallen,The Woman Who Fell from the Night’s Dream, Richard III, Othello (among & Mudge (premiere), Huckleberry Finn, Sky, The Art of Ketman, Deep Toad , NALIP others) Berkeley Shakespeare Festival; Theatreworks/USA ; Jack..., Cinderella, Kings Producers Academy, 2003. TV: Guiding Light, Private Lives, The Majestic Kid, A Christmas Theatre/Lycian Centre; Meaningless, One Life to Live, It’s a Miracle . TRAINING: Carol , The American Conservatory Theatre. Bailiwick; Little Shop of Horrors, Jewish MFA, Rutgers University; Mason Gross TV: Women’s Murder Club, Shark, Numb3rs, Theatre Ensemble; Tradition, NY Fringe; School of the Arts Conservatory/The Without a Trace, Criminal Minds, Desperate Robin Hood, Park Playhouse; and singing at Guthrie Experience, MFA Summer Housewives (recurring) among others. MFA CBGB’s and The Knitting Factory with Conservatory. The American Conservatory Theatre. Infinite Orchestra. Best known for his per - formance as “Nervous Resident" in NYU's Ashley Clements Joy Farmer-Clary School of Medicine training videos, Sloan is (Kat) (Astarte) a graduate of Northwestern University. THE OLD GLOBE: THE OLD GLOBE: Debut. THE OLD 2007 Summer Ted Ko-ch GLOBE/USD PRO - Shakespeare (Ben) FESSIONAL Festival. THE OLD THE OLD GLOBE: ACTOR TRAINING GLOBE/ USD Pig Farm. BROAD- PROGRAM: Pericles . PROFESSIONAL WAY: The Pillowman, ELSEWHERE: Arca - ACTOR TRAINING Death of a Salesman, dia, 'Tis Pity She's a PROGRAM: Pericles, Cat on a Hot Tin Roof . Whore, An Ideal Husband, Fiddler on the Roof, A Marat/Sade, The Laramie Project, Much Ado OFF-BROADWAY: Christmas Carol, Captain Manly . EDUCA - About Nothing . ELSEWHERE: The Lion, the Meshugah, Naked TION: Ashley holds a BA in Drama from Witch, and the Wardrobe , Lincoln Center Angels; The Chaos Ithaca College. Institute; Romeo and Juliet , Austin Theories , Shotgun Productions. NATIONAL Shakespeare Festival; Crazy for You , Zilker TOUR: Death of a Salesman. REGIONAL:

P12 PERFORMANCES MAGAZINE Sweet Bird of Youth, The Front Page, Rosina Reynolds at the Public Theatre. REGIONAL: Bad Williamstown Theater Festival; True West, (Ashley/Adele) Dates , Arizona Theatre Company and Two Arena Stage (Helen Hayes nomination, THE OLD GLOBE: River Theatre Company; Outrage , Wilma Outstanding Lead Actor); Ella, Crossroads The Trojan Women, Theatre; Jumpers , ACT Theatre; The Dazzle , Theatre; Broadway, Pittsburgh Public; A Romeo and Juliet, Hartford Theatreworks; Much Ado About Streetcar Named Desire, Buffalo Studio Arena; Missing Footage, Nothing , Great Lakes Theatre Festival; The Orphans, CT-20 Ensemble (Joseph Jefferson Burning Hope . SAN Good Times Are Killing Me , Seattle Repertory Award, Best Actor); As You Like It , Goodman DIEGO: Arcadia, Theatre; and the Shakespeare Festivals of Theatre; Guys and Dolls, North Carolina Copenhagen, The Little Utah, Seattle and Idaho. FILM/TV: Alone, Theatre; Macbeth, Next Theatre. TV: The Foxes, Cygnet Third Watch, All My Children, Law & Order, As Sopranos, The West Wing, Law & Order, Law & Theatre; Wit, Amy's View, The Rivals, Eleanor, The World Turns . TRAINING: Old Globe Order: Criminal Intent, Ed, Third Watch, Hack, North Coast Repertory Theatre; Cymbeline, A Theatre/USD. Guiding Light, Chicago Hope, Early Edition . Lovely Sunday at Creve Couer, A Christmas FILM: A Crime, Griffin and Phoenix, Hannibal, Carol , San Diego Repertory Theatre; Humble Autumn in New York, Dinner Rush, Strangers, Boy , New Village Arts; Since Africa , Mo’olelo Ned Schmidtke Death of a Salesman for Showtime, Cold Souls Performing Arts Company; Shirley Valentine, (Johannsen/Barry) (Upcoming). Proud member of AEA. Long Days Journey into Night , Renaissance THE OLD GLOBE: Theatre Company; Joyful Noise, Lettuce & A Body of Water, Blue/ Jeffrey Kuhn Lovage, Woman of No Importance , Lambs Orange, Pericles. (Randy) Player's Theatre; Knife in the Heart , BROADWAY: Aren’t THE OLD GLOBE: Sledgehammer Theatre; In the Fires of Delight , We All? (also nation - Debut. BROAD - Malashock Dance Company; Arms and the al tour). REGION - WAY: Assassins Man, Moonlight Avo; Mrs. Farnsworth, AL: Tonight at 8:30 , (Giuseppe Laterthanever Productions. The Antaeus Zangara), Monty Company; Six Degrees of Separation, national Python’s Spamalot Erika Rolfsrud tour; Richard II, Macbeth, Tartuffe, Stratford (Sir Bedevere), (Nessa) Shakespeare Festival, Canada; The Moliere Wicked (Boq), THE OLD GLOBE: Comedies, Mark Taper Forum; Driving Miss Ragtime . OFF-BROADWAY: Floyd Collins for The Seagull, Daisy , Utah Shakespearean Festival; The Real Playwrights Horizons. REGIONAL: I Am Cymbeline, Henry IV, Thing, Court Theatre; Henry IV, parts 1 and 2, My Own Wife, A.R. Gurney’s The Fourth Wall, Dancing at Lughnasa, Much Ado About Nothing, The Three Musketeers, Dirty Blonde, The Story of My Life, Love's Macbeth, The Gate of The School for Scandal, Oregon Shakespeare Labour's Lost, Antony and Cleopatra, A Heaven . BROAD - Festival; Molly Sweeney , Indiana Repertory Midsummer Night's Dream, Romeo and Juliet, WAY: The Coast of Theatre; Twelfth Night, Cymbeline , Chicago The Illusion, The Tempest, Twelfth Night, Timon of Utopia , Lincoln Shakespeare; The Three Sisters, The Winter’s Athens , for the Stratford Festival, Atlanta’s Center; Rabbit Hole , Manhattan Theatre Tale , Goodman Theatre; Later Life , American Alliance, Repertory Theatre of St. Louis, Club. OFF-BROADWAY: The Glory of Living , Stage Festival; Libra , Steppenwolf Theatre; Cincinnati Playhouse, O’Neill Theater Manhattan Class Company; How I Learned to Mrs. Warren’s Profession, Nothing Sacred, Center, Canadian Stage Company, Prince Drive, Vineyard Theatre at the Century Uncommon Ground , Northlight Theatre; Don Music Theatre. TORONTO: The Lion King Theatre; Trout Stanley , The Culture Project; O Juan, Passion Play , Arena Stage; Cyrano de (Zazu), The Who’s Tommy (Cousin Kevin), Pioneers!, The Comedy of Errors , The Acting Bergerac, Plenty , Huntington Theatre. FILM: George F. Walker’s Nothing Sacred (Gregor). Company at Women’s Project; Eclipsed , Irish Accepted, Wedding Crashers, XXX 2: State of the TV: Earth: Final Conflict, Gotti, Nothing Sacred, Repertory; Love’s Fire , The Acting Company Union, Mercury Rising, My Best Friend’s Wedding, Romeo and Juliet . CONTINUED NEXT PAGE

