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The JB's These Are the JB's Mp3, Flac
The J.B.'s These Are The J.B.'s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: These Are The J.B.'s Country: US Released: 2015 Style: Funk MP3 version RAR size: 1439 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 880 Other Formats: APE VOX AC3 AA ASF MIDI VQF Tracklist Hide Credits These Are the JB's, Pts. 1 & 2 1 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 4:45 Frank Clifford Waddy*, John W. Griggs*, Robert McCollough*, William Earl Collins 2 I’ll Ze 10:38 The Grunt, Pts. 1 & 2 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 3 3:29 Frank Clifford Waddy*, James Brown, John W. Griggs*, Robert McCollough*, William Earl Collins Medley: When You Feel It Grunt If You Can 4 Written-By – Art Neville, Gene Redd*, George Porter Jr.*, James Brown, Jimi Hendrix, 12:57 Joseph Modeliste, Kool & The Gang, Leo Nocentelli Companies, etc. Recorded At – King Studios Recorded At – Starday Studios Phonographic Copyright (p) – Universal Records Copyright (c) – Universal Records Manufactured By – Universal Music Enterprises Credits Bass – William "Bootsy" Collins* Congas – Johnny Griggs Drums – Clyde Stubblefield (tracks: 1, 4 (the latter probably)), Frank "Kash" Waddy* (tracks: 2, 3, 4) Engineer [Original Sessions] – Ron Lenhoff Engineer [Restoration], Remastered By – Dave Cooley Flute, Baritone Saxophone – St. Clair Pinckney* (tracks: 1) Guitar – Phelps "Catfish" Collins* Organ – James Brown (tracks: 2) Piano – Bobby Byrd (tracks: 3) Producer [Original Sessions] – James Brown Reissue Producer – Eothen Alapatt Tenor Saxophone – Robert McCullough* Trumpet – Clayton "Chicken" Gunnels*, Darryl "Hasaan" Jamison* Notes Originally scheduled for release in July 1971 as King SLP 1126. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
Feb-Mar. 1969, Vol. 13 No. 05-06
Published bi-monthly by the Daughters of Biiitis, Inc., a non-profit corporation, 1005 Market Street, Room 208, San Francisco, California 94103. THE purpose off the VOLUME XIII, NUMBER V & VI LADDER FEBRUARY— MARCH 1969 “Dtui^^tenA 0^ B i L IT IS NATIONAL OFFl lERS, DAUGHTERS OF BILITIS, INC. President, Rita Laporte A WOMtS’S ORC.\SIZMI0\ FOR THE FlIRPOSE OF PROMOTING Vice President, East, Joan Kent THE INTEGRATION OF THE HOMOSEXUAL INTO SOCIETY BY: Vice President, West, Rinalda Reagan Secretary, Lynd James Treasurer, Lois Williams Chapter Presidents are also included on The Board THE LADDER STAFF Editor, Gene Damon Production Assistant, Lyn Collins Education of the Lesbian, enabling her to understand herself Production Manager, Helen Sanders and to make her adjustment to society in all its social, civic, Secretary to the Editor, Maura McCullough and economic implications - by establishing and maintaining Circulation Manager, Priscilla Cochran a library of both fiction and non-fiction literature on the sex Staff Assistants, Karen Wilson, Sten Russell, Ben Cat deviant theme; by sponsoring public meetings on pertinent THE LADDER is regarded as a sounding board for various points o f view subjects to be conducted by leading members of the legal, on the homophile and related subjects, and does not necessarily reflect the psychiatric, religious and other professions; by providing the Lesbian a forum for the interchange of ideas within her own opinion o f the organization except such opinions as are specifically ac group. knowledged by the -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
John Allen Jr. Emerges As America's Premier
20 Contents Established in 1902 as The Graduate Magazine FEATURES ‘The Best Beat in Journalism’ 20 How a high school teacher from Hays became America’s top Vatican watcher. BY CHRIS LAZZARINO Happy Together 32 Can families who are truly gifted at being families teach the rest of us how to fashion happier homes? COVER Psychologist Barbara Kerr thinks so. Where the BY STEVEN HILL 24 Music Moves In only three years the Wakarusa Music and Camping Festival has grown from a regional upstart to a national star on the summer rock circuit. BY CHRIS LAZZARINO Cover photo illustration by Susan Younger 32 V olume 104, No. 4, 2006 Lift the Chorus NEW! Hail Harry toured China during the heyday of “pingpong diplomacy,” cur- JAYHAWK Thank you for the arti- rently celebrating its 35th