Jay Gonzalez Press Release

Total Page:16

File Type:pdf, Size:1020Kb

Jay Gonzalez Press Release For Immediate Release February 5, 2021 JAY GONZALEZ GOES BACK TO THE HIVE ON NEW LP ACCLAIMED SINGER-SONGWRITER AND DRIVE-BY TRUCKERS GUITARIST/KEYBOARD PLAYER ANNOUNCES NEW SOLO ALBUM “(I WANNA) HOLD YOU” PREMIERES TODAY BACK TO THE HIVE ARRIVES FRIDAY, MARCH 5 Photo Credit: Jason Thrasher Acclaimed musician, singer, and songwriter Jay Gonzalez has announced the upcoming release of his new album. BACK TO THE HIVE arrives everywhere via Gonzalez’s own Middlebrow Records on Friday, March 5; pre-orders are available now. Perhaps best known for his role as guitarist/keyboard player with the mighty Drive-By Truckers, Gonzalez is heralding BACK TO THE HIVE with today’s premiere of an official video for “(I Wanna) Hold You,” streaming now via YouTube. Additional videos – including a very special live performance video featuring a duet with 2x Tony Award-winner Michael Cerveris (Assassins, Fun Home) – will debut in the weeks leading up to the album’s release. WATCH “(I WANNA) HOLD YOU” PRE-ORDER BACK TO THE HIVE A self-professed “sucker for short pop songs filled with hooks and devoid of filler,” Gonzalez’s second full- length solo album, BACK TO THE HIVE sees the multi-talented artist continuing to push power pop into new shapes, reimagining the sound of classic A.M. radio through his own kaleidoscopic approach. Recorded in his hometown of Athens, GA by longtime collaborator Chris Grehan, the album sees Gonzalez joined by a number of old friends including drummer Joe Rowe (The Glands) and former Drive- by Truckers Matt Lane (drums) and John Neff (pedal steel guitar) on a collection of strikingly diverse songs. From the straight-ahead pop of “(I Wanna) Hold You” and the buoyant “Trampoline” to the emotional Robin Gibb tribute, “Crying Through The Wall,” BACK TO THE HIVE is both invigorating and inventive, imbued with adventurous arrangements, timeless songwriting, and a lifetime of pop passion. Jay Gonzalez first arrived in Athens, GA from his native Westchester County, NY more than two decades ago. Together with his good friend and bandmate Chris Grehan, he set to work experimenting with his own brand of power pop while also playing in such esteemed local outfits like The Possibilities. Gonzalez officially joined Drive-By Truckers in 2008, first as keyboard player and later taking up the mantle of guitarist in the groundbreaking band. 2011 saw the release of Gonzalez’s first solo album, MESS OF HAPPINESS, of which PopMatters raved, “Gonzalez’s approach unmistakably evokes similarly restless classics of early ‘70s shut-in singer-songwriting, like Todd Rundgren’s SOMETHING/ANYTHING and Emitt Rhodes’s self-titled album, but so very few musicians pull off this style of ornate songwriting with such lightness and apparent effortlessness.” Taking inspiration from such unified conceptual works as The Who’s “A Quick One (While He’s Away)” and The Beatles’ ABBEY ROAD side two medley, Gonzalez followed up with 2015’s THE BITTER SUITE EP, a seamless five-song opus hailed by Glide as “a pleasing listen through and through with emotional ups and downs, constant tempo changes, and a kaleidoscope of instruments and sounds performed almost exclusively by Gonzalez.” Gonzalez was introduced to Portland, OR indie rock supergroup Eyelids by fellow Drive- By Trucker Patterson Hood and in 2017, contributed instrumental work as special guest on the band’s acclaimed second album, OR. A series of tours – with Gonzalez backed by his crack live band, The Guilty Pleasures – followed, affirming the friendship and like-minded musical association. Indeed, 2019 saw the release of JAY GONZALEZ SINGS EYELIDS SINGS JAY GONZALEZ, a limited edition 7” single for which each artist wrote an original song for the other to perform and record. JAY GONZALEZ BACK TO THE HIVE (Middlebrow Records) Release date: March 5, 2021 Track List: 1. Sunspot 2. Back to the Hive 3. (I Wanna) Hold You 4. Deep Sea Diver 5. Trampoline 6. You Make It Hard (To Be Unhappy) 7. Need You Round 8. Never Felt Bad (About Feeling Good) 9. Loons on the Lake 10. Crying Through the Wall 11. Rosa CONNECT WITH JAY GONZALEZ: OFFICIAL BANDCAMP INSTAGRAM TWITTER YOUTUBE # # # Press contact: Ken Weinstein [email protected] Big Hassle Media | 40 Exchange Place, Suite 1900, New York, NY 10005 Unsubscribe [email protected] Update Profile | Customer Contact Data Notice Sent by [email protected] powered by Try email marketing for free today!.
