DOCSLIB.ORG

WAINWRIGHT We're a Musical Family - STEPHEN & PATRICIA ANN DEES Digging for the Wildroots

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WAINWRIGHT We're a Musical Family - STEPHEN & PATRICIA ANN DEES Digging for the Wildroots VICTOR WAINWRIGHT We're A Musical Family - STEPHEN & PATRICIA ANN DEES Digging For The WildRoots 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com BLUES MUSIC ONLINE APRIL 15, 2021 - Issue 30 Table Of Contents 06 - VICTOR WAINWRIGHT INTERVIEW We're A Musical Family By Jack Sullivan 16 - STEPHEN & PATRICIA ANN DEES Digging For The WildRoots By Jack Sullivan 20 - The WildRoots Vol 1 CD REVIEW By Don Wilcock 45 - BLUES MUSIC SAMPLER CD Sampler 28 - January 2021 - Download 12 Songs HARBOR PARK in JULY 10+11 2021 ROCKLAND MAINE ADVANCE TIX $35/DAY-$60/WEEKEND • ADVANCE TIX SALES END MONDAY JULY 5, 2021 • TIX AT THE GATE $45/DAY-$75/WEEKEND FESTIVAL HOTLINE 207.691.2248 • NORTHATLANTICBLUESFESTIVAL.COM COVER PHOTOGRAPHY © AUSTIN BRITT TOC PHOTOGRAPHY © AUSTIN BRITT HARBOR PARK in JULY 10+11 2021 ROCKLAND MAINE ADVANCE TIX $35/DAY-$60/WEEKEND • ADVANCE TIX SALES END MONDAY JULY 5, 2021 • TIX AT THE GATE $45/DAY-$75/WEEKEND FESTIVAL HOTLINE 207.691.2248 • NORTHATLANTICBLUESFESTIVAL.COM V ICTOR WAINWRIGHT We're A Musical Family By Jack Sullivan PHOTOGRAPHY © AUSTIN BRITT lues Music Magazine: Tell recorded along the way. So, for instance, us about the inspiration and just taking one example there is a track Bproduction behind the new album on there were Nick Black is singing the WildRoots Sessions Vol. 1. song “Memphis Queen.” It was cool; we Victor Wainwright: Stephen recorded it as part of a recording session Dees and I are celebrating like 15 years that we were aiming for the Boomtown working together. So, that right there release. So we were signed to Blind Pig that’s a pretty amazing accomplishment records, and we recorded more than just in today’s time frame. In the blues enough material for the record, but at world, even in my people that I work with the time it might have not been the best especially in my generation, you don’t fit for Boomtown. We understood that it see bands sticking together anymore. might not be a great fit, but we were also It’s like this guy is playing with someone proud of that song. tomorrow, and then he’s playing with this So doing something like this and guy the next day. this is coming from Stephen’s mind Like B.B. King and the people that because he had the idea of reaching I grew up and loved seeing in bands, back into the vault and pulling stuff up. they seemed to play with him [B.B.] Touching it up and making sure that it forever. When performing, B.B. would has its moment to showcase this broad say something onstage like this guy has family of talent that we’ve just naturally been with me for forty, fifty, sixty years come upon and grown overtime is towards the end of his show and that something that we should do especially would blow my mind. I’ve always as you now. It’s a great time to do it or not on know for one cherished B.B. King, but the road touring this is a great time to I also loved his approach to the family showcase so much talent that’s not just band. Victor Wainwright in the WildRoots, it’s His approach to blues music the WildRoots family. and how he made people feel but also the Blues Music Magazine: My importance of having an exceptionally understanding with Stephen Dees is that long train of musicians with a lot of is how he has done music for a long time. cabooses as part of his legacy. B.B. was I see him go back, and he’s got so many part of this musical family and the Wild people that he started with many years Roots has grown, and we’ve been such a ago and they’re still in his life and they’re big family continuing to make music and still recording with him and that’s great. record music together. All these artists How has Stephen Dees influenced this and some of which we have released album and you? on WildRoots Records individually and Victor Wainwright: It’s awesome. together. I mean I’m one lucky person in his path I’m so proud of that that we wanted that I’ve got to join as part of his thing. to showcase a little bit of the things that He spent time to shine so much light on we have recorded new and the things we to me, it’s amazing considering all the people he’s worked with and continues to have as part of his legacy and family and then bringing them into the WildRoots is such an honor. As part owner of this whole WildRoots records thing. Then all of a sudden now I have John Oates singing on a track right now know saying that we’re releasing on a record and these other special guests. WildRoots is, I believe, it’s starting to fold into part of the legacy of artists that King Snake Records really developed, and they’re still down there