PERFORMANCES MAGAZINE P13 Profiles continued

Chain Reaction, The Relic, Music Box . TV: Without Michael Bloom Rep; The Velvet Sky , Woolly Mammoth a Trace, Cold Case, Huff!, NYPD Blue, JAG, The West (Director) Theatre. FILM: Pushing Hands, Dead End Wing, The Practice, ER, Crossing Jordan. Mr. Artistic Director, Cleveland Play House. Days . TV: Late Night with David Letterman, Late Schmidtke is proud to have been a member of OFF-BROADWAY: Sight Unseen (Drama Night Anniversary Show . Currently working on the Actors’ Equity Association for over 30 years. Desk nomination), Manhattan Theatre designs for Dead Man’s Cell Phone at Club, WPA, Soho Rep. REGIONAL: Well, A Steppenwolf and The Bluest Eye at Hartford Tony von Halle Streetcar Named Desire, Rabbit Hole, Stage and Long Wharf Theatre. (Milton) Lincolnesque , Cleveland Play House; Dinner THE OLD GLOBE: with Friends (premiere), Actors Theatre of David Kay Mickelsen Debut. THE OLD Louisville; Gross Indecency (Elliott Norton (Costume Design) GLOBE/USD PRO - Award), Huntington Theatre Company; THE OLD GLOBE: Debut. REGIONAL: FESSIONAL Sight Unseen, Proof , South Coast Rep; ... A Guthrie Theatre, Geffen Playhouse, Denver ACTOR TRAIN - Young Lady From Rwanda (American pre - Center Theatre Company, Cincinnati ING PROGRAM: miere), Kansas City Rep; The Cryptogram, Playhouse in the Park, Arizona Theatre Pericles. OTHER Geffen Theatre; Nora, The Guardsman, Sweet Company, Pioneer Theatre, Geva Theatre, THEATRE: SubUrbia Bird of Youth , Williamstown Theatre Festival; Northlight Theatre, Tennessee Rep, San (OOBR Award), Abingdon Theatre; Romeo Road to Nirvana, The Writing Game (American Diego Rep, New Mexico Rep, Repertory and Juliet , Greenwich St. Theatre; Thief River , Repertory Theatre); INTERNATIONAL: The Theatre of St. Louis, Williamstown Theatre Arena Theatre; The Fantasticks , Stella Adler Glass Menagerie, The Miracle Worker, Aoyama Festival, Sundance Theatre, Children’s Studios; A Christmas Carol, McCarter Theatre, Tokyo. WRITING: Articles for New Theatre Company of Minneapolis, Ford’s Theatre; Caligula, the musical , Zipper Theatre; York Times and American Theatre, Thinking Theatre, Portland Center Stage, A Believe , York Theatre; I’ll Be Seeing You (world Like A Director, Farrar, Straus, & Giroux. Contemporary Theatre, Ensemble Studio premiere), Kimmel Center; Hamlet , Theatre, Pennsylvania Center Stage, Jean Michigan Shakespeare Festival; Tape Scott Bradley Cocteau Repertory Theatre, Theatre of the Recorder , The Bailiwik Theatre; Undiscovered (Scenic Design) Open Eye, Hampton Playhouse, Timberlake Treasures , New York Comedy Club. THE OLD GLOBE: Enter the Guardsman, Playhouse, Laguna Playhouse, Pasadena FILM/TV: Frank, Jaaneman (Bollywood), Smash , Joe Turner’s Come and Gone . BROAD - Playhouse, Berkeley Repertory Theatre, as Talking to God, The Ides of March, Larceny, WAY: Seven Guitars (1996 NY Drama Desk well as the Oregon, Colorado, Utah and Edward Albee’s Who’s Afraid of Virginia Woolf?, Award for Best Set Design, NY Outer Illinois Shakespeare festivals EDUCA - The Trial . TRAINING/EDUCATION: BFA Critic’s Circle Award for Best Design TION: MFA, California Institute of the Theate Performance, University of Collaboration and Tony nomination for Arts, BA, Western Oregon University. Michigan; Theatre Studies, Idyllwild School Best Set Design); Joe Turner’s Come and Gone Originally from Canby, Oregon, David now of Music and the Arts. (1988 NY Drama Desk Award nomination). makes his home in Long Beach, California. OFF-BROADWAY: Eurydice, The Notebooks of He is a member of United Scenic Artists. Howard Korder Leonardo Da Vinci, Sin, Second Stage; Picasso (Playwright) at the Lapin Agile , Promenade Theater; An Plays include Fun, Nobody, Boys’ Life, The Unfinished Song , Provincetown Playhouse; Lights, Night Maneuver, Search and Destroy , and Modigliani, The Return , Jewish Repertory The Hollow Lands . AWARDS: Obie, Theatre; Cahoots, South Street Theatre. Kesselring Prize, HBO Writer’s Award, REGIONAL: Rabbit Hole, The Dreams of Sarah Guggenheim Fellowship, Kennedy Center Breedlove , The Goodman Theatre; Gem of the Fund for New American Plays. FOR TELE - Ocean, Arena Stage; Fences, A Raisin in the Sun , VISION: Lip Service, The Passion of Ayn Rand, Hartford Stage; The Merry Wives of Windsor , Little Assassin, Stealing Sinatra, Bad Apple . Cal Shakes; The Glass Menagerie , Berkeley

