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Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
125 Years of Women in Medicine
STRENGTH of MIND 125 Years of Women in Medicine Medical History Museum, University of Melbourne Kathleen Roberts Marjorie Thompson Margaret Ruth Sandland Muriel Denise Sturtevant Mary Jocelyn Gorman Fiona Kathleen Judd Ruth Geraldine Vine Arlene Chan Lilian Mary Johnstone Veda Margaret Chang Marli Ann Watt Jennifer Maree Wheelahan Min-Xia Wang Mary Louise Loughnan Alexandra Sophie Clinch Kate Suzannah Stone Bronwyn Melissa Dunbar King Nicole Claire Robins-Browne Davorka Anna Hemetek MaiAnh Hoang Nguyen Elissa Stafford Trisha Michelle Prentice Elizabeth Anne McCarthy Fay Audrey Elizabeth Williams Stephanie Lorraine Tasker Joyce Ellen Taylor Wendy Anne Hayes Veronika Marie Kirchner Jillian Louise Webster Catherine Seut Yhoke Choong Eva Kipen Sew Kee Chang Merryn Lee Wild Guineva Joan Protheroe Wilson Tamara Gitanjali Weerasinghe Shiau Tween Low Pieta Louise Collins Lin-Lin Su Bee Ngo Lau Katherine Adele Scott Man Yuk Ho Minh Ha Nguyen Alexandra Stanislavsky Sally Lynette Quill Ellisa Ann McFarlane Helen Wodak Julia Taub 1971 Mary Louise Holland Daina Jolanta Kirkland Judith Mary Williams Monica Esther Cooper Sara Kremer Min Li Chong Debra Anne Wilson Anita Estelle Wluka Julie Nayleen Whitehead Helen Maroulis Megan Ann Cooney Jane Rosita Tam Cynthia Siu Wai Lau Christine Sierakowski Ingrid Ruth Horner Gaurie Palnitkar Kate Amanda Stanton Nomathemba Raphaka Sarah Louise McGuinness Mary Elizabeth Xipell Elizabeth Ann Tomlinson Adrienne Ila Elizabeth Anderson Anne Margeret Howard Esther Maria Langenegger Jean Lee Woo Debra Anne Crouch Shanti -
IFFAM 2943 – East & West Masterpieces on the Big Screen
SUPPLEMENT THU 07.12.2017 SHOWING INSIDE Crossfire Special Presentation Flying Daggers FAQs II Int’l Film Festival EAST & WEST MASTERPIECES ON THE BIG SCREEN he Crossfire feature of the IFFAM, described by organizers as a “retrospective” element of the festival, will showcase six master films selected by renowned filmmakers. From the black and white motion pictures of the 1940s to Kubrick’s sci-fi masterpiece “2001: Space Odyssey” of the 60s and the psychological thriller “Silence of the Lambs”, the genre films hail from THollywood and Asia, the latter represented with seminal works from Kurosawa, Johnnie To and Derek Yee. International Film Festival & Awards Macao CROSSFIRE: A RETROSPECTIVE OF CINEMA FROM KUBRICK TO KUROSAWA The Crossfire feature of the IFFAM will showcase six master films selected by renowned filmmakers. The pictures will be shown on the big screen at The Cinematheque Passion, from December 8 to 12 ONE NITE IN MONGKOK Mongkok, Hong Kong: a densely populated hot- KIND HEARTS AND CORONETS MAD DETECTIVE bed of criminal activity. Mainland Chinese farm Hotshot Inspector Ho seeks out his former boss Bun boy Lai Fu is a hired killer who enters the neon-lit English actors Dennis Price and Sir Alec Guinness underbelly of this infamous district. When he res- star in this 1949 black comedy. Price plays the for help in cracking a serial murder case. Bun, a gifted criminal profiler, went mad years ago and now lives cues a call girl from gangsters, the two must go lead role of Louis d’Ascoyne Mazzini, ninth in line on the run from policemen and triads alike. -
Punished (2011) Dopo Il Sequestro Della Figlia L'imprenditore Wong Ricorre a Ogni Mezzo Per Stanare I Rapitori E Vendicarsi
