32 LP-54
Folk Dances of Yugoslavia, Volume VI LP-54
I DANCES OF EAST SERBIA
described by
Rickey Holden Desa Djordjevi~ Ljubica and Danica Jankovi~ Mile Meandzija and B~rre Ovamme
·kinetograma by Jean-Philippe van Aelbrouck with William C. Reynolds and Rickey Holden
Labanotation approved and certified by Ann Hutchinson
music notation by
Pia J~rgensen
I l!IV KREMERS' FOLK SHOWPLJ; '. ~: Dance, School, Foreign Recorl!. 155 Turk St.; (415) 775-3444 San Francisco, CA 94102
Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 2 LP-54 3
FOLKRAFT LP-54 - Dances of East Serbia FOLK DANCES OF EAST SERBIA Igre iz istocne Srbije Lying in the eastern part of the Morava (river) ethnographic zone of description kinetogram Yugoslavia, the hills and small moun Side/Strana A time page page tains of east Serbia are rich in folklore 1. Polomka ••. 2:00 12 13 dance. No village celebration of marriage 2. Todorka (3/4). 4:00 26 27 or feast day or Saint's day is complete without 3. ~vicanka 2:55 18 19 the kolo, which is still very much a living tra 4. Kostenka • . • 3:20 8 9 dition in east Serbia. 5. Pop Marinkovo Kolo (5/8, 7/8) * 2:50 14 15 6. Ci,S!!!ciu(7/16) •••••• 2:55 6 7 Dances are in open circle formation or in short, straight lines. Dancers are close together; Side/Strana B hands are joined with arms downward in "V" position, or 1. ~ovo mi §!9jna * 2:40 16 17 crossed in front in "chain" position, or holding neighbors' 2. Poila Rumena * 2:50 20 21 belts. There are no couple dances in this region. A few old 3. (9/8) • • • ~ka * 2:15 10 11 ritual solo dances were done at one time, but are now extremely 4. '§;;torka Krupna 3:40 22 23 rare. 5. g;;torka Sitna 3:.30 24 25 6. Basara. - 2:50 4 5 The kolo leader is very important in east Serbia; he leads the dance and improvises many steps which the other dancers try *vocal/pevano to follow. Rhythms are in z,/4 and, especially near the borders of Romania and Bulgaria, in 3, 5, 7, 9, 11, etc. The dance is often asymetrical, moving more to the right than to the left; there are occasionally dances where the dance phrase is shorter, sometimes longer, than the normal 8-measure musical phrase. Steps are usually on the whole foot ( [!r ). ©1982 Folkraft-Europe Reproduction in whole or in part Common musical instruments are the viollna (violin), harmonica (accordion), prohibited without specific: per frU.la (short flute), dvojnice (double flute), gi'l.jda (bagpipe) and di:Lduk (long flute); mission in writing from the also the klarinH or klanet (clarinet). Songs often accompany the dances. Most ISBN 2-87038-001-1 publisher. musicians are gypsies, who change the traditional melodies by adding musical improvisation. The dances are described here in three systems: (1) word notation, (2) Roma notation (the system devised by Vera Proca-Ciortea and her colleagues at the Folklore Institute in Bucharest), and (3) Labanotation. TECHNICAL TERMS are defined in the glossary (page 28). Five of these dances were first noted by Ljubica and Danica Jankovit in vol ume V of their eight-volume collection of Yugoslav folk dances. Two of these dances were first noted by Agatha Zic. The remaining five dances were first noted in villages by Desa Djordjevit. See specific source reference with each dance. Folk Dances of YuJ[oslavia on Folkraft records Vol. I LP-15 Macedonia 1 Kragujevac (Serbia) Vol. II LP-19 F.ranc:e Marolt ensemble August 1982 Vol. III LP-24 Macedonia 2 Vol. IV LP-25 Macedonia 3 Vol. V LP-53 Serbia (Central) Vol. VI LP-54 Serbia (East) #Vol. VII LP-55 Serbia (South) #Vol. VIII LP-56 Serbia (West) *Vol. IX LP-57 Vojvodina 1 #Vol. X LP-58 V_ojvodina 2 #not yet published
Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 4 LP-54 LP-54 5 BASARA - Serbia (East) 6AtP.PP. [bah-sah-rah] (Line dance, no partners)
<
j
