Medieval Scandinavian Armies (2) 1300-1500 CONTENTS
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Weaponry & Armor
Weaponry & Armor “Imagine walking five hundred miles over the course of two weeks, carrying an arquebus, a bardiche, a stone of grain, another stone of water, ten pounds of shot, your own armor, your tent, whatever amenities you want for yourself, and your lord’s favorite dog. In the rain. In winter. With dysentery. Alright, are you imagining that? Now imagine that as soon as you’re done with that, you need to actually fight the enemy. You have a horse, but a Senator’s nephew is riding it. You’re knee-deep in mud, and you’ve just been assigned a rookie to train. He speaks four languages, none of which are yours, and has something to prove. Now he’s drunk and arguing with your superiors, you haven’t slept in thirty hours, you’ve just discovered that the fop has broken your horse’s leg in a gopher hole, and your gun’s wheellock is broken, when just then out of the dark comes the beating of war-drums. Someone screams, and a cannonball lands in your cooking fire, where you were drying your boots. “Welcome to war. Enjoy your stay.” -Mago Straddock Dacian Volkodav You’re probably going to see a lot of combat in Song of Swords, and you’re going to want to be ready for it. This section includes everything you need to know about weapons, armor, and the cost of carrying them to battle. That includes fatigue and encumbrance. When you kit up, remember that you don’t have to wear all of your armor all of the time, nor do you need to carry everything physically on your person. -
Weaponry & Armor
Weaponry & Armor “Imagine walking five hundred miles over the course of two weeks, carrying an arquebus, a bardiche, a stone of grain, another stone of water, ten pounds of shot, your own armor, your tent, whatever amenities you want for yourself, and your lord’s favorite dog. In the rain. In winter. With dysentery. Alright, are you imagining that? Now imagine that as soon as you’re done with that, you need to actually fight the enemy. You have a horse, but a Senator’s nephew is riding it. You’re knee-deep in mud, and you’ve just been assigned a new recruit to train. He speaks four languages, none of which are yours, and has something to prove. Now he’s drunk and arguing with your superiors, you haven’t slept in thirty hours, you’ve just discovered that the fop nephew has broken your horse’s leg in a gopher hole, and your gun’s wheellock is broken, when just then out of the dark comes the beating of war-drums. Someone screams, and a cannonball lands in your cooking fire, where you were drying your boots. “Welcome to war. Enjoy your stay.” -Mago Straddock Dacian Volkodav You’re probably going to see a lot of combat in Song of Swords, and you’re going to want to be ready for it. This section includes everything you need to know about weapons, armor, and the cost of carrying them to battle. That includes fatigue and encumbrance. If you’re new to the game and want advice picking out a weapon, be sure to check the Which Weapon for Me? section below. -
Educational Charts. [Arms and Armor]
u UC-NRLF 800 *B ST 1S1 CO CO Q n . OPOIIT, OF ART EDUCATIONAL G E A H I S Table of Contents: 1 Periods, of armor, 2 Suit of armor: pts. named. Evolution of 3 Helmets. 4 Breastplates. 5 Gauntlets. 6 Shields. 7 Swords. 8 Pole Arms. 9 Guns,. 10 Crossbows. 11 Spurs. 12 Photos s h ov; i ?: how a helmet is ma d e ft 4- HALF ARMOR COMPLETE ARMOR LATE XVI CENTURY COMPLETE ARMOR XVI CENTURY MAXIMILIAN TRANSITIONAL MAIL AND PLATE EUROPEAN ARMOR AND ITS DEVELOPMENT DURING A THOUSAND YEARS FROM A.D. 650 TO 165O 650 MASHIKE MURAYAMft.DCI.. 366451 Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/educationalchartOOmetrrich S u BOWL or SKULL, timbre, scheitelstuck, COPPO, CALVA JUGULAR. JUCULAIRE. BACKENSTUCK. JUGULARE. YUGULAR VENTAIL, VENTAIL. SCHEMBART, VENTACL10 VENTALLE. [UPPER PART BECOMES VISOR] BEVOR, MENTONNIERE, KINREFF, BAVIERA, BARBOTE RONDEL, RONDELLE. SCHEIBE, ROTELLINO, LUNETA GORGET. GORGERIN, KRAGEN, GOLETTA, GORJAL NECK-GUARD garde-col, brech- RANDER, GUARDA-GOLETTA, BUFETA . PAULDRON, EPAULIERE, ACHSEL. I SPALL ACCIO, GUARDABRAZO / _ 11^4 LANCE -REST, faucre. rust- HAKEN, RESTA, RESTA DE MUELLE REREBRACE, arrie re- bras. OBERARMZEUG, BRACCIALE. BRAZAL BREASTPLATE, plas- tron. BRUST, PETTO, PETO /o^ - ELBOW-COP. CUBIT1ERE. ARMKACHEL. CUBITIERA, CODAL '' BACKPLATE. dossi- ERE. RUCKEN, SCHIENA, DOS VAMBRACE. avant- BRAS. UNTERARMROHR, BRACCIALE, BRAZAL GAUNTLET, gantelet, hand- SCHUH, GANTLET, MANOPLA LOIN-GUARD GARDE- ' REINS. GESASSREIFEN, FALDA FALDAR 'TACES BRACCONIERE, BAUCH- REIFEN. PANZIERA. FALDAR TASSET. TASSETTE, BEINTASCHEN, FIANCALE. ESCARCELA - ' FALD. BRAYETTE. STAHLMACHENUN TERSHUTZ. BRAGHETTA. BRAGADURA CUISHE. CUISSARD, DIECHLINGE, COS- CIALE, OUIJOTES KNEE-COP. -