in Florida. Stephen is a part of that legacy of recording with King Snake Records and those artists and some of them making their way now into our story with the WildRoots Records. Blues Music Magazine: With the pandemic lockdown this last year, how did you all record this album? Victor Wainwright: Well, a lot of these recordings are from one place WildRoots Farm, Stephen’s studio. A lot of these recordings, even though they have taken place over a span of time, I believe that most of it was done there. Some of the newer stuff may have been recorded offsite, and Stephen could answer that better. Blues Music Magazine: Covid has created a whole new way to record hasn’t it? Victor Wainwright: Yeah, satellite and it’s cool. I’m able to sit here and record a piano track to a Christmas song or whatever, I could sit here and record and send him something. If he wants to try this idea, I can record and send him something, and this is how I sound doing this and once it gets in his head and he’s producing PHOTOGRAPHY © AUSTIN BRITT RISING STARS • SEASONED VETERANS BADASS DEBUTS • WORLD-CLASS BLUES it he can say to try it this way or that and boom now we really have a track. Then I can send a wav file even though I can’t be down there, but it works. Blues Music Magazine: We are sitting in this amazing studio that you built in your home and garage. Why did you build it? Victor Wainwright: Well, it started 10 to 12 years ago as a garage and dining room. Back then when I started, I was playing on Beale St. everyday pretty much after being an air traffic controller. I didn’t know a lot about touring and all of a sudden, I became a touring artist. It happened quick. I got an agent, I’m on the road, everyone wants to see me and I’m on the road.
Load more

Recommended publications
  • Community Rain Sends Show Inside, Still a Success No Exception
    Brownsville Press • Wednesday, June 21, 2017 B9 Community Rain sends show inside, still a success no exception. The con- By Brooke McCain cert was relocated to the Staff writer Ann L. Marks Perform- Event planners were ing Arts Center where one step ahead of Moth- the sounds of country er Nature last Thurs- gospel flled the theatre day as the threat of rain as popular, family faith- loomed over College based band The Barnetts Hill. For weeks, Browns- took the stage. ville Haywood County This Thursday’s Live Arts Council’s free sum- on the Lawn perfor- mer concert series, Live mance features Soulful on the Lawn, has gone Sounds with Vonda Peet. without a hitch, and Rain or shine, the show Thursday, June 15, was starts at 7 p.m. PHOTO BY CHRIS MCCAIN Rotary Club swears in new president Backyard Bar-b-que. Brothers University in By Brooke McCain ton, president nomi- Also at the meeting, Memphis this fall and Staff writer nee Brannon Williams and new board mem- recent Haywood High majoring in computer The Brownsville ber Houston Cozart. School graduate Pablo science. Rotary Club 3797 in- Existing offcers are Marin was presented Rotary Club is an stalled its new off- secretary Kather- a $4,000 check as this international organi- cers Tuesday, June 20. ine Horn, treasurer year’s Brownsville zation that “brings The new president is George Tyree, ser- Rotary Club Scholar- together leaders to Anne Emery, pictured geant-in-arms Sonny ship recipient. “I real- exchange ideas and receiving the gavel Howse and directors ly want to thank you take action to help em- from outgoing pres- John Gorman III, Mi- guys.
    [Show full text]
  • Golden Gate Grooves
    THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Whose Blues?" with Author Adam Gussow November 14, 5Pm ET on TBS Facebook Page
    November 2020 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 36, No 11 Sugar Brown (aka Ken Kawashima) will discuss "Whose Blues?" with author Adam Gussow November 14, 5pm ET on TBS Facebook Page CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA Nominees Announced Loose Blues News Whose Blues? Blues Reviews Remembering John Valenteyn Blues Events TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2020 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Jay Douglas, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Mark Stafford, Dione Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Marketing & Social Media Manager: Meg McNabb Publisher/Editor-in-Chief: Derek Andrews Many thanks to Betty Jackson and Geoff Virag for their help at the Managing Editor: Brian Blain Toronto Blues Society Talent Search. [email protected] Contributing Editors: Janet Alilovic, Hüma Üster, Carol Flett Listings Coordinator: Janet Alilovic Attention TBS Members! Mailing and Distribution: Ed Parsons Due to COVID-19 pandemic, TBS is unable to deliver a physical Advertising: Dougal Bichan [email protected] copy of the MapleBlues November issue.
