Genii Speaks Richard Kaufman Contact Us by Calling 301-652-5800, E-Mailing [email protected] Or Surfing Our Website At

Total Page:16

File Type:pdf, Size:1020Kb

Genii Speaks Richard Kaufman Contact Us by Calling 301-652-5800, E-Mailing Genii@Geniimagazine.Com Or Surfing Our Website At Genii Speaks Richard Kaufman Contact us by calling 301-652-5800, e-mailing [email protected] or surfing our website at www.geniimagazine.com CHANNING POLLOCK is gone. For lay- required to perform his trick “One Face South,” described men, he vanished from their radar as a performer on p.22. Learn this, carry the props we’ve given you over almost 40 years ago when he suddenly retired in the past four months, and you will have a miracle that will 1969 at age 43. For magicians, however, every make your reputation—all without a single bit of sleight of time we see someone produce doves or do card hand. We also have a new version of the Magic Square from manipulations, we are seeing someone doing a Harry Lorayne, an eye-popping coin routine from Reed poor imitation of the master. If ever there was McClintock, Jim Swain’s handling of the “10-Card Poker a magician who seemed like a god, it was Deal,” a wild illusion from Matthew Dowden with a rub- Pollock—unspeakably handsome and charis- ber band and a noodle (yes … a noodle), a great card matic, doing the most perfect dove productions and card transposition from Rob James which he did for me in Las manipulations imaginable, a superb performer and a gen- Vegas in February, and something from David Acer at the erous, humble man—a gentleman in every sense of the end to burn you up. • The elegant prose of Jim Steinmeyer word. Our coverage begins with a round-table discussion reappears with the latest “Language of Illusion,” where he moderated by Mike Close with John Thompson, Lance discusses Robert-Houdin’s “Ethereal Suspension” and Burton, and David Berglas participating. In addition, I makes you feel bad for asking why they can’t get rid of the interviewed David Copperfield, and Eugene Burger and second broom. • Jamy Swiss, Dustin Stinett, and David Patrick Martin have written tributes. All these gentlemen Oliver finish things up with a raft of reviews of the latest were close friends with Channing and it’s hard to imagine books, DVDs, and tricks. Enjoy. a better memorial issue. Norm and Lupe Nielsen gave us access to excellent photographs of Channing, as well as rare film and video footage which you will find in the arti- cle—most of this has never been reproduced before. Channing performed his entire act in a short film called European Nights, made in London in 1959. In order to give you a feeling for what his performance was like (and all it can be on the printed page is a ghost of the original), we are reproducing frame grabs of his act down the right side of the entire article. In order to devote most of that space to a full appreciation of his remarkable and original dove productions, I’ve had to severely abbreviate the stills of his card manipulations—but make no mistake: he was among the finest manipulators who ever lived. In addition Channing Pollock’s method for stealing and producing a dove is explained on p.74. The original (incorrect) descrip- tion has been rewritten by John Thompson and myself, and we have supplemented it with a flip book (p.77) for Genii participated in the World Magic Seminar Teen Contest in you to assemble which shows—with frame-by-frame Las Vegas this February by doubling the prize money donated photographs from European Nights—Channing producing a by Lance Burton. The teen stage contest winners were: First dove. Between the written description and the flip book, Place, $1,000—Sterling Dietz; Second Place, $600—Jayson you should be able to improve your own technique in short Morrison; Third Place, $400—Vinny DePonto. order. • We’ve been presenting excerpts from Jim Swain’s Tony Valentine novels to you pretty much every spring for After spending three days at the Blackpool Convention in the past few years—this year it’s a double header, with England (something you really need to see at least once in Deadman’s Poker and Deadman’s Bluff coming out within your life if you’re a magician), I went down to London for 30 days of one another. Not only do we present an excerpt some fun and, among other things, spent a day with David from Deadman’s Poker on p.42, but also Jim’s latest ver- Berglas. Late in the evening he did the most remarkable sion of one of his most famous effects, “Poker Inter- card effect I’ve ever seen. We were both standing and, change.” You can purchase both books through the