Music Quiz Year 9, 2018
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Loreen Missar Finalen Enligt Spelarna
Loreen missar finalen enligt spelarna På lördag drar mello-karusellen vidare till Linköping då det är dags för Andra chansen. Oddsen pekar på att Loreen kommer knipa en finalplats men bland spelarna är det hela 84 procent som tror på att Anton Hagman slår ut hela tävlingens förhandsfavorit. Åtta artister gör på lördag upp i fyra dueller där vinnaren i respektive tvekamp går till final i Melodifestivalen. Den hetaste duellen enligt oddsen är mellan pojkbandet FO&O och De Vet Du, även om spelarna tror på en solklar vinst för de sistnämnda. I den sista duellen ser det ut att bli riktigt tufft för oddsfavoriten Loreen som endast fått 16 % av spelen. – Spelarna och oddsen är verkligen på var sin sida så det blir otroligt spännande att följa lördagens dueller. Skulle Anton Hagman slå ut favorittippade Loreen är det en rejäl skräll sett till förhandstipsen. Spelarna verkar dock säkra på sin sak, säger Henrik Holm, spelexpert på Unibet. Unibets odds på Melodifestivalen 2017 Vilka artister går vidare från duellerna i Andra chansen? FO&O 1.75 De Vet DU 1.95 Axel Schylström 2.70 Lisa Ajax 1.40 Boris René 1.30 Dismissed 3.20 Anton Hagman 4.00 Loreen 1.20 Vem vinner Melodifestivalen 2017? Wiktoria 2.15 Nano 3.00 Jon Henrik Fjällgren feat. Aninia 5.50 Loreen 7.00 Robin Bengtsson 8.50 Mariette Hansson 13.00 Benjamin Ingrosso 24.00 Ace Wilder 31.00 Owe Thörnqvist 41.00 Lisa Ajax 71.00 FO&O 76.00 Axel Schylström 91.00 Dismissed 101.00 Boris René 101.00 Anton Hagman 151.00 De Vet Du 151.00 Så tror spelarna på Melodifestivalen 2017 Vilka artister går vidare från duellerna i Andra chansen? FO&O 24 % De Vet DU 76 % Axel Schylström 31 % Lisa Ajax 69 % Boris René 57 % Dismissed 43 % Anton Hagman 84 % Loreen 16 % Alla oddsen på Melodifestivalen 2017: https://se.unibet.com/betting#filter/tv___novelty/sweden/melodifestivalen För mer information, vänligen kontakta: Henrik Holm, spelexpert, 073-143 94 78, [email protected] Om Unibet Unibet grundades 1997 och är en del av Kindred Group, en speloperatör noterat på Nasdaq Stockholm. -
In the High Court of New Zealand Wellington Registry
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY I TE KŌTI MATUA O AOTEAROA TE WHANGANUI-Ā-TARA ROHE CIV-2014-485-11220 [2017] NZHC 2603 UNDER The Copyright Act 1994 EIGHT MILE STYLE, LLC BETWEEN First Plaintiff MARTIN AFFILIATED, LLC Second Plaintiff NEW ZEALAND NATIONAL PARTY AND First Defendant GREG HAMILTON Second Defendant STAN 3 LIMITED AND First Third Party SALE STREET STUDIOS LIMITED Second Third Party Continued Hearing: 1–8 May 2017 and 11–12 May 2017 Appearances: G C Williams, A M Simpson and C M Young for plaintiffs G F Arthur, G M Richards and P T Kiely for defendants A J Holmes for second third party T P Mullins and C I Hadlee for third and fourth third parties L M Kelly for fifth third party R K P Stewart for fourth party No appearance for fifth party Judgment: 25 October 2017 JUDGMENT OF CULL J EIGHT MILE STYLE v NEW ZEALAND NATIONAL PARTY [2017] NZHC 2603 [25 October 2017] AND AMCOS NEW ZEALAND LIMITED Third Third Party AUSTRALASIAN MECHANICAL COPYRIGHT OWNERS SOCIETY LIMITED Fourth Third Party BEATBOX MUSIC PTY LIMITED Fifth Third Party AND LABRADOR ENTERTAINMENT INC Fourth Party AND MICHAEL ALAN COHEN Fifth Party INDEX The musical works ............................................................................................................................. [8] Lose Yourself .................................................................................................................................. [9] Eminem Esque ............................................................................................................................. -
Lose Yourself Eminem