Translation: name of a mountain near the Bulgarian border. ~ Record: Folkraft LP-54 side B band 6-f.olk orchestra (2:50). ... =156 < Formation: Line or open circle, no partners, leader on right end. Starting Position: Belt hold. Weight on left foot. Music 6/8 ~ Measu[r:. Facing slightly right with movement in line-of-dance, I J ~ STEP forward on right foot (count 1), ( ~...._ ~ ... STEP forward on left foot (count 2). f-- 2 [ .. • STEP forward on right foot (count 1), ... STEP forward on left foot (count 2). STEP forward on right foot (count 1), 3 [ ...... Facing center, SWING left leg forward-right low across in front of right leg (count 2). STEP sideward left on left foot (counts l-and), STEP on right foot beside left (count -ah), I· 4 l~. STEP on left foot beside right (count 2). A slow STEP forward on right foot (counts 1-2). A small STEP backward on left foot (count 1), ~ ~ ~ f~:...... STEP on right foot beside left (count 2) • STEP backward on left foot (counts l-and), 7 .. )( J> STEP on right foot beside left (count -ah), ... STEP on left foot beside right (count 2) • . ~ f 8-10 REPEAT measures 5-7. Note: Dance has 10 measures; music is in 4- or 8-measure phrases. Steps 0 are generally on the whole foot, and there is usually a slight bend-straighten (.-J') < < on most steps throughout the dance.
Reference: Jankovit, vol. V.
I BASARA I 6/8 ... =!56
Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 6 LP-54 LP-54 7 CIGANCICA - Serbia (East) [ tsee-gahn-tchee -tsah]
Translation: Gypsy Girl. Record: Folkraft LP-54 side A band 6-folk orchestra (2:55). m.=76; ./l=532 Meter: 7/16 (m.) counted l-and 2-and 3-and-ah, -or "quick quick slow". Formation: Line or open circle, no partners, leader at right end. Starting Position: "V" position close together. Weight on left foot. Music 7/16 M11f, '--.L--"' Maal Facing slightly right with movement in line-of-dance, "LIFT" on left foot (count 1). STEP forward on right foot (count 2), STEP forward on left foot (count 3). "LIFT" on left foot (count 1), z STEP forward on right foot (count 2), [~ SWING left leg (knee bent slightly) forward-right low across in front of right leg (count 3). 3 REPEAT measure 2 reversing footwork and lateral direction. 4 REPEAT measure 2. 5-8 REPEAT measures 1-4 reversing footwork and lateral direction. VARIATION for measure 2 As above except, just before and during measure 2: L./l Facing center, a quick "LIFT" on left foot (count -ah before count 1 ), 2 rJ: STEP on right foot just in back of left (counts 1-and-2), J>. A quick "LIFT" on right foot (count -and}, J' STEP on left foot just in back of right (counts 3-and). 1 ., /1 ., /1 ., .!'i "V" ll\ 4 MA.I ~:.l~'d~~~::\4~:_\~~ '~:\~~!\~,~~ ~ ~ ld..'tlb.
Reference: Desa Djordjevit.
I CIGANCICA 1 7/16 m.=76; .P=532
Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 8 LP-54 LP-54 9 KOSTENKA - Serbia (East) KocTEHK~ [kohs -tehn-kah]
Translation: Record: Folkraft LP-54 side A band 4-folk orchestra (3:20). .1=124 Formation: Short straight line of 4-8 people, no partners, leader at right end. Starting Position: Belt hold. Weight on left foot. Music 2/4
..... - .~.._.,, Facing slightly right, STEP forward on right foot (count 1), STEP forward on left foot (count -and), STEP backward on right foot (count 2), STEP backward on left foot (count -and). STEP forward on right foot (count 1), STEP forward on left foot (count -and), STEP-"LIFT" on right foot just in back of left (counts 2-and). STEP-"LIFT" on left foot just in back of right (counts l-and), STEP-"LIFT" on right foot just in back of left (counts 2-and). REPEAT measures 1-3 reversing footwork and lateral direction. VARIATION for measures 2 and 5 As above. except, during measure 2: 2 STEP forward on right foot (count 1), STAMP left foot beside right without taking weight (count -and), STAMP left foot beside right without taking weight (count 2), VAll.. [~ "LIFT" on right foot (count -and). Note: All steps are small and generally on the whole foot. Dance has 6 measu-;;;;music is in 4- or 8-measure phrases.
