Doin' It for Sugar
DOIN’ IT FOR SUGAR Hot rights, Herman and Stewart proceeded tive and drab. We all looked on in astonish - using the Fanfaren der Liebe source mate - ment and said, ‘How can you be funny on a ometimes timing is everything. If, for rial only. At that point, the show was titled One brown set. How do you get light and happy example, Sugar , a musical based on of the Girls . The time frame was moved to the on a brown set?’” And so Jo Mielziner was Sa beloved film comedy, with two great 1940s and in that version there was little re - out and Robin Wagner was in. male starring roles, directed by an amaz - sembling Some Like It Hot and Merrick was ing director/choreographer, had opened not especially annoyed and unhappy, and when The show opened, reviews were tepid, in April 1972 but in April 2001, the year an - Merrick was especially annoyed and unhappy songs came and went, characters came other musical based on a beloved film com - it was especially unpleasant to be on the cre - and went, and Champion and company edy, with two great male starring roles, ative team. Herman and Stewart resigned and worked on the show while they played the directed by an amazing director/choreog - then, magically, somehow Merrick finally show at night. At one of the rehearsals, rapher, my guess is it would have been a snagged the rights to the Ho t screenplay. Bert Michaels, who was assisting Cham - smash hit and run for a very long time. But pion, came up with the brilliant idea that The Producers had the timing and Sugar The title was changed to Nobody’s Perfect Spats Palazzo should tap like a machine didn’t.
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