Lose Yourself Eminem a F G Am F Am F Am His palms are sweaty, knees weak, arms are heavy F There's vomit on his sweater already, mom's spaghetti Am He's nervous, but on the surface he looks calm and ready F To drop bombs, but he keeps on forgetting Am What he wrote down, the whole crowd goes so loud F He opens his mouth, but the words won't come out Am He's choking, how? Everybody's joking now F The clock's run out, times up, over, blaoh! Am Snap back to reality, oh, there goes gravity F Oh, there goes Rabbit. He choked, he's so mad but he won't Am Give up that easy, no, he won't have it he knows F His whole back's to these ropes, it don't matter he's dope Am He knows that but he's broke, he's so stagnant he knows F When he goes back to his mobile home, that's when it's Am Back to the lab again, yo F This whole rhapsody better go capture this moment G And hope it don't pass him Am You better lose yourself in the music F G The moment, you own it, you better never let it go Am You only get one shot, do not miss your chance to blow F G This opportunity comes once in a lifetime, yo Am You better lose yourself in the music F G The moment, you own it, you better never let it go Am You only get one shot, do not miss your chance to blow F G This opportunity comes once in a lifetime Am His soul's escaping, through this hole that is gaping F This world is mine for the taking, make me king Am F As we move toward a new world order, a normal life is boring Am But superstardom's close to post mortem F It only grows harder, homie grows hotter Am He blows. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
12.15.2020 – Taylor Swift, Reinvented Once Again
:: View email as a web page :: So much of our Covid-related discourse in 2020 centered on what was lost. But a precious few of us seized upon this very strange and sequestered year as an opportunity for acquiring some new part of ourselves. Was it a surprise that Taylor Swift was one of those people? Her summer release Folklore was instantly contextualized as a quarantine project. Swift’s second album of 2020, Evermore, was similarly presented by the singer-songwriter herself as extra run-o! from an especially fruitful songwriting period. But anyone taking a wider view of her career could see albums like Folklore and Evermore on Swift’s musical horizon, even before Covid. During the press cycle for her 2019 e!ort Lover, Swift was already expressing disdain for the pop machine, likening it to The Hunger Games. That strain was also apparent on the album, in which some very good “small” Taylor Swift songs were larded with some very bad “big” would-be hits like “Me” and “I Forgot You Existed.” More than ever, the gap between the songs in which Swift’s heart seemed to be truly invested and the songs required for radio exposure and meme-friendly virality was incredibly stark. As our current reigning stadium rocker, Swift had made Born In The U.S.A.-style mega-smashes time and again. Now, it seemed, she yearned to make her Nebraska . But would pop’s chronic overachiever ever allow herself to make an album of strictly “small” and intimate songs? When the world shut down in 2020, the obligation to fill our stadiums and arenas with world- conquering jams suddenly became moot. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Rap God - Song Lyrics
Lyrics from http://LyricsToPDF.com Rap God - Song Lyrics Look I was gonna go easy on you and not to hurt your feelings But I'm only going to get this one chance Something's wrong I can feel it Just a feeling I've got like something's about to happen But I don't know what If that means what I think it means we're in trouble Big trouble and if he is as bananas as you say I'm not taking any chances You were just what the doctor ordered I'm beginning to feel like a rap god rap god All my people from the front to the back nod back nod Now who thinks that arms are long enough to slapbox slapbox? They said I rap like a robot so call me Rapbot But for me to rap like a computer must be in my genes I got a laptop in my back pocket My pen will go off when I half-cock it Got a fat knot from that rap profit Made a living and a killing off it Ever since Bill Clinton was filling in office With Monica Lewinsky filling on his nutsack I'm an MC still as honest But as rude and indecent as all hell Syllables killaholic …. This slipety gibbity hippity hop- You don't really wanna get into a pissing match With this rappidy rap packing a Mac In the back of the Ac… And at the exact same time I attempt these lyrical acrobat stunts while I'm practicing that I'll still be able to break a motherfuckin' table Over the back of a couple of faggots and crack it in half Only realized it was ironic I was under aftermath after the fact How could I not blow? All I do is drop F bombs Feel my wrath of attack Rappers are having a rough time Period here's a maxi pad It's actually -