Reference: Desa Djordjevit.
I KOSTENKA I ?/4 .1=124
Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 10 LP-54 LP-54 11 LILKA - Serbia (East) < -- [leel-kah] (Line dance, no partners) ~· - .. .., "' .. . - j ~ ~ ~ "' ... - .., ,., "' .., - l I f f Qf' I f f f f I f f f r- I t 11 ff f f I rf f CI JJ f r If lj H!! C. E; C 111 Song words Kata pere na rekata, Kata is washing clothes in the river, Turkii sedi pod brdata A Turk is sitting under the willow (tree); Pa govori mlado Turce, This young Turk says to her, Mlado Turce, Arkagce: This young Turk, son of Arkag: "Ajde, Kato, da te budni." "Let's go, Kata, come be with me." "Cuti, tuti, ne govori! "Hush, hush, do not speak! Ta ja imam zboga drata, I have a brother of mine, On ce bije, ne te bije." He will beat thee, (and) not (only that). 11 "On ce mlati, ne te mlati; He will thrash thee, (and) not (only that); Kada rodi vrba grojze, (Only) when peppers grow on the willow A racita zute dunjte, When the yellow quince is ripe, T'g tea ti men' da noljubis. (Only) then may you kiss me • 0 •I 4 .M, -lC- ! \\ - SUS1l.j_1l5DS.I; _SDSD.j !SllSD.j-> _5DSD. \ \~ _DSD~.\-Sll~.l *-D~DS.I tJl~DS. \4 JlSDS. \1 Reference: Jankovit, vol. V. ~~ I LILKA I 9/8 .J.J.J.J.=42; J> =378 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 12 LP-54 LP-54 13 POLOMKA - Serbia (East) TionoMAA - [~-lohm-ka] (Line dance, no partners) Translation: Break (something, perhaps as in the melody or dance step). Record: Folkraft LP-54 side A band 1-folk orchestra (2:00). .,1=120 Formation: Line or open circle, no partners, leader at right end. Starting Position: "V" position close together. Weight on right foot. ~I X VARIATION I -.. _ J. __ ~ STEP sideward left on left foot (count 1), STEP on right foot beside left (count 2). o A STEP sideward left on left foot (count 1), • X TOUCH right foot beside left without taking weight (count 2). t STEP backward on right foot·(count 1), STEP backward on left foot (count 2). STEP backward on right foot (count 1 ), TOUCH left foot beside right without taking weight (count 2). VARIATION II Facing slightly left with movement in reverse-line-of-dance, [ ,n,n four WALKING STEPS (left, right, left, right) forward (counts 1-and-2-a.nd). 2 /J Two WALKING STEPS (left, right) forward (counts l-and), [/J STEP-"LIFT" (left) forward (counts 2-and). 3 ,n Facing center, STEP-"LIFT" (right) backward (counts l-and), . [/J STEP-"LIFT" (left) backward (counts 2-and). A 4 ,n Two STEPS (right, left) in place (counts l-and), )( [/J STEP-"LIFT" (right) in place (counts 2-and). Note: All steps are small and generally on the whole foot. In Variation I there is a slight bend-straighten !-"l on each count "-and" (J' ). ...... ,M "V" 4t u~s··i··\S.. l ... \*D.. ~·-,n.. ~·ll f~A I POLOMKA I 2/4 .,1=120 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 14 LP-54 LP-54 15 POP MARINKOVO KOLO - Serbia (East) 1\0lT MI\P~HK.OBO Kono [pohp mah-reen-koh-voh koh-loh J (Line dance, no partners) A1 I> Translation: Kola (open circle dance) of Father (a priest) Marinko. Record: Folkraft LP-54 side A band 5-folk orchestra (2:50). .