Punished (2011) Dopo il sequestro della figlia l'imprenditore Wong ricorre a ogni mezzo per stanare i rapitori e vendicarsi. Un film di Wing-Cheong Law con Anthony Chau-Sang Wong, Richie Ren, Janice Man, Maggie Cheung Ho Yee, Candy Lo, Charlie Cho. Genere Thriller durata 94 minuti. Produzione Hong Kong 2011. Quando la figlia di un magnate viene trovata morta per overdose di cocaina, lui cercherà in ogni modo di vendicarla. Emanuele Sacchi - www.mymovies.it Mentre il mogul Johnnie To sembra sempre più incline alle deviazioni nel campo della commedia e a pregevoli estetismi cinefili, lo zoccolo duro della sua creatura, ossia la Milkyway Image, resta fedele al noir made in Hong Kong. Law Wing-cheong è un fedelissimo di To, uno che da sempre sopperisce con l'umiltà dell'allievo coscienzioso alla mancanza di personalità. Quando si è trattato di uscire dagli schemi di genere ('2 Become 1') i risultati sono stati disastrosi, ma 'Punished' appartiene a quell'artigianato action di qualità che un tempo era prerogativa di Hong Kong. Quasi "coreano" nella sua ossessione per la vendetta, il film di Law delega buona parte della sua forza dirompente all'interpretazione ancora una volta superba di Anthony Wong: un personaggio tutt'altro che monodimensionale quello del palazzinaro miliardario che paga a caro prezzo le manchevolezze della sua dimensione privata. L'insaziabile sete di vendetta dapprima ne esalta i lati più ferini e pare allontanarlo da ogni residuo di umanità, per poi portarlo a uno spietato confronto con se stesso. Indicativo in questo senso il cambio di registro di Wong, alle prese con i rovesciamenti della sottotrama sugli scontri tra imprenditori edili e abitanti dei Nuovi Territori di Hong Kong. -
Mercredi 21 Novembre 5
4 MERCREDI 21 NOVEMBRE 5 KATORZA 1 KATORZA 2 KATORZA 3 CINÉMATOGRAPHE CONCORDE 1 CONCORDE 4 GAUMONT 6 LE GRAND T 9H 9H30 9H30 LE CAIRE, RACONTÉ THE WORLD 10H 10H 10H PAR YOUSSEF Jia Zhang-ke 10H CHAHINE FICTION / 133’ / 35MM THE FRIENDS BEAUTY * BONJOUR CHINE Shinji Sômai Daniela Seggiaro Yasujiro Ozu Youssef Chahine FICTION / 113’ / 35MM FICTION / 83’ / BLURAY FICTION / 94’ / 35MM FICTION / 23’ / 35MM JAPON ARGENTINE JAPON ÉGYPTE 11H GARE CENTRALE Youssef Chahine FICTION / 73’ / BETA SP ÉGYPTE 12H 13H 13H BOROM SARRET Ousmane Sembène 13H30 13H30 FIC / 20’ / 16 MM / SÉNÉGAL MEMORIES THE LAST FRIDAY RAPSODIA EN BOGOTA * José Maria Arzuaga LOOK AT ME * Yahya Alabdallah DOC / 24’ / 35MM / COLOMBIE 14H 14H Song Fang FICTION / 88’ / HDCAM JORDANIE, AVRIL ELECTION 1 DOC / 87’ / DCP Otar Iosseliani Johnnie To CHINE ÉMIRATS ARABES UNIS FIC / 46’ / 35MM / GÉORGIE FICTION / 101’ / 35MM HONG KONG 15H 15H CONTES PERSANS 15H30 ANIMATION / 52’ / 35MM GIMME GIMME IRAN * (À PARTIR DE 4 ANS) 16H Lawrence Ah-Mon 16H FICTION / 101’ / 35MM Q/A HONG KONG MAI MORIRE * Enrique Rivero 16H30 FICTION / 84’ / DCP THE TERRIBLE MEXIQUE COUPLE 17H Shinji Sômai FICTION / 122’ / 35MM 17H30 JAPON FAT CHOI SPIRIT * Johnnie To & Ka-Fai Wai 18H FICTION / 96’ / 35MM HONG KONG 18H15 RIO DE ORO * Pablo Aldrete FICTION / 100’ / 35MM 19H MEXIQUE 19H 19H FILATURES MOVING * Yau Nai-Hoi Shinji Sômai FICTION / 90’ / 35MM FICTION / 124’ / 35MM HONG KONG JAPON 20H 20H 20H 20H WADJDA MILLENNIUM UNE PAGE FOLLE Haifaa Al-Mansour 20H30 MAMBO Teinosuke Kinugasa FICTION / 98’ / DCP Hou Hsiao-hsien FICTION / 59’ / 35MM ARABIE SAOUDITE SLEEPLESS NIGHT * 20H45 JAPON Jang Kun-Jae FICTION / 105’ / 35MM 21H STUDENT TAÏWAN FICTION / 65’ / HDCAM Darejan Omirbaev CORÉE DU SUD 21H30 FICTION / 90’ / 35MM SAILOR SUIT AND KAZAKHSTAN MACHINE GUN * 22H 22H 22H 22H Shinji Sômai TOKYO HEAVEN EXPECT THE P.T.U. -