Top-50 Crossover Chart 5/16/2015 TW LW ARTIST TITLE
Top-50 Crossover Chart 5/16/2015 Starfleet Music Pool - Top 50 Crossover TW LW ARTIST TITLE LABEL 1 8 Side FX and Kim Cameron Carnival Of Baggage (Club Mix) Side FX Partners 2 4 Kelly Clarkson Heartbeat Song (Remixes) RCA Records 3 10 A Luv feat J Hussa Certified (Clean House Extended Mix) W2W Entertainment 4 14 Giorgio Moroder feat. Kylie Minogue Right Here, Right Now (Remixes) RCA 5 NE Natalie La Rose ft. Jeremih Somebody (Remixes) IMG/Republic Records 6 32 Chic feat. Nile Rodgers I'll Be There (Remixes) WBR 7 24 Charli XCX ft. Rita Ora Doing It (Remixes) Atlantic Records 8 21 Deborah Cox Kinda Miss You (Remixes) Deco/Primary Wave/BMG 9 17 Monaye Love In The Club Place (Album Mix) Reo Deo Label 10 1 Aaron Paul I Don't Care (Remixes) AP Music-Sobel Promotions 11 12 Nick Jonas Chains (Remixes) Island/Republic Records 12 15 Sia Elastic Heart (Remixes) RCA Records 13 3 Taylor Swift Style (Mixshow Edit) Big Machine/Republic Records 14 36 Side FX and Kim Cameron Blind Love (Remixes) Side FX Partners 15 2 Iggy Azalea feat Jennifer Hudson Trouble (Mixshow Edit) (Clean) Def Jam Records 16 26 Stanley Jeter Rock The City (Original Mix) White Label 17 NE Rihanna Bitch Better Have My Money (Remixes) Def Jam Records 18 35 Alison Wonderland feat. Wayne Coyne U Dont Know (Remixes) Astralwerks 19 7 Veronica Brown feat. DJ John I Don't Wanna Be A Sinner (Dance Club Remix) Psalms Group 20 27 Marcus Allen You Know (DJ Mix) J G Entertainment 21 43 Madonna Ghosttown (Remixes) Live Nation/Interscope Records 22 13 Tove Lo Talking Body (Remixes) Island/Republic Records 23 18 Sak Noel, Dj Kuba & Neitan feat. -
Artist Title Rank Spins SURF MESA FEAT
Artist Title Rank Spins SURF MESA FEAT. EMILEE I LOVE YOU BABY 1 49 TOPIC FEAT. A7S BREAKING ME 2 49 HARRY STYLES WATERMELON SUGAR 3 46 LADY GAGA & ARIANA GRANDE RAIN ON ME 4 43 THE WEEKEND BLINDING LIGHTS 5 43 ROBIN SCHULZ & WES ALANE 7 42 JASON DERULO SAVAGE LOVE 8 39 BIG MOUNTAIN BABY I LOVE YOUR WAY 9 37 ENRIQUE IGLESIAS THE RHYTHM DIVINE 10 35 STING DESERT ROSE 11 33 MARC COHN WALKING IN MEMPHIS 12 32 AVA MAX KINGS & QUEENS 13 29 BOYZONE WORDS 13 29 DUA LIPA BREAK MY HEART 15 28 NO MERCY WHEN I DIE 16 27 CAMOUFLAGE LOVE IS A SHIELD 17 24 CROWDED HOUSE DON'T DREAM IT'S OVER 17 24 ALL 4 ONE I SWEAR 17 24 RICHARD MARX HAZARD 17 24 DESIRELESS VOYAGE VOYAGE 21 23 KIM CARNES BETTE DAVIS EYES 22 22 BOY GEORGE + CULTURE CLUB EVERYTHING I OWN 22 22 A-HA THE SUN ALWAYS SHINES ON TV 22 22 MICHAEL JACKSON WILL YOU BE THERE 22 22 BRYAN FERRY SLAVE TO LOVE 26 21 BRYAN ADAMS STRAIGHT FROM THE HEART 26 21 BACKSTREET BOYS I WANT IT THAT WAY 26 21 HALL & OATES MANEATER 26 21 CHER I FOUND SOMEONE 26 21 BANGLES MANIC MONDAY 26 21 VAYA CON DIOS NAH NEH NAH 32 20 LAURA BRANIGAN SELF CONTROL 32 20 LUTRICIA MCNEAL SOMEONE LOVES YOU HONEY 32 20 CHRIS DE BURGH LADY IN RED 32 20 CHAMPAIGN HOW ABOUT US 32 20 BRUCE SPRINGSTEEN GLORY DAYS 32 20 DEPECHE MODE JUST CAN'T GET ENOUGH 38 19 BILLY IDOL SWEET SIXTEEN 38 19 THE CHAINSMOKERS & COLDPLAY SOMETHING JUST LIKE THIS 38 19 KOOL & THE GANG CHERISH 38 19 JOHNNY HATES JAZZ TURN BACK THE CLOCK 38 19 CLIF RICHARD WE DON'T TALK ANYMORE 38 19 BRUCE HORNSBY & THE RANGE THE WAY IT IS 38 19 TAYLOR SWIFT FEAT. -
2013 Kansas City Results