[}~ • .l.l.f,l=l7; ~=204 Meter: 5/8 (J:;i/,1) counted 1-2 3-4-5, -or "quick quick quick slow", and --- 7/8 (.I.IJ'.I) counted 1-2 3-4 5 6-7, -.or "slow slow quick slow". Formation: Line or open circle, no partners, leader at right end. ~ Starting Position: "V" position close together. Weight on left foot. , 1\ I I I Music 5/8 Measure STEPS for measures 1, 2, 4 and 6 A small STEP diagonally forward-right on right foot (count 1), A small STEP diagonally backward-right on left foot (count 2), A small STEP sideward right on right foot (count 3), STEP on left foot beside, and slightly forward of, right (count 4), [~ Pause (count 5). Music 7/8 STEPS for measures 3, 5 and 7 3 .I A very small STEP sideward right on right foot and bend knees slightly (counts 1-2), A very small STEP sidev·ard left on left foot and bend knees slightly (counts 3-4), A very small STEP sideward right on right foot and bend knees slightly (count 5), A very small STEP sideward left on left fat and bend knees slightly (counts 6-7). .... Note: The dance consists of steps to measures of :(8, and steps to measures of 7/8. The eisht-m~asure sequence of this recording is played :(8 alternati"S wilh ' .<::.! .... ~) co , IS 3x ..,_ 4 ~ tl"V* (,}1\lJ'_d. I.~ ~+~•Yr~ ~~t.4-• "f ~~~.,~ !+'~ :II ltl 0 Reference: Agatha Zic. cA .() ..!!.. €9 [Q] I POP MARINKOVO KOLO Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 16 LP-54 LP-54 17 POPOVA, MI STOJNA - Serbia (East) - [~-poh-vah mee stoh'ee-nah] (Line dance, no partners) f FJ ,.. ~ ~ · .., ® ~ _ !1.'"' lz."" 1m I 1 f U Ir I iJ ~ I@ J =II: JJ JJ I DlJ I 1 tJ I J f :II J J II . F c.1 F c.1 C.1 F G1 G .D.,1 t Translation: Stojna, the priest's daughter. Record: Folkraft LP-54 side B band 1-folk orchestra (2:40). .1=148 Formation: Line or open circle, no partners, leader at right end. t ~ r- Starting Position: "V" position, close together. Weight on left foot. = .. Music q'4 fM1t, Measure PART I (Music AA) ...... J._,~ STEP forward on right foot (count 1), STEP backward on left foot (count -and), [~ STEP on right foot beside left (count 2), STEP on left foot beside right (count 1), 2 [~ HOP on left foot (count 2). 3-8 REPEAT measures 1-2 thrice (4 times in all). l < III "' PART I (Music BB) 9 Facing slightly right with movement in line-of-dance, [.,., STEP-HOP (right) forward (counts 1-2). 10 .,., STEP-HOP {left) forward (counts 1-2) • 11 STEP forward on right foot (count 1 ), [~ STEP forward on left foot (count 2). . 12 .,., STEP-HOP (right) forward (counts 1-2). j.; 13-16 REPEAT measures 9-12 reversing footwork and lateral direction. I= It Song words Popova mi Stojna, } Stojna, the priest's daughter, 2 Sitno kolo igra; Dances the small(-stepped) kolo; Stojno mi Stojke, } Stojna, my little Stojna, 2 Cupni mi na nogu! Step on my foot! Stojna, the priest's daughter, Popova mi Stojna, HI Ruse kose ima; Has blonde hair; ..... I· ~ r- Stojno mi Stojke, Stojna, my little Stojna, Ubava devojko. (You) beautiful girl. ~ Reference: Jankovit, vol. V. x1~ L.... '--- ~(X' I POPOVA, MI STOJNA I q'4 .1=148 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 18 LP-54 LP-54 19 POPOVICANKA - Serbia (East) 1Tol!08WiAHKA [~-poh-vee-tchahn-kah] (Line dance, no partners) Translation: Record: Folkraft LP-54 side A band 3-folk orchestra (2:55). .1=134 Formation: Short straight line of 4-8 people, no partners, leader at right end. Starting Position: Front chain position, or Belt hold. Weight on left foot. ~~ lXIKnt 1\1\1\11111 Music 2/4 ..... , _.J._,, Measure STEP forward on right foot (count 1), STEP on left foot just in back of right (count -and), STEP forward on right foot (count 2), [~ "LIFT" on right foot (count -and). 2 REPEAT measure I reversing footwork. 3 STEP-"LIFT" on right foot just in front of left (counts l-and), [~ STEP-"LIFT" on left foot just in back of right (counts 2-and). 4 STEP on right foot just in front of left (count I), STEP on left foot just in back of right (count -and), [~ STEP-"LIFT" on right foot just in front of left (counts 2-and). 5 STEP-"LIFT" (left) backward (counts l-and), [~ STEP-"LIFT" (right) backward (counts 2-and). 