Download Liner Notes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Yiddish Diction in Singing
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Yiddish Diction in Singing Carrie Suzanne Schuster-Wachsberger University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Language Description and Documentation Commons, Music Commons, Other Languages, Societies, and Cultures Commons, and the Theatre and Performance Studies Commons Repository Citation Schuster-Wachsberger, Carrie Suzanne, "Yiddish Diction in Singing" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2733. http://dx.doi.org/10.34917/9112178 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. YIDDISH DICTION IN SINGING By Carrie Schuster-Wachsberger Bachelor of Music in Vocal Performance Syracuse University 2010 Master of Music in Vocal Performance Western Michigan University 2012 -
TV Preview: Tales of Television Centre at BFI Southbank / Tue 15 May / 18:10
PRESS RELEASE April 2012 12/29 TV Preview: Tales of Television Centre At BFI Southbank / Tue 15 May / 18:10 BFI Southbank is delighted to present a preview screening of Tales of Television Centre, the upcoming feature-length documentary telling the story of one of Britain’s most iconic buildings as the BBC prepares to leave it. The screening will be introduced by the programme’s producer-director Richard Marson The story is told by both staff and stars, among them Sir David Frost, Sir David Attenborough, Dame Joan Bakewell, Jeremy Paxman, Sir Terry Wogan, Esther Rantzen, Angela Rippon, Biddy Baxter, Edward Barnes, Sarah Greene, Waris Hussein, Judith Hann, Maggie Philbin, John Craven, Zoe and Johnny Ball and much loved faces from Pan’s People (Babs, Dee Dee and Ruth) and Dr Who (Katy Manning, Louise Jameson and Janet Fielding). As well as a wealth of anecdotes and revelations, there is a rich variety of memorable, rarely seen (and in some cases newly recovered) archive material, including moments from studio recordings of classic programmes like Vanity Fair, Till Death Us Do Part, Top of the Pops and Dr Who, plus a host of vintage behind-the-scenes footage offering a compelling glimpse into this wonderful and eccentric studio complex – home to so many of the most celebrated programmes in British TV history. Press Contacts: BFI Southbank: Caroline Jones Tel: 020 7957 8986 or email: [email protected] Lucy Aronica Tel: 020 7957 4833 or email: [email protected] NOTES TO EDITORS TV Preview: Tales of Television Centre Introduced by producer-director Richard Marson BBC 2012. -
Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
The Schreiber Times News Thursday, December 23, 2010
HE CHREIBER IMES TPaul D. Schreib er HSigh School Port Washington, NewYork Volume LXTI No. 4 December 2010 5IF$ISPOJDMFTPG .JEZFBS 4DISFJCFS)FBMUI /BSOJB 'FBUVSFT #VEHFU$VUT "%BZJOUIF-JGFPGB8SFTUMFS "& /FXT 4QPSUT 2 THE SCHREIBER TIMES NEWS THURSDAY, DECEMBER 23, 2010 I N THIS ISSUE... ! e Schreiber Times N!"#. Editor-in-Chief Mid-year budget cuts p. 3 Sahil Doshi Port Night Out p. 4 Swastika in temple parking lot p. 6 Managing Editor Leah Nash O$%&%'&#. Copy Editor Grading participation p. 7 Laura Werle Drug Surveys p. 8 Less commercial holiday season p. 9 News Editor Matt Heiden F!()*+!#. Assistant Editors Volunteering p. 11 Hannah Fagen Neopets p. 14 Max Kraus Health Awareness p. 15 Opinions Senior Editor A,E. Blake Mergler Narnia p. 17 Editor MTV p. 19 Sophia Ja- e Michael Jackson p. 20 Features Senior Editor S$'+)#. Reid Mergler Gymnastics p. 21 This photograph was taken by junior Gabrielle Davidoff during the summer as part Editor of an assignment for her AP Photo class. She was at the beach in Southold, NY, and Calling the Shots p. 22 Katya Barrett decided to photograph her dog as it came out of the water Assistant Editor A day in the life of a wrestler p. 24 Dan Miller A&E Editor N EWS BRIEFS Morgan Quigley Assistant Editors Natural Helpers club reinstated create new o/ cer positions for the club. toys were also collected in boxes in the lobby Bethia Kwak . e Natural Helpers club was renewed . e new positions will include a secretary, and during health classes. Kyle Manzione this year with a new advisor, social worker a community support team, a fundraising Club members spent time sorting the gi2 s Ms. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