THE DISCOVERY of the BALTIC the NORTHERN WORLD North Europe and the Baltic C
THE DISCOVERY OF THE BALTIC THE NORTHERN WORLD North Europe and the Baltic c. 400-1700 AD Peoples, Economies and Cultures EDITORS Barbara Crawford (St. Andrews) David Kirby (London) Jon-Vidar Sigurdsson (Oslo) Ingvild Øye (Bergen) Richard W. Unger (Vancouver) Przemyslaw Urbanczyk (Warsaw) VOLUME 15 THE DISCOVERY OF THE BALTIC The Reception of a Catholic World-System in the European North (AD 1075-1225) BY NILS BLOMKVIST BRILL LEIDEN • BOSTON 2005 On the cover: Knight sitting on a horse, chess piece from mid-13th century, found in Kalmar. SHM inv. nr 1304:1838:139. Neg. nr 345:29. Antikvarisk-topografiska arkivet, the National Heritage Board, Stockholm. Brill Academic Publishers has done its best to establish rights to use of the materials printed herein. Should any other party feel that its rights have been infringed we would be glad to take up contact with them. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Blomkvist, Nils. The discovery of the Baltic : the reception of a Catholic world-system in the European north (AD 1075-1225) / by Nils Blomkvist. p. cm. — (The northern world, ISSN 1569-1462 ; v. 15) Includes bibliographical references (p.) and index. ISBN 90-04-14122-7 1. Catholic Church—Baltic Sea Region—History. 2. Church history—Middle Ages, 600-1500. 3. Baltic Sea Region—Church history. I. Title. II. Series. BX1612.B34B56 2004 282’485—dc22 2004054598 ISSN 1569–1462 ISBN 90 04 14122 7 © Copyright 2005 by Koninklijke Brill NV, Leiden, The Netherlands Koninklijke Brill NV incorporates the imprints Brill Academic Publishers, Martinus Nijhoff Publishers and VSP. -
Capitol Clash 2020 Armored Combat Rules and Regulations IMPORTANT
Capitol Clash 2020 Armored Combat Rules and Regulations IMPORTANT: All competitors intending to participate in the Armored Combat event must submit a photo of the armor they intend to wear for pre-approval no later than January 10, 2020. Earlier is better in case the event organizers require that you modify your armor before approval. Also note that initial pre-approval via photo does not guarantee that your armor will pass the required in-person inspection. SUMMARY OF RULES The goal of the Armored Combat tournament is to promote the accurate but safe revival of period- correct fencing in armor in a one-on-one duel, referred to in German fighting treatises as harnisfechten. Format Matches will be fought to the best of three rounds. If a fighter has more wins by the finish of Round 2, that fighter wins the match. If both fighters have tied by the end of Round 2, Round 3 will commence. -Each round will be 60 seconds of continuous action with a halt only called for special reasons (see below) -Round 1 will be fought with spears, Round 2 with longswords and Round 3 will commence with daggers. (Note that fighters are allowed to carry a dagger as a back up weapon in Round 1 and 2, but not in Round 3.) Winning a Round -A fighter who has more points at the end of the clock will win the round. -If a fighter is “shown the gate” (passes completely outside a specially marked entrance/exit), the match is stopped, and the opponent automatically wins regardless of the score. -
Longpoint 2019 Passage at Arms (Armored Combat)
Longpoint 2019 Passage at Arms (Armored Combat) Equipment Regulations, v. 1.0 IMPORTANT: All competitors intending to participate in the Longpoint 2019 Passage at Arms must submit a photo of the armor they intend to wear for pre-approval no later than March 1, 2019. Earlier is better in case the event organizers require that you modify your armor before approval. Also note that initial pre-approval via photo does not guarantee that your armor will pass the required in-person inspection. OVERVIEW The goal of the Longpoint Passage at Arms is to promote the accurate but safe revival of period-correct fencing in armor in a one-on-one duel, referred to in German fighting treatises as harnisfechten. -Participants are expected to wear historical European-styled armor contemporary, or close to contemporary, of a person of rank as seen in the time periods of the treatises that detail armored combat techniques. The armor can be styled after historical armor from approximately the late 14th century to early 16th. Despite the wide range of time period allowed, combatants should do their best to keep their own harness cohesive to a single time period and not “mix and match” elements of different eras. Ideally, armor should not have elements that would have existed more than 20 years before or after any other element on a person’s harness. (E.g. a 16th century armet should not be paired with a 14th century coat of plates) Combatants are expected to wear a complete harness suitable for fighting in the lists of judicial combat rather than one specialized for warfare or other forms of combat. -