P14 PERFORMANCES MAGAZINE Robert Wierzel Design of Jenny Chow, Blue/Orange, Time Flies, Stage Manag-ment Intern: Old Wicked Songs. (Lighting Design) Pentecost, Compleat Female Stage Beauty, Dr. ELSEWHERE: Stage Manager of Adoption OLD GLOBE: Debut. BROADWAY: David Seuss’ How the Grinch Stole Christmas!, The Project - Triad , Mo’olelo; Miss Witherspoon , Copperfield’s Dreams and Nightmares ; The Deep Boswell Sisters, Crumbs from the Table of Joy . San Diego Rep; Fathom , Malashock Dance Blue Sea, Roundabout Theatre Company. ELSEWHERE: Centerstage, Milwaukee (‘06). Ms. Gleason has held many different OFF-BROADWAY: NYSF/Public Theater, Rep, La Jolla Playhouse, Sledgehammer positions at the Globe from House Signature Theatre Company, MCC Theatre; Theatre (Associate Artist), Mo’olelo Manager to Carpenter, Master Sound Mostly Mozart Festival, Classic Stage Performing Arts Company, The Wilma Technician to Education Coordinator. Ms. Company, Playwrights Horizons, The Theatre, L.A. TheatreWorks, San Diego Gleason holds a BA from Southern Oregon Acting Company, BAM, among others. Repertory Theatre, Florida Studio Theatre, University. Moira is a proud member of REGIONAL: Hartford Stage, Mark Taper Lorraine Hansberry Theatre, North Coast Actor’s Equity. Forum, Long Wharf Theatre, A.C.T., Rep, Diversionary Theatre, Cape Fear * * * Chicago Shakespeare Theater, Goodman Regional Theatre, Hope Summer Repertory Theatre, Malashock Dance & Company, The Joy Farmer-Clary and Tony von Halle Theatre, Berkeley Repertory, Arena Stage, appear in this production courtesy of Guthrie Theater, and Shakespeare Theatre University of San Diego, San Diego State Actors’ Equity Association DC, among many others. DANCE: Bill T. University, and the Freud Theatre at UCLA. Jones/Arnie Zane Dance Company. 22 years EDUCATION: BFA in Drama with an of collaboration. The Lyon Opera Ballet, emphasis in Technical Design from San Berlin Opera Ballet. OPERA: Philip Glass’ Diego State University. Hydrogen Jukebox, Les Enfants Térribles . Paris ADDITIONAL STAFF FOR Opéra (Garnier), Tokyo Opera, Elizabeth Lohr THIS PRODUCTION Glimmerglass Opera, San Francisco Opera, (Stage Manager) THE OLD GLOBE: Full Gallup, Puddin ‘n’ Pete. Lyric Opera of Chicago, New York City Voice and Dialect Coach ...... Jan Gist NATIONAL TOUR: Wicked, Les Misérables . Opera, Seattle Opera, Portland Opera, San Assistant Director ...... Annie Langer REGIONAL: Cat on a Hot Tin Roof , Dallas Diego Opera, Minnesota Opera, Canadian Assistant Lighting Desgin ...... Jason Bieber Opera, Montreal Opera, Vancouver Opera, Theater Center; Be Aggressive , La Jolla Play - Stage Management Intern ..... Alisa Zeljenjak Virginia Opera, Florida Grand Opera, and house; Proof , Arizona Theatre Company. Washington Opera, among many others. Other regional theatre credits include pro - TEACHING: Graduate Program-Design for ductions for Cleveland Play House, San Stage and Film at New York University, Diego Repertory Theatre and Nebraska Tisch School of the Arts. TRAINING: Yale Repertory Theater.Ms. Lohr is a vacation This theatre operates under an agreement between the cover stage manager for the 1st National Tour League of Resident Theatres and Actors’ Equity School of Drama. Association, the union of professional actors and stage of Wicked . She spent two years touring with managers in the United States. Paul Peterson Les Misérables . Ms. Lohr has been a member (Sound Design) of Actor’s Equity Association since 1987. The Directors are members of the Society of Stage Directors and Choreographers, an independent national THE OLD GLOBE: Over 50 productions, labor union. including: Dr. Seuss’ How The Grinch Stole Moira Gleason Christmas!, Hay Fever, Bell, Book and Candle, (Assistant Stage Manager) The Scenic, Costume, Lighting and Sound Designers in THE OLD GLOBE: The Sisters Rosensweig, LORT Theatres are represented by United Scenic Artists Edward Albee’s Who’s Afraid of Virginia Local USA-826, IATSE. Woolf?, Two Trains Running, Hold Please, The Constant Wife, Dr. Seuss’ How the Grinch Restoration Comedy, The Four of Us, Pig Farm, Stole Christmas! (‘05), 2005 and ’07 The Sisters Rosensweig, Trying, Moonlight and Summer Shakespeare Festival, Vincent in This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Magnolias, Vincent in Brixton, I Just Stopped By Brixton, I Just Stopped By to See the Man, Local No. 122. to See the Man, Lucky Duck, The Intelligent Fiction, The Full Monty ; as Douglas Pagliotti

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactor s ($100,000 and above) City of San Diego, Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr. Seuss Fund The San Diego Union-Tribune and the County of San Diego

