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Rhetoric and Resistance in Black Women's Autobiography
Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M. -
Examining Maternal Ambivalence and Refusal in Black Motherhood
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 5-2-2018 Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood Candice J. Merritt Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation Merritt, Candice J., "Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/wsi_theses/66 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by CANDICE J. MERRITT Under the Direction of Tiffany King, PhD ABSTRACT This thesis articulates motherhood as both a liberal and black humanist formation that conditions black women to mother and attempts to untether maternity from the black female body. By centering maternal ambivalence—the desire and distaste for motherhood—in selected works by black women, this thesis argues that black motherhood is an ambivalent site for some black women. Motherhood can be a site of joy and displeasure; sacrifice and refusal; life and death. INDEX WORDS: Black Motherhood, Maternal Ambivalence, Black Feminism OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by Candice J. -
1563812647Filesdcbrochure2.Pdf
58E SEMAINE DE LA CRITIQUE LE JOYEUX MÉLANGE DES GENRES Fidèle à la mission de la Semaine de la Critique, cette 58e sélection fait le pari de la découverte à travers onze premiers et seconds longs métrages qui révèlent autant de nouveaux regards. Plusieurs cinéastes détournent les codes du genre et les mélangent pour mieux nous surprendre. Véritable sensation du dernier festival de Cannes, J’ai perdu mon corps est un film d’animation d’une grande modernité qui conjugue différents rythmes et tonalités. Avec A White, White Day, Hlynur Pálmason réalise un faux polar autour de la quête obsessionnelle de vengeance d’un mari trompé. Dans Les héros ne meurent jamais, Aude Léa Rapin joue avec les codes de la fiction et du documentaire pour questionner nos convictions de spectateurs. Quant à Lorcan Finnegan, il enferme Jesse Eisenberg dans Vivarium, huis clos fantastique nourri des angoisses des jeunes trentenaires d’aujourd’hui. D’autres cinéastes explorent la cellule familiale, véritable concentré de vie qui nous apprend aussi la mort. Litigante de Franco Lolli dresse le portrait poignant d’une femme confrontée à un moment crucial de sa vie. Dans Ceniza Negra, Sofía Quirós Ubeda insuffle du réalisme magique au récit initiatique d’une adolescente élevée par ses grands-parents. Enfin, Dwelling in the Fuchun Mountains de Gu Xiaogang suit le destin d’une famille chinoise qui s’écoule au rythme de la nature. 58TH SEMAINE DE LA CRITIQUE (CRITICS’ Week) THE JOYOUS MIX OF GENRES Cette programmation est aussi l’occasion de découvrir deux Faithful to the mission of the Critics’ Week, this 58th selection regards singuliers venus du monde arabe. -
Historical Studies Journal Historical Studies
Historical Studies University of Colorado Denver University of Journal Spring 2017 . Volume 34 Historical StudiesHistorical Journal OCCUPATION BABIES COME OF AGE Japanese War Brides and their Children Post-World War II A Gender History HISTORIC PRESERVATION Spring 2017 Spring IN AMERICA A Brief Overview . AMERICA’S FRONTIERS 34 Volume AND BORDERLANDS A Look into Manifest Destiny and Native American Sustainability and Religion DECONSTRUCTING INTERPRETATION An Exploration of Historical Methodology and Primary Sources THE TIVOLI A Historic Preservation Marvel Historical Studies Journal Spring 2017 . Volume 34 EDITOR: Erica Fontenot, Graduate Student ASSISTANT EDITORS: Glendon Butterfield, Graduate Student Laura Hogg, Graduate Student Brittany Huner, Graduate Student Emma Lane, Graduate Student Thomas James Trump, Graduate Student Evan West, Graduate Student Thomas J. Noel, Faculty Advisor DESIGNERS: Shannon Fluckey and Kristen Morrison Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Kariann Yokota, Ph.D., Brandon Mills, PH.D. Department Chair 19th Century U.S. History, The United Colonial and Early U.S., Pacific Rim States and the World, Imperialism, Racial Identity Christopher Agee, Ph.D. 20th Century U.S., Urban History, Thomas J. Noel, Ph.D. Social Movements, Crime and Policing American West, Art & Architecture, Public History & Preservation, Colorado Ryan Crewe, Ph.D. Latin America, Colonial Mexico, Kelly Palmer, Ph.D. Transpacific History Modern Europe and France James E. Fell, Jr., Ph.D. Stacey Pendleton, M.A. American West, Civil War, Cold War/US, Modern Britain Environmental, Film History Carl Pletsch, Ph.D. Gabriel Finkelstein, Ph.D. Intellectual History (European and Modern Europe, Germany, American), Modern Europe History of Science, Exploration Myra Rich, Ph.D., Emerita Mark Foster, Ph.D., Emeritus U.S. -
