November 4 8
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
First Words: the Birth of Sound Cinema
First Words The Birth of Sound Cinema, 1895 – 1929 Wednesday, September 23, 2010 Northwest Film Forum Co-Presented by The Sprocket Society Seattle, WA www.sprocketsociety.org Origins “In the year 1887, the idea occurred to me that it was possible to devise an instrument which should do for the eye what the phonograph does for the ear, and that by a combination of the two all motion and sound could be recorded and reproduced simultaneously. …I believe that in coming years by my own work and that of…others who will doubtlessly enter the field that grand opera can be given at the Metropolitan Opera House at New York [and then shown] without any material change from the original, and with artists and musicians long since dead.” Thomas Edison Foreword to History of the Kinetograph, Kinetoscope and Kineto-Phonograph (1894) by WK.L. Dickson and Antonia Dickson. “My intention is to have such a happy combination of electricity and photography that a man can sit in his own parlor and see reproduced on a screen the forms of the players in an opera produced on a distant stage, and, as he sees their movements, he will hear the sound of their voices as they talk or sing or laugh... [B]efore long it will be possible to apply this system to prize fights and boxing exhibitions. The whole scene with the comments of the spectators, the talk of the seconds, the noise of the blows, and so on will be faithfully transferred.” Thomas Edison Remarks at the private demonstration of the (silent) Kinetoscope prototype The Federation of Women’s Clubs, May 20, 1891 This Evening’s Film Selections All films in this program were originally shot on 35mm, but are shown tonight from 16mm duplicate prints. -
Alwood, Edward, Dark Days in the Newsroom
DARK DAYS IN THE NEWSROOM DARK DAYS in the NEWSROOM McCarthyism Aimed at the Press EDWARD ALWOOD TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2007 by Edward Alwood All rights reserved Published 2007 Printed in the United States of America Text design by Lynne Frost The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Library of Congress Cataloging-in-Publication Data Alwood, Edward. Dark days in the newsroom : McCarthyism aimed at the press / Edward Alwood. p. cm. Includes bibliographical references and index. ISBN 13: 978-1-59213-341-3 ISBN 10: 1-59213-341-X (cloth: alk. paper) ISBN 13: 978-1-59213-342-0 ISBN 10: 1-59213-342-8 (pbk.: alk. paper) 1. Anti-communist movements—United States—History—20th century. 2. McCarthy, Joseph, 1908–1957—Relations with journalists. 3. Journalists— United States—History—20th century. 4. Journalists—United States— Political activity—History—20th century. 5. Press and politics—United States—History—20th century. 6. United States—Politics and government— 1945–1953. 7. United States—Politics and government—1953–1961. I. Title. E743.5.A66 2007 973.921—dc22 2006034205 2 4 6 8 9 7 5 3 1 In Memoriam Margaret A. Blanchard Teacher, Mentor, and Friend Do the people of this land . desire to preserve those so carefully protected by the First Amendment: Liberty of religious worship, freedom of speech and of the press, and the right as freemen peaceably to assemble and petition their government for a redress of grievances? If so, let them withstand all beginnings of encroachment. -
OPTICAL 16Mm Sound-On-Film Recording .•
IJIIMMM~-~~ x 1\1.1: ::E- «> R.T.A.:aT T ~ ~ TO THE PROFESSIONAL NEWSREEL CAMERAMAN Why put up with the marginal results in dependability and poor sound-quality, obtained with an Auricon 100 ft. " Cine-Voice," rebuilt by others to adapt a 400 ft. film magazine? Now you can have a Factory Built and GUARANTEED Auricon "Pro-600 Special" with 400 ft. Magazine .. lightweight, yet expertly designed and Guaranteed by Bach Auricon for the exacting Newsreel Cameraman's requirement! Look at these Professional Featlares built into the AURICON ~~PRO-600 SPECIAL" 16rn.rn. "Double-Systern." or "Single-Systern." Sound Carn.era! ir Camera is Self-Blimped for completely quiet operation_ Makes