Bangor University DOCTOR of PHILOSOPHY Image and Reality In
Bangor University DOCTOR OF PHILOSOPHY Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Colcough, Samantha Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 BANGOR UNIVERSITY SCHOOL OF HISTORY, WELSH HISTORY AND ARCHAEOLOGY Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Samantha Jane Colclough Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions [i] Summary The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court. -
Combat Manual
ADRIAN EMPIRE IMPERIAL ESTATES WRIT #17 COMBAT MANUAL ADOPTED JULY 2002 LAST UPDATED DECEMBER 2019, EFFECTIVE 1 JANUARY 2020 ©Copyright 1993-2020 The Adrian Empire, Inc. All rights reserved. Adria is a registered trade name of the Adrian Empire, Inc. Anyone is welcome to point out any error or omission that they may find. Adrian Empire – IEW #17 – Combat Manual Page 2 of 35 TABLE OF CONTENTS I. GENERAL RULES AND REQUIREMENTS ....................................................... 5 A. HEALTH ......................................................................................................................................... 5 B. INHERENT DANGERS ................................................................................................................ 5 C. PROOF OF QUALIFICATION ................................................................................................... 5 D. MINIMUM AGES .......................................................................................................................... 5 E. GENERAL RULES OF COMBAT .............................................................................................. 5 1. Safety ............................................................................................................................................ 5 2. Marshals Must Be Present ............................................................................................................ 5 3. Entering the List Field ................................................................................................................. -
The Case of Visby Cathedral
The department of Engineering Sciences Uses and Issues – The case of Visby Cathedral An analysis of values and frictions associated with usage at a venue that is both cultural heritage and an active religious institution Author: Walter Duphorn Master thesis in sustainable destination development 15 hp Uppsala University/Campus Gotland Spring Semester 2019 Supervisors: Owe Ronström and Camilla Asplund Ingemark Abstract Duphorn, W. 2019. Uses and Issues – The case of Visby Cathedral. An analysis of values and frictions associated with usage at a venue that is both cultural heritage and an active religious institution. This thesis is a case study of Visby Cathedral, cultural heritage with a rich history that has been an active site of worship since medieval times. This has resulted in an interest in the cathedral as a tourist destination which has increased exponentially since the city became a world heritage. The main aim of this thesis was to see how the heritagization of the cathedral affects it through the public uses that take place within the cathedral to see which values are promoted. Following this the frictions that are caused by the uses was studied to garner a better understanding of how the identity of the cathedral was impacted on both internal and external levels. My hypothesis going in was that much of the identifiable frictions were caused by the difference between the religious and cultural identity of the cathedral. In the analysis four use-categories with separate key functions: Religious, Art & Music, Political and Tourism. While all usages did not cause friction, all categories did to varying degrees of severity. -
Part Vii. the Cyclas, Camail and Jupon " Kxights. by ALFRED C. the Number
