DOCSLIB.ORG

VIVA-BROCHURE-2020-Final.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VIVA-BROCHURE-2020-Final.Pdf home box office mcr. 0161 200 1500 org home ¡Viva! 26th Spanish & Latin American Festival Fri 6 – Thu 26 Mar Zaniki, 2018 ¡Viva!, our annual celebration of Spanish finally we welcome two Mexican directors to and Latin American culture is back, for its Manchester, indigenous filmmaker Itandehui ¡Bienvenidos a 26th edition. Returning to the festival’s Jansen with family drama Tiempo de lluvia roots, this year ¡Viva! focuses on films, (p15), and David Romay with his fiction with a specially selected programme of feature debut Detrás de la montaña (p9). the most exciting work from across the Other ¡Viva! 2020 highlights include the Spanish-speaking world. latest films from well-known Chilean Our Opening Night on Fri 6 Mar kicks off directors Andrés Wood (Araña, p7) and ¡Viva! with the fantastic La Hija de un ladrón (p4), Patricio Guzmán (La Cordillera de los from Catalan filmmaker Belén Funes, who sueños, p16), the Argentinian filmmaker will be here to present this, her first feature Carlos Sorín (Joel, p15), and Spain’s Benito 2020! film, to a no-doubt packed Cinema 1 – book Zambrano (Intemperie, p7). your tickets early! The opening weekend We’re proud to present nine debut feature- continues with the return of some familiar length films, including Ana García Blaya’s names and faces: a big budget historical homage to her late father, Las Buenas drama from Spanish director Alejandro intenciones (p13) and the dreamlike, tragic Amenábar, Mientras dure la guerra (p4) and drama Canción sin nombre (p6) by Melina a feel-good comedy from the prodigious León. ¡Viva! 2020 also features a focus Argentinian actor Ricardo Darín, La Odisea on indigenous filmmakers, including the de los giles (p5). exquisitely heart-breaking Wiñaypacha, set In ¡Viva! 2020 we screen a whopping 31 high in the Peruvian Andes (p13). feature films from Spain and Latin America, Last but not least, don’t miss our range of including 13 UK cinema premieres, and an talks and workshops, including the return of additional 10 short films – five of the shorts the Café Cervantes and the Language Lab, screening before selected features, and five and the One Hour Intro to Latin American of them gathered in a special programme to Indigenous Filmmakers. celebrate International Women’s Day on Sun 8 Mar (p5). ¡Disfrutad el festival! In addition to the Opening Night guests, we also welcome five other filmmakers to Manchester in March. From Spain, Gabriel Velázquez returns, with his folkloric, musical documentary Zaniki (p14), and Oriol Puig All films will begin at the advertised time with no presents his Catalan coming-of-age story adverts or trailers. El Sitio de Otto (p17). From Costa Rica we All films are in Spanish with English subtitles unless welcome Antonella Sudasassi and her debut otherwise noted. filmEl Despertar de las hormigas (p14), All age certificates are local to Manchester City celebrating female empowerment. And Council. The film programme is curated by Rachel Hayward, Head of Film, Jessie Gibbs, ¡Viva! Festival Coordinator, and Andy Willis, Professor of Film Studies at the University of Salford and HOME’s Senior Visiting Curator: Film. Wiñaypacha, 2017 2 3 Suc de síndria CinemaAttic programme of shorts: Mujeres (15) Sun 8 Mar, 13:15 Mientras dure la guerra, 2019 Dirs various/ES 2017, 2018, 2019/85 mins/Spanish & Catalan wEngST Mientras dure la guerra Curated by the Edinburgh-based Spanish film experts (PG) CinemaAttic, five short films made by contemporary (While at War) Spanish female filmmakers. *en lugar de nada (*instead of nothing) Sat 7 Mar, 15:20 + introduction Brenda Boyer, 37 mins Tue 17 Mar, 13:00 In brutally honest conversations with her ageing punk Wed 25 Mar, 20:30 mother, Boyer reveals a toxic family history. Dir Alejandro Amenábar/ES 2019/107 mins Karra Elejalde, Eduard Fernández, Santi Prego, Sub terrae Nathalie Poza Nayra Fuentes, 7 mins With 17 Goya Award nominations, This award-winning sensorial piece creates a nightmarish