6 n STEP-"LIFT" (left) backward (counts l-and), [n STEP-"LIFT" (right) backward (counts 2-and). 7 nn Four SCISSOR STEPS (left, right, left, right)(counts 1-and-2-and). 8 .17JJ> Three SCISSOR STEPS (left, right,left)(counts 1-and-2), [J' "LIFT" on left foot. ~ All steps are small and generally on the wh~le /OOJ. 1 1 1 , 'ii' ? i? ~ 'ii'b?, I I I I I I I .tl'i,-l-1- u+~ t~l~l*~I+-EWlill•~.d.dl~da\.-M...iW... M. d.t.~~11 Reference: Desa Djordjevi~. < EJ " I POPOVICANKA I 2/4 .1=134 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 21 20 LP-54 POSLA RUMENA - Serbia (East) TTownA PYMEtiA [pohsh-lah roo-meh-nah] (Line dance, no partners) < ~ l!l ~ - ::8 "" IN .... NV IN . - - ..., IN >N 1M T. Wijrlr l@giDiliJJ IJJ=IPD ltliJJ IVJJIJ iJ"If¥gll£11JJIDBUIJrll .. ~ · 07 A] 0 K1 P " E7 A ' "1 D " A .., ~T Translation: Rumena (a girl) started to go ... f X Record: Folk raft LP-54 side B band 2-folk orchestra (2: 50). .1=156 'Formation: Line or open circle, no partners, leader at right end. ~\ Starting Position: Belt hold. Weight on left foot. - ~ Music ?,/4 1\l\l\l\1\/ Measure PART I (Music AA) .. __ J. __ ... 1 cl STEP forward on right foot (counts 1-2). 0 2 cl STEP backward on left foot (count 1-2). Facing slightly right with movement in line-of-dance, ~ I) 3 [..~..~ STEP-CLOSE (right) forward (counts 1-2). ..!.. [;dJ STEP-CLOSE (right) forward (counts 1-2). Facing center, STEP sideward right on right foot (count 1 ), J'. : rr SWING left leg diagonally forward-right-low across in front of right leg (count 2). STEP sideward left on left foot (count 1), 6 [~ A small STEP on right foot across in back of left (count 2). 7-12 REPEAT measures 1-6 reversing footwork and lateral direction. PART II (Music BB) I'· 13-14 Facing slightly right with movement in line-of-dance, STEP-CLOSE (right) forward twice (counts 1-2, 3-4). 15-16 Two TWO-STEPS (right, left) forward (counts 1-and-2, 3-and-4). 17-18 Two STEP-"LIFTS" (right,left) forward (counts 1-2, 3 -4). eJ ~ ~ 19-24 REPEAT measures 13-18. Song words Polila Rumena, nane, rano na vodu, }2 Rumena started to go, mama, early to the well,}2 Oj lele lele, rano na vodu. }2 Oy yoy-yoy yoy-yoy, early to the well. }2 Rano na vodu, nane, po ladovina. Early to the well, mama, in the shade, Oj lele lele, po ladovina. Oy yoy-yoy yoy-yoy, in the shade. Po ladovina, nane, po mesecina, In the shade, mama, in the moonlight, Oj lele lele, po meseCina. Oy yoy-yoy yoy-yoy, in the moonlight. . Vodu da vadi, nane, grlo da ladi, Water from the well, mama, to cool her throat, 1 Oj lele lele, grlo da ladi. Oy yoy-yoy yoy-yoy, to cool her throat. ffi .. Vodu da lije, nane, lice da mije, To pour water, mama, to wash her face, Oj lele lele, lice da mije. Oy yoy-yoy yoy-yoy, to wash her face. . lil /1 * . '\ SB\Sft\..,~~_1 4 DSII 0 ~~~ ~~ f.n~l D£1 ~ll \.bElS\ D'D\ 5'511 I POSLA RUMENA I ?,/4 .1=156 Reference: Agatha Zic. Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 23 22 LP-54 SESTORKA KRUPNA - Serbia (East) \llECTOPKP. KPYlfHI\ [shehss-tohr-kah kroop-nah) (Line dance, no partners) ~NIIItli ·e_,lllr ,..,, C),., IN AN IN IV r 1 r r :IFff r 1 r r 1u r 1 r r :llqg 1 r r 1r u1 rr=ll ' £} A /i7 A I~ A n A ~ A &1A El A &l A &1A Translation: Big sestorka (literally, dance in six parts), i.e. with more steps. Record: Folkraft LP-54 side B band 4-folk orchestra (3:40). .1=160 Formation: Line or open circle, no partners, leader at right end. Starting Position: Belt hold. Weight on left foot. ~ Music ?