no noise for Microphone to pick up. ir New 400 ft. Magazine takes lab-pack film or daylight-loading spools. Specially miniaturized all-roller Light-Trap eliminates film-scratches or light-leaks when using new ultra-sensitive film emulsions. ~ "Pro-600 Special" is already prepared, at no extra charge, so that you can slip the "FILMAGNETIC" Unit into place at any future time without the use of tools. Does not interfere with "Single-System" Optical Sound-an-Film Recording. ir Driven by true, synchronous Auricon "Sound rive" Motor for exacting Double-System sound recording, perfectly synchronized with magnetic tape recorder or optical sound-on-film recorder. ir Designed to accept all regular Auricon "Pro-600" accessory equipment as your needs increase. Complete flexi bi I ity! 3G POUNDS "PRO-GOO SPECIAL" FOR NEWSREEL "PRO-GOO" AND DOCUMENTARY FILMING STUDIO CAMERA LIGHTWEIGHT MODEL CM-77 MODEL CM-75 TRAVEL LIGHT WITH THE "ZOOM·LENS" .. -
32 Rudolf Pfenninger in His Laboratory with Hand
Rudolf Pfenninger in his laboratory with hand-drawn sound strips, 1932. Source: Pfenninger Archive, Munich. 32 “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound THOMAS Y. LEVIN 4.014 The gramophone record, the musical idea, the written notes, the sound waves, all stand in the same internal representational relationship to one another that obtains between language and the world. —Ludwig Wittgenstein, Tractatus logico-philosophicus (1921) “All-of-a-tremble”: The Birth of Robotic Speech On February 16, 1931, the New York Times ran a story on a curious development that had just taken place in England: “Synthetic Speech Demonstrated in London: Engineer Creates Voice which Never Existed” read the headline.1 The day before, so the article began, “a robot voice spoke for the first time in a darkened room in London . uttering words which had never passed human lips.” According to the accounts of this event in numerous European papers, a young British physi- cist named E.A. Humphries was working as a sound engineer for the British International Film Co. when the studio ran into a serious problem. A synchro- nized sound film (then still quite a novelty) starring Constance Bennett had just been completed in which the name of a rather unsavory criminal character hap- pened to be the same as that of a certain aristocratic British family. This noble clan was either unable or unwilling to countenance the irreducible—even if seemingly paradoxical—polysemy of the proper name (so powerful, perhaps, was the new experience of hearing it actually uttered in the cinema) and threat- ened a libel suit if “their” name was not excised. -
Model NR-40 for Optical Sound-On-Film
Model NR-40 for Optical Sound-on-Film ... The Auricon Model NR-40 all AC operated Recording Amplifier with separate Power-Pack, is contained in two metal chassis. The Amplifier-Controls and Meters are mounted in the Monitor-Desk pictured above. The .. Tilt-up hinged Control-Panel construction. separate Power-Pack furnishes all the necessary current for operating the NR-40 Amplifier. The Power-Pack connects to the NR-40 Amplifier The Power-Pack also provides completely filtered DC chassis with an 8 ft. power-cable, so that the Pack can current for lighting the Sound-On-Film recording be placed in any convenient out-of-the-way location Galvanometer Sound-Track Exposure-Lamp lOcated where it is plugged into a 115 volt, 50 or 60 cycle AC inside the Camera or Recorder. power outlet, drawing 150 watts. "T E L E PH 0 N E - E F FEe T S FILTER" The Auricon Model NR-40 Amplifier features two 110DB Many dramatic scripts now incorporate scenes involving high-gain microphone-inputs, each provided with te lephone conversations, police-car radio-conversation, army a continuously adjustable four-position "Speech-Music" Tone walkie-talkie scenes, aircraft radio. underwater divers Control. Both "Input 1" and "Input 2" are low impedance communicating with the surface, science-fiction scenes, or (50 ohms) for use with all types of professional microphones. even puppet-show voices. For all these types of scenes, the In addition, "Input 1" is provided with a "Telephone-Effects new Auricon "Telephone-Effects Filters" on the NR-40 Filter" Key for recording scenes involving simulated telephone Amplifier provides easy and inexpensive means of creating conversations. -