Amenábar makes a triumphant return effect, shot from above, as birds and humans scavenge to directing in Spanish with an intense below. emotional drama set in 1936, at the La Odisea de los giles, 2019 beginning of the Spanish Civil War. Suc de síndria (Watermelon Juice) La Hija de un ladrón, 2019 Celebrated writer, philosopher and La Odisea de los giles (12A) Irene Moray, 22 mins neighbourhood, 22-year-old Sara La Hija de un ladrón rector of the University of Salamanca, (Heroic Losers) With her boyfriend Pol, between tears and laughter, (12A) valiantly battles to bring up her infant Miguel de Unamuno initially supports Bárbara heals old wounds and redefines her sexuality. son and look after her troubled little (A Thief’s Daughter) the military rebellion hoping it will Sat 7 Mar, 20:40 brother, with an extremely precarious rescue Spain from the excesses of the Sun 15 Mar, 15:15 Adalamadrina Fri 6 Mar, 19:30 + introduction home and job situation. Insecurity Second Republic. Meanwhile, General Dir Sebastián Borensztein/AR ES 2019/117 mins Carlota Oms, 9 mins reigns for Sara, and the arrival of her Sat 7 Mar, 17:50 + Q&A Francisco Franco adds his troops to Ricardo Darín, Chino Darín, Luis Brandoni, Verónica Llinás 24-year-old Ada is obsessed with her gym instructor, but deeply unreliable father Manuel only how can she get him to notice her burning desire? Tue 24 Mar, 15:50 the uprising, secretly aspiring to take Set during the 2001 financial crash in Argentina, this funny, further destabilises her world. This is Dir Belén Funes/ES 2019/102 mins/Spanish and command of the war. The conflict well-paced, sort of heist movie presents an appealing Patchwork Catalan wEngST an emotionally engaging story that turns bloody and Unamuno questions fantasy: ordinary folk taking revenge on the crooked Maria Manero Muro, 8 mins Greta Fernández, Eduard Fernández, Àlex draws comparisons with the stark his initial stance. Culminating establishment. The tale begins with a group of friends and Monner, Tomás Martín A charming animation about Loly, from a pueblo near realism of the Dardenne brothers in Unamuno’s famous public neighbours who pool their savings, hoping to reactivate Valencia, whose life is saved by an anonymous liver donor. Our Opening Night film sets the bar or Ken Loach, and lives up to all its denouncement of Franco’s revolt, an agricultural cooperative. The day after they deposit high with a powerful first feature accolades and awards. the film offers lavish historical sets the money in a local bank, Argentina’s financial system from Catalan writer/director Belén and great performances, particularly collapses and they lose it all. When they discover certain Funes, starring Greta Fernández Events/ We are pleased to welcome director Belén Funes and producer from Eduard Fernández as Unamuno’s people have used prior knowledge of the crash to scam as a painfully lonely young woman nemesis, the ruthless General Millán- them, the hodgepodge collective launch an audacious plan navigating a toxic family situation, Marçal Cebrián to introduce the Opening Night screening on Fri 6 Mar, Astray. to recoup the stolen funds. Enjoy the talented ensemble with her errant parent played by her cast, including the prolific Ricardo Darín and his son Chino, and for a Q&A following the screening Event/ Introduced by Dr Abigail real life father Eduard Fernández. and stay in your seats for the amusing bonus scene during on Sat 7 Mar. Loxham, University of Liverpool. In a working-class Barcelona the credits! 