Mystery of the Dunites
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Meher Baba Books (Los Angeles, California) Jan‐02‐2016
Meher Baba & Adele Wolkin "I am always with you and I am not away from you. I was, am and will remain eternally with you, and it is for promoting this realization that I have severed external contact. This will enable all persons to realize Truth by being bound to each other with internal links." -- Meher Baba (last message on alphabet board) Weekly Reflections No. 53 from Meher Baba Books (Los Angeles, California) Jan‐02‐2016 Hello Dear Friends and Companions: Greetings from Los Angeles, California. Happy New Year! and enjoy the cold crispy weather, if you are in the Northern Hemisphere. This issue of Weekly Reflections comes with warm New Year's wishes, as we begin a new cycle together in His remembrance. For our weekly appointment (delayed a day in deference to New Year's day on Friday), we turn to reflect on the life of Adele Wolkin (April 9, 1918 December 21, 2015), a notable lifelong Babalover who recently completed her round of days on Earth. A stalwart devotee of Avatar Meher Baba, Adele first learned of the Master along with her friend Filis Frederick in the mid1940s, when the two young women joined a circle of aspirants surrounding Baba's close Western women disciples Elizabeth Patterson, Norina Matchabelli, and Nadine Tolstoy in New York City. Adele and Filis were invited to live in Elizabeth's home for several years, while this dynamic cluster of women prepared the new Meher Spiritual Center for Baba's anticipated returnvisit to the United States. Adele and Filis met Beloved Baba for the first time in Myrtle Beach in 1952. -
September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 Min)
September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 min) Directed by Anthony Asquith and Leslie Howard Written by George Bernard Shaw (play, scenario & dialogue), W.P. Lipscomb, Cecil Lewis, Ian Dalrymple (uncredited), Anatole de Grunwald (uncredited), Kay Walsh (uncredited) Produced by Gabriel Pascal Original Music by Arthur Honegger Cinematography by Harry Stradling Edited by David Lean Art Direction by John Bryan Costume Design by Ladislaw Czettel (as Professor L. Czettel), Schiaparelli (uncredited), Worth (uncredited) Music composed by William Axt Music conducted by Louis Levy Leslie Howard...Professor Henry Higgins Wendy Hiller...Eliza Doolittle Wilfrid Lawson...Alfred Doolittle Marie Lohr...Mrs. Higgins Scott Sunderland...Colonel George Pickering GEORGE BERNARD SHAW [from Wikipedia](26 July 1856 – 2 Jean Cadell...Mrs. Pearce November 1950) was an Irish playwright and a co-founder of the David Tree...Freddy Eynsford-Hill London School of Economics. Although his first profitable writing Everley Gregg...Mrs. Eynsford-Hill was music and literary criticism, in which capacity he wrote many Leueen MacGrath...Clara Eynsford Hill highly articulate pieces of journalism, his main talent was for Esme Percy...Count Aristid Karpathy drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy Academy Award – 1939 – Best Screenplay which makes their stark themes more palatable. Shaw examined George Bernard Shaw, W.P. Lipscomb, Cecil Lewis, Ian Dalrymple education, marriage, religion, government, health care, and class privilege. ANTHONY ASQUITH (November 9, 1902, London, England, UK – He was most angered by what he perceived as the February 20, 1968, Marylebone, London, England, UK) directed 43 exploitation of the working class. -
Francis Brabazon Collection: Significance Assessment Report
