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Most Underrated Band of All Time?
:: View email as a web page :: For the past 15 years, Manchester Orchestra has been one of the most popular emo bands on the planet. The one person who has been there every step of the way is founding singer-songwriter Andy Hull, who started the band when he was in his teens and has charted his own growing-up process with each album. Manchester Orchestra has also matured a lot over the years, evolving from an intense and volatile post-hardcore outt on albums like 2009’s Mean Everything To Nothing to the expansive and philosophical indie rock of their latest, The Million Masks Of God, which drops next week. Along the way, they’ve managed to somehow grow their audience while retaining committed fans who connected with the early records as teenagers, including famous acolytes like Phoebe Bridgers and Julien Baker. “Even though everything did well at that time, it wasn’t really accepted by critics and ‘cool’ people,” Hull recently mused about his back catalogue, “and that totally worked in our favor, because it still holds up. It sounds, to me, pretty timeless.” Ahead of the release of The Million Masks Of God, Hull reected on every Manchester Orchestra LP, candidly breaking down the myriad fascinating dramas that marked the process of making each record. Check it out here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest Indiecast visualizer digs further into the ongoing conict between Morrissey and The Simpsons. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
St. Nick Spotted Near Campus
October 12, 2009 WWW.UNEWS.COM Vol. 77, Issue 8 St. Nick spotted near campus Continuing campus crime posses threat Tyler Allen Assistant News Editor Crime is a looming problem on campus. Last year alone, there were 142 crimes reported at UMKC. “Even though UMKC is sur- rounded by some bad streets I always felt safe here,” student Kelsey Gos- sen said, “but now that I’m hearing about everything going on, I worry and I try to watch my back.” Other students are not too wor- ried. “I’m not concerned about crime on campus, quite simply because I know exactly how to avoid it,” stu- dent Rachael Herndon said. Unfortunately, not everyone on campus can avoid crime. In the past month, there have been two burglaries at 4747 Troost Ave., the building that houses the In- Blistery, cold weather blew into Kansas City stitute for Entrepreneurship and In- novation. The first incident occurred on Saturday morning and along with it around noon on Sept. 21 when a victim’s money was stolen out of his came a jolly Christmas spirit. desk. painted interior and exterior walls, laid The second incident occurred on Alexia Stout-Lang News Editor carpet, pulled weeds and even moved Sept. 25 and involved Cary Clark, some furniture. Sam Walton Fellow and director of pproximately 20 stu- “This is just such a blessing,” Freddie Students in Free Enterprise. dents, staff and faculty from UMKC bundled up Slaughter, one of the homeowners, said and faced the chill to par- as tears ran down her cheeks. “I just don’t “It’s just sort of random ticipate in the second an- know how to thank you all.” crime. -
(Public Pack)Agenda Document for Pensions Sub Committee, 21/09
Public Document Pack Governance and Human Resources Town Hall, Upper Street, London, N1 2UD AGENDA FOR THE PENSIONS SUB COMMITTEE Members of the Pensions Sub Committee are summoned to a meeting which will be held in Committee room 4, Town Hall, Upper Street, London N1 2UD on 21 September 2016 at 7.30 pm. Debra Norman Assistant Chief Executive – Governance and Human Resources Enquiries to : Mary Green Tel : 0207 527 3005 E-mail : [email protected] Despatched : 13 September 2016 Membership 2016/17 Substitute Members Councillor Richard Greening (Chair) Councillor Satnam Gill OBE Councillor Andy Hull (Vice-Chair) Councillor Mouna Hamitouche MBE Councillor Michael O'Sullivan Councillor Angela Picknell Councillor Paul Smith Quorum is 2 members of the Sub-Committee A. Formal Matters 1. Apologies for absence 2. Declaration of substitutes 3. Declaration of interests If you have a Disclosable Pecuniary Interest* in an item of business: if it is not yet on the council’s register, you must declare both the existence and details of it at the start of the meeting or when it becomes apparent; you may choose to declare a Disclosable Pecuniary Interest that is already in the register in the interests of openness and transparency. In both the above cases, you must leave the room without participating in discussion of the item. If you have a personal interest in an item of business and you intend to speak or vote on the item you must declare both the existence and details of it at the start of the meeting or when it becomes apparent but you may participate in the discussion and vote on the item. -
The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning. -
Gaslightpdffinal.Pdf
Credits. Book Layout and Design: Miah Jeffra Cover Artwork: Pseudodocumentation: Broken Glass by David DiMichele, Courtesy of Robert Koch Gallery, San Francisco ISBN: 978-0-692-33821-6 The Writers Retreat for Emerging LGBTQ Voices is made possible, in part, by a generous contribution by Amazon.com Gaslight Vol. 1 No. 1 2014 Gaslight is published once yearly in Los Angeles, California Gaslight is exclusively a publication of recipients of the Lambda Literary Foundation's Emerging Voices Fellowship. All correspondence may be addressed to 5482 Wilshire Boulevard #1595 Los Angeles, CA 90036 Details at www.lambdaliterary.org. Contents Director's Note . 9 Editor's Note . 11 Lisa Galloway / Epitaph ..................................13 / Hives ....................................16 Jane Blunschi / Snapdragon ................................18 Miah Jeffra / Coffee Spilled ................................31 Victor Vazquez / Keiki ....................................35 Christina Quintana / A Slip of Moon ........................36 Morgan M Page / Cruelty .................................51 Wayne Johns / Where Your Children Are ......................53 Wo Chan / Our Majesties at Michael's Craft Shop ..............66 / [and I, thirty thousand feet in the air, pop] ...........67 / Sonnet by Lamplight ............................68 Yana Calou / Mortars ....................................69 Hope Thompson/ Sharp in the Dark .........................74 Yuska Lutfi Tuanakotta / Mother and Son Go Shopping ..........82 Megan McHugh / I Don't Need to Talk -