4 5 Nuestra voz de tierra, memoria y futura, 1982 Intemperie, 2019 Nuestra voz de tierra, La Botera, 2019 memoria y futura (12A) Intemperie (15) La Botera (12A) (Our Voice of Land, (Out in the Open) (Boat Rower Memory and Future) Tue 10 Mar, 18:15 + introduction Girl) Thu 12 Mar, 20:40 Mon 9 Mar, 18:15 + introduction Dir Benito Zambrano/ES 2019/103 mins Dirs Marta Rodríguez & Jorge Silva/CO Sun 8 Mar, 18:00 Luis Tosar, Luis Callejo, Jaime López, Vicente 1982/109 mins Intemperie, 2019 Dir Sabrina Blanco/AR BR Romero 2019/75 mins This 2k digital restoration of a 1982 Shot in the Altiplano de Granada, Nicole Rivadero, Alan Gómez, Sergio Prina, documentary is a collaborative effort Araña, 2019 a vast plateau famous for its cave Gabriela Saidon by the Colombian political filmmakers dwellings, the action takes place in Set in an industrialised river Marta Rodríguez and Jorge Silva and Araña (15) 1946, in a dictatorship-era, post- neighbourhood in Buenos Aires, this the indigenous farmers of Coconuco, (Spider) war Spain where the indentured first-time film follows a 14-year-old in the southwestern highlands. Mon 9 Mar, 20:40 rural poor are used and abused by struggling to navigate the mysterious Combining a Marxist cinematic the landowners, and the model of process of ‘becoming a woman’. visual language with an indigenous Thu 19 Mar, 13:00 oppression comes all the way from Tati’s single dad barely scrapes by cosmogony, the film depicts the Dir Andrés Wood/CL AR BR 2019/105 mins María Valverde, Mercedes Morán, Marcelo the top. Packed with classic Western with his ferry rowboat and battered centuries-long oppression and Alonso, Pedro Fontaine tropes, life is cheap and violence is old taxicab, but Tati still dreams of resistance of farmers and indigenous In the early 70s Inés and Justo are a constant threat; but there is one breaking gender stereotypes and peoples. In striking black-and-white, part of a violent, far-right, nationalist man obeying a moral code: loner becoming a ferrywoman herself. the content ranges from interviews, group that plots to destabilise and shepherd, El Moro. A cruel farm School assignments and student rallies and meetings, to mythologised President Allende’s Socialist foreman has groomed a boy from an Canción sin nombre, 2019 cliques are equally hard for Tati to scenes with the Devil.
Load more

Recommended publications
  • Rhetoric and Resistance in Black Women's Autobiography
    Rhetoric and Resistance in Black Women’s Autobiography Copyright 2003 by Johnnie M. Stover. This work is licensed under a modified Creative Commons Attribution-Noncommercial-No De- rivative Works 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to electronically copy, distribute, and transmit this work if you attribute authorship. However, all printing rights are reserved by the University Press of Florida (http://www.upf.com). Please con- tact UPF for information about how to obtain copies of the work for print distribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permis- sion from the University Press of Florida. Nothing in this license impairs or restricts the author’s moral rights. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola Rhetoric and Resistance in Black Women’s Autobiography ° Johnnie M. Stover University Press of Florida Gainesville/Tallahassee/Tampa/Boca Raton Pensacola/Orlando/Miami/Jacksonville/Ft. Myers Copyright 2003 by Johnnie M.
    [Show full text]
  • Examining Maternal Ambivalence and Refusal in Black Motherhood
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 5-2-2018 Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood Candice J. Merritt Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation Merritt, Candice J., "Our Sacrifice Shall Not Be Required: Examining Maternal Ambivalence and Refusal in Black Motherhood." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/wsi_theses/66 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by CANDICE J. MERRITT Under the Direction of Tiffany King, PhD ABSTRACT This thesis articulates motherhood as both a liberal and black humanist formation that conditions black women to mother and attempts to untether maternity from the black female body. By centering maternal ambivalence—the desire and distaste for motherhood—in selected works by black women, this thesis argues that black motherhood is an ambivalent site for some black women. Motherhood can be a site of joy and displeasure; sacrifice and refusal; life and death. INDEX WORDS: Black Motherhood, Maternal Ambivalence, Black Feminism OUR SACRIFICE SHALL NOT BE REQUIRED: EXAMINING MATERNAL AMBIVALENCE AND REFUSAL IN BLACK MOTHERHOOD by Candice J.
