Cool, Calm Collection Newsmakers Aim High
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BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7P.M./ET*
BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7p.m./ET* Third Televised Installment of BLACK GIRLS ROCK!™ Co-Hosted by Tracee Ellis Ross and Regina King Honors Kerry Washington, Dionne Warwick, Alicia Keys, Janelle Monae, Dr. Hawa Abdi and Susan L. Taylor Performances and Appearances by Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, Missy Elliot, SWV, Eva Longoria, Taraji P. Henson, La La Anthony, Gabrielle Union, Meagan Good, Estelle, Marsha Ambrosius and First-Ever All-Male Tribute NEW YORK, Oct. 25, 2012 /PRNewswire/ -- On Saturday, October 13, 2012, extraordinary women of color came together for BLACK GIRLS ROCK! 2012, an evening commemorating the achievements and accomplishments of women and girls from diverse fields -- ranging from entertainment and business to social activism. Co-hosted for a second consecutive year by Tracee Ellis Ross and Regina King, BLACK GIRLS ROCK! 2012 honored actress Kerry Washington, Grammy Award- winning music legend Dionne Warwick, accomplished singer-songwriter Alicia Keys, captivating songstress Janelle Monae, human rights activists Dr. Hawa Abdi and her daughters and iconic editor, writer and journalist Susan L. Taylor. Star-studded performances from Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, SWV and others set the stage for an inspirational and entertaining show, which airs Sunday, November 4, 2012 at 7p.m./ET exclusively on BET. (Logo: http://photos.prnewswire.com/prnh/20070716/BETNETWORKSLOGO ) To kick off the festivities, Alicia Keys -- backed by an all-female drum line -- marched down the theater aisles singing her hit anthem "It's a New Day," as the audience rose to its feet. -
2020 Annual Report
20 2ANNUAL0 REPORT 1 LETTER FROM EXECUTIVE DIRECTOR AND BOARD CHAIR DEAR FRIENDS: 2020 was a challenging year for everyone – and especially challenging for organizations like ours. The dual pandemics of COVID-19 and systemic racism disproportionally impacted Solid Ground families. Families with limited income, criminal histories, poor credit and other barriers have always been extremely challenged to find affordable housing, and the pandemic only exacerbated these issues, as parents lost their jobs or put themselves at greater risk of illness while working low-skill, high-contact jobs. Connecting with families was also challenging. We missed being able to visit with them face-to-face, as parents were busy with children who were distance learning at home, concerned with extended family members who had fallen ill, or too preoccupied by the enormous stresses of daily life in the pandemic to connect virtually. Despite these overwhelming challenges, Solid Ground continued to move families out of homelessness and into housing and to help them maintain their homes. Our success is rooted in our Housing First approach – get people into housing first, and then provide the help they need to increase their income, address their health, and achieve academic success. We took our services and our classes virtual; distributed food, diapers and cleaning supplies to meet families’ basic needs, and offered support and healing, particularly to our participants of color, as our community and the nation grappled with the impact of systemic racism. As we write this letter in July 2021, we are pleased to continue with and augment our services, reinstituting in-home visits, reestablishing community meals, and reengaging our participants and volunteers through face-to-face service. -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Newsletter November 2007
November 2007 Newsletter ------------------------------------ Yesterday & Today Records 255A Church St Parramatta NSW 2150 Phone/fax: (02) 96333585 Email: [email protected] Web: www.yesterdayandtoday.com.au --------------------------------- Post 1 cd $2/2cd $3/ 3-4 cds $6.00 1 dvd $4.50 2-3 dvds $6.00 ------------------------------------------- The year ends and there are so many great releases herein that I’d almost declare it the best newsletter I’ve had. It may very well be the last as well, but as I used to say in my previous career “nothing is certain on the waterfront” and nothing is certain here as well. It has been just shy of 19 years and it doesn’t get easier. It is like the old adage “between a rock and a hard place” in that there have never been a better lot of artists than there are now: Dale Watson, Justin Trevino, Amber Digby, Ron Williams etc yet the major label music scene is, for a lack of a better word stuffed. Yet some people are impossible to convince. Some people refuse to take anything but the CMT route. It wouldn’t matter if I said Ron Williams’ is the best cd I have had this year and is right up there with the best ever of Mark Chesnutt, Keith Whitley and co. If you watch CMT and enjoy it then I will sell you a share in the Sydney Harbour Bridge. If you watch it and question its merit we have the answers for you. Please read on. ----------------------------------- Ron Williams – “Texas Style” $32 If anything beats this as album of the year I will be very surprised. -
The Hollywood Romantic Comedy