Recommended publications
  • Protestant Christianity and Medicine in Nineteenth-Century America Ronald James Gordon University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 "The lC aims of Religion Upon Medical Men": Protestant Christianity and Medicine in Nineteenth-Century America Ronald James Gordon University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the History of Religion Commons, History of Science, Technology, and Medicine Commons, and the Medicine and Health Sciences Commons Recommended Citation Gordon, Ronald James, ""The lC aims of Religion Upon Medical Men": Protestant Christianity and Medicine in Nineteenth-Century America" (2014). Theses and Dissertations. 2268. http://scholarworks.uark.edu/etd/2268 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. "The Claims of Religion Upon Medical Men": Protestant Christianity and Medicine in Nineteenth-Century America "The Claims of Religion Upon Medical Men": Protestant Christianity and Medicine in Nineteenth-Century America A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History by Ronald J. Gordon Arkansas Tech University Bachelor of Arts in History, 2005 Arkansas Tech University Master of Arts in History, 2008 May 2014 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ___________________________ Dr. Beth Schweiger Dissertation Director ____________________________ ____________________________ Dr. Tricia Starks Dr. Steven Stowe Committee Member Committee Member ____________________________ Dr. Daniel Sutherland Committee Member Abstract This is the first study to examine how pastors lost authority over bodily healing in the nineteenth century.
    [Show full text]
  • Leggi La Recensione Del Buscadero
    è con questi che oggi ci si crea una eccolo riapparire più in forma che identità di suono e si offre un'altra mai con il suo nuovo lavoro da so­ visione del rock delle radici. lista. Registrato in una ventina di giorni Tropical Depression è un disco di tra il gennaio e maggio del 2009 pura Americana, tra rock ballads, con la produzione di David Barbe brani country rock ed una perla (ex Sugar), TheBigTo-Doè un disco acustica alla fine. on the road scritto a casa durante un Il disco che non ti aspetti. periodo di pausa dopo che Patter­ Crane ha una bella voce e, soprat­ son Hood ebbe un figlio e finì l'ul­ tutto, compone bene. Ci sono al ­ timo tour con una pleurite concla­ cune canzoni, dall'acustica Coffee in mata . Un riposo forzato che ha The Morning al country rock Just permesso a Hood di fare il papà, a Kentucky che denotano bella scrit­ Cooley di sperimentare il suo nuo­ tura e lucidità di mente. vo trio e ai DBT di raccogliere le for­ Poi Crane copre un gap di merca­ ze per questo nuovo album così da to: infatti non ci sono più dischi rock essere di nuovo in strada, la pros­ di questo stampo. Dischi degni del sima estate, come supporter nel suo compadre John Mellencamp, tour di Tom Petty and The Hear­ del primo Springsteen. tbreakers. Sano rock, heartland rock come si Mauro Zambellini diceva una volta, dove una man ­ ciata di canzoni, una band grinto­ DRIVE-BY TRUCKERS Darkdel2008 ma è meno lun­ sa e poco altro, facevano il disco.