cle on economics anniversary. JEWELRY Professor Harry Shaffer KU afforded many such [“Wild about Harry,” rewarding cosmopolitan experi- Oread Encore, issue No. ences for this western Kansas 3]. As I read the story, I student to meet and learn to fondly recalled taking his know others from distant cul- class over 20 years ago. tures. Why, indeed, can’t we all One fascinating item neg- learn to get along? lected in the article was how Harry Marty Grogan, e’68, g’71 ended up at KU. Seattle Originally a professor at the University of Alabama, he left in disgust Cheers to the engineers when desegregation was denied at the institution. This was a huge loss to The letter from Virginia Treece Crane This new KU Crystal set shimmers Alabama, but an incredible gift to those [“Cool house on Memory Lane,” issue w ith a delicate spark le. -
Musical Influence Network Analysis and Rank of Sample-Based Music
12th International Society for Music Information Retrieval Conference (ISMIR 2011) MUSICAL INFLUENCE NETWORK ANALYSIS AND RANK OF SAMPLE-BASED MUSIC Nicholas J. Bryan and Ge Wang Center for Computer Research in Music and Acoustics, Department of Music, Stanford University {njb, ge}@ccrma.stanford.edu ABSTRACT recommendation systems. Further work of Jacobson [3, 4] and Fields [5,6] continued to show applications of automatic Computational analysis of musical influence networks and playlist generation, artist community detection, musicology, rank of sample-based music is presented with a unique out- and sociology. Most recently, Collins investigated what is side examination of the WhoSampled.com dataset. The ex- presumably the first computational analysis of musical in- emplary dataset maintains a large collection of artist-to-artist fluence using web scraping, web services, and audio simi- relationships of sample-based music, specifying the origins larity to construct influence graphs of a collection of synth of borrowed or sampled material on a song-by-song basis. pop music [7]. The work outlines the difficulty of construct- Directed song, artist, and musical genre networks are cre- ing influence networks and motivates further investigation. ated from the data, allowing the application of social net- work metrics to quantify various trends and characteristics. In addition, a method of influence rank is proposed, unify- ing song-level networks to higher-level artist and genre net- works via a collapse-and-sum approach. Such metrics are used to help interpret and describe interesting patterns of musical influence in sample-based music suitable for mu- sicological analysis. Empirical results and visualizations are also presented, suggesting that sampled-based influence networks follow a power-law degree distribution; heavy in- fluence of funk, soul, and disco music on modern hip-hop, R&B, and electronic music; and other musicological results. -
Funk Soul Brother – Repertoire 2018
FUNK SOUL BROTHER – REPERTOIRE 2018 PARTY MUSIC & DANCE FLOOR FILLERS! A Little Less Conversation - Elvis Another One Bites The Dust - Queen Beat It - Michael Jackson Billie Jean - Michael Jackson Blame It On The Boogie - Jackson 5 Blurred Lines - Robin Thicke Cake By The Ocean - DNCE Canned Heat - Jamiroquai Car Wash - Rose Royce Cold Sweat - James Brown Cosmic Girl - Jamiroquai Dance To The Music - Sly & The Family Stone Don't Stop Til You Get Enough - Michael Jackson Get Down On It - Kool and the Gang Get Down Saturday Night - Oliver Cheatham Get Lucky - Daft Punk Get Up Offa That Thing - James Brown Good Times - Chic Groove Is In The Heart - Dee-Lite Happy - Pharrell Williams Higher And Higher - Jackie Wilson I Believe in Mircales - Jackson Sisters I Wish - Stevie Wonder It's Your Thing - The Isley Brothers Kiss - Prince Ladies Night - Kool and the Gang Lady Marmalade - Labelle Le Freak - Chic Let's Stay Together - Al Green (continued) +44 (0)1572 335108 • [email protected] • www.pureartists.co.uk Long Train Running - Doobie Brothers Locked Out of Heaven - Bruno Mars Love Shack - B52s Mercy - The Third Degree/Duffy Move On Up - Curtis Mayfield Move Your Feet - Junior Senior Mr Big Stuff - Jean Knight Mustang Sally - Wilson Pickett Papa’s Got A Brand New Bag - James Brown Pick Up The Pieces - Average White Band Play That Funky Music - Wild Cherry Rather Be - Clean Bandit ft. Jess Glynne Rehab - Amy Winehouse Respect - Aretha Franklin Signed Sealed Delivered - Stevie Wonder Sir Duke - Stevie Wonder Superstition - Stevie Wonder -