At Cannes, Modhura Palit Gets India Its Moment in The
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE DELHI THE HINDU 20 LIFE SUNDAY, MAY 26, 2019 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE IN BRIEF At Cannes, Modhura Palit gets India its moment in the sun The young cinematographer received a special encouragement award during the Pierre Angénieux ExcelLens in Cinematography ceremony Namrata Joshi Ms. Palit, dressed in an filmmaker Rajiv Menon, Prince in 2010, Inside Llewyn Chokri’s A Brother’s Love kerciPorst (producer, Ger Cannes orange and green silk sari, is while congratulating Ms. Pa Davis in 2014 and Darkest and Michael Angelo Covino’s many), Lisandro Alonso (di India had a brief moment in the first Indian and the first lit, said that it was an honour hour in 2018). The Climb, respectively. rector, Argentina) and Lukas British, Irish climbers the sun at the Cannes Film woman to get this recogni to see a young Indian cine Meanwhile, -
Motherhood in Science – How Children Change Our Academic Careers
October 2020 Motherhood in Science – How children change our academic careers Experiences shared by the GYA Women in Science Working Group Nova Ahmed, Amal Amin, Shalini S. Arya, Mary Donnabelle Balela, Ghada Bassioni, Flavia Ferreira Pires, Ana M. González Ramos, Mimi Haryani Hassim, Roula Inglesi-Lotz, Mari-Vaughn V. Johnson, Sandeep Kaur-Ghumaan, Rym Kefi-Ben Atig, Seda Keskin, Sandra López-Vergès, Vanny Narita, Camila Ortolan Cervone, Milica Pešic, Anina Rich, Özge Yaka, Karin Carmit Yefet, Meron Zeleke Eresso Motherhood in Science Motherhood in Science Table of Contents Preface The modern scientist’s journey towards excellence is multidimensional and requires skills in balancing all the responsibilities consistently and in a timely Preface 3 manner. Even though progress has been achieved in recent times, when the Chapter 1: Introductory thoughts 5 academic is a “mother”, the roles toggle with different priorities involving ca- Section 1: Setting the scene of motherhood in science nowadays 8 reer, family and more. A professional mother working towards a deadline may Chapter 2: Why do we translate family and employment as competitive spheres? 8 change her role to a full-time mother once her child needs exclusive attention. Chapter 3: The “Problem that Has No Name”: giving voice to invisible Mothers-to-Be The experience of motherhood is challenging yet humbling as shared by eight- in academia 16 Chapter 4: Motherhood and science – who knew? 24 een women from the Women in Science Working Group of the Global Young Academy in this publication. Section 2: Balancing science and motherhood 29 Chapter 5: Motherhood: a journey of surprises 29 The decision of a woman to become a mother is rooted in a range of reasons Chapter 6: Following a schedule 32 Chapter 7: Motivation, persistence and harmony 35 – genetic, cultural, harmonic, societal, and others. -
Curriculum Vitae
Curriculum Vita ROSETTA E. ROSS, Ph.D. Spelman College 350 Spelman Lane, SW Atlanta, GA 30314 (404) 270-5527/270-5523 (fax) Education 1995 Ph.D., Religion (Religious Ethics), concentration in Christian Ethics with a focus on religion and Civil Rights activism, Emory University, Atlanta, Georgia. 1989 M.Div., Candler School of Theology, Emory University, Atlanta, Georgia. 1979 M.A., English (American Literature), with a focus on the fiction of American author Joseph Heller, Howard University, Washington, District of Columbia. 1975 B.A., English, The College of Charleston, Charleston, South Carolina Teaching Posts 2003-present Professor of Religion, Spelman College. Associate Professor of Religion, Spelman College (2003-2011). 1999-2003 McVay Associate Professor of Ethics, United Theological Seminary. 1994-1999 Assistant Professor of Ethics, Interdenominational Theological Center. Other Experience 2008-2009 Interim Associate Dean for Academic Affairs, Howard University Divinity School. Spring, 2006 Visiting Scholar, Africa University, Mutare, Zimbabwe. Fall, 2002 Exchange Faculty, Hamline University, St. Paul, Minnesota. 1996-1997 Acting Director, Black Church Studies, Candler School of Theology, Emory University. Scholarly Foci Disciplinary Studies: Religious Studies, Christian Ethics. Sub-disciplinary Topics: Ethics and Social Justice The Civil Rights Movement; Religion and Black Women’s Activism; Womanist Religious Thought; Black Women Civil Rights Activists. Black Religions and Identity Religion and African American Identity; Continental and Diasporan African Women’s Religious Identities and Engagement. Religious Studies The Academic Study of Religions; Theory and Methods in Religious Studies. Research and Publications Books and Monographs Academic African American Women in the NAACP: Religion, Social Advocacy, and Self-Regard, in preparation. Black Women and Religious Cultures, New Journal Founder and Editor, first issue, Volume 1, Issue 1, November 2020, hosted by Manifold at the University of Minnesota Press. -
