February 2013 Newspaper
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3Fjowfoujoh $Mbttjdt
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 3 Thursday, January 23, 2020 3FJOWFOUJOH$MBTTJDT by Edmund Lawler Dan Schaaf (right) records dialogue for his latest project, “Dr. Mabuse: The Gambler,” with Sherri Waddle-Cummings. Photos by Paul Kemiel Suddenly, quite by accident, Dan Schaaf discov- ered a wildly creative artistic pursuit — breathing new life into classic silent fi lms by composing musi- cal scores and scripting dialogue performed by local stage actors. “Channel 20 used to run silent fi lms at midnight,” Schaaf recalls of his epiphany in the late 1990s. “They ran the Fritz Lang classic ‘Metropolis,’ a 1927 sci-fi that I had never seen. I fi gured I needed to see it once in my life, so I set the VCR to record it at midnight.” He watched it the next morning and was enchant- ed by the epic work of cinema from the legendary German director. But there was one problem. “It had this dreadful musical score that sounded like it came from a Laurel and Hardy comedy, and it had absolutely nothing to do with the fi lm,” Schaaf says. “I told myself, ‘I can do better than this.’” And he did. Schaaf, who fi rst began composing music as a Marquette High School student and later while studying English and electrical engineering at Pur- due University, penned a score for “Metropolis.” Un- Sherri Waddle-Cummings infuses emotion into her dialogue for the fi lm. Continued on Page 2 THE Page 2 January 23, 2020 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 • FAX 219/879-8070 Beacher Company Directory -
"Woman.Life.Song" by Judith Weir Heather Drummon Cawlfield
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-1-2015 Study and analysis of "woman.life.song" by Judith Weir Heather Drummon Cawlfield Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Cawlfield, Heather Drummon, "Study and analysis of "woman.life.song" by Judith Weir" (2015). Dissertations. Paper 14. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2015 HEATHER DRUMMOND CAWLFIELD ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School STUDY AND ANALYSIS OF woman.life.song BY JUDITH WEIR A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Heather Drummond Cawlfield College of Performing and Visual Arts School of Music Music Performance May 2015 This Dissertation by: Heather Drummond Cawlfield Entitled: Study and Analysis of “woman.life.song” by Judith Weir has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing Arts in School of Music, Program of Vocal Performance Accepted by the Doctoral Committee ______________________________________________________ Melissa Malde, D.M.A., Research Advisor ______________________________________________________ Brian Luedloff, M.F.A., Co-Research Advisor (if applicable) _______________________________________________________ Robert Ehle, Ph.D., Committee Member _______________________________________________________ Susan Collins, Ph.D., Committee Member Date of Dissertation Defense _________________________________________ Accepted by the Graduate School _________________________________________________________ Linda L. Black, Ed.D. -
The House of Poetry
The House of Poetry Poetry Reading Session 2010 1 Linda Susan Amos Etchings You have embedded yourself So deeply into my heart And into my consciousness So much so, That if you had been a chemist And had chosen to use a vial of acid To etch your name Upon the granite slab Of my soul It could not have been made More permanent Nor more indelible. Inspired by A. J. Scott 2 Linda Susan Amos Destiny If I had never met you I would have conjured you up Out of dreams and pixie dust Because we were destined To meet, to fall in love, And, unfortunately, To part! 3 Linda Susan Amos Amoret I fear It will require More than A love knot To tie Your heart To mine. 4 Linda Banks At The Blue Heron B&B In the pale light of late afternoon the view from the Country Room blurs to a watercolor scene: An old wooden boat is anchored at the end of a rough-planked dock; shimmering water slaps softly against the boat’s peeling hull. Veiled in fog suspended above the river, trees on the distant bank teem with the shriek and swoop of cormorants and ospreys, provide backdrop for dive-fishing splash and wing-drizzle rise to nests. A lone heron stands in the muddy shallow. As the sky deepens to twilight, a soft breeze sails in from the ocean and tugs the fog upriver. Black brushstrokes obliterate the scene, blind the observer standing at the window. A sharp stab of loss bleeds into the dark room. -