Francis Brabazon Collection: Significance Assessment Report Dr Ray Kerkhove Woombye, 2008 1 INDEX Collection Background…………………………….. 3 A. Statement of Significance……………………..... 4 B. Significance by Comparative Criteria…………. 15 C. Australian & Queensland Heritage Themes…… 17 D. Recommendations (Implementation)………….. 20 Appendixes………………………………………... 21 2 Collection Background The collection began as the personal library of Baron Frederick von Frankenberg, which was accumulated in Germany and other parts of Europe c.1900-1920s. It was initially housed at Camden (outside Sydney, NSW). The library formed the core resource for Australia’s first Sufi group and other persons interested in the arts and spirituality at that time. From this phase, the collection gained early editions of Inayat Khan’s works and the only extant material on the early Sufi Society in Australia. In 1950, the Modernist poet Francis Brabazon inherited the collection when he succeeded the Baron as head of the Sufi Society. Thereafter, and until 1959, the collection was housed in the centre Francis was constructing at Beacon’s Hill (Sydney). It continued to be used by Francis and his associates. Francis also added his own library, which consisted of books and recordings he acquired in Melbourne, New York and elsewhere. Some of these acquisitions reflect Francis’ role in early Australian Modernism. This enlarged it into an unusually comprehensive collection on the world’s literary and scriptural texts, which Francis then utilized in the creation of his own poetry, prose and music. Also from this period came many notes and drafts of Francis’ early works. Between 1959 and 1969, Francis Brabazon resided in India with his spiritual master, Meher Baba. -
Booklist 2021.Pdf
MEHER BABA ASSOCIATION BOOK LIST 2021/2022 I Have Come Not To Teach, But To Awaken Meher Baba HB = Hardback PB = Paperback - Postage codes in brackets - Postal Charges: Section 12 1. MEHER BABA’S OWN WORDS BEAMS FROM MEHER BABA ON THE SPIRITUAL PANORAMA by Meher Baba 88pp HB £7.50 (3) Thirteen key essays detailing the inner workings of the spiritual journey, piercing through intellectual formulae to direct and joyful perception of Divine Truth. DISCOURSES by Meher Baba 452pp - PB £21.50 (6) An indispensable work, covering all aspects of spiritual life, from the most sublime to the most practical. For the searching intellect, they provide clear answers with unassuming simplicity; for the hungry heart, deep emotional nourishment; so all embracing, they could come only from the very source of truth and love. Including discourses on discipleship, reincarnation, karma, the termination of the ego, meditation, sex and marriage, love, violence and non-violence, and much more. The best possible companion for anyone seeking spiritual direction. Four Volume DISCOURSES (revised sixth edition, published 2008) £22.50 (6) This version is the same as the turquoise, three volume set which was published during Meher Baba's lifetime, edited by his explicit directive and sealed with his personal approval. This edition reproduces that 1967 text with a few small alterations, mostly in spelling and capitalization. It also incorporates (in a new fourth volume) certain new supplemental materials meant for readers who would like to study the history and language of the Discourses in greater depth. THE EVERYTHING AND THE NOTHING by Meher Baba 115pp PB £6.50 (3) This is a collection of beautiful short discourses dictated to his disciples during the late 50s and early sixties, they are both powerful and accessible. -
My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts. -
Avatar Meher Baba Trust Ebook June 2018
DIVYA VANI Volume 3 Number 6 December 1967 A periodical Publication of the “Meher Vihar Trust” An Avatar Meher Baba Trust eBook June 2018 All words of Meher Baba copyright 2018 Avatar Meher Baba Perpetual Public Charitable Trust Ahmednagar, India Source and short publication history: Divya Vani = Divine voice. Quaterly, v.1, no. 1 (July 1961), v. 3. no. 2 (Oct. 1963): bimonthly, v. 1. no. 1 (Jan. 1964), v. 2 no. 3 (May 1965): monthly. v. 1. no. 1l (July 1965), v. 12, no. 6 (June 1976): bimonthly, v. 1. no. 1 (Aug. 1976), v.14. no. 1 (Jan. 1978): quarterly, v. 1, no. 1 (Jan. 1979), Kakinada : Avatar Meher Baba Mission. 1961- v. : ill.. ports. Subtitle: An English monthly devoted to Avatar Meher Baba & His work (varies). Issues for July - Oct. 1961 in English or Telugu. Editor: Swami Satya Prakash Udaseen. Place of publication varies. Publisher varies: S. P. Udaseen (1961-1965): S.P. Udaseen on behalf of the Meher Vihar Trust (1965-1969): Meher Vihar Trust (l970-Apr. 1974). Ceased publication? eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust's eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust's web site, for the research needs of Meher Baba's lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. -