the hollywood romantic comedy the hollywood the hollywood romantic comedy romantic hollywood the though rarely explored in analytical detail, the romantic comedy remains a stalwart romantic comedy contributor to hollywood entertainment. this book offers a comprehensive history of Leger grindon the hollywood romantic comedy film, from the coming of sound to the twenty-first century, examining the conventions of the genre and surveying the controversies arising from the critical responses to these films. hollywood’s romantic comedies can be seen as a series of productions whose form and meaning change in response to conditions in the film industry, courtship culture, and society at large. this book provides an essential overview of the continuities within the genre as well as its historical evolution. a full analysis is provided of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor. in doing so, leger grindon develops a survey of historical cycles and clusters and builds a canon of key films fromh ollywood’s classical era right up to the present day, which are analyzed in detail in the second part of the book. Films analyzed include Trouble in Paradise, His Girl Friday, The Miracle of Morgan’s Creek, Adam’s Rib, Some Like It Hot, The Graduate, Annie Hall, When Harry Met Sally, There’s Something About Mary, and Waitress. Leger Grindon is Professor of Film and Media Culture at Middlebury College, Usa. he has written widely on film and is ates i C so the author of Shadows on the Past: Studies in the Historical s a Fiction Film (1994) and Knockout: The Boxer and Boxing in sign e American Cinema (2011). -
Australia 2017 Contents
DIGITAL NEWS REPORT: AUSTRALIA 2017 CONTENTS FOREWORD Jerry Watkins 2 ABOUT: METHODOLOGY 3 RESEARCH TEAM 4 1 KEY FINDINGS Sora Park 6 COMMENTARY: A BRITISH VIEW OF THE AUSTRALIAN LANDSCAPE David Levy 16 2 AUSTRALIA BY COMPARISON Jerry Watkins 18 COMMENTARY: “YOU ARE FAKE NEWS!” Natasha Eves 25 COMMENTARY: FOCUS: EAST ASIA MARKETS Francis Lee 26 3 NEWS ACCESS & CONSUMPTION R. Warwick Blood and Jee Young Lee 28 COMMENTARY: GOING WHERE THE AUDIENCE GOES Dan Andrew 34 4 SOCIAL DISCOVERY OF NEWS Glen Fuller 36 5 FOLLOWING POLITICIANS ON SOCIAL MEDIA Caroline Fisher 42 COMMENTARY: BEYOND THE ECHO CHAMBER Andrew Leigh MP 48 6 PAYING FOR ONLINE NEWS Franco Papandrea 50 COMMENTARY: PAYING FOR NEWS IN A WORLD OF CHOICE Richard Bean 57 7 TRUST IN NEWS: AUSTRALIA Caroline Fisher and Glen Fuller 58 COMMENTARY: A BROKEN RELATIONSHIP Karen Barlow 68 SPECIAL SECTION: GENDER AND NEWS 70 COMMENTARY: A VESSEL FOR FRUIT Jacqueline Maley 72 8 GENDERED SPACES OF NEWS CONSUMPTION Michael Jensen and Virginia Haussegger 74 9 ESSAY: ‘WHAT’S GENDER GOT TO DO WITH IT?’ Virginia Haussegger 80 COMMENTARY: GENDER AND NEWS: MYTHS AND REALITY Pia Rowe 83 DIGITAL NEWS REPORT: AUSTRALIA 2017 by Jerry Watkins, Sora Park, Caroline Fisher, R. Warwick Blood, Glen Fuller, Virginia Haussegger, Michael Jensen, Jee Young Lee and Franco Papandrea. NEWS & MEDIA RESEARCH CENTRE UNIVERSITY OF CANBERRA NEWS & MEDIA RESEARCH CENTRE FOREWORD Jerry Watkins Director, News & Media Research Centre, University of Canberra Lead author, Digital News Report: Australia 2017 At time of writing, the Australian terrestrial TV player So both broadcast and print players are under TEN Network faces financial insolvency. -
Super Secret Crisis War!: Johnny Bravo #1 Preview
WRITTEN BY The evil Aku and his League of ERIK BURNHAM Extraordinary Villains snatch up heroes from many worlds ART BY ERICA HENDERSON using their robot minions as traps... but when some robot EDITED BY SARAH GAYDOS minions mess up a control & CARLOS GUZMAN console, they are warped away LETTERING BYTOM B. LONG to different dimensions... Super Secret Crisis War! Prelude Part 1 (Pages 19-20) WRITTEN BY LOUISE SIMONSON ART BY DEREK CHARM Johnny Bravo created by Van Partible Special thanks to Laurie Halal-Ono, Rick Blanco, Jeff Parker and Marisa Marionakis of Cartoon Network. Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves SUPER SECRET CRISIS WAR! JOHNNY BRAVO ONE-SHOT. JULY 2014. FIRST PRINTING.™ and © 2014 Cartoon Network. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 5080 Santa Fe St., San Diego, CA 92109. The IDW logo is registered in the U.S. Patent and Trademark Office. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Debbie Reynolds & Singin' in the Rain at WHBF 2013
Meet Legendary Actress, Comedienne, Singer, and Dancer And Join Us for a Very Special Park Stage Screening of Singin' in the Rain to Celebrate Reynolds' New Memoir, Unsinkable Including a Park Stage In-Conversation at 5:30 p.m., Book Soup In-Booth Signing at 6:15 p.m., followed by an Open-to the-Public Park Stage Screening at 7:00 p.m. For more information on schedule and start times, please visit WHBF.org for updates. About Debbie Reynolds and Unsinkable The definitive memoir by legendary actress and performer Debbie Reynolds—an entertaining and moving story of enduring friendships and unbreakable family bonds, of hitting bottom and rising to the top again—that offers a unique and deeply personal perspective on Hollywood and its elite, from the glory days of MGM to the present. In the closing pages of her 1988 autobiography Debbie: My Life , Debbie Reynolds wrote about finding her "brave, loyal, and loving" new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she writes, "When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012. To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride." Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades. -
Please Continue on Back If Needed!