Season Sponsors ($50,000 to $99,999) American Express Valerie & Harry Cooper Conrad Prebys The Legler Benbough Foundation Globe Guilders QUALCOMM, INC. California Bank & Trust Joan & Irwin Jacobs Wells Fargo J. Dallas & Mary H. Clark Fund at Las Patronas Sheryl & Harvey P. White The San Diego Foundation Sheila and Jeffrey Lipinsky Karen & Donald Cohn Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Bombardier Flexjet Nokia Richard Wright & Elizabeth Adderley Cohn Restaurant Group/Prado Restaurant Sempra Energy American Airlines Continental Airlines Sheraton San Diego Hotel & Marina AT&T Danah H. Fayman Patsy & Forrest Shumway Bank of America Jake & Todd Figi Starbucks Coffee Alan Benaroya Kathryn & John Hattox Union Bank of California John A. Berol HM Electronics, Inc. U.S. Bank Mary Ann Blair Fund Deni & Jeff Jacobs Mandell Weiss Charitable Trust at The San Diego Foundation Director Circle ($10,000 to $24,999) Lawrence G. Alldredge & Dawn Moore Pamela A. Farr Sandra & Allen Redman Anonymous (1) Hal & Pam Fuson Chris Skillern Charles & Molly Brazell Lee & Frank Goldberg Nancy & Alan Spector and Family Arthur & Sophie Brody Fund of the Martin Goodman Ms. Jeanette Stevens Jewish Community Foundation Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Dale Burgett & F. George Gilman Supervisor Bill Horn Gillian & Tony Thornley The Louis Yager Cantwell Private and the County of San Diego Evelyn Mack Truitt Foundation Mr. & Mrs. Neil Kjos Erna & Andrew Viterbi Deni & Ken Carpenter Dr. Ronald & Mrs. Ruth Leonardi Weingart-Price Fund at Peter Cooper & Norman Blachford Jacquelyn Littlefield The San Diego Foundation Advised Fund at the San Diego Human Sue & John Major Stewart & Brenda Weissman Dignity Foundation Dr. Patricia Montalbano Brent V. Woods & Laurie C. Mitchell Elaine & Dave Darwin Hank & Robin Nordhoff June E. Yoder Mr. & Mrs. Brian Devine The Kenneth T. & Eileen L. Norris Carolyn W. Yorston Dr. & Mrs. Robert Epsten Foundation Robert & Deborah Young Allison & Robert Price Ellen & Tim Zinn P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE GSG Capital Advistors, LLC/ Hon. Arthur J. Collingsworth & ($5,000 to $9,999) Laura & Glenn Goodstein Brian R. Simmons Dr. & Mrs. Wayne Akeson Ms. Cheryl Haimsohn Mike Conley & Sue Steele Anonymous (1) Fred & Alicia Hallett Roger Cornell, M.D. Ken & Ginger Baldwin Susan & Dr. Ronald Heller Richard & Stephanie Coutts Jane Smisor Bastien Alexa Kirkwood Hirsch Sally & Pat Crahan The Colwell Family Fund at The San Diego Leonard & Elaine Hirsch Mrs. Willard T. Cudney Foundation Tish & Jere Horsley Dr. & Mrs. Francis C. Cushing, Jr. R. Patrick & Sharon Connell Richard & Janet Hunter Fran & Matt Dalton Ann & John Davies Hutcheson Family Fund at The San Diego Mrs. Gail Powell Davis Nina & Robert Doede Foundation Pat & Dan Derbes Bernard J. Eggertsen & Florence Nemkov Al & Pat JaCoby Dean & Mrs. Michael H. Dessent Carol Spielman-Ewan & Joel Ewan Mary & Russell Johnson Marion Eggertsen Alan & Pauline Fatayerji Dr. & Mrs. Richard L. Kahler Peter & Doris Ellsworth Martha & George Gafford William Karatz Carol Fink Mary Ann & Arnold Ginnow Bob & Gladys King Dieter & Susan Fischer/Dieter’s Mercedes Service Robert Gleason & Marc Matys Rosalie Kostanzer & Mike Keefe Mary & David Fitz Leo S. Guthman Fund Bob & Laura Kyle Susanna & Michael Flaster Melissa & James Hoffmann James & Pamela Lester Mr. & Mrs. Richard Ford Carol & George Lattimer Merriel F. Mandell, Ph.D. Sid & Jean Fox Peter & Inge Manes Dr. Marianne McDonald Karen & Orrin Gabsch Bob Martinet Judy & George Miller Deede Gales Paul I. & Margaret W. Meyer David & Noreen Mulliken Elaine & Murray Galinson Money/Arenz Foundation, Inc. Tom & Lisa Pierce Bill & Judy Garrett Harle Garth Montgomery Dolly* & Jim Poet Drs. Thomas H. & Jane D. Gawronski Arthur & Marilyn Neumann Mr. & Mrs. Matthew Pollack Mr. & Mrs. Daniel Genis Charles Noell & Barbara Voss John & Marcia Price Family Foundation Teresa C. George Mike & Elizabeth Rabbitt Brenda Marsh-Rebelo & John G. Rebelo Martin & Enid Gleich Ellen C. Revelle Dr. H. Warren Ross Tom & Sheila Gorey Jeannie & Arthur Rivkin Roberta J. Simpson Drs. Barbara & Leonard Gosink Deborah Szekely Marisa SorBello & Peter Czipott Jay & Mary Hanson Dixie & Ken Unruh Julie & Bob Sullivan Norm Hapke & Valerie Jacobs Hapke Jean & Tim Weiss Jay & Diane Sweeney Drs. Patrick Harrison & Eleanor Lynch Pamela & Marty Wygod Marilyn Elizabeth Thompson Salah M. Hassanein Carol Vassiliadis Dr. & Mrs. Peter K. Hellwig Doris & Lou Vettese Rhonda Heth & Thomas Mabie PLAYWRIGHT CIRCLE Jordine Von Wantoch Michael & Jill Holmes ($2,500 to $4,999) Patricia & Christopher Weil Family Foundation Dr. David K. Hostetler Gail, John & Jennifer Andrade Helene & Allan Ziman Gary & Carrie Huckell Dr. Bob & Jill Andres Roberta Hussey Mr. & Mrs. Richard Baldwin CRAIG NOEL CIRCLE Al Isenberg & Regina Kurtz Melissa Garfield Bartell & Michael Bartell ($1,500 to $2,499) Jerri-Ann & Gary Jacobs Joan & Jeremy Berg The Family of Richard & Mary Adams Daphne Jameson Perry S. Binder, MD Richard Addesso Mr. & Mrs. David J. Johnson Paul Black Anonymous (3) Marge & Jerry Katleman Dr. & Mrs. Edgar D. Canada Edwin Bacher William & Edythe Kenton Cecilia Carrick & Stan Nadel Diana Barliant & Nowell Wisch Ken & Sheryl King Carol & Rudy Cesena Mrs. Inge Lehman Barta Webster & Helen Kinnaird Carol & Jeff Chang Mrs. Lazare F. Bernhard Dr. & Mrs. Ara S. Klijian Garet & Wendy Clark Sally & John Berry Sherry & Larry Kline Jack & Carol Clark Charles & Charlotte Bird Dr. & Mrs. R.W. Klofkorn Ms. Heidi Conlan/The Sahan Daywi Foundation Cynthia Bolker & Greg Rizzi Brooke & Dan Koehler Susan B. Cowell Ronda & Stanley Breitbard Ledford Enterprises Inc. Gigi & Ed Cramer Terry & Bill Burd Terry & Mary Lehr Darlene G. Davies in memory of Lowell Davies Clint & Susie Burdett Ms. Sherrill Leist Mrs. Philip H. Dickinson Anita Busquets & William Ladd Sandy & Arthur Levinson Noddy & Ira Epstein Dr. & Mrs. Robert M. Callicott Jerry & Elsa Lewis Samuel I. & John Henry Fox Foundation at Ruth Mary Campbell Robin J. Lipman & Miro Stano Union Bank of California Ellen Casey Mathew & Barbara Loonin Millicent & Charles Froehlich Pam & Jerry Cesak Maday/O’Donnell Design Collective — Barbara & Albert Garlinghouse Dolores Clark Dimitri J. Callian III & Lauren Zarobinski Charlie & Jackie Mann