    [Show full text]
  • 1563812647Filesdcbrochure2.Pdf
    58E SEMAINE DE LA CRITIQUE LE JOYEUX MÉLANGE DES GENRES Fidèle à la mission de la Semaine de la Critique, cette 58e sélection fait le pari de la découverte à travers onze premiers et seconds longs métrages qui révèlent autant de nouveaux regards. Plusieurs cinéastes détournent les codes du genre et les mélangent pour mieux nous surprendre. Véritable sensation du dernier festival de Cannes, J’ai perdu mon corps est un film d’animation d’une grande modernité qui conjugue différents rythmes et tonalités. Avec A White, White Day, Hlynur Pálmason réalise un faux polar autour de la quête obsessionnelle de vengeance d’un mari trompé. Dans Les héros ne meurent jamais, Aude Léa Rapin joue avec les codes de la fiction et du documentaire pour questionner nos convictions de spectateurs. Quant à Lorcan Finnegan, il enferme Jesse Eisenberg dans Vivarium, huis clos fantastique nourri des angoisses des jeunes trentenaires d’aujourd’hui. D’autres cinéastes explorent la cellule familiale, véritable concentré de vie qui nous apprend aussi la mort. Litigante de Franco Lolli dresse le portrait poignant d’une femme confrontée à un moment crucial de sa vie. Dans Ceniza Negra, Sofía Quirós Ubeda insuffle du réalisme magique au récit initiatique d’une adolescente élevée par ses grands-parents. Enfin, Dwelling in the Fuchun Mountains de Gu Xiaogang suit le destin d’une famille chinoise qui s’écoule au rythme de la nature. 58TH SEMAINE DE LA CRITIQUE (CRITICS’ Week) THE JOYOUS MIX OF GENRES Cette programmation est aussi l’occasion de découvrir deux Faithful to the mission of the Critics’ Week, this 58th selection regards singuliers venus du monde arabe.
    [Show full text]
  • Historical Studies Journal Historical Studies
    Historical Studies University of Colorado Denver University of Journal Spring 2017 . Volume 34 Historical StudiesHistorical Journal OCCUPATION BABIES COME OF AGE Japanese War Brides and their Children Post-World War II A Gender History HISTORIC PRESERVATION Spring 2017 Spring IN AMERICA A Brief Overview . AMERICA’S FRONTIERS 34 Volume AND BORDERLANDS A Look into Manifest Destiny and Native American Sustainability and Religion DECONSTRUCTING INTERPRETATION An Exploration of Historical Methodology and Primary Sources THE TIVOLI A Historic Preservation Marvel Historical Studies Journal Spring 2017 . Volume 34 EDITOR: Erica Fontenot, Graduate Student ASSISTANT EDITORS: Glendon Butterfield, Graduate Student Laura Hogg, Graduate Student Brittany Huner, Graduate Student Emma Lane, Graduate Student Thomas James Trump, Graduate Student Evan West, Graduate Student Thomas J. Noel, Faculty Advisor DESIGNERS: Shannon Fluckey and Kristen Morrison Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Kariann Yokota, Ph.D., Brandon Mills, PH.D. Department Chair 19th Century U.S. History, The United Colonial and Early U.S., Pacific Rim States and the World, Imperialism, Racial Identity Christopher Agee, Ph.D. 20th Century U.S., Urban History, Thomas J. Noel, Ph.D. Social Movements, Crime and Policing American West, Art & Architecture, Public History & Preservation, Colorado Ryan Crewe, Ph.D. Latin America, Colonial Mexico, Kelly Palmer, Ph.D. Transpacific History Modern Europe and France James E. Fell, Jr., Ph.D. Stacey Pendleton, M.A. American West, Civil War, Cold War/US, Modern Britain Environmental, Film History Carl Pletsch, Ph.D. Gabriel Finkelstein, Ph.D. Intellectual History (European and Modern Europe, Germany, American), Modern Europe History of Science, Exploration Myra Rich, Ph.D., Emerita Mark Foster, Ph.D., Emeritus U.S.