/4 1\1\1\lllll ,,_.J. __ , MaaT Facing slightly right with movement in line-of-dance, STEP forward on right foot (count 1), STEP forward on left foot (count 2). STEP forward on right foot (count 1), STEP forward on left foot (count 2). STEP forward on right foot (count 1 ), : t1 STEP forward on left foot (count 2). Facing center, STEP sideward right on right foot and bend knee 4 [~ slightly (count 1 ), STEP sideward left on left foot and bend knee slightly (count 2). Facing slightly right with movement in line-of-dance, 5 [j STEP forward on right foot (count 1), STEP forward on left foot (count 2). STEP forward on right foot (count 1 ), 6 [j "LIFT" on right foot AND SWING left leg diagonally forward-right low (count 2). 7-8 REPEAT measures 3-4 reversing footwork and lateral direction. 9-10 REPEAT measures 5-6 reversing footwork and lateral direction. 11-12 REPEAT measures 5-6. 13-14 REPEAT measures 5-6 reversing footwork and lateral direction. VARIATION a - Cross in back (or in front) '' As above except, for measures 1,2,3,5 and 11: Facing center, STEP sideward right on right foot (count 1), STEP on left foot across in back (or in front) of right (count 2); and •.• the same, reversing footwork and lateral direction, for measures 7, 9, 13. VARIATION b - Hop-step-step .,1-;J.,I As above except HOP-STEP-STEP instead of any two Walking Steps [ in measures 1, 2, 3, 5,11 and/or measures 7, 9, 13). VAR.. a! VAIL b Note: Dance has 14 measures; music is in 4- or 8-measure phrases. Steps are generally on the whole foot . .. < /' < < ' ;' 1' !1-x- ~ 1\ 4 D) 1 n11 n11~>~srn~ 1~14>5~\... s~nl~s~ ~~~ t~n~ ~~~~~sn ~~~11 if!n!l ns 1ns 1-·-\ ... ns l---1~snl-·~l~~n\-··-l 4D5!-~I .. ~ti \- .. -m ~.bd.Sj~.MS lett. r-~~1L. I SESTORKA KRUPNA I ?/4 .1=160 Reference: Jankovi~, val. V. Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 25 24 LP-54 SESTORKA SITNA - Serbia (East) lliEcTOPKA C~THA [shehss-tohr-kah seet-nah] (Line dance, no partners) ~~ j fr IIJ b I@ fr 11J Hr JJJ I biJ I IJJ 11J i:l 1 A7 p A1 I> At II A"l I> AJ. l> A7 D Translation: Little liestorka (literally, dance in six parts), i.e. with less steps. Record: Folkraft LP-54 side B band 5-folk orchestra (3:30). .1=166 tf. Formation: Line or open circle, no partners, leader at right end. Starting Position: Belt hold. Weight on left foot. Music q-'4 ~1 Facing slightly right with movement in line-of-dance, t STEP forward on right foot (count 1 ), STEP forward on left foot (count 2). Facing center, STEP sideward right on right foot and bend knee slightly (count 1 ), STEP sideward left on left foot and bend knee slightly (count 2). STEP on right foot just in back of left (count 1), STEP on left foot just in front of right (count 2). STEP on right foot just in back of left (count 1 ), ~ HOP on right foot (count 2). REPEAT measures 3-4 reversing footwork and lateral direction. R Note: Dance has six measures; music is in 4- or 8-measure phrases. Steps are generally on the whole foot. ~T ( X Reference: Jankovit, vol. V. I) ·~ t ~ I SESTffiKA SITNA I q-'4 .1=166 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 26 LP-54 27 TODORKA - Serbia (East) - [toh-dohr-kah] (Line dance, no partners) t~ lllf ~ -"''* f"":'IW 1/11 r... .,. ""' - 6),., "" ""' ~ • I@F*J fvl lTC& IElf~ llJ r It!rpiPOJ l§l; IJJ:II:J8.l; I&JD ID[lb 18JJI F1 ft ""' C ·Fit FGa. F~ F"- < if I < -~1m t ... :e !!! .. "" .., ~ • ... .. - ,., ... "" ~ ~ ~Jg&l 8bl 18JD IJ J=@~f"PI@f Jl,gfp Iff 1\gfliTfU f I@C DIf f:ll F PI' F F CO.. c. (o c.. ' C.. & ~1 6 0 X o X Translation: A Record: Folkraft LP-54 side A band 2-folk orchestra (4:00). cl.