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

F. Dale & Lois Marriott Michael & Penny Wilkes Mrs. Wyloma Bradshaw R.J. Maus, Architects Mr. & Mrs. Harold B. Williams Mrs. Henri Brandais Tony & Nancy McCune Keith J. Wong Mr. & Mrs. Blaine A. Briggs Bill & Jeri McGaw Dr. & Mrs. Simon C. Brumbaugh, Jr. Elizabeth & Edward McIntyre PLATINUM Beth & Tim Cann Harold O. McNeil ($1,000 to $1,499) Greg & Loretta Cass Elizabeth Meyer Anonymous (1) Ray & Shelley Chalupsky Joel & Deirdre Mick Mr. & Mrs. Robert Beck Lynne Champagne & Wilfred Kearse Estelle & Jim Milch Judy & Larry Belinsky Doug & Elisabeth Clark Rena Minisi & Rich Paul Nicholas B. Binkley Steve & Carolyn Conner Judith & Neil Morgan Drs. Gary & Barbara Blake Ronald D. Culbertson Coralee Ann Morris H.L. & Irene Boschken Wes & Elaine Dillon Jan & David Mullin Sandra & Harry Carter Dr. Donald & Eilene Dose Ruth & Jim Mulvaney Jane Cowgill Patricia Eichelberger Josiah & Rita Neeper Dan & Sue Donovan William Eiffert & Leslie Hodge Bob Nelson & Murray Olson Ron & Devora Eisenberg–Great News! Peggy Elliott Eileen & Lawrence Newmark Earl N. Feldman Dr. Susan Dersnah Fee Nordstrom Peter & Christine Gault Richard & Beverly Fink Family Foundation Mr. & Mrs. Victor H. Ottenstein Robert & Edry Goot Dr. & Mrs. Frederick A. Frye Sigrid Pate & Glenn Butler Sandra Gulden & Leon J. Goldberger Sally Fuller Marcia & Jim Piper Gulden Private Foundation Theresa & Craig Georgi Martha Meade Pitzer Mr. & Mrs. Thomas M. Henry Arthur & Judy Getis Mo & Bill Popp Suzanne & Lawrence Hess The Golemb Family Dr. & Mrs. Daniel Porte Jackie Johnston-Schoell Louise & Doug Goodman Joanne Powers Warren & Karen Kessler Fund of the Drs. Thomas L. & Cynthia L. Goodman Jim & Claudia Prescott Jewish Community Foundation Chris Graham & Michael Albo Peggy Wynn Price Dr. Eric Lasley Carol & Don Green Don & Marie Prisby Dr. & Mrs. James E. Lasry Suzanne and Charles Grimshaw Joseph & Jane Rascoff Mr. & Mrs. James Lim Mr. George Guerra Mrs. Charlotte Rees Don & Mary Jane Lincoln Richard & Candace Haden Edward H. Richard & Warren P. Kendrick Joy & Ronald Mankoff Linda E. Hanson Mr. & Mrs. Roger Roberts Jasna Markovac & Gary Miller Alex & Mary Hart Nancy J. Robertson Akiko Charlene Morimoto & Stephanie & Scott Herman Rachel A. Rosenthal & Michael Liersch Hubert Frank Hamilton,Jr. Arnie & Barbara Hess Mr. & Mrs. Charles P. Royce Rod & Barbara Orth Mr. Stephen Hopkins & Dr. Carey Pratt Warren & Beverly Sanborn Parker & Crosland, LLP Steven & Nancy Howard Sanderson Family Donor Advised Fund at the Susan Parker Viviana Ibanez Rancho Santa Fe Foundation Deborah B. Pettry Isabella Fund at The San Diego Foundation Mrs. Hermeen Scharaga William & Susane Roberts Dr. Clyde W. Jones Sherry & C.A. Sheppard Don & Darlene Russell Kathy & Rob Jones Drs. Joseph & Gloria Shurman Alice & Lewis Silverberg Kenneth & Marilyn Jones Dee E. Silver, M.D. John & Margery Swanson Andrew & Denise Kaplan Alan & Esther Siman Stan & Anita Ulrich Patricia & Alexander Kelley Dotti & Joel Sollender Pat & Allen Weckerly Mr. & Mrs. Kevin Kiernan Herbert & Elene Solomon Brendan M. & Kaye I. Wynne Gayle & Jerry Klusky N.L. Stanworth in loving memory of Scott Dr. Joseph Yedid & Susan Sincoff Jo Ann & Lee Knutson Nancy Steinhart & Rebecca Goodpasture Christy & Howard Zatkin Bill & Linda Kolb Eugene L. & Hannah Step Jeri Koltun Mickey Stern GOLD Marvin M. Kripps, M.D. The Tarlov Family LABS, Inc./Silvia Dreyfuss Mr. & Mrs. Donald Tartre ($500 to $999) John Q. Lalas, Jr. Mr. & Mrs. Charles Taubman Tony & Margaret Acampora Janet & Dan La Marche Pat & Jack Thomas Anonymous (4) Thomas Leighty Cherie Halladay Tirschwell Rhoda & Mike Auer Mr. Richard Levi Ed Torres & Mark VonderHaar Mr. & Mrs. David A. Baer Sherry & Rick Levin Gene & Celeste Trepte Shawn & Jennifer Baker Dr. & Mrs. David D. Lynn Pamela J. Wagner Ina S. Bartell Edward H. & Nancy B. Lyon Merle & Phil Wahl Jack & Dorothy Baser Foundation Carl Maguire & Margaret Sheehan Jan Harden Webster & Raul Ortega Richard & Linda Basinger Dr. Robert & Marcia Malkus James & Ellen Weil Lee & Amnon Ben-Yehuda Jeanne Maltese Shirli Fabbri Weiss Joyce & Bob Blumberg Ron & Mercy Mandelbaum The Grey White Family Fund Mrs. Suzanne I. Bond Martin & Passante AAL

P18 PERFORMANCES MAGAZINE Christopher Maxin & Stephanie Buttell-Maxin Mr. Allen & Mrs. Nancy Bailey Nancy & Bill Homeyer Dr. & Mrs. M. Joseph McGreevy Beverly Bartlett & Barbara Sailors Bonnie & Cecil Hornbeck Keith & Lesley McKenzie James & Ruth Batman Mr. & Mrs. Lee Horowitt Mr. & Mrs. William McKenzie Sharon & Bill Beamer Kendyl & Merri Houdyshell Carole S. Miller Bruce & Patricia Becker In Memory of Ray Howard Joel, Annette & Arianna Millman Edgar & Julie Berner Robert Hyman Tom & Doris Neuman Armand Bernheim, Jr. Joseph & Donna Hynes Katherine Newton Joan Bernstein Susan D. Inot Mark Niblack Thomas Bilotta & Family Nancy B. & David A. James Jack & Virginia Oliver Mr. & Mrs. Stanley Birstein Edward & Linda Janon Mr. & Mrs. David J. Pettitt Daniel & Barbara Black Lucy & Jones Jaworski Dr. Ken Pischel & Dr. Katherine Ozanich Bruce & Linda Blakley Cameron Jay & Kathleen Rains Dr. Julie Prazich & Dr. Sara Rosenthal Robert Blanton & Ann Clark In Memory of Donald Jenkins Mr. & Mrs. Kedar Pyatt Joann Boone & Nancy Danniger Judge & Mrs. Anthony C. Joseph Elaine Rendon Perla Brownlie James & Sharon Justeson Joseph W. Robinson Beth Bruton Michel Karp Stuart & Linda Robinson Barbara Bry & Neil Senturia Gail Kendall Mr. Joseph Rusche Helen M. Caldwell Remik Kolodziej & Steven Daris Dr. Joseph & Carol Sabatini Jane Carrigan Mr. & Mrs. Jay Kranzler The Sapp Family William & Shirley Carrington Mr. & Mrs. Albert W. Krasnoff Barbara A. Sawrey Luc & Ann Marie Cayet-Pleska Lou Krueger John & Patricia Seiber Chateau du Meow Janay Kruger Ms. Debbie Seid Barbara Mistler Crew Betty & Richard Kuhn Drs. Lawrence & Miriam Sherman Glenn Currie Photography Elizabeth Lasley Mr. & Mrs. Randall Silvia John Davis & Bill Hughes Elliott & Phyllis Lasser Rodney & Dolores Smith Fund at Dutch & Dawn Dershem Dixon & Pat Lee The San Diego Foundation Wally & Linda Dieckmann Tom & Terry Lewis Gloria Penner Snyder & Bill Snyder Patricia & Glen Doughty Roy & Carol Long Sharon S. Storey & Theodore A. Milby Sean & Kellie Doyle Sally & Bill Luster Helga & Sam Strong Stephen & Sandra Drew Judge & Mrs. Frederick Mandabach Ron & Susan Styn Lizbeth Ecke & David Meyer Patricia Manning Edward D.S. Sullivan Barbara & Dick Enberg Kathleen Markham John & Linda Sunkel Richard & Donna Ferrier Harold & Beverly Martyn Clifford & Kay Sweet Larry & Jan Ford Bruce & Brenda Mason Tracy Tajbl & Neil Kent Jones Clare & Paul Friedman Cdr. & Mrs. John C. Mathews III Mrs. Terry Tidmore Randee & Richard Friedman Gene & Donna McAllister Mr. & Mrs. Jeffrey C. Truesdell Charles & Jeanne Gahagan Ronald McCaskill & Robyn Rogers Ms. C. Anne Turhollow & Mr. Michael Perkins Estephan A.G. Gargost Oliver McElroy & Karen Delaurier Natalie C. Venezia & Paul A. Sager Ferdinand Gasang Teresa McEuen Jo & Harold Weiner Thomas Gass, DDS & Chester McLemore John Paul McHugh Janice L. Weinrick David & Marcia Gill Steve McIntee Mr. & Mrs. David Weinrieb Norman & Patricia Gillespie Charles & Billie McKnight Katherine White Dr. & Mrs. Michael Goldbaum Drs. John Meyers & Betty Joan Maly Ross & Barbara White Howard & Carole Goldfeder Dr. & Mrs. Paul E. Michelson Dennis & Carol Wilson Euvoughn L. Greenan James & Dorothy Mildice M.J. Zahnle Mr. & Mrs. Arthur A. Greenberg Dr. James & Mrs. Nancy Miller Elizabeth Zeigler & Bernard Kuchta Theodore Gryga Charles W. Mills, Jr. Jerome & Anita Gutkin Dr. Isaac & Mrs. Nancy Mizrahi SILVER Margaret Hall Dr. & Mrs. Robert Morrison ($250 to $499) Helen M. Hammond Susan & Charles Muha Ben Abate Robert M. & Helen M. Hansen Michael & Danna Murphy Mr. Gale Acker & Dr. Nancy Acker C. Harbordt Joyce & Martin Nash Sybil & B.J. Adelson Joel Harms Harvey & Marsha Netzer Mr. & Mrs. Donald Allison James & Ruth Harris of the Jack & Judy Nichols George Amerault Jewish Community Foundation Mr. & Mrs. J. Gregory Noel Mr. & Mrs. Thomas Anderson Mrs. Corrine M. Harvey Floyd T. Olson Anonymous (6) Joan Henkelmann Larry & Marcia Osterink Drs. Michael & Gabriela Antos Donald J. Hickey Dr. David & Elizabeth Ostrander Robert W. Arnhym Christine B. Hickman & Dennis A. Ragen Carolann Pagliuso Earl Asbury Mr. & Mrs. Thomas O. Hippie Ed & Carolyn Parrish John & Elizabeth Bagby John & Peggy Holl Julius J. Pearl Fund at The San Diego Foundation Paul & Barbara Holz In Memory of Margaret Peninger