ama- during a conversation in which he segued from normal talk zon.com links on the Genii Forum. • In addition to that, we into the patter for the trick without my realizing it, he stat- have an unusually long “Magicana” this month, in which ed that he would show me something I would never forget. Bob Farmer finally explains the crop circles with cards that He also asked me to remember everything that happened have been appearing in these pages, one each month (which I tried to do, though the genuine significance of this since February. No, they don’t portend the coming of would only become clear five minutes later). Then he aliens who worship a pasteboard deity—they are the props asked me to name any card. That’s it—just name any card. 10 GENII Now Performing I named the Eight of Diamonds. He asked me to look at a THE MAGIC CASTLE LAS VEGAS china cabinet across the room and notice the drawers. He MAY 1 TO 7 Compiled by David Neubauer (FLICKING FINGERS) (www.dnmagic.com) indicated that I was to open the drawer on the right and in it Amazing Johnathan I would see several decks of cards—I was to pick up any one Close-Up Gallery Early: 7:00, 7:45, 8:30, 9:15 10 pm, (Dark Thurs.), Sahara of the decks, then close the drawer. I followed his instruc- Martin Eisele Jason Bird tions, removed one of the cased decks (there were about half Late: 10, 10:45,11:30, 12:00 The Shops in Desert Passage— a dozen in a pile in the drawer), and sat down at a table. He Stephan Kirshbaum Aladdin. Main stage, near the “V” was standing at least six feet away from me during this. The Parlour of Prestidigitation Theater, Thurs.-Mon. Various times from 1:15 pm to 8:15, Free Following his instructions, I opened the case and removed Early: 7:30, 8:45, 9:30 Jörg Alexander Bite (Vampire Strip Revue) the deck. It was face up. I turned it face down and placed it Late: 9:45, 11:15, 12 Antonio Restivo (fire manipulation) on the table as he requested. He then asked me to cut the Nikolai Friedrich 10:30 pm (dark Thurs.) deck and look at the face card of the portion I cut off—I did, Palace Of Mystery Stratosphere and it was the Eight of Diamonds. The hair on the back of my 8:30, 10, 11:15 Buck Wild neck stood up. Berglas was nowhere near me during any of Thomas Fraps, Helge Thun, Nathan Burton (as a redneck Ben Profane, Pit Hartling, magician), 7 pm covered shows this. With his permission, I looked in the other drawers to see Manuel Muerte, Gaston Mon.-Wed. & Sat. 9 pm Topless if there were other decks of cards stashed around the room MAY 8 TO 14 shows (Over 18), Sahara (Dark Fri.) … I found none. Don’t think I’ve ever been so badly fooled. Close-Up Gallery Lance Burton, Master Magician Early: Terry Lunceford 7 pm Tues.-Sat., As reported on MagicWeek.co.uk: Something Wicked This Way Late: Rafael Benatar 10 pm Tues. & Sat., Monte Carlo Comes wins the Laurence Olivier Award for Best Enter- The Parlour of Prestidigitation Collin Foster—Quicker Than The Eye tainment. London Theatre Guide reports: “The dashing Derren Early: Agustin Aristaran 4 & 6 p.m. (Dark Mon.) Late: Daniel Ketchedjian Comedy Zone, Plaza Brown … was presented with his statuette by Michelle Palace Of Mystery Tyas Frantz, Chris Karpiak, Collins, who will soon be seen in the West End in Daddy Jon Stetson Seth Grabel Cool. This latest vehicle for Brown’s unique mixture of hyp- Scott & Muriel Beacher's Madhouse 10 pm, nosis, psychology and sleight of hand saw Derren making his MAY 15 TO 21 Hard Rock audience act oddly with subliminal messages and doing Close-Up Gallery Haunted Vegas Tour & Show things with broken bottles that looked like they really hurt.” Early: Paul Green Robert Allen & Jac Hayden & Late: Derek Del Gaudio Zamora ,9 pm tour and show … The Laurence Olivier Awards, which are presented annu- The Parlour of Prestidigitation (Dark Wed.-Thurs.), Greek Isle ally by the Society of London Theatre, are the UK’s most Early: David Regal Illusionary Magic of Rick Thomas prestigious theatre awards and the highlight of the West End Late: Rafael Benatar 2 & 4 pm, Stardust (Dark Wed.) calendar.” The Olivier Awards are England’s equivalent of Palace Of Mystery La Femme Broadway’s Tony Awards. Terry Seabrooke Stephan Vanel, 8, 10:30 pm Hans Davis (Dark Tues.), MGM Grand I met Gene Maze very early in my magical life—in 1972, when George Saterial Mac King Comedy Magic Show I graduated from hanging around at Mike Tannen’s shop Circle MAY 22 TO 28 1 & 3 pm, (Dark Sun. & Mon.) Close-Up Gallery Harrah's Clint Holmes Theater Magic, and started going to his brother Lou Tannen’s shop on Early: Todd Lamanske Penn & Teller 1540 Broadway.