This Two-Spirit Manual Was Created out of Resources That Have Already
1 A JOURNEY OF HEALING: TWO-SPIRIT PEOPLES JOINING THE CIRCLE HOLISTIC WELLNESS AND RESOURCE MANUAL MARCH 2009 All Nations Hope AIDS Network - March 2009 2 ALL NATIONS HOPE AIDS NETWORK (ANHAN) A Journey of Healing: Two-Spirit Peoples Joining the Circle HOLISTIC WELLNESS AND RESOURCE MANUAL FOR TWO-SPIRIT INDIVIDUALS AND SERVICE PROVIDERS The Two-Spirit Project was financed by Non-Reserve First Nation, Inuit and Métis Communities HIV/AIDS Fund. The views expressed herein are those of the authors and not necessarily those of the funding agencies or the All Nations Hope AIDS Network. Content compiled by Wesley Keewatin, Two-Spirit Project Coordinator Edited by Bev Cardinal, Project Consultant Regina, Saskatchewan March 2009 All Nations Hope AIDS Network - March 2009 3 DISCLAIMER Many teachings introduced in the Two-Spirit Project manual were not defined by which First Nation group gave the specific teaching. Each teaching is only a reference and each individual is invited to find his/her own identity within his/her own First Nation group. The teachings vary from nation to nation although there are similarities. These teachings were introduced to show the significance of the teachings and how they may apply today. It is very important for the individual to find his/her own First Nation’s teachings because it is in the relevance of the teachings that connections are made with our ancestral memory. It is with this connection that the healing journey begins for many Aboriginal people. This manual also relies heavily on external sources and materials. Every effort has been made to accurately identify and credit the primary sources of this information. -
Du 15 Au 18 Octobre 2020 · P R O G R a M
DU�15�AU�18�OCTOBRE�2020�·�PROGRAMME L'Histoire ne s'arrête jamais. Le Cinéma non plus. Une initiative de l'Echevinat de la Culture de Waterloo. Organisé par CinéWa avec la participation des Cinés Wellington et du Royal Syndicat d'initiative de Waterloo. WaHFF.be Bienvenue au huitième W a TERLOO HISTORICAL FILM FESTIVAL L'Histoire ne s'arrête jamais. Le Cinéma non plus. Se rendre au WaHFF cette année, c'est à nouveau vivre des émotions uniques, découvrir des Who is WaHFF films inédits et palpitants, en apprendre plus sur l'Histoire, et passer des moments inoubliables Directeur général Alban de Fraipont en famille ou entre amis. Mais cette année, ce n'est pas seulement ça: c'est démontrer que Président-fondateur Yves Vander Cruysen l'Histoire, comme le Cinéma, ne s'arrêtent jamais. Attaché de presse Rodrigue Laurent Les films du WaHFF nous le montrent lors de chaque édition: l'humanité a traversé de Directeur opérationnel Didier Dulait Responsables techniques Olivier Perdaens, Jean Roobaert nombreuses crises au cours de l'Histoire et s'est toujours relevée, souvent plus forte. Responsables des cinémas Wellington Les épreuves de cette année n'ont pas épargné le secteur du Cinéma dont les salles, les Axelle Serlez, Patrick Piret tournages et les plannings de sorties ont été vidés pendant plusieurs mois. Responsables des projections Rosario Cambria, Margaux Piret Et pourtant, c'est bien la résilience du Cinéma que nous célébrons au WaHFF cette année. Car Sélection des films nous le savons: la magie et l'immersion que permettent les salles obscures couplées au plaisir Myriam Debehault, Alban de Fraipont, Benjamin Jaspard, de se faire une toile entre amis, sont irremplaçables et sont là pour durer. -
Ed 033 498 Ec 004 563