=73; .1=219 ~A Formation: Line or open circle, no partners, leader at right end. Starting Position: Belt hold, or "W" position, or "V" position close together. Weight on left foot. Music 3/4 ffffiJ tmt tM1;i ~l· ~l- Measure PART I (Music AA) ,,_.L __ , STEP sideward right on right foot (count 1 ), [j SWING left leg diagonally forward-right low (counts 2-3), X X X STEP sideward left on left foot (count ), 2 [j SWING right leg diagonally forward-left low (counts 2-3). STEP sideward right on right foot (count 1 ), 17 ~ STEP on left foot across in front of right (counts 2-3). : [i STEP sideward right on right foot (count 1), SWING left leg diagonally forward-right low (counts 2-3). ~T. 5-8 REPEAT measures 1-4 reversing footwork and lateral direction. 9-16 REPEAT measures 1-8. PART II (Music BB) X 17 [j STEP sideward right on right foot (count 1), STEP on left foot across in front of right (counts 2-3). 18 [j STEP sideward right on right foot (count l ), ~~ STEP on left foot across in back of right (counts 2-3). 19-20 REPEAT measures 3-4. ~ 21-24 REPEAT measures 17-20 reversing footwork and lateral direction. l· 25-32 REPEAT measures 17-24. PART III (Music CC) 33-38 REPEAT measures 17-28 thrice (3 times in all). X 39-40 REPEAT measures 3-4. 11 41-48 REPEAT measures 33-40 reversing footwork and lateral direction. ~A Iii r. / )( Note: Steps are generally on the whole foot. , There is a slightly bend straighten of knee on each count l (.r.i) and on each counts 2-3 (.I.J' ). " M -x· ··w· Y f: ~ vi!F5~-j~]}liti'l~~i~~iiS~sij~ :\f~n~tit jnlj~~~;sm j5ID\Sij$$ii =n . Refe:en~e: De:~- D;~~djev:::· L--· ..... •--- r~~-,~!~los\~~·~~St~~~l~~t ' Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 Folk Dances of Yugoslavia, Volume VI: Dances of East Serbia, Folkraft LP-54 LP-54 29 28 LP-54 TECHNICAL POINTS ABOUT THE KINETOGRAMS (LABANOTATION) 1 GLOSSARY Measure numbers are placed in hexagons ((D). Numbers of repeat measures BELT HOLD: Arms extended sideward (right arm in back of neighbor's -)(- are placed in parentheses ( ~ ) to distinguish them from the first set. left), hands grasping neighbor's belts. FRONT CHAIN POSITION: Arms extended sideward in front of neigh Counts or beats within a measure are indicated by dots bors (right arm in back of neighbor's left), hands joined with second neigh on the left-hand staff line (Fig. 1 a) when the meter is unu bors to make a "chain" of arms. sual (7/16, 9/8 etc.) rather than by "tick" marks on the cen HOP: With weight on one foot, spring into the air from that foot and ter line (Fig. lb). Counts or beats are not indicated for ~.m land on same foot, no transfer of weight. simple binary or ternary meters (?/4, 3/4, .V4, 6/8 etc.) (la) rn(lb) HOP-STEP-STEP (,J~.J): With weight on one foot, hop on that foot A person which may be either man (.)or woman (d) is indicated by a flat pin (1) (count 1 ), step on other foot (count -and), step on first foot (count 2). rather than by a pin half-white-half-black !&). "LIFT": Almost a hop but not quite because only the weight leaves the floor and not the ball of the foot. 'D Direction of facing is indicated by relation of focal point to meeting line (Figs. LINE-OF-DANCE: Direction of movement to the right (counterclock 2a,b, 3a,b) and also by the floor plan (Figs. 6a,b). wise) around the dance area. REVERSE-LINE-OF-DANCE: the other Steps in line-of-dance are generally described as in di direction, to the left (clockwise). 4 rection forward (Fig. 2a) rather than diagonal (Fig. 2b). We SCISSOR STEP (J>): A small leap onto one foot in place and simulta I assume1 the path continues in line-of-dance around the focal neously swing other leg forward quickly with knee straight (count 1 ). ~ point so we do not write the path sign (Fig. 2b) required by STAMP: A Step with strong accent, with noise. » strictly mathematical kinetographers. .