Delia De Leon with Mehera Irani
t'. C . DELIA DE LEON WITH MEHERA IRANI I DELIA DE LEON Born February 10th 1901, Colon, Panama Died January 21st 1993, Kew,England ALL MANDALI SALUTE DEAREST DELIA BELOVED BABA'S EVER FAITHFUL LEYLA AND HIS BIGGEST BLESSING TO ENGLAND NOW MERGED IN HIS OCEAN OF LOVE DELIA SUPREMELY HAPPY IN THE MANSION OF HER LORD AVATAR MEHER BABA MANI AND MEHERAZAD FAMILY January 22nd,1993 THE GUARDIAN Wednesday February 10 1993 Delia deLeon Head of theQ Delia DE LEON, who has died at the age of 91, founded cind ran the legendary Q Theatre, the first fringe try-out theatre, in 1924. The hst of actors who appeared atjthe Q, necir the Thames at Kew Bridge, in cluded Vivien Leigh, Dirk Bogarde, Peggy Ashcroft, Denholm Elliot, Margaret Lockwood, Donald Sinden, Sean Connery and Roger Moore. With her brother and sister-in-law, Delia contributed much of the origi nal capital and worked at the theatre, as an actress (under the stage name Deha Delvina). It finally closed in 1956 after a disastrous transfer of The Czarina to the West End con sumed most of her money and a great deal of nervous energy. Looking for respite, Delia read a magazine article by Charles Purdom, who later became a great friend, alx)ut a man named Meher Baba. It changed her life and career. "All my life", she wrote in her recent autobiography, The Ocean of teacher of ballet, and Kitty Davy, a included Pete Townshend of The Love, "I had two intense desires. The staunch, spirited and intensely prac Who, Ronnie Laine of The Faces and first.. -
Irish I/- Democrat
THREE BODY BLOWS IRISH I/- HIT THE DEMOCRAT JULY 1969 UNIONISTS Foreign landlords burnt Irish question now international out of Westmeath farms N.I.L.P. SACKS RIGHTIST LEADERS IRISH LAND FOR IRISH PEOPLE! • S their internal support and international repute crumbled under three devastating 'pHREE large houses occupied by knocked down the gates, and the Germans in Meath and Louth placards they carry urging people ^^Th blowe FIRSs inT onBLOe Wmont wahs ththee Belfasattackt bUnionisty the influentias were lreduce Inter-d tomos weat damagink bumbling blogw protestsof all, .wa s struck by the Northern Ireland La- were set alight by the I.R.A. in early not to pay charges are being widely national Commission of Jurists which described the gerrymander- June as part of a campaign by Re- obeyed by the summer throngs each bour Party at its annual confer- publicans against incursions by Sunday. ing, discrimination in the six counties as shocking. ence. foreign landowners in Ireland. The statement went on to say A resolution was passed which Two of the properties belonged to that the six counties has become pledged the Labour Party to devot< large estates the local farmers have itself to the struggle for democracy a byword like South Africa for back- wanted divided for a long time. The WE ARE WITHIN SIGHT OF in the six counties as an integral Westmeath Lanifc^League hasybeen wardness and oppression. part of the civil rights movement. gitating that the^atoalfl be taken by the Land Cpmartasion. The SECOND BLOW was the As a result of the debate> on this although they had no connection OUR FIRST OBJECTIVE statement by Senator Edward Ken- issue the old pro-Unionist leaders with the burnings nedy in a message to the Belfast lost the* positions. -
Mqhqr Baba Australia Meher Baba Australia