a^onumental €ffigics in Somerset. Part vii. the cyclas, camail and jupon " kxights. BY ALFRED C. FRYER, PH.D., F.S.A. THE quarter of a century (1321-1346) which marks the Cyclas Period is probably the most picturesque in the " long history of defensive armour.^ The number of '" knights portrayed in this curious garment- either in stone, wood, or engraved on brass, during these two and a half decades are comparatively limited, and in Somerset we find only three stone ' Knights " belonging to this special class of monu- mental effigy. Experience gained in the Chain Mail Period proved that defence Avas ineffectual against pointed weapons, for even if the mail was not actually pierced limbs weie bruised and bones broken. During the time, therefore, that the cyclas was in fashion we meet with multitudinous coverings of plate, mail, and padded garments to resist lance, sword and arrow. The cyclas was evidently made of silk or some other thin material, falling easily into folds, and diftered from the Solving suicoat as it was close-fitting, laced or buttoned at the sides, reacliing to the knees behind and cut so short in front that we can trace the three protective garments beneath 1. Text-books frequently give the cyclas period as 1325 to 1335. Several ' knights " are clad, however, in the cyclas before and after that time, and the late Sir William Hope considered the correct date for this period should be 1321-1346, so as to include practically all known exaniples. 2. The cyclas was probably adopted because the surcoat was found to be an inconvenient garment. -
With Sword and Mace? Searching for Blunt Force Trauma from the Cranial Material of the Battle of Good Friday
With sword and mace? Searching for blunt force trauma from the cranial material of the Battle of Good Friday Anniina Laine Master’s thesis Masterkurs i osteoarkeologi, 30 hp Supervisor: Anna Kjellström Co-supervisor: Astrid Noterman Stockholm University 2020 Abstract The crania from a mass grave associated to the Battle of Good Friday (1520) in Uppsala were re-examined in this study. The total skeletal material has been analysed before, but blunt force trauma was excluded and therefore a comprehensive trauma pattern could not be presented. In the current study, the perimortem cranial weapon-related trauma was examined by reconstructing the crania and conducting a trauma analysis. Standardised methods were used to identify and document blunt, sharp and puncture trauma. The results reveal that new blunt and sharp force trauma as well as one puncture trauma could be identified. Furthermore, the majority of weapon-related trauma were identified as sharp injuries, less than ten percent as blunt injuries and a few as puncture injuries. The cranial trauma pattern is interpreted to reflect the battle tactics, the situations in the battle, as well as the armour and weapons used by the soldiers. The notion of sharp force injuries forming the majority of trauma could imply that bladed weapons were used the most and blunt weapons were used less or caused less injuries visible on bone. The dominance of cranial trauma might indicate that head was a primary target. The trauma pattern implies that blunt weapons were used at least in face-to-face combat and bladed weapons were used in a variety of situations from face-to-face fight to more chaotic situations and against fleeing soldiers. -
WFRP Equipment
Name Damage Group Traits Range (Yards) Reload Buckler d10+SB-2 Parrying Balanced, Defensive, Pummelling Dagger d10+SB-2 Ordinary Balanced, Puncturing Flail d10+SB+2 Flail 2h, Impact, Unwieldy, Fast Knuckleduster d10+SB-2 Ordinary Pummelling Great Weapon d10+SB+2 Two-Handed 2h, Impact Zweihander d10+SB+1 Two-Handed 2h, Defensive, Impact, Stances: Half-sword, Mordschlag Longsword d10+SB Two-Handed 2h, Impact, Defensive, Stance: Hand Weapon, Half-sword, Mordschlag Polearm d10+SB+1 Two-Handed 2h, Impact, Fast, Stance: Half-sword Hand Weapon d10+SB Ordinary None Improvised d10+SB-2 Ordinary None Lance d10+SB+1 Cavalry Fast, Impact, Special Main Gauche d10+SB-2 Parrying Balanced, Defensive, Puncturing Morningstar d10+SB Flail Impact, Unwieldy, Fast Staff d10+SB Ordinary 2h, Defensive, Impact, Pummelling Rapier d10+SB-1 Fencing Fast, Precise (2) Shield d10+SB-2 Ordinary Defensive (Melee & Ranged), Pummelling Spear d10+SB-1 Ordinary Fast, Stance: 2h Spear 2h d10+SB+1 2h, Fast Sword-Breaker d10+SB-2 Parrying Balanced, Special Unarmed d10+SB-3 Ordinary Special Stances Halfsword d10+SB 2h, Defensive, Armour Piercing (2), Precise (1) Mordschlag d10+SB 2h, Impact, Pummelling, Armour Piercing (1) Bola d10+1 Entangling Snare 8/16 Half Bow d10+3 Ordinary 2h 24/48 Half Crossbow d10+4 Ordinary 2h 30/60 Full Crossbow Pistol d10+2 Crossbow None 8/16 Full Elfbow d10+3 Longbow Armour Piercing, 2h 36/72 Half Improvised d10+SB-4 Ordinary None 6/- Half Javelin d10+SB-1 Ordinary None 8/16 Half Lasso n/a Entangling Snare, 2h 8/- Half Longbow d10+3 Longbow Armour