Recommended publications
  • – Channing Pollock – Robert Harbin – Patrick Page
    “To see Cardini is like watching a trick fi lm.” – Patrick Page “I had the greatest magical experience of my life when I watched him perform.” – Robert Harbin “If I had seen him work when I was at the start of my career, I would have scrapped the profession and learned a different trade.” – Channing Pollock 42 MAGIC • august 2007 M192 Cardini_v1_FIN.indd 2 7/12/07 11:41:33 AM “The world’s outstanding stage exponent of pure sleight-of-hand.” – Milbourne Christopher “The greatest single act that ever appeared in the world to my way of thinking.” – Dai Vernon ~By John Fisher~ Magicians today acknowledge that the examples set by the legendary Car- dini — in technique, in suavity, and in career achievement — shone the light for them. It is probable that Cardini has still not been surpassed as both an entertaining and an artistic exponent of pure sleight-of-hand within the limitations of a short vaudeville act. MAGIC • august 2007 43 M192 Cardini_v1_FIN.indd 3 7/12/07 11:41:37 AM There could be no greater contrast between nipulate the cards at all without gloves. So he the fi fth, thimbles and fi re. The digital dexter- the level of sophistication which Cardini’s act practiced with them on and laid the ground- ity was present throughout, but he still per- came to epitomize and his early background. work for the exquisite skill and sensitivity that sisted in being a talking magician upon whose He was born Richard Valentine Pitchford on would come to form his act in later years.
    [Show full text]
  • Bf2aff2 Magic 1400S-1950S Mike Caveney, Jim Steinmeyer, Noel
    Magic 1400S-1950S Mike Caveney, Jim Steinmeyer, Noel Daniel, Ricky Jay - pdf free book Free Download Magic 1400s-1950s Best Book, Pdf Books Magic 1400s-1950s, by Mike Caveney, Jim Steinmeyer, Noel Daniel, Ricky JAY Magic 1400s-1950s, Download Free Magic 1400s-1950s Book, Magic 1400s-1950s PDF Download, book pdf Magic 1400s-1950s, Magic 1400s-1950s PDF Download, Magic 1400s-1950s Ebooks Free, Read Best Book Online Magic 1400s-1950s, the book Magic 1400s-1950s, Download Magic 1400s-1950s Online Free, Read Magic 1400s-1950s Online Free, Download pdf Magic 1400s-1950s, PDF Magic 1400s-1950s Popular Download, Free Download Magic 1400s-1950s Full Popular Mike Caveney, Jim Steinmeyer, Noel Daniel, Ricky JAY, Read Online Magic 1400s-1950s Ebook Popular, Magic 1400s-1950s Free Read Online, Magic 1400s-1950s PDF Download, PDF Magic 1400s-1950s Free Download, Magic 1400s-1950s Ebooks Free, CLICK FOR DOWNLOAD epub, kindle, pdf, mobi Description: In additionto being held without bail under the UAWAberdeen School District, two other groups had their own actions against them which led to numerous cases including one involving gang members that were subsequently jailed for more than an hour while juveniles took part in violent activities where they would be charged with dangerous drugs. After receiving support from over 70 local activists who supported free speech issues by refusing to serve long-term jail terms after serving time at home including all three of these charges, he spent most of 2012 advocating constitutional changes prohibiting states from making it harder or worse for criminals if convicted based solely on criminal background checks obtained through online crime statisticswhile still failing even though many individuals faced significant civil rights abuses during police custody as welled.29 The group gained broad popular appeal when prosecutors successfully executed several federal efforts aimed specifically at crack cocaine dealers using data collected previously provided largely unverified reports regarding assaults committed outside Maryland3132.