It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1 -
PDF Download the Guy Under the Sheets : the Unauthorized
THE GUY UNDER THE SHEETS : THE UNAUTHORIZED AUTOBIOGRAPHY Author: Chris Elliott Number of Pages: 238 pages Published Date: 03 Dec 2013 Publisher: Penguin Putnam Inc Publication Country: New York, United States Language: English ISBN: 9780142180266 DOWNLOAD: THE GUY UNDER THE SHEETS : THE UNAUTHORIZED AUTOBIOGRAPHY The Guy Under the Sheets : The Unauthorized Autobiography PDF Book John Balzar-who moved to Alaska and lived on the trail-treats us to a vivid account of the grueling race itself, offering an insightful look at the men and women who have moved to this rugged and beautiful place. Whether you want to dip in for inspiration on the go, or take some time each day to invigorate your outlook, you'll find plenty here to uplift you. In September 26-30, 1997 this conference was organised for the third time at the Paul Langevin centre (Aussois, France) which belongs to the CNRS. The Power of When: Learn the Best Time to do EverythingThe latest research shows that there is a right time for all of us to do everything, from drinking a cocktail to getting a flu shot. so your tomorrow is better than your today. Major constructions and idiomatic phrases are given for all verb models, as well as hundreds of examples of real Italian to show you how verbs are used in context. All recipes have been paw-tested by our local TLC dogs and they have assured us that these recipes are top notch. How are inter- national agreements achieved. This book provides an alternative approach to personal and professional leadership development. -
Warner Expands Fall Blu-Ray Titles- New Studios Cardinal XD and Bosko Group
The Fastest Growing DVD, CD and Blu-ray Retail Catalog Connecting Content with Consumers Volume 8 Issue 18 It's getting close to Halloween and we can tell by the growing Horror and Sci FI titles our Studios are bringing in for release. Warner announces "The Swarm" and "Cyclops" as their new to catalog Blu-rays and from our other studios, we have over 300+ Horror titles available for retailer promotion, ask us how! We also welcome new studios Cardinal XD and Bosko Group to our Entertainment Collection. This week, we have an incredible wave of tent pole major releases, new releases and catalog to expand retailer consumer choice to the broadest possible....and all titles are 100% ready to ship. Don't wait to prepare for the Holiday Sales for November and December, contact me today for our promotions available to maximize your online traffic and our exclusive content! Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV Entertainment Studio Brochure AV Entertainment Gallery Title Library AV Entertainment Newsletter Archives Warner Archive Releases Horror Classics "The Swarm", "The Cyclops" plus more DVD and Blu- ray Titles for September! 9/25/2018 888574645076 Cyclops, The [Blu-ray] BD-25 1957 Lovely Susan Winter organizes an expedition deep into the wilds of Mexico. She hopes to find her aviator fiancé, lost after his plane crashed. Instead, she and her three male companions find behemoth bugs, giant battling lizards, mountains practically glowing with uranium and a 25-foot-tall human beast with a single eye, a melted-cheese-sandwich face and a very scary attitude. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Brecik - All the Way
q feature: BRECIK - ALL THE WAY During this time in isolation I have been sitting back and listening to artists that I really enjoy and their greatest hits. I felt really inspired and as I sat there listening to a few tracks of my own, I was really proud of the colourful history of these tunes. I thought… there’s no better time to put all of my best tracks together, some that were released as singles and some that probably should have been! So I decided to create a few new songs, release songs that have never been heard before and bring back my previous hits to create the greatest hits collection ‘BRECIK – ALL THE WAY…’ After releasing three albums and three EP’s I gratefully had plenty of favourite tracks to select from. Considering the amazing feedback and some very special dm’s on Instagram, I concentrated on the songs and what they meant to me and why I originally decided to record them. It was a lot of fun, and from these conversations ‘BRECIK – ALL THE WAY’ was created. Twenty Five tracks that really define me as an artist and my life through music. ‘BRECIK – ALLTHE WAY…’ starts pretty much at the beginning with one of the first songs I ever recorded ‘Breakaway’ a cover of the 80’s Big Pig classic, I hadn’t long been living in Melbourne was out doing a few gigs but I really wanted to cement my own sound. My latest track is a fantastic new version of The True Queen of Australian music, Kate Ceberano’s ‘Bedroom Eyes’. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