PERFORMANCES MAGAZINE P19 Annual Fund Donors continued

Clifford T. Pentrack & Mary E. Giovaniello Jerry & Beth Silverman Linda Terramagra Lawrence Roy Perrin Eunice M. Simmons, M.D. Mr. & Mrs. Jack E. Timmons Barbara Pricola Anne & Ronald Simon Ned A. Titlow Mr. & Mrs. Leslie D. Reed Christopher & Carmen Skipworth Douglas & Lynn Todd Robert & Doris Reed Kathryn & Terrence Slavin Mr. & Mrs. John Torell Daniel & Lynn Reisfeld Patti Sloan in honor of Jack Sloan Robert C. & Melesse W. Traylor Brent & Bev Robinson Charles & Julie Smith Bill & Barbara Ward Clarice & Irl Robinson Lance & Arlene Smith Kathy & Jim Waring Milton & Dorothy Roll Malcolm E. Smith Mr. & Mrs. James Welterlen Gerald & Ruth Rosenbaum Norman & Judith Solomon Ross & Barbara White Ursula R. Roth Bill & Barbara Sperling Sandy Wichelecki Dr. Norman & Barbara Rozansky Fred & Christine Stalder Cass Witkowski Family Peter & Donna Russell Alan M. Stall Mr. & Mrs. John W. Witt Fran & Tom Ryan Paul & Janet Stannard Dr. Perri L. Wittgrove George & Karen Sachs Mark & Dale Steele Janet Wolf Patrick Sammon & Mark Munsey Ann & Robert Steiner Mr. & Mrs. H.D. Wolpert Josiah & Abigail Sand James K. Stenderup David Workman James M. Santora & Dr. Daniel D. Sewell Wootsie Stockton Paul & Claudia Zimmer Simon & Ruth Sayre Dave & Jan Stormoen Vicky Zollweg & J. Michael Dunteman Dr. & Mrs. Roger H. Schmitt Abbe Wolfsheimer Stutz Martin & Connie Schroeder Mrs. J.B. Swedelius This list is current as of December 1, 2007 RAdm. & Mrs. H. James T. Sears Donald & Margaret Sweimler To learn more about supporting The Old Globe’s Linda J. Seifert Dr. Blake S. & Mrs. Peggy Jean Talbot performances and education and outreach Lori Severson & Eric Longstreet Dr. Terry & Naomi Tanaka programs, please visit our website at Glenda Allen Shekell Mr. Harold S. Taxel www.TheOldGlobe.org or call Dr. & Mrs. Hano Siegel Dr. Marshall & Leila Taylor Courtney Quinn at (619) 231-1941 x2311.

Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S. Binder, M.D. Alexa Kirkwood Hirsch Roberta J. Simpson Paul Black Leonard and Elaine Hirsch Ms. Jeanette Stevens Dr. and Mrs. Edgar D. Canada Al and Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob and Gladys King Doris and Lou Vettese Mary H. Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J. Cologne Bob and Laura Kyle June E. Yoder R. Patrick and Sharon Connell James & Pamela Lester Susan B. Cowell Merriel F. Mandell, Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G. Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs. Philip H. Dickinson Dr. Marianne McDonald community. Nina and Robert Doede Paul I. and Margaret W. Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J. Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Marilyn McAvoy at Danah H. Fayman Jeannie and Arthur Rivkin (619) 231-1941 x230 9. Susanna and Michael Flaster Dr. H. Warren Ross

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Fashion Valley Neiman Marcus Cyberknife Centers of San Diego, Inc./ Higgs, Fletcher & Mack, LLP ResMed Foundation Radiation Medical Group KPMG, LLP Torrey Pines Bank Mercer Vistage

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) Citigroup Foundation/Smith Barney Cush Family Foundation Northern Trust GSG Capital Advisors, LLC San Diego Business Journal Nicholas-Applegate Sycuan Resort & Casino Seltzer Caplan McMahon Vitek The Westgate Hotel WD-40 Company

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE , the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, CEO/ Executive Producer Jerry Patch , Co-Artistic Director Darko Tresnjak, Co-Artistic Director

William Anton Tim Donoghue Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brooks Richard Easton Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Tovah Feldshuh Bob James Jonathan McMurtry Ken Ruta Deborah Taylor * Victor Buono Monique Fowler * Peggy Kellner Stephen Metcalfe Douglas W. Schmidt * Irene Tedrow * Wayland Capwell Ralph Funicello Tom Lacy Robert Morgan Seret Scott Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox * Ellis Rabb David F. Segal Paxton Whitehead * Eric Christmas Harry Groener Dakin Matthews Steve Rankin Richard Seger James Winker George Deloy A.R. Gurney Deborah May Robin Pearson Rose Diane Sinor Robert Wojewodski Don Lee Sparks * G Wood Patron Information * in memoriam

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, Master Card, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor - ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at three stages, shop and craft areas. Open tours: most Saturdays and [email protected]. Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reserva - UNABLE TO ATTEND? tions. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Serivces Office and receive a tax LOST AND FOUND receipt for your donation. Tickets must be received by show time. If you have misplaced a personal item while at the theatre, please contact the Ticket Services Office or Security as soon as possible. If RESTROOMS AND TELEPHONES we are unable to locate your item, we’ll happily take down your Restrooms are located in the lower lobby of the Old Globe Theatre contact information as well as a description of the item and contact and adjacent to the Festival Theatre; pay phones may be found in the you if it is found. The Old Globe does not assume liability for items lower Globe Theatre lobby and next to the Gift Shop. left behind on premises.