“China Factor” in Contemporary Hong Kong Genre Cinema
Concentric: Literary and Cultural Studies 46.1 March 2020: 11-37 DOI: 10.6240/concentric.lit.202003_46(1).0002 Re-Negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema Ting-Ying Lin Department of Information and Communication Tamkang University, Taiwan Abstract Given the long-existing and multifaceted negotiations of the “China factor” in Hong Kong film history, this article centers on the political function of genre films by exploring how contemporary Hong Kong filmmakers utilize filmmaking as a flexible strategy to re-negotiate and reflect on the China factor concerning current post-handover political dynamics. By focusing on several recent Hong Kong genre films as case studies, it examines how the China factor is negotiated in Vulgaria (低俗喜劇 Disu xiju, 2012) and The Midnight After (那夜凌晨,我坐上了旺角開往大埔的紅 VAN Naye lingchen, wo zuoshang le Wangjiao kaiwang Dapu de hong van, 2014), considering the politics of languages alongside the imaginary of the disappearance of Hong Kong’s local cultures in the post-handover era. It also highlights two post-Umbrella- Revolution films, Trivisa ( 樹大招風 Shuda zhaofeng, 2016) and The Mobfathers (選老頂 Xuan lao ding, 2016), to explore how the China factor is negotiated in light of the collective anxieties of Hongkongers regarding the handover and controversies in the current electoral system of Hong Kong. By doing so, this article argues that the re-negotiations of the China factor in contemporary Hong Kong genre cinema have become more and more politically reflexive given the increasingly severe political interference of the Beijing sovereignty that has violated the autonomy of Hong Kong, while forming a discourse of resistance of Hongkongers against possible neo- colonialism from the Chinese authorities in the postcolonial city. -
Election (18) 黑社會 MON 21 MAR, 18:10 Dir Johnnie To/2005 HK/100
Election (18) 黑社會 MON 21 MAR, 18:10 Dir Johnnie To/2005 HK/100 mins/Cantonese, Mandarin, English with Chinese and English subtitles/ Simon Yam, Leung Ka-fai, Louis Koo, Nick Cheung Johnnie To entered the Hong Kong film industry in the late 1980s after a short career in television and quickly rose to fame as a director of great flexibility. To works out of his own production studio, Milkyway Image, which he established in 1996 with his long time collaborator Wai Ka-fai. While the rest of the industry slowed down amid the social and economic anxiety surrounding the handover to China in 1997, To continued creating films at an alarming pace: directing and producing 33 between 1997 and Election's release in 2005. He became known internationally during this time for his contemplative and morally ambiguous crime films that have earned frequent comparisons to French cinema and the work of director Jean-Pierre Melville but within Hong Kong To is equally well known for his diverse commercial productions from unbeatable rom-coms like Needing You... (2000) to the unique Buddhist-murder-mystery, Running on Karma (2003). To's footing in Hong Kong's popular cinema is evident in Election through its star-studded cast. The calm and collected Lok, vying for his place as chairman of the triad, is played by Simon Yam. Yam began his film career in the late 1980s as a regular player in Hong Kong's “Category III” exploitation movies and, thanks in part to his roles in Johnnie To films, was one of many to find crossover success in the mainstream film industry during the 1990s. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