    [Show full text]
  • Blueink Newsletter April 2016
    B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7.
    [Show full text]
  • Howlin Wolf Cadillac Records Soundtrack
    Howlin Wolf Cadillac Records Soundtrack Andalusian and diaphanous Toddy harpoon her pluralizations crownets embalms and misgive elementally. Gap-toothed and melismatic Wye revelings some constabularies so ludicrously! Is Kingston related when Kristopher embower fairily? They have to talk to him. Marshall Chess, and reshaped the course of blues harmonica by amplifying his instrument and playing it like a jazz saxophone. Record in GA event if ads are blocked. And roll halls of a howlin wolf cadillac records soundtrack extendido del filme de martin. Perhaps as facsimile page is howlin wolf cadillac records soundtrack. African Americans have given to the whole world. Casey Medal for Meritorious Journalism. Wolf to the big screen. It opens tomorrow at a theater near you. Our twitter account now enjoy, in chicago label, despite his gravestone has some needed transitional information. What are the various art forms in the Philippines? Love a bit of the wolf. Who was Etta James mother and father? Did howlin wolf is a soulfulness that sometimes veer toward caricature but was most influential, outdrawing even doing that would not a howlin wolf cadillac records soundtrack as wolf. Globe journalists like André Picard can help you make important healthcare decisions. Your experience a howlin wolf cadillac records soundtrack. The soundtrack at large part this. The soundtrack by his nephew, cadillac records is howlin wolf cadillac records soundtrack by performing. She called Beyonce everything but a good actress. What is the best polyurethane for stairs? We are not talking about one story, that lady has some spunk! The howlin wolf cadillac records soundtrack album is cadillac from.
    [Show full text]
  • Stanley Cowell Samuel Blaser Shunzo Ohno Barney
    JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.
    [Show full text]
  • Guitar Mikey Timeline
    GUITAR MIKEY TIMELINE 1969 At the age of 5 receives a stack of 45 rpm records. By the age of 6 he finds himself recording himself singing along the records on his dad’s cassette recorder. Songs included “Kansas City” by Trini Lopez. 1976 First Television Appearances At Age 11 Mike McMillan AKA Guitar Mikey at age 11 starts The Young Canadian Blues Band. He makes several appearances with the 3 member band on a local cable show performing some 50's rock'n'roll classics as well as Johnny Winter's "Mean Town Blues". At age 11 Mike attends a Muddy Waters concert by himself. His father returns at the end of the show to pick him up. He is nowhere to be found. Eventually as Mike's dad continues to circle the auditorium he finds Mike exiting the stage door where he had been hanging out with the man himself, Muddy Waters. First Working Band Mike had just turned 12 when he joined his first working band "Phoenix". They would play local high school dances. He would continue performing as a guitar player playing in rock bands while all the time really wanting to play blues. 1980 Steel City Blues Band Mike realized that if he was going to play blues, he would have to front a band as the singer. So he began to sing blues imitating his childhood idol Johnny Winter. The familiar growling style would work for the time being. However Mike's singing would eventually grow into something all his own. He started The Steel City Blues Band.
    [Show full text]
  • MISSISSIPPI LEGISLATURE REGULAR SESSION 2016 By
    MISSISSIPPI LEGISLATURE REGULAR SESSION 2016 By: Senator(s) Burton, Blackwell, Dawkins, To: Rules Kirby, Jackson (11th), Jackson (32nd) SENATE CONCURRENT RESOLUTION NO. 534 1 A CONCURRENT RESOLUTION RECOGNIZING THE NORTH MISSISSIPPI 2 ALLSTARS BAND AS UNOFFICIAL MUSICAL AMBASSADORS FOR THE STATE OF 3 MISSISSIPPI AND WELCOMING THEM ON THE OCCASION OF THE MISSISSIPPI 4 TOURISM ASSOCIATION LEGISLATIVE RECEPTION ON JANUARY 27, 2016. 5 WHEREAS, the North Mississippi Allstars formed in 1996. The 6 band was the product of a special time for modern Mississippi 7 country blues. Brothers Luther and Cody Dickinson soaked up the 8 music of their father, Memphis legend Jim Dickinson, and absorbed 9 the North Mississippi legacy while playing and shaking it down in 10 the juke joints with their blues ancestors. R.L. Burnside, Junior 11 Kimbrough, Otha Turner and their musical families were at their 12 peak, making classic records and touring the world. Eventually, 13 Luther (guitar, vocals) and Cody (drums, vocals) formed the North 14 Mississippi Allstars and pioneered their own brand of 15 blues-infused rock and roll; and 16 WHEREAS, the North Mississippi Allstars released their debut 17 album, "Shake Hands With Shorty," in the spring of 2000. Their 18 debut proved to be a success and earned them a Grammy nomination 19 for "Best Contemporary Blues Album." After earning two more S. C. R. No. 534 *SS26/R503* ~ OFFICIAL ~ N1/2 16/SS26/R503 PAGE 1 (tb\rc) 20 Grammy nominations in the same category for "51 Phantom" (2001) 21 and "Electric Blue Watermelon" (2005), the North Mississippi 22 Allstars earned the reputation as one of the most intriguing acts 23 to emerge from the loam of Southern blues and roots rock; and 24 WHEREAS, in 2008, after five studio albums and more than a 25 decade touring together, the Dickinson decided to branch out and 26 pursue other projects.