Natural Herb Cough Drops - Courtesy of Ricola USA, Inc. available upon request. Please ask an usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRY PATCH DARKO TRESNJAK CEO/Executive Producer Co-Artistic Director Co-Artistic Director Louis G. Spisto has led The Old Globe since Jerry Patch was appointed Resident Artistic Director Artistic Director of the Globe’s 2004-2007 October, 2002. During his tenure, Spisto spear - of The Old Globe in February 2005, during which Shakespeare Festivals, Darko Tresnjak's directorial headed the return of the Shakespeare Repertory time he brought to the Theatre works by such credits at the Globe include: Pericles, The Winter's Tale, Season and brought to the Globe several new musi - renowned playwrights as Amy Freed, Richard Hamlet, A Midsummer Night’s Dream, Titus Andronicus, cals, including the critically-acclaimed A Catered Greenberg and Donald Margulies. In the past three The Comedy of Errors, The Two Noble Kinsmen, Antony Affair , the launch of the national tour of the Tony seasons, eleven world premieres and two second and Cleopatra and Bell, Book and Candle . Earlier this Award-winning Avenue Q and the Broadway transfers productions of new works have been presented, year he directed The Merchant of Venice at Theatre for a of Chita Rivera: The Dancer’s Life, and the Twyla including A Body of Water , winner of the 2006 Best New Audience, a production that traveled to the Tharp/Bob Dylan musical , THE TIMES THEY ARE A- New American Play Award. He previously served as Royal Shakespeare Company’s Complete Works CHANGIN’ . He has produced over 75 plays and the Dramaturge and a member of the longstanding Festival. Other credits include All's Well That Ends musicals, including Dirty Rotten Scoundrels , the west artistic team at the Tony Award-winning South Well at Theatre for a New Audience; The Two Noble coast premiere of the Tony-winning play Take Me Out Coast Repertory (SCR), where he coordinated the Kinsmen at The Public Theatre; Princess Turandot and and the annual holiday favorite, Dr. Seuss’ How the development of 150 new plays, including two Hotel Universe at Blue Light Theater Company; More Grinch Stole Christmas! . Spisto has managed the Pulitzer Prize winners and numerous other Pulitzer Lies About Jerzy at the Vineyard Theater Company; The Globe’s Capital Campaign to raise $75 million by the finalists. While at SCR, Patch worked as Dramaturg Skin of Our Teeth, Rosencrantz and Guildenstern Are Theatre’s 75th anniversary in 2010. Launched in on numerous new works, including Donald Dead, The Winter's Tale, Under Milk Wood, Moving March 2006, the campaign has reached 75% of its Margulies’ Sight Unseen and Brooklyn Boy , which Picture, The Blue Demon, Princess Turandot and The Love goal to date. During the past four seasons, the Globe recently opened to critical acclaim on Broadway, of Three Oranges at Williamstown Theatre Festival; has grown its subscription audience an unprece - Margaret Edson’s Pulitzer Prize-winning Wit , Heartbreak House, What the Butler Saw, Amphitryon and dented amount, resulting in the highest level of Howard Korder’s Search and Destroy, Amy Freed’s The The Blue Demon at the Huntington Theatre; Hay Fever attendance in over a decade. The Globe was also rec - Beard of Avon , as well as Intimate Apparel, Freedomland and Princess Turandot at Westport Country Playhouse; ognized by Charity Navigator, America’s premiere and world-premieres of several plays by Richard Rosencrantz and Guildenstern Are Dead at Long Wharf charity evaluator, which recently gave the Globe its Greenberg, including Three Days of Rain, Hurrah at Theater Company; A Little Night Music, Amour at third consecutive 4-Star rating. A strong advocate of Last!, The Violet Hour and Everett Beekin. In addition, Goodspeed Opera House; and La Dispute , UCSD. arts education, Spisto initiated several new pro - he co-conceived The Education of Randy Newman with Other directing credits include productions at grams including an innovative cross-border project Michael Roth and Mr. Newman. Patch also served as Florida Grand Opera, Opera Theater of St. Louis, involving students from both San Diego and Tijuana the founding project director of SCR’s Pacific Virginia Opera, Florentine Opera Company, and the in a unique bilingual production of Romeo and Juliet . Playwrights Festival, which annually introduces American premiere of Rimsky-Korsakov’s May Night He also launched a free matinee series which brings seven new plays to Orange County audiences and at Sarasota Opera. Upcoming projects include The thousands of students to the Globe’s productions. national theatre leaders. Typically, more than 75% of Dwarf and The Broken Jug for Los Angeles Opera’s Spisto established a reputation as a superb arts the festival plays presented receive multiple produc - “Recovered Voices” series and Antony and Cleopatra at executive here in California, where he spent over ten tions in theatres across the country. During his Theatre for a New Audience. He is the recipient of years as the Executive Director of the Pacific tenure at SCR, Patch also held the position of the Alan Schneider Award for Directing Excellence, Symphony Orchestra in Orange County. During his Artistic Director (1990-1997) of The Sundance TCG National Theater Artist Residency Award, Boris tenure there, he tripled the orchestra’s annual Theatre Program, which included the Sundance Sagal Directing Fellowship, NEA New Forms Grant, budget, while eliminating a prior deficit and success - Playwrights Laboratory, one of the nation’s leading two Pennsylvania Council on the Arts Individual fully completing the orchestra’s first endowment new play development programs. Additionally, he Artist Fellowships, San Diego Critics Circle Awards campaign. In addition, he established a series of ran the Sundance Summer Theatre, a repertory of 2-3 for his direction of Pericles and The Winter's Tale , and innovative recording projects with Sony Classical productions staged outdoors for Utah audiences and Patté Awards for his direction of The Winter’s Tale and and oversaw a number of nationally recognized The Sundance Children’s Theatre, which was dedi - Titus Andronicus . He has performed with numerous commissioning projects. He also served as the chief cated to the development and presentation of new Philadelphia dance and theater companies and executive at both American Ballet Theatre and The works for family audiences by leading American toured across the United States and Japan with the Detroit Symphony. He holds a Masters degree from playwrights. He has also served as a consulting dra - UNIMA Award-winning Mum Puppettheatre. He the University of Wisconsin in Arts Administration maturge for New York’s Roundabout Theatre was educated at Swarthmore College and Columbia and a Bachelors of Business Administration from Company, one of two of the largest theatre compa - University. the University of Notre Dame, and spent many years nies in the country. directing, producing and as an actor in plays and musicals throughout his college and graduate school years, as well as in professional summer theatre.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jerry Patch Darko Tresnjak Staff CEO/Executive Producer Co-Artistic Director Co-Artistic Director