Lyn Collins Check Me out If You Don't Know Me by Now Mp3, Flac, Wma
Lyn Collins Check Me Out If You Don't Know Me By Now mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Check Me Out If You Don't Know Me By Now Country: US Released: 1975 Style: Soul, Funk MP3 version RAR size: 1511 mb FLAC version RAR size: 1208 mb WMA version RAR size: 1686 mb Rating: 4.7 Votes: 436 Other Formats: AAC MP1 RA DTS AIFF ADX MP1 Tracklist Hide Credits A Foggy Day A1 4:02 Written-By – I. Gershwin-G. Gershwin* To Each His Own A2 3:08 Written-By – James Brown, Lyn Collins Put It On The Line A3 3:25 Written-By – James Brown, Lyn Collins Mr. Big Stuff A4 3:59 Written-By – C. Washington*, J. Broussard*, R. Williams* How Long Can I Keep It Up A5 5:30 Written-By – Charles Bobbit, Fred Wesley, James Brown, Lyn Collins Baby Don't Do It B1 3:25 Written-By – L. Pauling* Backstabbers B2 5:40 Written-By – Leon Huff, John Whitehead-G. McFadden* Rock Me Again & Again & Again & Again... B3 3:28 Written-By – James Brown, L. Austin* Try A Little Tenderness B4 3:10 Written-By – H. Woods*, J. Campbell*, Reg Connelly* If You Don't Know Me By Now B5 5:22 Written-By – K. Gamble-L. Huff* Companies, etc. Recorded At – Sound Ideas Studios Recorded At – A&R Studios Recorded At – Wally Heider Studios Mixed At – Sound Ideas Studios Mastered At – Frankford/Wayne Mastering Labs Manufactured By – Polydor Incorporated Distributed By – Polydor Incorporated Pressed By – PRC Recording Company, Richmond, IN Phonographic Copyright (p) – Polydor Incorporated Copyright (c) – Polydor Incorporated Credits Design – Paula Bisacca Engineer [Assistant] – David Stone, Major Little Engineer, Supervised By [Production] – Bob Both Mastered By – SJR* Performer – The Female Preacher Photography By – Michael Dakota Producer, Other [Minister Of New New Super Heavy Funk] – James Brown Notes The back cover and labels credit the artist as "Lyn Collins (The Female Preacher)". -
People Records Discography 5000 Series
People Records Discography 5000 series PLP 5001 - Big Brass Four Poster - KIM WESTON [1970] Big Brass Four Poster/Something I Can Feel/Love Don’t Let Me Down/He’s My Love/Here Come Those Heartaches Again/What’s Gonna Happen To Me//Something/My Man/Windmills Of Your Mind/Eleanor Rigby/Sound Of Silence PLP 5002 - Truth - TRUTH [1970] Have You Forgotten/Being Farmed/Anybody Here Know How To Pray/Wise Old Fool/Let It Out, Let It In/Far Out//Walk A Mile In My Shoes/Thoughts/New York/Contributin’/Lizzie/Talk 3000 series PS 3000 - The Grodeck Whipperjenny - The GRODECK WHIPPERJENNY [1971] Sitting Here On A Tongue/Wonder If/Why Can’t I Go Back/Conclusions/You’re Too Young//Put Your Thing On Me/Inside Or Outside/Evidence For The Existance Of The Unconscious 5600 series PE 5601 - Food For Thought - The J.B.’S [1972] Pass The Peas/Gimme Some More/To My Brother/Wine Spot/Hot Pants Road/The Grunt//Blessed Blackness/Escape-Ism (Part 1)/Escape-Ism (Part 2)/Theme From King Heroin/These Are The JB’s PE 5602 - Think (About It) - LYN COLLINS [1972] Think (About It)/Just Won’t Do Right/Wheels Of Life/Ain’t No Sunshine/Things Got To Get Better//Never Gonna Give You Up/Reach Out For Me/Women’s Lib/Fly Me To The Moon PE 5603 - Doing It To Death - FRED WESLEY & The J.B.’S [1973] Introduction To The J.B.’s/Doing It To Death (Part 1 & 2)/You Can Have Watergate Just Gimme Some Bucks And I’ll Be Straight/More Peas//La Di Da La Di Day/You Can Have Watergate Just Gimme Some Bucks And I’ll Be Straight/Sucker/You Can Have Watergate Just Gimme Some Bucks And I’ll Be Straight -
ARET(I) JACKSON FIVE, "LOOKIN' THROUGH the WIN- (Pundit,BMI)