    [Show full text]
  • Pressive Cast of Thinkers and Performers
    Table of Contents Long Synopsis Short Synopsis Michael Caplan Biography Key Production Personnel Filmography Credit List Magicians & Scholars Cover design by Lara Marsh, Illustration by Michael Pajon A Magical Vision /Long Synopsis ______________________________________________________ A Magical Vision spotlights Eugene Burger, a far-sighted philosopher and magician who is considered one of the great teachers of the magical arts. Eugene has spent twenty-five years speaking to magicians, academics, and the general public about the experience of magic. Advocating a return to magic’s shamanistic, healing traditions, Eugene’s “magic tricks” seek to evoke feelings of awe and transcendence, and surpass the Las Vegas-style entertainment so many of us visualize when we think of magicians. Mentors and colleagues have emerged throughout Eugene’s globe-trotting career. Among them is Jeff McBride, a recognized innovator of contemporary magic, and Max Maven, a one-man-show who performs a unique brand of “mind magic” to audiences worldwide. Lawrence Hass created the world’s first magic program in a liberal arts setting, where his seminar has attracted an impressive cast of thinkers and performers. The film, however, is Eugene’s journey. It began in 1940s Chicago, a city already renowned as the center of classic magic performance. Yale Divinity School followed, leading Eugene to the world of Asian mysticism. From there came the creation of Hauntings, a tribute to the sprit theatre of the 19th century, and the gore of the Bizarre Magick movement. Today Eugene’s performances and lectures draw inspiration from the mythology of India to the Buddhism of magical theory. On this stage, the magicians and thinkers open doors to an astounding world, a world that we rarely take time to see.
    [Show full text]
  • Eugene Burger (1939-2017)
    1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so.
    [Show full text]
  • September/October 2020 Oakland Magic Circle Newsletter Official Website: ​ ​ Facebook: ​
    September/October 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com ​ ​ Facebook: https://www.facebook.com/groups/42889493580/ ​ Password: EWeiss This Month’s Contents -. Where Are We?- page 1 - Ran’D Shines at September Lecture- page 2 - October 6 Meeting-Halloween Special -page 4 - September Performances- page 5 - Ran’D Answers Five Questions- page 9 - Phil Ackerly’s New Book & Max Malini at OMC- page 10 - Magical Resource of the Month -Black Magician Matter II-page 12 -The Funnies- page 16 - Magic in the Bay Area- Virtual Shows & Lectures – page 17 - Beyond the Bay Shows, Seminars, Lectures & Events in July- page 25 - Northern California Magic Dealers - page 32 Everything that is highlighted in blue in this newsletter should be a link that takes you to that person, place ​ ​ or event. WHERE ARE WE? JOIN THE OAKLAND MAGIC CIRCLE---OR RENEW OMC has been around since 1925, the oldest continuously running independent magic club west of the Mississippi. Dozens of members have gone on to fame and fortune in the magic world. When we can return to in-person meetings it will be at Bjornson Hall with a stage, curtains, lighting and our excellent new sound system. The expanding library of books, lecture notes and DVDs will reopen. And we will have our monthly meetings, banquets, contests, lectures, teach-ins plus the annual Magic Flea Market & Auction. Good fellowship is something we all miss. Until then we are proud to be presenting a series of top quality virtual lectures. A benefit of doing ​ ​ virtual events is that we can have talent from all over the planet and the audiences are not limited to those who can drive to Oakland.
    [Show full text]
  • The Magic Collection of David Baldwin
    Public Auction #043 The Magic Collection of David Baldwin Including Apparatus, Books, Ephemera, Posters, Automatons and Mystery Clocks Auction Saturday, October 29, 2016 v 10:00 am Exhibition October 26-28 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 The Magic Collection of David M. Baldwin An Introduction he magic collection of David M. Baldwin (1928 – 2014) Tis a significant one, reaching back to the glorified era of nineteenth century parlor and stage magic that sees its greatest physical achievements embodied in the instruments of mystery we offer here: clocks, automata, and fine conjuring apparatus. It crosses into that treasured phase of the twentieth century when the influence magic held over Western popular culture reached its zenith, and continues on to the present age, where modern practitioners and craftsmen commemorate and reinvigorate old A thoughtful and kind gentleman, he never spoke unkindly about ideas in new forms. anyone. He was modest, generous, and known by many for his philanthropy in supporting the visual and performing arts, medicine, The bedrock of the collection is composed of material the education, and, of course, magic. Among his contributions to other sources of provenance of which will be well known to any conjuring organizations, he was a major benefactor to The Magic Circle, collector or historian of the art: the show, personal artifacts and and was awarded an Honorary Life Member of the Inner Magic Circle. props gathered and used by Maurice F. Raymond (“The Great Raymond”); the library and collection of Walter B.