Newspapers and Their Role in the Agenda-Setting Process" (1985)
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1985 Front-Page News: Newspapers and their Role in the Agenda- Setting Process Darby Dickerson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Journalism Studies Commons, and the Political Science Commons Recommended Citation Dickerson, Darby, "Front-Page News: Newspapers and their Role in the Agenda-Setting Process" (1985). Dissertations, Theses, and Masters Projects. Paper 1539625313. https://dx.doi.org/doi:10.21220/s2-d8hz-cp45 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FRONT-PAGE NEWS: NEWSPAPERS AND THEIR ROLE IN THE AGENDA-SETTING PROCESS A Thesis Presented to The Faculty of the Department of Government The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Angela Darby Dickerson 1985 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C.X^ •• ,:>Q. \ j r I t e . ? ^ Angela Darby Dickerson Approved, August 1985 / u Ronald B. Rapopor(t/ J$in J. McMennon Jaj i i . DEDICATION: To Ron, Heather, Craig, and David For: Przyjazn, En continuan encouragement, Nuevas perspectivas, Fela hleahtor, And a year of memories which will not soon fade away. TABLE OF CONTENTS Page DEDICATION ........................................................ -
US National Dissemination Points
Wire Distribution 2017 US National Dissemination Points 500 Perimeter Park Drive, Suite D US Toll-free: 888.952.4446 x1 Morrisville NC 27560 Phone: 919.744.2723 accesswire.com [email protected] US National Distribution Points The national newsline is distributed to newspapers, broadcast outlets, newswires, Web sites, online databases and relevant industry trade publications. Distribution methods include real−time, full−text feeds via the AP satellite network, Internet FTP and content syndicates, as well as personalized email newsletters. Financial Institutions and Brokers US National Distribution Points The national newsline is distributed to newspapers, broadcast outlets, newswires, Web sites, online databases and relevant industry trade publications. Distribution methods include real−time, full−text feeds via the AP satellite network, Internet FTP and content syndicates, as well as personalized email newsletters. Financial Data Providers US National Distribution Points The national newsline is distributed to newspapers, broadcast outlets, newswires, Web sites, online databases and relevant industry trade publications. Distribution methods include real−time, full−text feeds via the AP satellite network, Internet FTP and content syndicates, as well as personalized email newsletters. Major News Sites US National Distribution Points The national newsline is distributed to newspapers, broadcast outlets, newswires, Web sites, online databases and relevant industry trade publications. Distribution methods include real−time, full−text feeds via the AP satellite network, Internet FTP and content syndicates, as well as personalized email newsletters. Major Newspapers National Distribution Points The national newsline is distributed to newspapers, broadcast outlets, newswires, Web sites, online databases and relevant industry trade publications. Distribution methods include real−time, full−text feeds via the AP satellite network, Internet FTP and content syndicates, as well as personalized email newsletters. -
1880-1930 Timetable