    [Show full text]
  • Drive-By Truckers Their Latest Is a “Straight-Up Rock Record” with a Few Unexpected Twists
    MARCH/APRIL 2010 ISSUE MMUSICMAG.COM SPOTLIGHT Danny clinch Brad Morgan, Jay Gonzalez, shonna Tucker, Patterson Hood, Mike cooley, John neff drive-by truckers their latest is a “straight-up rock record” with a few unexpected twists Drive-By Truckers’ BranD of three-guitar format was a big part of the story rock ’n’ roll is characterized by a full-on we wanted to convey on that album.” sonic assault led by a three-person guitar That said, The Big To-Do also includes attack in the front ranks. it’s no surprise, moments that will surprise longtime therefore, that a guitar-drenched song fans. “(it’s Gonna Be) i Told you so,” titled “Drag the Lake charlie” set the tone written and sung by bassist shonna Tucker, for the band’s latest album. “That was the offers a sly wink to Phil spector’s 1960s first song we tracked,” says Patterson Hood, girl-group productions. “you Got singer, guitarist and main songwriter for the another,” also a Tucker composition, athens, Ga.-based group. “We had lots of is a beautiful piano ballad laden with songs that veered off in various directions cathedral echo. but we knew going in that we wanted this The addition of keyboardist Jay Gonzalez album to be a straight-up rock record.” has also resulted in new, richer textures. “Jay aptly titled The Big To-Do, the disc had played in some of my favorite bands in does indeed sport a preponderance of athens,” Hood explains. “i called him to help unbridled rockers, steeped in a ragged us do a benefit performance where we were southern vibe.
    [Show full text]
  • Npr's Tiny Desk Concert Series: Vocalities of Outrage and Acts of Gaiety
    University of New Mexico UNM Digital Repository Music ETDs Electronic Theses and Dissertations Fall 11-15-2019 NPR'S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY Aubrie M. Powell University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/mus_etds Part of the Music Commons Recommended Citation Powell, Aubrie M.. "NPR'S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY." (2019). https://digitalrepository.unm.edu/mus_etds/30 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Music ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Candidate Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: , Chairperson NPR’S TINY DESK CONCERT SERIES: VOCALITIES OF OUTRAGE AND ACTS OF GAIETY by AUBRIE POWELL B.M., Music Composition, Baldwin Wallace Conservatory of Music, 2015 M.M., Music Composition, University of Missouri-Kansas City Conservatory of Music and Dance, 2017 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Music The University of New Mexico Albuquerque, New Mexico December, 2019 ii ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. Ana R. Alonso-Minutti, for her supervision of my research and invaluable assistance in the writing of this thesis. Her guidance and wisdom helped the thesis take shape through discussions of a variety of relevant topics.
    [Show full text]
  • Big Names, Big Bucks
    University of South Carolina Scholar Commons January 2011 1-24-2011 The aiD ly Gamecock, MONDAY, JANUARY 24, 2011 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2011_jan Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, MONDAY, JANUARY 24, 2011" (2011). January. 6. https://scholarcommons.sc.edu/gamecock_2011_jan/6 This Newspaper is brought to you by the 2011 at Scholar Commons. It has been accepted for inclusion in January by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA MONDAY, JANUARY 24, 2011 VOL. 105, NO. 8 ● SINCE 1908 Kidnapping, MATISYAHU assault close $28,000 to campus Report: Men force FRANK WARREN female into sedan $18,150 Ryan Quinn [email protected] CORNEL WEST A female victim was kidnapped and sexually RALPHIE MAY assaulted at 12:15 a.m. $16,000 Friday morning near the $15,000 intersection of Blossom and Assembly streets. According to a City of Columbia police report, the victim said three DAVE COULIER black males drove up to her in a grey, four-door $7,150 sedan and asked if she needed help carrying her bags. When the victim said no and continued NICK CANNON walking, one brandished a black pistol and ordered $1,250 her to get in the car. She complied and was sexually assaulted inside the vehicle, according to the report. All three suspects were described as being clean shaven and wearing dark clothing.