CSU Honors Internment Victims
Vol. 87 Issue 23 March 18, 2010 Senior heavyweight on the road to NCAA Wrestling Championships SPORTS, Page 10 Demonstration addresses THURSDAY national gay rights violations NEWS, Page 2 Manchester Orchestra performs at The Troubadour SOUND-OFF, Page 8 Sound-off: What defines music? SOUND-OFF, Page 6 The Student Voice of California State University, Fullerton CSU honors internment victims LMFAO to play BY TANYA GHAHREMANI Daily Titan Staff Writer [email protected] Spring Concert BY MELISSA In the spring of 1942, hundreds MALDONADO of thousands of Japanese Americans Daily Titan Staff were removed from their homes Writer and forced into internment camps. news@dailytitan. Among those who faced this injus- com tice, many were students who had to leave their studies. The Associ- The Nisei Diploma Project is a ated Students collaborative effort of all the current Inc. production CSU campuses that had Japanese- staff has con- American students who were re- firmed that the moved and forced into internment Grammy-nom- camps during World War II. While inated electro- Cal State Fullerton was not open at pop group the time, six other CSU campuses LMFAO will be were – Fresno, Pomona, San Diego, headlining this San Francisco, San Jose and San Luis year’s Spring Obispo. Through the project, those Concert, sched- removed and forced into internment uled for Friday, camps will receive Honorary Bach- April 16. elor of Humane Letters degrees. E i g h t According to the project’s Web months of site, the CSU system hopes to at planning and PHoto coURTESY RENE MCLEAN least ease the pain of the incarcera- o p e n - e n d e d tion the students faced, and welcome student surveys showed the band was favored alongside the students back into the CSU. -
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Pamphlets,” and Announce First-Ever US Tour
April 27, 2021 For Immediate Release Squid Present New Single, “Pamphlets,” and Announce First-Ever US Tour Debut Album, Bright Green Field, Out Next Friday, May 7th on Warp Records photo credit - Holly Whitaker Next Friday, May 7th, Squid will release their debut album, Bright Green Field, via Warp Records. Ahead of its release, they present a new single, “Pamphlets,” and announce their first-ever US tour. Squid have long been praised for their kinetic live shows, recently being named one of the best bands at SXSW 2021 by The New York Times and Paste. New single “Pamphlets” further previews this energy. It “concludes [Bright Green Field] with eight minutes of Can-ish skyward populsion - the delirious release which justifies all the foregoing tension” (MOJO). Squid drummer and lyricist Ollie Judge elaborates: “It’s about all the rubbish right-wing propaganda you get through your front door. It imagines a person with that as their only source of news being taken over by these pamphlets.” Listen to Squid’s “Pamphlets” Each single - “Pamphlets,” “Paddling,” and “Narrator” - shows that Bright Green Field is a debut of towering scope and ambition. Produced by Dan Carey, Bright Green Field is deeply considered, paced and intricately constructed. The five band members - Louis Borlase (guitars/vocals), Oliver Judge (drums/vocals), Arthur Leadbetter (keyboards/strings/ percussion), Laurie Nankivell (bass/brass) and Anton Pearson (guitars/vocals) - worked as a unit, playing an equal and vital role in its creation. Squid’s music has often been a reflection of the tumultuous world we live in. As an album title, Bright Green Field conjures an almost tangible imagery of pastoral England. -
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Paddling,” from Debut Album, Bright Green Field, out May 7Th on Warp Records
March 16, 2021 For Immediate Release Squid Present New Single, “Paddling,” From Debut Album, Bright Green Field, Out May 7th on Warp Records photo credit - Holly Whitaker “[‘Narrator’ is] one of the most exciting rock payoffs in recent memory.” - Entertainment Weekly “I think this could be post-punk record of the year.” - The Needle Drop "[‘Narrator’] transforms from arty punk-funk to noise-laced passages that could almost be pretty in their melancholy if not for how Oliver Judge and Martha Skye Murphy push their voices to unnerved, shredded limits.” - Stereogum, Best Songs of the Week “[Bright Green Field is] wildly imaginative and expansive” - The FADER “‘Narrator’ may be their best track yet, as it encapsulates their offbeat horn-and-synth-laden post-punk, and also contains a patient, intensely melodic and almost ghostly unfurling of energy that will shake you to your core.” -- Paste, Best Songs of the Week Earlier this year, Squid announced the release of their much-anticipated debut album, Bright Green Field, out May 7th via Warp Records. Today, they present a new single, “Paddling,” which follows the release of “Narrator” (feat. Martha Skye Murphy), and announce an online performance as part of the official British Music Embassy SXSW showcase, airing Friday, March 19th at 6pm CDT. “Paddling” has long been a staple of Squid’s incendiary live show. This psych-motorik stomper is a reaction to being thrust into an adult world as friends suddenly turn their focus to careers. Built around a drum machine loop and pulsing synth line, sonic details pepper the track as it lurches between dynamic movements.