• L\J ~~I STEP or WALKING STEP: A normal transfer of weight from one foot 1l (2a) (2b) to the other. For sideward crossing steps, if one foot always crosses STEP-CLOSE (,J.J): Step on one foot (count 1), step on other foot beside1 D!r in front (or behind) we assume the path continues in line-of the first (count 2). dance (Fig. 3a) without the black pin (f) which strictly mathe STEP-HOP (,J.J): Step on one foot (count 1), hop on same foot (count 2). D-D matical kinetographers require to keep the path on the de STEP-"LIFT" (.J.J): Step on one foot (count 1), "lift" on same foot (count 2). ~·n sired line (Fig. 3b). SWING (arm, leg): Move in the air; (arm, leg) gesture. J), TOUCH: Place (foot) without taking weight. D Variations which may be danced independently (Fig.l[J[~j II~ 4) are indicated by roman numerals in a square. Parts TWO-STEP (right)(n.J): Step on right foot (count 1), step on left foot clb]) 1 or Figures which necessarily follow in sequence in a beside right (count -and), step on right foot (count 2). TWO-STEP (left): dance (Figs. 5a,b) are also indicated by roman numer- 1 same, reversing footwork. als in a square, but with a caret () ) to indicate the __ __ 1 __ "V" POSITION: Hands joined, arms extended downward, resembling ~~~- necessary continuity. End of a Variation (Fig. 4) or of (4) (Sa) (5b) the letter "V". a Part or Figure (Figs. Sa,b) is indicated by a slightly heavier line. End of a se WALKING STEP or WALK: see Step. ]) quence of Parts or Figures is indicated by an extra light line (Fig. 5b). Ad libitum "W" POSITION: Elbows bent, hands joined at shoulder level, resem ·w· repeating is not indicated (....., or :=::::.) since we assume folk dances may be repeated bling the letter "W". as desired. 1) In Posla Rumena the "close" is not quite beside the first foot (I'~). Floor plans are used extensively to give a more visual picture of the line (--) or open circle ( ...__.,) in relation to the focal point (•) TECHNICAL POINTS which is the center of the dance area for the DQDD(6a) (6b) (7a) (7b) group. Symbols for the group, and direction Full weight is usually placed on each step, whether value of ,J or J> or ;., in of movement, are placed to emphasize the role of the dance leader, who is almost Serbian dances. always on the right end (Figs. 6a,b) in preference to other ways to indicate such Dactylic or "slow quick quick" rhythm (.Jn or ~ etc.) is common in Serbian things (Figs. 7a,b). dances. This is not the same as, and should not be danced as, the more familiar anapestic or "quick quick slow" rhythm (n.J or m. etc.). Starting position is assumed1 as maintained through Hop-step (first hop on one foot then step on other foot), common in Serbian out the dance (Fig. Sa) and thus we do not add a spot hold dances, should not be confused with step-hop (first step on one foot then hop on (Fig. Sb) nor a space hold (Fig. Sc) to emphasize this. same foot). There are two combination forms: Scale (Figs. 9a,b) is not indicated unless there is a special Hop-step-step in the familiar anapestic rhythm (n.J); problem in a particular dance. [[] =Jo D=Jo Step hop-step in the less familiar dactylic rhythm (.Jn). (9a) (9b) These combinations are rarely in irregular rhythm such as D.J or n ..J, and should be danced with full weight as mentioned above. 1) for these Balkan folk dances. 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