DOCUMENT RESUME ED 033 498 EC 004 563 TITLE Art Integration: A Teaching Program for the Mentally Retarded. INSTITUTION Iowa Univ., Iowa City.; Special Education Curriculum Develcpment Center, Iowa City, Iowa. Spons Agency Icwa State Dept. of Public Instruction, Des Moines. ;Office of Education (DHFW), Washington, D.C. Bureau No ER-6-2883 Pub Date Aug ES Grant OEG -3 -7- 002883 -0499 Note 83p. Available from Special Education Curriculum Development Center, W-305 East Hall, University of Iowa, Iowa City, Iowa. 52240 FDRS Price EEPS Price MF-$0.50 HC Not Available from ERRS. Descriptors *Art, Art Activities, Art Materials, *Core Curriculum, *Exceptional Child Education, Handicrafts, Instructional Materials, *Mentally Handicapped, *Teaching Methods Abstract To aid the teacher of the mentally retarded in integrating art into other subject areas, two sample projects and two five-lesson units with core activities, one on clothing and one on the state of Iowa, are presented. In addition, suggestions for teachers are listed along with the expectations of normal children and the basics of good art. Directions are given for the use of the media of clay, fingerpaint, watercolor, tempera, crayon, paper, and other materials; craft projects and ideas for core area activities are proposed. Appendixes list art materials, supply and equipment companies, and books for both teachers and children. f Not available in hard copy due to marginal legibility of original document]. (JD) V(9Ae. at eft re, ,?40 430 4f7,1 *% cfte".A., *4.0% N.P.Jia .00% ° .400 4) 4',O.,4 %0*04. 0.04.4$0.0*.#0.00..° **!;:30? 4041,40 O.,440,. -
ENOMW AGM 2018 Report
art by Chaïbia Talal RABAT Morocco 1-3 JUNE, 2018 ENOMW GENERAL ASSEMBLY REPORT CONTENT: AGM Overview Presentations Definition of Sisterhood Film Screening & Hammam Visit New Members Workshops ENOMW Strategy 2017-2020 Our Mothers Board Rules & New Board Member Credits & Special Thanks Our 2018 General Assembly was a successful and crucial event for our network. This year we had an opportunity to get to know one another even better and break internal barriers that are inevitable for such diverse and wide-spread network as ours. This year meeting's overarching theme was solidarity & sisterhood: between countries, cultures and generations. We brought together African, Latina, Arab, Asian and European voices and the youngest of our participants celebrated her 14th birthday in Rabat. For three days, we worked - individually and collectively - on ourselves and our network's capacity to create a strong vision of the world in which women are afforded the space to generate, lead and sustain real positive change. We did this through feminist consciousness raising, critical debate, physical exercise and art. This report is a summary of activities and moments that filled this meeting in Rabat with reflections, laughter, tears and most beautiful memories...Thank you everyone who made this possible ! "We should always strive to identify leaders among migrant women. We should support them and encourage to be active not only in their communities but wider political life. A lot of these leaders are here with us in the network. We should not be afraid to put ourselves forward, be nominated, run for positions of power...even if we don't succeed it is important to be role models and send a message to other migrant women that our leadership is possible.." ENOMW PRESIDENT Salome Mbugua, AGM Welcome speech D E F I N I T I O N O F S I S T E R H O O D Sisterhood is not friendship It’s a woman akin Related to you by the pain you’ve been in. -
Download Press
Sometimes silence is the worst lie “WHILE AT WAR” “Mientras dure la Guerra” Produced by MOVISTAR + MOD PRODUCCIONES HIMENÓPTERO K&S FILMS MDLG A.I.E. With financing from the Spanish Government INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES With the support of INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES (ARGENTINA) A film by ALEJANDRO AMENÁBAR WHILE AT WAR is Alejandro Amenábar’s new film, his first in Spanish since “The Sea Inside” (Oscar ®winner for Best Foreign Film). It is a story based on true events which portrays Spain’s recent history and reintroduces the figure of the exceptional Spanish writer, Miguel de Unamuno. SYNOPSIS ~ Salamanca, 1936. Celebrated writer Miguel de Unamuno supports the military rebellion hoping it will resolve the prevailing chaos in Spain. Meanwhile, General Francisco Franco adds his troops to the uprising, secretly aspiring to take command of the war. The conflict turns bloody and with some of his colleagues incarcerated, Unamuno questions his initial stance. When Franco transfers his headquarters to Salamanca, Unamuno visits him, determined to request clemency. CAST ~ Miguel - Karra Elejalde Millán Astray - Eduard Fernández Franco - Santi Prego Nicolás - Luis Bermejo Cabanellas - Tito Valverde María - Patricia Lopez Arnaiz Felisa - Inma Cuevas Salvador - Carlos Serrano-Clark Atilano - Luis Zahera Enriqueta - Ainhoa Santamaría Carmen - Mireia Rey Mola - Luis Callejo Ramos - Dafnis Balduz Miguelín - Jorge Andreu With the special collaboration of Nathalie Poza as Ana CREW ~ Directed by Alejandro