    [Show full text]
  • At Cannes, Modhura Palit Gets India Its Moment in The
    EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE DELHI THE HINDU 20 LIFE SUNDAY, MAY 26, 2019 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE IN BRIEF At Cannes, Modhura Palit gets India its moment in the sun The young cinematographer received a special encouragement award during the Pierre Angénieux ExcelLens in Cinematography ceremony Namrata Joshi Ms. Palit, dressed in an filmmaker Rajiv Menon, Prince in 2010, Inside Llewyn Chokri’s A Brother’s Love kerci­Porst (producer, Ger­ Cannes orange and green silk sari, is while congratulating Ms. Pa­ Davis in 2014 and Darkest and Michael Angelo Covino’s many), Lisandro Alonso (di­ India had a brief moment in the first Indian and the first lit, said that it was an honour hour in 2018). The Climb, respectively. rector, Argentina) and Lukas British, Irish climbers the sun at the Cannes Film woman to get this recogni­ to see a young Indian cine­ Meanwhile,
    [Show full text]
  • Motherhood in Science – How Children Change Our Academic Careers
    October 2020 Motherhood in Science – How children change our academic careers Experiences shared by the GYA Women in Science Working Group Nova Ahmed, Amal Amin, Shalini S. Arya, Mary Donnabelle Balela, Ghada Bassioni, Flavia Ferreira Pires, Ana M. González Ramos, Mimi Haryani Hassim, Roula Inglesi-Lotz, Mari-Vaughn V. Johnson, Sandeep Kaur-Ghumaan, Rym Kefi-Ben Atig, Seda Keskin, Sandra López-Vergès, Vanny Narita, Camila Ortolan Cervone, Milica Pešic, Anina Rich, Özge Yaka, Karin Carmit Yefet, Meron Zeleke Eresso Motherhood in Science Motherhood in Science Table of Contents Preface The modern scientist’s journey towards excellence is multidimensional and requires skills in balancing all the responsibilities consistently and in a timely Preface 3 manner. Even though progress has been achieved in recent times, when the Chapter 1: Introductory thoughts 5 academic is a “mother”, the roles toggle with different priorities involving ca- Section 1: Setting the scene of motherhood in science nowadays 8 reer, family and more. A professional mother working towards a deadline may Chapter 2: Why do we translate family and employment as competitive spheres? 8 change her role to a full-time mother once her child needs exclusive attention. Chapter 3: The “Problem that Has No Name”: giving voice to invisible Mothers-to-Be The experience of motherhood is challenging yet humbling as shared by eight- in academia 16 Chapter 4: Motherhood and science – who knew? 24 een women from the Women in Science Working Group of the Global Young Academy in this publication. Section 2: Balancing science and motherhood 29 Chapter 5: Motherhood: a journey of surprises 29 The decision of a woman to become a mother is rooted in a range of reasons Chapter 6: Following a schedule 32 Chapter 7: Motivation, persistence and harmony 35 – genetic, cultural, harmonic, societal, and others.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vita ROSETTA E. ROSS, Ph.D. Spelman College 350 Spelman Lane, SW Atlanta, GA 30314 (404) 270-5527/270-5523 (fax) Education 1995 Ph.D., Religion (Religious Ethics), concentration in Christian Ethics with a focus on religion and Civil Rights activism, Emory University, Atlanta, Georgia. 1989 M.Div., Candler School of Theology, Emory University, Atlanta, Georgia. 1979 M.A., English (American Literature), with a focus on the fiction of American author Joseph Heller, Howard University, Washington, District of Columbia. 1975 B.A., English, The College of Charleston, Charleston, South Carolina Teaching Posts 2003-present Professor of Religion, Spelman College. Associate Professor of Religion, Spelman College (2003-2011). 1999-2003 McVay Associate Professor of Ethics, United Theological Seminary. 1994-1999 Assistant Professor of Ethics, Interdenominational Theological Center. Other Experience 2008-2009 Interim Associate Dean for Academic Affairs, Howard University Divinity School. Spring, 2006 Visiting Scholar, Africa University, Mutare, Zimbabwe. Fall, 2002 Exchange Faculty, Hamline University, St. Paul, Minnesota. 1996-1997 Acting Director, Black Church Studies, Candler School of Theology, Emory University. Scholarly Foci Disciplinary Studies: Religious Studies, Christian Ethics. Sub-disciplinary Topics: Ethics and Social Justice The Civil Rights Movement; Religion and Black Women’s Activism; Womanist Religious Thought; Black Women Civil Rights Activists. Black Religions and Identity Religion and African American Identity; Continental and Diasporan African Women’s Religious Identities and Engagement. Religious Studies The Academic Study of Religions; Theory and Methods in Religious Studies. Research and Publications Books and Monographs Academic African American Women in the NAACP: Religion, Social Advocacy, and Self-Regard, in preparation. Black Women and Religious Cultures, New Journal Founder and Editor, first issue, Volume 1, Issue 1, November 2020, hosted by Manifold at the University of Minnesota Press.