MQhQr Baba Australia Meher Baba Australia 'The Stealer of Hearts' Karl Gallagher I had not done a Baba painting paintings of Baba and in August since 1968. 1990 I sent over the Stealer of In 1988 when I visited Hearts. The following month I got Meherabad/Meherazad I had with a letter from Mani saying that they me a handful of photos of some of were delighted with the painting my Baba paintings and showed and that Goher was having it them to Mani who expressed framed ready for hanging. Since delight at my work. As much as I the early eighties I haven't done felt wonderful at Mani's reaction, Baba paintings for myself but only what happened later lifted my do them on commission from spirits beyond expectation. Mani Baba lovers. Having a painting suggested that I show Mehera the hanging at Meherazad has meant photo of'The Stealer of Hearts' so much to me and has sustained and that day when Mehera came me through dark times. Jai Baba. out on the verandah Mani brought [As Karl has mentioned, he only it to her attention. Mehera took paints on commission. If you would the photo in her hands and looked like more information, please contact 'The Stealer ofHearts' 1982 at it for a minute or two and then him by email at said to me 'You are a very strong hukarlos@ hotmail.com The painting of Baba that has painter', and then she lovingly or by mail at Unit 9, 244 Gladstone become known as 'The Stealer of kissed the photo (of the Baba Road, Dutton Park, QLD 4102 - Ed.] Hearts' hangs on the wall at the painting) before handing it back to end of the verandah at Meherazad, me. -
Indian Messiah: the Attraction of Meher Baba to British Audiences in the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Explore Bristol Research Mukherjee, S. (2017). Indian Messiah: the attraction of Meher Baba to British audiences in the 1930s. Journal of Religious History, 41(2), 215-234. https://doi.org/10.1111/1467-9809.12402 Peer reviewed version License (if available): CC BY-NC Link to published version (if available): 10.1111/1467-9809.12402 Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Wiley at http://onlinelibrary.wiley.com/doi/10.1111/1467-9809.12402/abstract. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/pure/about/ebr-terms Indian Messiah: The attraction of Meher Baba to British audiences in the 1930s* Abstract This article considers the British reception to Meher Baba, an Indian religious figure, who first travelled to Britain in 1931. Following a tradition of Indian religious figures who toured Britain and America in the nineteenth and twentieth century, Baba was removed from organised religion and placed emphasis on self-realisation, and attracted large British followings notably dominated by women. This article argues that the 1930s witnessed a continuing interest in Indian religious figures and adherence to Orientalist stereotypes about Indian religiosity despite changing political dynamics. -
My Fair Lady": a Comparison of the Vision of Two Authors and What Each Play Says to Women
UNLV Retrospective Theses & Dissertations 1-1-1999 "Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women Jessica Lynn Raymer University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Raymer, Jessica Lynn, ""Pygmalion" vs "My Fair Lady": A comparison of the vision of two authors and what each play says to women" (1999). UNLV Retrospective Theses & Dissertations. 980. http://dx.doi.org/10.25669/fa7r-6qdw This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Shaw Bernard Eng 0807.Pdf
qwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasd fghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxcBernard Shaw vbnmqwertyuiopasdfghjklzxcvbnmq(1856 – 1950) wertyuiopasdfgA hjklzxcvbnmqwertyuiBibliography opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmrtyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyuiopas dfghjklzxcvbnmqwertyuiopasdfghjklz xcvbnmqwertyuiopasdfghjklzxcvbnm qwertyuiopasdfghjklzxcvbnmqwerty Bernard Shaw (1856 –1950) George Bernard Shaw (26 July 1856 Ŕ 2 November 1950) was born in Dublin, the son of a civil servant. His education was irregular, due to his dislike of any organized training. After working in an estate agent's office for a while, he moved to London as a young man (1876), where he established himself as a leading music and theatre critic in the eighties and nineties and became a prominent member of the Fabian Society, for which he composed many pamphlets. He began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the English stage. His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898). Among these, Widower's Houses and Mrs. Warren's Profession savagely