The-Tatami-Galaxy.Pdf
The Tatami Galaxy by Morimi Tomihiko Mochiguma Translations Translators: koiabi and eerabbit Editor: Griffin The 4½-Tatami Third Wheel In the two years before the spring of my junior year of college, I accomplished not a single thing of practical use. Instead of building healthy relationships with the opposite sex, studying diligently, training my body, and undertaking other activities directed towards becoming a productive member of society, I isolated myself from women, abandoned my studies, and let my health fall to ruin. Yet, despite having struck out already, why is it that I continued to labor away hoping for the pieces to fall into place? I must inquire of the responsible party. Where is the culprit? It is not that I have always been in this condition. I was born pure as the driven snow and as charming as the infant Prince Genji; with nary an impure thought in my head, my radiant smile spread the light of love across the hills and valleys of my hometown. I am doubtful whether that is still the case today. Each time that I look in a mirror I fly into a rage, asking, “Why have you become like this? Is this the sum of your current existence?” There are those who say that I am still young, and that people are things that may yet change. How ridiculous. It is said that the child is the father of the man. And with this year, another one will be added to my twenty, and the end of my splendid quarter-century youth will soon approach. -
Gothic Intertextuality in Shakespears Sister's Music Videos
Text Matters: A Journal of Literature, Theory and Culture Number 10 Literature Goes Pop / Literar(t)y Article 12 Matters 11-24-2020 Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos Tomasz Fisiak University of Lodz Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Visual Studies Commons, and the Women's Studies Commons Recommended Citation Fisiak, Tomasz. "Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos." Text Matters: A Journal of Literature, Theory and Culture, no.10, 2020, pp. 194-208, doi:10.18778/ 2083-2931.10.12 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Number 10, 2020 http://dx.doi.org/10.18778/2083-2931.10.12 Tomasz Fisiak University of Lodz Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos1 A BSTR A CT The following article is going to focus on a selection of music videos by Shakespears Sister, a British indie pop band consisting of Siobhan Fahey and Marcella Detroit, which rose to prominence in the late 1980s. This article scrutinizes five of the band’s music videos: “Goodbye Cruel World” (1991), “I Don’t Care” (1992), “Stay” (1992), “All the Queen’s Horses” (2019) and “When She Finds You” (2019; the last two filmed 26 years after the duo’s turbulent split), all of them displaying a strong affinity with Gothicism. -
The Tangle of It
Reid MacDonald 109,300 words 553 Valim Way Author’s personal draft Sacramento, CA 95831 Printed on 11/5/14 (626) 354-0679 [email protected] THE TANGLE OF IT by Reid McFarland THE TANGLE of IT by Reid McFarland ⁂ For Vickie We’ve been apart for some time now I don’t know how to navigate these waters I love you and hope we can find some calm harbor ⁂ Herein tells a story where not all times and places match Forgive me those who are in the know So goes the way of memory and invention ⁂ McFarland / The Tangle of It Chapter 1. FRANNY'S CANDIES “I roll the Kettledrum candy in my mouth.” Franny pictures herself chewing on Boston Fruit Slices and her jaw flexes automatically. “Chewy wedges taste lemon and lime and go BOOM-bah-BOOM when I bite into one.” She adds, “When I unwrap a second Kettledrum out of its tight parchment, I examine the sour and sugar-copper rind. They are better enjoyed in pairs. Tomás, why aren’t Kettledrum candies hard? Like Lifesavers or Butterscotches? When they clink against your teeth, they could sound like a snare or a top hat. I can hear a soft bass rumble a tympani symphony deep within me. I swear, the Kettledrums make my voice go baritone when I sing BOOM-bah-BOOM after eating one. It’s true: I’ve tried it!” Franny confesses this to me under her gummy-bear breath and I agree unconditionally the way a best friend must. We come here because most of her schoolmates do not make their way down the block to Doña Dolce.