    [Show full text]
  • This Two-Spirit Manual Was Created out of Resources That Have Already
    1 A JOURNEY OF HEALING: TWO-SPIRIT PEOPLES JOINING THE CIRCLE HOLISTIC WELLNESS AND RESOURCE MANUAL MARCH 2009 All Nations Hope AIDS Network - March 2009 2 ALL NATIONS HOPE AIDS NETWORK (ANHAN) A Journey of Healing: Two-Spirit Peoples Joining the Circle HOLISTIC WELLNESS AND RESOURCE MANUAL FOR TWO-SPIRIT INDIVIDUALS AND SERVICE PROVIDERS The Two-Spirit Project was financed by Non-Reserve First Nation, Inuit and Métis Communities HIV/AIDS Fund. The views expressed herein are those of the authors and not necessarily those of the funding agencies or the All Nations Hope AIDS Network. Content compiled by Wesley Keewatin, Two-Spirit Project Coordinator Edited by Bev Cardinal, Project Consultant Regina, Saskatchewan March 2009 All Nations Hope AIDS Network - March 2009 3 DISCLAIMER Many teachings introduced in the Two-Spirit Project manual were not defined by which First Nation group gave the specific teaching. Each teaching is only a reference and each individual is invited to find his/her own identity within his/her own First Nation group. The teachings vary from nation to nation although there are similarities. These teachings were introduced to show the significance of the teachings and how they may apply today. It is very important for the individual to find his/her own First Nation’s teachings because it is in the relevance of the teachings that connections are made with our ancestral memory. It is with this connection that the healing journey begins for many Aboriginal people. This manual also relies heavily on external sources and materials. Every effort has been made to accurately identify and credit the primary sources of this information.
    [Show full text]
  • Du 15 Au 18 Octobre 2020 · P R O G R a M
    DU�15�AU�18�OCTOBRE�2020�·�PROGRAMME L'Histoire ne s'arrête jamais. Le Cinéma non plus. Une initiative de l'Echevinat de la Culture de Waterloo. Organisé par CinéWa avec la participation des Cinés Wellington et du Royal Syndicat d'initiative de Waterloo. WaHFF.be Bienvenue au huitième W a TERLOO HISTORICAL FILM FESTIVAL L'Histoire ne s'arrête jamais. Le Cinéma non plus. Se rendre au WaHFF cette année, c'est à nouveau vivre des émotions uniques, découvrir des Who is WaHFF films inédits et palpitants, en apprendre plus sur l'Histoire, et passer des moments inoubliables Directeur général Alban de Fraipont en famille ou entre amis. Mais cette année, ce n'est pas seulement ça: c'est démontrer que Président-fondateur Yves Vander Cruysen l'Histoire, comme le Cinéma, ne s'arrêtent jamais. Attaché de presse Rodrigue Laurent Les films du WaHFF nous le montrent lors de chaque édition: l'humanité a traversé de Directeur opérationnel Didier Dulait Responsables techniques Olivier Perdaens, Jean Roobaert nombreuses crises au cours de l'Histoire et s'est toujours relevée, souvent plus forte. Responsables des cinémas Wellington Les épreuves de cette année n'ont pas épargné le secteur du Cinéma dont les salles, les Axelle Serlez, Patrick Piret tournages et les plannings de sorties ont été vidés pendant plusieurs mois. Responsables des projections Rosario Cambria, Margaux Piret Et pourtant, c'est bien la résilience du Cinéma que nous célébrons au WaHFF cette année. Car Sélection des films nous le savons: la magie et l'immersion que permettent les salles obscures couplées au plaisir Myriam Debehault, Alban de Fraipont, Benjamin Jaspard, de se faire une toile entre amis, sont irremplaçables et sont là pour durer.
    [Show full text]
  • Ed 033 498 Ec 004 563
    DOCUMENT RESUME ED 033 498 EC 004 563 TITLE Art Integration: A Teaching Program for the Mentally Retarded. INSTITUTION Iowa Univ., Iowa City.; Special Education Curriculum Develcpment Center, Iowa City, Iowa. Spons Agency Icwa State Dept. of Public Instruction, Des Moines. ;Office of Education (DHFW), Washington, D.C. Bureau No ER-6-2883 Pub Date Aug ES Grant OEG -3 -7- 002883 -0499 Note 83p. Available from Special Education Curriculum Development Center, W-305 East Hall, University of Iowa, Iowa City, Iowa. 52240 FDRS Price EEPS Price MF-$0.50 HC Not Available from ERRS. Descriptors *Art, Art Activities, Art Materials, *Core Curriculum, *Exceptional Child Education, Handicrafts, Instructional Materials, *Mentally Handicapped, *Teaching Methods Abstract To aid the teacher of the mentally retarded in integrating art into other subject areas, two sample projects and two five-lesson units with core activities, one on clothing and one on the state of Iowa, are presented. In addition, suggestions for teachers are listed along with the expectations of normal children and the basics of good art. Directions are given for the use of the media of clay, fingerpaint, watercolor, tempera, crayon, paper, and other materials; craft projects and ideas for core area activities are proposed. Appendixes list art materials, supply and equipment companies, and books for both teachers and children. f Not available in hard copy due to marginal legibility of original document]. (JD) V(9Ae. at eft re, ,?40 430 4f7,1 *% cfte".A., *4.0% N.P.Jia .00% ° .400 4) 4',O.,4 %0*04. 0.04.4$0.0*.#0.00..° **!;:30? 4041,40 O.,440,.