1900-1910 - BIRTH 1. THE INVENTION OF THE WIRELESS TELEGRAPH: Guglielmo (Bill) Marconi has ideas for an invention that will (a) replace the wired telegraph, (b) help ensure the safety of ships at sea. Marconi sends, in 1900, his famous S (dit dit dit) in Morse code from England to Canada. 2. FROM WIRELESS TELEGRAPH TO WIRELESS TELEPHONE: Inventors like Lee de Forest and Reginald Fessenden want to find a wireless substitute for the wired telephone. The human voice could add a nuance to communication not possible with the telegraph, but people like Marconi decry it, saying it will not be private and others will be able to hear it. 3. THE FIRST BROADCAST: In 1906 at Brant Rock MA, Fessenden plays his violin, sings a song, reads a bible verse or two into a wireless telephone of his own invention. This is the first broadcast and it happens Christmas Eve, 1906. It is a broadcast because it is designed for more than one listener (not 2-way) it is pre-announced. His goal is to find financial backers. 4. LEE DE FOREST: Probably the most important person in the development of radio, de Forest does two important demonstrations of wireless telephone; (1) in 1907 he equips the Navy fleet with his wireless telephone, an arc transmitter, and plays phonograph records to shore stations as the fleet comes into ports like San Francisco, and (2) in NYC he broadcasts on several occasions well-known opera singers to an audience of reporters. He wants to bring culture into homes. 5. CHARLES HERROLD: In San Jose, Herrold in April 1910 is quoted in a notarized affidavit published in a national magazine, "we have given wireless phonograph concerts to amateur men in Santa Clara Valley," one of the very first published references to what we now know as the activities of radio broadcasting to an audience of more than one. -
[History Of] Motion Picture Sound Recording
straight-line portion of the negative H & D curve, the print The negative track is recorded on a high gamma positive being made on the straight-line portion of the print H & D type film in contrast to a low negative gamma film for the curve. Light valve recording followed the basic principles variable-density method. Since the major studios had al- of rendering tone values laid down by L. A. Jones of ready installed the ERPI variable-density system, RCA Eastman Kodak Co. [5]. An excellent analysis of straight bought up RKO Pictures and installed its variable-area line and toe records was made by Mackenzie [6] in 1931 system, a refinement of General Electric's earlier efforts and shown in Fig. 4. [7]. Walt Disney Studioslater adopted the RCA system. While the variable-density systems were being intro- After that, variable density dominated the industry until the duced into the motion picture industry, another type of mid-Forties, when the variable-ama method became more track, now known as variable area, was being developed. In popular. Almost every motion picture studio now uses variable area recording. I \ ' _ I ',, I i , I PRINTER H &D CURVES _ I OVERALL HLD CURVES /3 _Z_,_o - '--i _i_<_ _%%,,o Noise Reduction _" --_ ;2 _]"'"'.,._'4 I , The first technical improvement in sound recording was \ \ _--- i I--_' - This was done on variable-density tracks by superimposing [X.,*x_--_---_--_- a biasing current on the ribbons, reducing the spacing from ] _ ..... i i__--__:/:!L-2_- the ihtroduction of ground noise reduction techniques [8]. -
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (79Th, Anaheim, CA, August 10-13, 1996)
DOCUMENT RESUME ED 401 560 CS 215 568 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (79th, Anaheim, CA, August 10-13, 1996). History Division. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE Aug 96 NOTE 549p.; For other sections of these proceedings, see CS 215 569-580. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF02/PC22 Plus Postage. DESCRIPTORS American Indians; Blacks; Broadcast Industry; Censorship; Foreign Countries; *Journalism; *Journalism History; Periodicals; Social Integration; *United States History; War IDENTIFIERS China; Dust Bowl (Great Depression); Japanese Relocation Camps; Ku Klux Klan; *Media Coverage; Muckraking; New Republic (Journal); New York Times; Womens History ABSTRACT The history section of the Proceedings contains the following 17 papers: "A Bid for Legitimacy: The Women's Press Club Movement, 1881-1900" (Elizabeth V. Burt); "'Securing the Affections of Those People at This Critical Juncture': Newspaper Portrayal of Colonial-Native American Relations, 1754-1763" (David A. Copeland); "'The Unfortunate Conflict in Far Off Asia': Three Black Newspapers View the Vietnam War, 1967" (Frank E. Fee, Jr.); "The Muckrakers' Reign on 'The American Magazine,' 1906-1911" (Michele C. Glidden); "Common Forms for Uncommon Actions: The Search for Political Organization in Dust Bowl California" (James Hamilton); "WGPR-TV, 1975-1995: Rest in Peace (A History of the First Television Station Licensed to Blacks in the Continental USA)" (James Phillip Jeter); "Maternal Images in the Age of the Girl: The Work of Jessie Willcox Smith and Other Women Artists in Early-Twentieth-Century Magazine Illustration" (Carolyn L. -