HKTDC Organised The
16 Feb 2017 Film Entertainment Industry in Hong Kong Overview Hong Kong has one of the largest and most dynamic film entertainment industries in the world. As one of the world's largest film and television content exporters, Hong Kong has captured a fair share of the regional market, in particular the market on the Chinese mainland. An increasing number of movies have been co-produced by Hong Kong and mainland film production companies in recent years, which accounted for 54 out of a total of 89 that were granted co-production shooting permits in 2016. Hong Kong acts as the hub of buying and selling Chinese mainland films and TV dramas through FILMART and it is increasingly seen as a remarkable platform to explore co-production in Asia. In 2016, there were over 200 Chinese exhibitors at FILMART. Hong Kong's audio-visual services industry has gained preferential access under CEPA to the huge media entertainment market on the Chinese mainland. The latest CEPA agreement concerning the Mainland’s Specific Commitments on Liberalisation of Trade in Services for Hong Kong was signed in December 2015 for implementation in mid-2016, providing further enhancement in market access for Hong Kong service suppliers to the mainland market. Hong Kong acts as the hub of buying and selling Chinese mainland films and TV dramas through FILMART and it is increasingly seen as a remarkable platform to explore co-production in Asia. In 2016, there were over 200 Chinese exhibitors at FILMART. Industry Data 1 Film Entertainment Industry in Hong Kong Service Providers Most local film companies deal directly with cinema chains for local screening on a revenue-sharing basis. -
Media Asia Film Production Limited All Rights Reserved 1
Media Asia Film Production Limited All Rights Reserved 1 rd The 73 Cannes Official Selection Septet: The Story of Hong Kong《七人樂隊》 An omnibus film presented by Media Asia and China Film Media, a production of Milkyway Image, Septet: The Story of Hong Kong has been selected for the official lineup of the 73rd Cannes Film Festival. The film is composed of seven short films in honor of Hong Kong by seven of the city’s most revered directors - Tsui Hark, Ann Hui, Sammo Hung, Patrick Tam, Yuen Wo Ping, Ringo Lam, and Johnnie To, who produced the film and directed one of the seven segments. It is another Johnnie To’s film selected by Cannes Film Festival after Breaking News, Election, Triangle, Vengeance and Blind Detective. It all began with an idea by Johnnie To: despite their renowned international repute and countless accolades under their belts, many Hong Kong directors of his generation still share the same passion for filmmaking and an unwavering love for their city. Johnnie To rallied his like-minded director friends Sammo Hung, Ann Hui, Patrick Tam, Yuen Wo Ping, Ringo Lam, and Tsui Hark to make a movie about Hong Kong. It would be shot on film as a tribute to the bygone era of filmmaking, and the stories would span from the 50s to the future. Each director shot a short movie around 10 minutes each for their allotted decade. Each segment would be a special melody imprinted with the director’s feelings for Hong Kong. Seven of Hong Kong’s most revered directors with distinctly unique styles come together for the first time to compose a symphony of stories for their city. -