    [Show full text]
  • Mike-Patton-Wife
    1 / 2 Mike-patton-wife Mike Patton · Patton and wife Christina Zuccatosta · More like this.. Playbook couldn't happen without our editor Mike Zapler, deputy editor Zack Stanton and producers Allie Bice, Eli Okun and Garrett Ross. A message from .... Patton married Italian artist Titi Zuccatosta in 1994. They separated in 2001. During an appearance on the radio show, LOVELINE (Listen), Patton said that it was a .... My son Mike's wife , Ethel reunions . ... he received and stepped into the breech with : “ Noyes is doing fine , Sally Patton , wife of Henry Patton '35 , is helpturned .... BB TIMES Patton Loses Battle with Cancer Mike Patton, 37, recently died after a long bout ... Surviving Patton are his wife, Linda, and son, Nathan, from Carey.. Jun 5, 2014 — Tomahawk still have some art-rock leftovers from last year's Oddfellows. Luckily, they're still good reheated. With Faith No More vocalist.. 18 hours ago — FILE - In this Nov. 5, 2019 file photo, Kentucky Auditor Mike Harmon makes his victory speech to the audience gathered at the republican party .... 6 days ago — More than one year after the tragic death of his wife Matt Mauser delivered ... Episode 1606 — Pictured: Matt Mauser — (Photo by: Trae Patton/NBC/NBCU ... We'll start with former Senator and Representative Mike Walsworth. Records 1 - 20 of 2999 — Virginia Madias—a loving mother of three, a devoted wife of 65 years, and a loyal friend and ... Dear father of Bridget (Lloyd) Patton & Craig Butler. Cherished ... Dear mother of Mike (Arnie) Reed and Laurie Lamontagne.. Oct 5, 2020 — Michael Allan Patton born January 27, is an American musician, singer, songwriter, actor, record producer, multi-instrumentalist and film ...
    [Show full text]
  • “Mean and Strong Like Liquor” and “Some Real Fine People”
    “MEAN AND STRONG LIKE LIQUOR” AND “SOME REAL FINE PEOPLE”: ENACTMENTS OF THE PROGRESSIVE SOUTHERN WHITE <MAN> IN THE DRIVE BY TRUCKERS’ ALBUMS SOUTHERN ROCK OPERA AND DIRTY SOUTH by VERNON RAY HARRISON A THESIS Submitted in partial fulfillment of the requirements of the degree of Master of Arts in the Department of Communication Studies in the Graduate School of The University of Alabama 2009 Copyright Vernon Ray Harrison 2009 ALL RIGHTS RESERVED ABSTRACT The lyrics of Drive By Truckers (DBT), a contemporary Southern Rock band, were critiqued to better understand the concepts of current constructions of Southern white masculine identity. The methodologies used as a lens to critique the lyrics were Kenneth Burke’s theory of dramatism and Michael Calvin McGee’s notion of the ideograph. The critique found that DBT offers a counter-cultural resistance to dominant “Old South” and “New South” ideologies that have traditionally and historically been adhered to the prototypal Southern white <man>. The band’s response – one that challenges typical constructions of a Southern white <man> as racist, individually-motivated, and imbricated in Southern mores (such as states’ rights) – can be considered a part of what the author deems the “Progressive South.” Ultimately, the Southern white <man>, as envisioned in the lyrics of the DBT, protects his family, opposes racist political and ideological positions, views oppression based in class struggles instead of ethnic differences, and problematizes dominant Southern culture through a newly-fashioned rebel figure. ii ACKNOWLEDGMENTS I would like to take this opportunity to thanks my colleagues, friends, and faculty members who helped me with this research project.
    [Show full text]