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR eoo, MAY27, 1972 ciif , WHO IN THE WORLD 04, Southern Gentleman Sonny James, s. - t' 3 0 4 Left, Has Signed A Long -Term 4 34' o Contract With Columbia Records, ti 47,27(. 4 Where, No Doubt, He Will Add 41 To His String Of 28 Consecutive Number One Country Singles. On Right Is Columbia President Clive Davis, Who Flew To Nashville To Announce The Signing. For More Details, Turn To Page 3. HITS T HA FRANKLIN,"ALLTHE KING'S HORSES." cg CANDI STATON, "IN THE GHETTO."(Screen 1.11ARET(i) JACKSON FIVE, "LOOKIN' THROUGH THE WIN- (Pundit,BMI). The latest from the Gems-Columbia/ElvisPresley,BMI). DOWS." The Jacksons,firmlyentrenchedin O undisputedQueenofSoul isas Pa Even though this Mac Davis -penned althe minds of the public, consistently come up different from "Day Dreaming" as w songishardly anoldie,theper- 'elwith winning efforts. Huge sales must be ex- that was from her earlier works. An - formance here is convincing enough pected,sincethisgiftedfamily alwaysde- co other assured smash. Atlantic 2883. tomake ithappenagain.Fame livers."LittleBittyPrettyOne"included. 91000 (UA). Motown M750L. NILSSON, "COCONUT." (Blackwood, BMI). Follow- FLASH, "SMALL BEGINNINGS."(Colgems/Black- THE BEACH BOYS, "PET SOUNDS/CARL AND THE upto "JumpInto The Fire"isa claw, ASCAP). Flash, very much like PASSIONS -SOTOUGH." Applausetoeveryone whimsical story from the outstand- Yes,should makeiton AM just concerned for this specially -priced doubleal- ing"Nilsson Schmilsson."Terrific, as they will on FM. This should be bum. "Pet Sounds," recordedin1966, was a and commercial enoughtogoall thefirsthitfromthebestnew recent purchase from Capitol. -
Plural Nouns
Grammar: Grades 5–6 Table of Contents Nouns and Pronouns Limiting and Prepositional Phrases ......................70 Common Nouns ..................................4 Descriptive Adjectives ................. 34 Direct Objects ................................... 73 Proper Nouns .......................................5 Comparative and Indirect Objects .................................75 Concrete and Abstract Nouns ........6 Superlative Adjectives ..................35 Clauses ................................................. 77 Singular and Plural Nouns ...............7 Predicate Adjectives ........................37 Relative Clauses .................................78 Plural Nouns .........................................8 Articles ................................................. 38 Independent and Possessive Nouns ..............................10 Appositives ........................................ 40 Dependent Clauses .......................79 Subject and Object Pronouns ......11 Adverbs Sentence Building with Clauses ....80 Possessive Pronouns ........................12 Adverbs ................................................41 Conjunctions ......................................81 Reflexive Pronouns ..........................13 Time Adverbs .....................................42 Coordinating Conjunctions ...........82 Indefinite Pronouns .........................14 Place Adverbs .....................................43 Correlative Conjunctions .............. 83 Interrogative and Manner Adverbs............................... 44 Subordinating -
“We Wanted Our Coffee Black”: Public Enemy, Improvisation, and Noise
Critical Studies in Improvisation / Études critiques en improvisation, Vol 10, No 1 (2014) “We Wanted Our Coffee Black”: Public Enemy, Improvisation, and Noise Niel Scobie Introduction Outside of academic circles, “noise” often has pejorative connotations in the context of music, but what if it was a preferred aesthetic with respect to music making? In addition, what if the preferred noise aesthetic was a direct result of group improvisation? Caleb Kelly claims that “Subjective noise is the most common understanding of what noise is. Put simply, it is the sound of the complaint from a stereotypical mother screaming to her teenage son to ‘turn that noise off. To the parent, the aggravating noise is the sound of the music, while it is his mother’s’ voice that is noise to the teenager enjoying his music” (72-73). In Music and Discourse, Jean-Jacques Nattiez goes further to state that noise is not only subjective, its definition, and that of music itself, is culturally specific: “There is never a singular, culturally dominant conception of music; rather, we see a whole spectrum of conceptions, from those of the entire society to those of a single individual” (43). Nattiez quotes from René Chocholle’s Le Bruit to define “noise” as “any sound that we consider as having a disagreeable affective character”—making “the notion of noise [. .] first and foremost a subjective notion” (45). Noise in this context is, therefore, most often positioned as the result of instrumental or lyrical/vocal sounds that run contrary to an established set of musical