ELECTION '84 by Barbara Brundage Tatlves Now Held by Republican Fred Dudley Or Cape Andy Llppl Has Wanted to Be a Politician Since He Coral
Vol. 24, No. 10 Tuesday, March 6,1984- Three sections, 25 cent! ROGO 38 earn ailocations; 25 must wait until July By Barbara Bniodage The scores arc in and the results of the Marcf llate or Growth competition have been mailed to contestants. The 38 winners range In score from 11,6 to HI points. Twenty-live other new applicants lor slnghjf family homes wtfi have to wait for the July perlofl torthelr allocation*. - - •• • Next Monday at 9 a.m. the Planning Commltvslo will review the Planning Department's scoring c the G3 new single-family home applications n formally grant Uie 38 allocations available" March. ,AithouBh.fi4:aUoc*««i» wem.Wv»U«btor«i;|i *- roiir (rom the. November period that were i minated because building permits were not plckci •up by the Keb. 29 deadline), three were deleted II recapture more of the surplus units used last July;. I The 23 single-family applications carried ov^1 from November had first priority for the allocations remaining. According to the new ROGO rules these hold will automatically receive allocations. This left 38l( ; -Jencffer Davis; left, with her "Mr. T. Bear." countless bean who attended the Tvddy Bear be divided among the 63 new applicants tor slnglB and Blegan FytaUuul, rtjtt, with her naHtMt TwistToyJAhoj! lnPWwlnlUcPl»c«S«tunl»y. bears, were among the man?: chlMrea ma Pmi«myM«rtJoliinon. continued page 2/j Concerned adults seek cure for teens with Island fever' By Scott MarteU oeetns to be a dearth of activities — or hall with hopes of Improving the Diane and I didn't particularly wanfl Sanibe) has a multitude of bingo at least a lack of communication about • situation.- , • our daughters going into Port Myersfl games and bridge competitions whatever youth-oriented activities Organizer David La Crobc Bays be so we ruled dates must be on thr™ , crowded golf courses and busy tennis there are. -
Slt-09-26-19-Issue
WEEKENDPAGES WEATHER FRIDAY SATURDAY SUNDAY 8 & 9 Overcast skies with MILD low winds HIGHS:69-74 } FALL 0 10 20 30 40 50 60 70 80 90 100 110 HOME IMPROVEMENT } LOWS:52-57 San Leandro Times AN INDEPENDENT HOMETOWN NEWSPAPER SERVING SAN LEANDRO, ASHLAND, SAN LORENZO AND SHEFFIELD VILLAGE VOL. 29 • NO. 39 THURSDAY, SEPTEMBER 26, 2019 SAN LEANDRO • CALIFORNIA City Hires New Manager of Sustainability Dr. Hoi-Fei Mok wants to involve more people in city’s action plan By Mike McGuire San Leandro Times San Leandro’s new Sustain- of color, younger people, and ability Manager, Dr. Hoi-Fei people who live west of Interstate Mok, wants all of the community 880, in the more industrial part involved in the update of the of town. She plans to utilize all city’s Climate Action Plan. see SUSTAINABLE, page 5 That plan, last updated in 2013, details the city’s efforts to have government, households and businesses here all do their part toward having a healthier E.14 Stores planet. Dr. Mok succeeds Sally Bar- Pull Together ros, San Leandro’s first sustain- ability manager, who retired in After Fire PHOTO BY ANDREW JOSEPH May. Mok, who grew up in San Leandro, has a bachelor of arts By Mike McGuire Runners in the varsity boys three mile race take off from the start of the race at Hayward High on Saturday. degree in Biochemistry from San Leandro Times Wellesley College in Massachu- Businesses along East 14th setts and a PhD from the Univer- Street near Dutton Avenue are Harriers Head to the Hills in Hayward sity of Melbourne in Australia.