    [Show full text]
  • William Zavis Papers Finding
    The William Zavis Papers prepared by Lenge Hong and Kat Masback fpliia 1 w\ 1JTJWHW nPf "'"Jf'' 'fl Conjuring Arts Research Center New York City : 2007 William Zavis finding aid.doc -1 Title: William Zavis Papers Span Dates: 1970-1993 Bulk Dates: 1973-1979 Accession No.: 2000.18 Creator: Kalush, William Extent: 2 linear feet. Language: English Repository: Conjuring Arts Research Center Finding Aid Prepared By: Lenge Hong and Katrina Masback Finding Aid Prepared Date: 7/12/2007 Provenance / Processing History: Related Material: Ask Alexander Status: Collection is not available via Ask Alexander. Copyright Status / Restrictions on Use: Please consult the librarian for further details. Preferred Citation: Researchers wishing to cite this collection should include the following information: container number, William Zavis Papers, Conjuring Arts Research Center, New York City. Scope and Content: Collection consists mainly of Zavis' correspondence with other magicians, societies, and magic supply houses, many based in the United Kingdom and Europe. Collection also includes instruction sheets for effects designed by Zavis, and assorted memorabilia. Search Terms: Zavis, William. Magicians. United States. 20th century. Magic tricks. Series List / Series Descriptions: The collection contains only one series. William Zavis finding aid.doc - 2 Container List box series folder description 1 1 William Zavis correspondence 1 James Alfredson (2); Anthony (1); Jack Avis (5); Roy Baker (5); Donald Bevan (30); Joe Berg (1); J. Birnman (1); George Blake (4); Bill Boley (1); John Braun (5); Martin Breese (3); Ken Brooke (7); TimBryson(l); Terry/Norma Burgess (1); Jeff Busby (8) 2 William Zavis correspondence 2 Carboni/Carbonita (2); Al Cohen (5); Leslie Cole (5); Alan Cracknell (1); Father Cyprian (1); L.
    [Show full text]
  • College of Magic – Annual Report 2018
    COLLEGE OF MAGIC Annual Report 2018 2018 College of Magic Annual Report 1 for theAnnual year ended 31 Report December 2018 Country of Incorporation South Africa Nature of Organisation The Association is a non-profit organisation incorporated in terms of the Non-profit Organisations Act 1977, on 9 December 1999. Registration Number 007-517 NPO PBO Number 930 019 992 Nature of Operations The aim of this organisation is to see lives and communities transformed through the provision of education and development programmes with a specific emphasis on educational enrichment and supplementary tuition targeting the full diversity of the South African Youth. The organisation achieves this objective through the medium of the performing arts, with an emphasis on magic and the allied arts. Street Address 215 Imam Haron Rd (formerly Lansdowne Rd) Claremont, 7700 Cape Town, South Africa Postal Address PO Box 2479 Clareinch, 7740 Cape Town, South Africa Telephone +27 21 683 5480 Website www.collegeofmagic.com Auditors Horwath Zeller Karro Chartered Accountants (S.A.) Registered Accountants and Auditors College of Magic ‘Walk-about performers’ entertain Artscape Theatre guests at the Imagine! Show, in June 2018. 2018 Chairman’s Report n the midst of difficult socio-economic the future of our country. At the College Iconditions in South Africa, the College of Magic, our aim is to see lives and of Magic stands as a shining light of hope communities transformed through the and joy as we continue to pour our skills, provision of education and development experience, time, passion and energy into programmes with a specific emphasis the lives of young people from diverse and on educational enrichment and challenging backgrounds.