DARK HORSE DC: VERTIGO MARVEL CONT. ANGEL AMERICAN VAMPIRE DEADPOOL BPRD ASTRO CITY FANTASTIC FOUR BUFFY FABLES GHOST RIDER CONAN THE BARBARIAN FAIREST GUARDIANS OF THE GALAXY HELLBOY FBP HAWKEYE MASSIVE SANDMAN INDESTRUCTIBLE HULK "THE" STAR WARS TRILLIUM IRON MAN STAR WARS - Brian Wood Classic UNWRITTEN IRON PATRIOT STAR WARS LEGACY WAKE LOKI STAR WARS DARK TIMES IDW MAGNETO DC COMICS BLACK DYNAMITE MIGHTY AVENGERS ACTION COMICS DOCTOR WHO MIRACLEMAN ADVENTURES OF SUPERMAN G.I. JOE MOON KNIGHT ALL-STAR WESTERN G.I. JOE REAL AMERICAN HERO MS MARVEL ANIMAL MAN G.I. JOE SPECIAL MISSIONS NEW AVENGERS AQUAMAN GHOSTBUSTERS NEW WARRIORS BATGIRL GODZILLA NOVA BATMAN JUDGE DREDD ORIGIN II BATMAN / SUPERMAN MY LITTLE PONY PUNISHER BATMAN / SUPERMAN POWERPUFF GIRLS SAVAGE WOLVERINE BATMAN & ---- SAMURAI JACK SECRET AVENGERS BATMAN 66 STAR TREK SHE HULK BATMAN BEYOND UNIVERSE TEENAGE MNT CLASSICS SILVER SURFER BATMAN LIL GOTHAM TEENAGE MUTANT NINJA TURTLES SUPERIOR FOES OF SPIDERMAN BATMAN: THE DARK KNIGHT TRANSFORMERS More Than Meets Eye SUPERIOR SPIDERMAN BATWING TRANSFORMERS Regeneration One SUPERIOR SPIDERMAN TEAM-UP BATWOMAN TRANSFORMERS Robots in Disguise THOR GOD OF THUNDER BIRDS OF PREY IMAGE THUNDERBOLTS CATWOMAN ALEX & ADA UNCANNY AVENGERS CONSTANTINE BEDLAM UNCANNY X-MEN DETECTIVE COMICS BLACK SCIENCE WOLVERINE EARTH 2 BOUNCE WOLVERINE & THE X-MEN FLASH CHEW X-FORCE GREEN ARROW EAST OF WEST X-MEN GREEN LANTERN ELEPHANTMENT X-MEN LEGACY -
In Honolulu's Christ Church in Kailua, Which Will Repeat Next Hemenway Theatre, UH Manoa Campus: Wed
5 The Fear Factor 8 Pritchett !ICalendar 13 Book Bonanza l!IStraight Dope Volume 3, Number 45, November 10, 1993 FREE Interview by JOHN WYTHE WHITE State Representative DaveHagino has spent 15 years fighting the system he's a partof- and theparty he belongs to. !JiORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS 8 ,,,, :,..: ;o 0 0 � �L � w ffi 8 Cl 0 ;,<; 0::: w 0 il,1.. � SELECTION: w 2 No Comparison 00 Cl 0::: i0 co co 0 ;o 0 -- -- co�:. 0 0 7' $�··· C nw oco ;o· · 0 m � co 0 0 w7' ::c: :::: C w 0:co 0 ;o 0 m � co 0 0 ci: � $ C w Borders® Books &Music. n ;o8 0 m The whole idea behind Finda book or music store the new Borders Books w;o co .- Borders Books & Music is to &Music. 0 with more titles and 0 w7' create an appealing place with Welcome to the new � $ we'll shop there. C more selection. So we brought Borders Books &Music. w () 100,000 in over book titles, more times the average store. Borders co 0 than 5 times the average bookstore. especially excels in classical and ;o It 0 CD m .r::;"' � OJ ;o What that means is that Borders jazz recordings. 0 E w (.) "' i co .r::; 'l' CD I 0 E 0 offersmore history, more com Borders also carries the area's (!) 0 """' 7' H-1 Fwy. w puters, more cooking. More of broadest selection of videotapes, � Waikele/Waipahu Exit 7 ::::: C everything, not just more copies including classic and foreign films. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.