The Inventory of the Robert Benchley Collection #414
The Inventory of the Robert Benchley Collection #414 Howard Gotlieb Archival Research Center Benchley, Robert C. 1889 - 1945 Gift of Nathaniel Benchley, 1975 Outline of Inventory I. MANUSCRIPTS A. Short Humorous Essays B. "Mr. Peters" C. New Yorker Pieces with Research D. Longer /Serious Piece_s E. Introductions F. Drama Reviews G. Front Matter and Material for Collections H. Theatre Sketches I. Radio Scripts J. Movie Shorts; Scripts for MGM K. Other Movie Scripts L. Speeches M. Undergraduate Themes and Translations II. NOTES III. DIARIES IV. NOTES and RESEARCH by his widow Gertrude Darling Benchley for post humous collection of R.B. 's work V. MANUSCRIPTS BY OTHERS A. Dorothy Parker B. Others Benchley, Robert C. 1889 - 1945 Gift of Nathaniel Benchley, 1975· Outline of Inventory VI. PRINTED MATERIAL by R.B. for: A. New York Sunday Tribune B. Vanity Fair C. The Bookman D. New York World Sun . E. Seven Seas F. Detroit Athletic Club News G. Liberty H. Harper's Bazaar I. New Yorker J. New Yorker Wayward Press K. New Yorker Theatre Review L. New York Daily Mirror M. New York American N. Yale Review O. Life magazine f. Life drama reviews ~- Oakland Tribune R. Pamphlets-Reprints S. Mr. PeterTs T. Harvard Lampoon V. Other Short Pieces Benchley, Robert C. 1889 - 1945 Gift of Nathaniel Benchley,_ 1975 Outline of Inventory V. Book Reviews W. Material Edited by R.B. VII. PRINTED MATERIAL ABOUT BENCHLEY FAMILY AND R.B. 's WRITING A. Newsclippings and Tearsheets re: R.B. and Family B. Scrapbooks C. Other Printed Matter VIII. CORRESPONDENCE OF R.B. -
The History of Sound in the Cinema
A fascinating article by Dion Hanson of Dolby Laboratories, Chairman of the BKSTS Cinema Technology Committee, based on the 1997 Annual BKSTS Bernard Happé Memorial Lecture which Dion presented under the title Fantastic Formats. Bernard Happé was a Member, Fellow, and Past- president of the BKSTS and a member of the Technicolor team who played a great part in the development of film formats, including 70mm. Fantastic Formats is a visual experience giving the audience a chance to see some of the older formats they have only read about. Dion says that it is impossible to recreate in print, but this article is based upon the presentation, and provides useful reminders for the older members who can remember some of the developments taking place, and gives an excellent history lesson for those who are newer to the cinema sound scene. Thanks are due to Dolby who kindly sponsored the Bernard Happé Lecture. The History The 1997 Bernard Happé Memorial Lecture of Sound in the Cinema Most people consider that phonograph does for the ear, were actually printing the a Movietone sound-track and sound movies were not and that by a combination of sound photographically onto a silent feature 'What Price invented until 1928 with the the two all sound and motion the film. However, it was not Glory?', to which a musical release of Warner's 'The Jazz could be recorded and until the invention of the score had been added . Singer'. It is certainly true that reproduced simultaneously". photocell by Hertz in 1887 and Western Electric in 1925 this was the first notable film Looking at diagrams and the 'Audion' valve by De developed a system which using sound, but we must go pictures of his early work back to the invention of the certainly shows the inclusion cinematograph to realise that of a phonograph to deliver experiments were being sound with his pictures.