    [Show full text]
  • ENOMW AGM 2018 Report
    art by Chaïbia Talal RABAT Morocco 1-3 JUNE, 2018 ENOMW GENERAL ASSEMBLY REPORT CONTENT: AGM Overview Presentations Definition of Sisterhood Film Screening & Hammam Visit New Members Workshops ENOMW Strategy 2017-2020 Our Mothers Board Rules & New Board Member Credits & Special Thanks Our 2018 General Assembly was a successful and crucial event for our network. This year we had an opportunity to get to know one another even better and break internal barriers that are inevitable for such diverse and wide-spread network as ours. This year meeting's overarching theme was solidarity & sisterhood: between countries, cultures and generations. We brought together African, Latina, Arab, Asian and European voices and the youngest of our participants celebrated her 14th birthday in Rabat. For three days, we worked - individually and collectively - on ourselves and our network's capacity to create a strong vision of the world in which women are afforded the space to generate, lead and sustain real positive change. We did this through feminist consciousness raising, critical debate, physical exercise and art. This report is a summary of activities and moments that filled this meeting in Rabat with reflections, laughter, tears and most beautiful memories...Thank you everyone who made this possible ! "We should always strive to identify leaders among migrant women. We should support them and encourage to be active not only in their communities but wider political life. A lot of these leaders are here with us in the network. We should not be afraid to put ourselves forward, be nominated, run for positions of power...even if we don't succeed it is important to be role models and send a message to other migrant women that our leadership is possible.." ENOMW PRESIDENT Salome Mbugua, AGM Welcome speech D E F I N I T I O N O F S I S T E R H O O D Sisterhood is not friendship It’s a woman akin Related to you by the pain you’ve been in.
    [Show full text]
  • Download Press
    Sometimes silence is the worst lie “WHILE AT WAR” “Mientras dure la Guerra” Produced by MOVISTAR + MOD PRODUCCIONES HIMENÓPTERO K&S FILMS MDLG A.I.E. With financing from the Spanish Government INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES With the support of INSTITUTO NACIONAL DE CINE Y ARTES AUDIOVISUALES (ARGENTINA) A film by ALEJANDRO AMENÁBAR WHILE AT WAR is Alejandro Amenábar’s new film, his first in Spanish since “The Sea Inside” (Oscar ®winner for Best Foreign Film). It is a story based on true events which portrays Spain’s recent history and reintroduces the figure of the exceptional Spanish writer, Miguel de Unamuno. SYNOPSIS ~ Salamanca, 1936. Celebrated writer Miguel de Unamuno supports the military rebellion hoping it will resolve the prevailing chaos in Spain. Meanwhile, General Francisco Franco adds his troops to the uprising, secretly aspiring to take command of the war. The conflict turns bloody and with some of his colleagues incarcerated, Unamuno questions his initial stance. When Franco transfers his headquarters to Salamanca, Unamuno visits him, determined to request clemency. CAST ~ Miguel - Karra Elejalde Millán Astray - Eduard Fernández Franco - Santi Prego Nicolás - Luis Bermejo Cabanellas - Tito Valverde María - Patricia Lopez Arnaiz Felisa - Inma Cuevas Salvador - Carlos Serrano-Clark Atilano - Luis Zahera Enriqueta - Ainhoa Santamaría Carmen - Mireia Rey Mola - Luis Callejo Ramos - Dafnis Balduz Miguelín - Jorge Andreu With the special collaboration of Nathalie Poza as Ana CREW ~ Directed by Alejandro
    [Show full text]