    [Show full text]
  • David Berglas – Interview Transcript
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk David Berglas – interview transcript Interviewer: Sue Barbour 7 December 2008 Magician. Auditioning; Kenny Baker; BBC; Burton Brown; Roy Castle; digs; Elizabeth and Collins; Carroll Gibbons and the Savoy Orchestra; Lew and Leslie Grade; hypnosis; Dean Martin; Meet David Berglas; Ruby Murray; Nationwide psychological experiments; Picture Post magic stunt; The Three Hellos; touring; Dickie Valentine; visits South Africa; Ronnie Waldman; Windmill Theatre. SB: This is Sue Barbour from the University of Sheffield interviewing David Berglas and, first of all, David I would like to ask you if you are in agreement for us to use this recording for the British Library Theatre Project and for use for future generations to learn about Variety Theatre? DB: Of course I am, depending on what you ask me but so far I am happy to sign it. SB: OK. First of all perhaps you could tell me a little bit about your background; where you were born? DB: Well, I never give a straight answer to that because it’s a bit complicated. It’s a bit like asking somebody, “Where were you born?” and they say in “China” because their parents happened to be in China at the moment and as a baby they were brought over and for the rest of their lives they have to say they were born in China and they say, “Oh, you’re Chinese”. “No, I’m not!” So I have to tell you that my Grandparents, my father’s parents, were from Poland and my mother’s parents from Russia and my father was born in a country between Austria and Czechoslovakia, which doesn’t exist anymore.
    [Show full text]
  • Top Hat FINAL Vol 2 Issue 1
    VOL 2 ISSUE 1 Jan ’12 www.magicbunny.co.uk A Word From ... CONTENTS … The Editor Darrel Mileson A Word From The Editor - Darrel Mileson 1 Magic As An Art - Joshua Westmeier-Shuh 2 When I was twenty two years old I was 60 Second Interview - Alex Radway 6 the Chairman of a National Youth Presentations for Demonstration of Memory camping meet. This is held in a different part using a Memorised Deck - Dan Cunningham 8 of the country each year (which means that Bizarre Magic, What is it? - Freddie Valentine 11 others are able to judge how well it is being run, The Predator Behind The Tree - Michael Jay 12 compared to previous events). Pseudo - Edward Sausagefingers 14 During the Opening Ceremony I introduced the For Instant Magic Just Add Water - Daniel Rose 18 dignitaries to the crowd of seven hundred A Few Words on Hypnosis - Aommaster 20 people. The local MP and Mayor were introduced without problems. Then, nerves kicked in. I introduced Mr Claude-Smith and his wife.....um.... Apart from this moment, when my mind went blank, the rest of the weekend proved to be a success. As Chairman I was the one people came to thank. However, I had to point out that the people who did the real work were the team I had behind me. Twenty four years later I find myself in the same position with the original Top Hat series in collation. Without the vision and hard work of Jon Snoops Top Hat Volume 2 would not exist. Jon, on behalf of myself and everybody who has ever read the original Top Hat, I offer a big "Thank You" for putting all the time and effort into make such a quality publication.
    [Show full text]
  • Proquest Dissertations
    Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Vol.20 No.1 Sept 11
    Vol. 20 No. 1 September 2011 Tip Of The Month: If you want to work through agents and they need you to send some of your publicity to them, you need to supply them with cards, brochures and flyers that do NOT have your own personal contact details on them. The agents will only pass the publicity on if it has THEIR contact information shown on the materials. MOST POPULAR Featuring the most purchased products from my range Forever Flapping Plus This E-Book started off life as a comb bound printed book called In A Flap. A sequel called Still Flapping was published a few years after the original one appeared and then eventually both books were amalgamated and supplemented with a whole load of extra material to become Forever Flapping Plus. If you are interested in the possibilities that gimmicked envelopes can provide, then this E-Book is a perfect starting place. It gives construction details of 9 different individual gimmicked envelopes with loads of routines using them, plus there is a whole range of further effects in- cluded in which regular envelopes play an important yet unobtrusive part. Included in this book are details of both the Leveridge Envelope and the Utility Switch Envelope, both of which I feel on their own are worth more than the price of the entire book as they are so versatile and effective. Price: £15.00 Here are last month’s top 5 selling products CD Illustrated Promo Card The Caught Seeing Is This One, That Catalogue - free Sticker Packs - Card - £5 Believing - £5 1 - £8 £6 www.markleveridge.co.uk Vol.
    [Show full text]