Michael G. Murphy ...... General Manager Lighting Donor Services Dave Henson ...... Director of Marketing Chris Rynne ...... Lighting Director Babs Behling, Michelle Kareiva, Barbara Lekes, Richard Navarro, and Communications Megan Fonseca ...... Lighting Assistant Stephanie Reed, Judy Zimmerman ...... Suite Concierges Todd Schultz ...... Director of Development Tonnie Ficken ...... Master Electrician, Globe Mark Somers ...... Director of Finance Jim Dodd ...... Master Electrician, Carter MARKETING Richard Seer ...... Director of Professional Training Kevin Liddell ...... Master Electrician, Festival Becky Biegelsen ...... Public Relations Director Robert Drake ...... Director of Production Todd Adams, Elizabeth Burress, Jason Bieber, Bonnie Ed Hofmeister ...... Audience Development Manager Roberta Wells-Famula ...... Director of Education Breckenridge, Michelle Echeverria, Kristen Flores, Maureen Jackie Anderson ...... Publications Coordinator Darko Tresnjak . . . . Artistic Director, Shakespeare Festival Hanratty, Justin Hobson, Jennifer Horowitz, Shawna Kyees, Claire Kennelly ...... Marketing Assistant Molly Mande, Michael Paolini, Katie Reynolds, Chris Walsh, Samantha Haskins ...... Public Relations Assistant ARTISTIC Amanda Zieve ...... Electricians Judy Zimmerman ...... Marketing/Events Assistant Samantha Barrie ...... Artistic Coordinator Sound Erica Dei ...... Graphic Designer Kim Montelibano Heil ...... Literary Associate Paul Peterson ...... Sound Director Craig Schwartz ...... Production Photographer Erik Carstensen ...... Master Sound Technician, Globe Jan Gist ...... Voice and Speech Coach Subscription Sales Rachel Eaves ...... Master Sound Technician, Carter Bernadette Hobson ...... Artistic Assistant Scott Cooke ...... Subscription Sales Manager Stage Management Russ Allen, Anna Bowen-Davies, Arthur Faro, Andy Fink, Leila Knox ...... Production Stage Manager ADMINISTRATION Randi Hawkins, Steven Huffman, Pamela Malone, Jessica Tracy Skoczelas ...... Assistant Stage Manager Darla Lopez ...... Executive Assistant Morrow, Ken Seper, Cassandra Shepard, Grant Walpole, Brian Ulery ...... Assistant to the General Manager Andrea Leigh Walsh ...... Subscription Sales PRODUCTION Information Technology Representatives Debra Pratt Ballard ...... Associate Director of Production Dean Yager ...... Information Technology Manager Ticket Services Ellen Dieter ...... Company Manager Thad Steffen ...... Information Technology Asst. Mgr. Shari Ressel ...... Ticket Services Manager Carol Donahue ...... Production Coordinator J. Adam Latham ...... Information Technology Assistant Marsi Roche ...... Ticket Operations Manager Technical Human Resources Lyle Wilson ...... Ticket Services Supervisor/ Training Coordinator Benjamin Thoron ...... Technical Director Sandra Parde ...... Human Resources Director Wendy Berzansky ...... Assistant Technical Director Maintenance Josh Martinez-Nelson ...... Group Sales Coordinator/ Kacie Lyn Hultgren ...... Resident Design Assistant Randy McWilliams ...... Facilities Manager Ticket Services Supervisor Eliza Korshin ...... Technical Assistant/Buyer Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Shouna Shoemake . . . . . Lead Ticket Services Representative Christian Thorsen ...... Stage Carpenter/Flyman, Globe Gonzalez, Reyna Huerta, Margarita Meza, Jose Morales, Albert Brian Adams, Kevin Armento, Elizabeth Brown, Tony Dixon, Carole Payette ...... Charge Scenic Artist Rios, Maria Rios, Nicolas Torres ...... Building Staff Alicia Lerner, Jenna Long, Cassie Lopez, Caryn Morgan, Carlos Adam Bernard ...... Scenic Artists Quezada, Gary Rachac, Jessica Seaman, NatalieWeinstein, Haley Mike Harris ...... Master Carpenter PROFESSIONAL TRAINING White, Molly Wilmot ...... Ticket Services Representatives Robert Dougherty ...... Master Carpenter, Festival Llance Bower ...... Program Coordinator William Barron, Sheldon Goff, Gillian Kelleher, Jason McIntyre, Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert PATRON SERVICES Laura McEntyre, Mongo Moglia, Mason Petersen . . Carpenters Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Fred Mike Callaway ...... Theatre Manager Costumes Robinson, Liz Shipman ...... MFA Faculty Danielle Burnett ...... Front of House Assistant Stacy Sutton ...... Costume Director Corey Johnston, Robin Sanford Roberts, Merlin D. “Tommy” Thompson ...... Patron Services Rep . Charlotte Devaux ...... Resident Design Assistant Ben Seibert, George Yé ...... MFA Production Staff Rob Novak, Ashley Roberts ...... House Managers Maureen Mac Niallais ...... Assistant to the Director Dana Juhl ...... Food and Beverage Manager Shelly Williams ...... Design Assistant/Shopper EDUCATION Haydee Aldas ...... Food and Beverage Assistant Manager Gwen Dunham, Louise M. Herman ...... Drapers Raúl Moncada ...... Education Associate Michelle Elliott, Brandi Mahan, Anne-Marie Shafer, Babs Behling, Gloria Bradford, Holly Ward ...... Tour Coordinator Tess Thompson, Chris Thomas, Felicia Tobias ...... Pub Staff Anne Glidden Grace ...... Assistant Cutters Carol Green ...... Speakers Bureau Coordinator Babs Behling, Rose Espiritu, Stephanie Rakowski, Mary Miller ...... Costume Assistant Matt Biedel, Marisela De la Parra, Kimberly Parker Green, Stephanie Reed ...... Gift Shop Supervisors Nancy Liu ...... Stitchers Janet Hayatshahi, Sarah Price, David Sievit, Security/Parking Services Judith Craigo ...... Dyer/Painter/Crafts Artisan David Tierney ...... Teaching Artists Rachel “Beahr” Garcia ...... Security/Parking Molly O’Connor ...... Wig and Makeup Supervisor Services Supervisor Kim Parker ...... Asst. to Wig and Makeup Supervisor FINANCE Irene Herrig ...... Associate Supervisor of Security Erin Schindler ...... Wardrobe Supervisor Paula Nickodemus ...... Senior Accountant Sherisa Eselin, Janet Larson, Michael Moran, Jeffrey Neitzel, Jasmin Mellado ...... Crew Chief, Carter Dana M. Bryant . . . . Accounts Payable/Accounting Assistant Sonia Paul ...... Security Officers Kristin Bongiovanni, Marcella Hammond, Angela Yoshida . . Payroll Coordinator/Accounting Assistant Alex Chacona, Deborah Elliott, Nicole Hagemeyer, Lou Hicks, Nola Walkup ...... Globe Run Crew Tim Cole ...... Receptionist Jacynth Pohl, Frank Vasquez ...... Parking Lot Attendants Kristin Bongiovanni ...... Wigs Run Crew Mark Brickman, David Nguyen ...... V.I.P. Valet Attendants Marie Jezbera ...... Rental Agent DEVELOPMENT Properties Annamarie Maricle ...... Associate Director, Neil A. Holmes ...... Properties Director Institutional Grants Amy Reams ...... Properties Buyer Marilyn McAvoy ...... Associate Director, Jack O’Brien Pat Cain ...... Property Master, Globe Major Gifts David Buess ...... Property Master, Carter Artistic Director Emeritus Eileen A. Prisby ...... Events Manager M.H. Schrenkeisen ...... Shop Foreman Courtney Quinn ...... Development Coordinator, Rory Murphy ...... Lead Craftsman Individual Annual Giving Craig Noel Ryan Buckalew, Kristin Steva Campbell, Diane Addis ...... Membership Administrator Founding Director Patricia Rutter ...... Craftspersons Diana Steffen ...... Development Assistant

P24 PERFORMANCES MAGAZINE