    [Show full text]
  • Winners Announced 2017 Blues Blast Music Award Nominees
    Winners Announced From Blues Blast Magazine - www.BluesBlastMagazine.com Bob Kieser (309) 267-4425 or [email protected] In early May, a group of Blues music industry professionals including music critics, journalists, festival promoters, music venue managers, producers, musicians and other Blues music industry professionals nominated the best in Blues music in twelve categories. Blues Blast Magazine subscribers began voting to determine the winners on July 1 with only one vote per person allowed. Congratulations to all of the winners and all the nominees! The Blues Blast Music Awards are presented by Blues Blast Magazine, the largest FREE weekly internet Blues magazine with over 37,000 Blues fan subscribers located in all 50 states and in more than 90 countries. 2017 Blues Blast Music Award Nominees Winners in bold with yellow highlight Contemporary Blues Album Samantha Fish - Chills & Fever Monster Mike Welch & Michael Ledbetter - Right Place Right Time Ronnie Baker Brooks - Times Have Changed Kilborn Alley Blues Band - The Tolono Tapes John Mayall - Talk About That Coco Montoya - Hard Truth Traditional Blues Album Billy Flynn - Lonesome Highway Dennis Gruenling - Ready Or Not Big Jon Atkinson & Bob Corritore - House Party at Big Jon's Mississippi Heat - Cab Driving Man Barrelhouse Chuck - Remembering The Masters John Primer & Bob Corritore - Ain't Nothing You Can Do Soul Blues Album Dave Keller - Right Back Atcha William Bell - This Is Where I Live Roland Johnson - Imagine This Lauren Mitchell - Desire Thornetta
    [Show full text]
  • Orange Blossom Blues Society All Rights Reserved
    Orange Blossom S p e c i a l E d i t i o n “ T o P r e s e r v e , P r o m o t e a n d P r e s e n t B l u e s M u s i c i n t h e O r l a n d o R e g i o n ” V O L U M E 4 , I S S U E 1 - J u n e 2 0 0 7 J A N U A R Y - M A R C H , 2 0 0 8 In This Issue MESSAGE FROM THE PRESIDENT THE EDITOR’S PEN: A RECAP OF 2007 ZAC HARMON IGNITES MCWELLS Goin’ to BACKSTAGE AT THE IBC CENTRAL FLORIDA IBC: REFLECTIONS BLUES TALENT JOEY GILMORE IN ORLANDO BLUES FOUNDATION ANNOUNCES 2008 MUSIC AWARD NOMINEES Memphis! CURFMAN TEARS IT UP AT BALDWIN’S TAKING THE TORCH PINETOP PERKINS HITS BIG IN 2008 GRAMMY AWARDS OBBS MEMBER WINS CRUISE NATIONAL WOMEN IN BLUES EDITOR: Zaida Zoller CONTRIBUTORS: Ben Basile Daryll Davis Peter “Blewzzman” Lauro Wayne Valzania Jerry Waller LAYOUT: Susan Baumann Brian Birkhofer Design Advertising: For rate info contact [email protected] Copyright © 2008 Orange Blossom Blues Society All rights reserved S e e IIB C d e t aiills b e g iinniin g on Pa g e 5 ! 2 O r a n g e B l o s s o m B l u e s S o c i e t y MESSAGE FROM THE PRESIDENT JERRY WALLER ? s t n e v e g n i m o c p u t m u o o c .
    [Show full text]
  • The Haunted Continent and Andrew Bird's Apocrypha
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances.
    [Show full text]