22001133 RReeggiioonnaall RReessuullttss Kansas City, MO Feb 15, 2013 - Feb 17, 2013 Teen Mr. StarQuest Jaymes Dickinson - Pieces Don't Fit Anymore - Priscilla and Dana's School of Dance Mr. StarQuest Alex Gicinto - Holding On - Priscilla and Dana's School of Dance Petite Miss StarQuest Ella Thowe - Without You - Priscilla and Dana's School of Dance Junior Miss StarQuest Katie Rhodus - Let Me Entertain You - Priscilla and Dana's School of Dance Teen Miss StarQuest Aliza Russell - Dancing On My Own - Priscilla and Dana's School of Dance Miss StarQuest Hayley Erbert - Broadway Baby - Priscilla and Dana's School of Dance Top Select Petite Solo 1st Place - Ella Thowe - Without You - Priscilla and Dana's School of Dance 2nd Place - Noel Busch - In Control - Priscilla and Dana's School of Dance 3rd Place - Kamdyn Wedel - Rock Star - PowerHouse Dance 4th Place - Heather Thomas - Eye On The Sparrow - Excel Performing Arts 5th Place - Isabella Cascone - Mambo Italiano - Priscilla and Dana's School of Dance Top Select Junior Solo 1st Place - Katie Rhodus - To Build A Home - Priscilla and Dana's School of Dance 2nd Place - Alaina Lee - Unstoppable - PowerHouse Dance 3rd Place - Annie Riffel - Shelter - Priscilla and Dana's School of Dance 4th Place - Sam Amey - Yellow - Priscilla and Dana's School of Dance 5th Place - Hannah Honn - Wallflower - Priscilla and Dana's School of Dance 6th Place - Sarah Waller - Turn To Stone - Priscilla and Dana's School of Dance 7th Place - Mary Deaver - Come Home - Academy of Fine Arts 8th Place - Keegan Ward - Fix -
Durabteilung Beginn Auf 1, Eventuell Zweite Molltonika
Vier unterschiedliche Stufen Durabteilung Beginn auf 1, eventuell zweite Molltonika 1234 Parallelprogression Ärzte, Die: Himmelblau (S, G), Beatles, The: Here there and everywhere (S), Culcha Candela: Hamma! (S), Cure, The: Boys don't cry (S, R), Billy Joel: Uptown girl (S 123[45]), Juanes: La camisa negra (R), Mark Forster: Bauch und Kopf (R 123/74) 1235 (Parallelprogression), 1236 (Parallelprogression), 1243 1245 7 Years Bad Luck (Punkrock): A plain guide (to happiness) (I), Aerger (Deutschpop): Kleine Schwester (I, R) Vanessa Amorosi (Bravopop): Shine (R), Tina Arena (Cover): Show me heaven (R), Bachman Turner Overdrive: Hey you (R), Jennifer Brown: Naked (I, R), Joe Cocker: No ordinary world (R), Jude Cole: Madison (S, R), Corrs, The: All the love in the world (S), Counting Crows: Rain king (R), Nelly Furtado: In god’s hands (R), Faith Hill: Breathe (R), Gewohnheitstrinker (Punk): High Society (R), Michael Jackson: My girl (B), Jack Johnson: Upside down (R), Labrinth feat. Emeli Sandé (Reggae): Beneath your beautiful (T), Fady Maalouf (Bravopop): Blessed (Rf), Maroon 5 (Alternativepop): Won’t go home without you (R11224511), Amanda Marshall: Fall from Grace (I, S, R), Don McLean: Vincent (S), Melanie C: If that were me (S, R), Metro Station (Bravopop): Shake it (B), Alanis Morissette: Ur (T), Nena: 99 Luftballons (S, R), Laura Pausini: Il mio sbaglio più grande (I, S, R), Katy Perry: Thinking of you (R bzw. 124-4), Reamon: Josephine (I, S), Reel Big Fish (Skarock): Somebody hates me (Rf), Sell out (I, S, Z1), Savage Garden: I knew -
Brother Leo Bio Where Does Ola End and Brother Leo Begin? “It's A
Brother Leo Bio Where does Ola end and Brother Leo begin? “It's a question that's been rattling around in the constantly whirring mind of the Grammy nominated Swedish artist for a while, and like all good pop mysteries, may never be solved. “Brother Leo means freedom. The name comes from a reoccurring dream I had as a kid. In the dream I had a twin brother, he was a free spirit, brave, confident and always had the answers to everything. He had superpowers and his name was Leo”. A highly respected songwriter and producer in his own right, Ola Svensson has been reborn, ready to take on the world with an impressive array of songs and emotions, as Brother Leo. “The whole idea behind creating the alias was to provide an honest and creative place that forced me outside of my comfort zone. As Brother Leo I’m able to challenge and push myself as a artist and songwriter. In a way, I can be more me”. Fuelled by his winding musical journey so far, and spurred on to dig deeper into his creative expression, Ola, channelling Brother Leo, has crafted a suite of songs that are unafraid to alchemise his emotions and experiences into bold, unabashed pop anthems. These are songs for the masses, communicating universal emotions. Be they playful like the sleek ode to love, Naked, or be they heartbreaking like the redemptive hymn, Hallelujah, or the zeitgeist critical new single, Strangers on an Island; a gold-plated banger produced by British dance music legend Fatboy Slim.