A Fighting Force for Mental Health
SANE: A fighting force for mental health Famous personalities who are friends and Vice Patrons of SANE are speaking up for those whose voices are so often not heard. We are delighted that they give their time and talent for greater public understanding. Jane Asher: “Where SANE is so invaluable is in not only providing someone to talk to who understands and can offer encouragement, but also in giving the kind of practical information that is needed.” Fellow Vice Patrons: The Rt Hon the Lord Kinnock Lynda Bellingham: Professor Colin Blakemore FRS Hon FRCP “SANE is vital to sanity in the way society Rowan Atkinson deals with mental health.” Cherie Booth QC Frank Bruno MBE Michael Buerk Stephanie Cole OBE Barry Cryer OBE Dame Judi Dench CH DBE Alastair Stewart OBE: Edward Fox OBE Sir David Frost OBE “Ignorance and prejudice are terrifying Barry Humphries AO CBE partners. SANE has always bravely and Virginia Ironside consistently battled against both and held high Sir Jeremy Isaacs the banners of care and compassion.” Gary Kemp Ross Kemp Nick Mason Ian McShane Carole Stone: Anna Massey CBE “As someone whose brother suffered from paranoid Sir Jonathan Miller CBE schizophrenia, I am very pleased to be a patron of David Mitchell SANE. I only wish it had been available to me and my James Naughtie family in those days.” Trevor Phillips Tim Pigott-Smith Griff Rhys Jones Barry Cryer: Nick Ross Timothy Spall OBE “The crazier the world gets, the more we need SANE. They are completely Juliet Stevenson CBE involved with the people they help. -
University of Oklahoma Graduate College the Violin Works of Ruth Schonthal
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VIOLIN WORKS OF RUTH SCHONTHAL: A MUSICAL ANALYSIS AND GUIDE TO PERMORMANCE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By KATRIN STAMATIS Norman, Oklahoma 2019 THE VIOLIN WORKS OF RUTH SCHONTHAL: A MUSICAL ANALYSIS AND GUIDE TO PERMORMANCE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY THE COMMITTEE CONSISTING OF Dr. Anthony Stoops, Chair Dr. Ronnie Grinberg Dr. Sarah Ellis Dr. Min-Jeong Koh Dr. Gregory Lee © Copyright by KATRIN STAMATIS 2019 All Rights Reserved CONTENTS List of Musical Examples v List of Tables vii Abstract viii Chapter One: Introduction and Review of Literature 1 Chapter Two: Sonata in e (1961/62) 9 Chapter Three: Improvisations (1994) 51 Chapter Four: Little Suite for 2 Violins. (2002) 75 Epilogue: Ode to a Departing Swan (1964) 97 Conclusion 99 Bibliography 100 iv List of Musical Examples Example 2.1: Sonata in e, Moderato, mm. 1-2. 15 Example 2.2: Sonata in e, Moderato, mm. 15-17. 16 Example 2.3: Sonata in e, Moderato, mm. 17-22. 17 Example 2.4: Sonata in e, Moderato, mm. 33-34. 18 Example 2.5: Philippe Gaubert Violin Sonata no. 1, mm. 75-81. 19 Example 2.6: Moderato, mm. 22-25. 21 Example 2.7: Moderato, mm. 33-34. 23 Example 2.8: Moderato, mm. 44-46. 24 Example 2.9: Moderato, mm. 71-73. 25 Example 2.10: Moderato, mm. 76-81. 26 Example 2.11: Very slowly and with much expression, mm. -
Experimental
Experimental Discussão de alguns exemplos Earle Brown ● Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of open form,[1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. ● ● Among his most famous works are December 1952, an entirely graphic score, and the open form pieces Available Forms I & II, Centering, and Cross Sections and Color Fields. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Terry Riley ● Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician associated with the minimalist school of Western classical music, of which he was a pioneer. His work is deeply influenced by both jazz and Indian classical music, and has utilized innovative tape music techniques and delay systems. He is best known for works such as his 1964 composition In C and 1969 album A Rainbow in Curved Air, both considered landmarks of minimalist music. La Monte Young ● La Monte Thornton Young (born October 14, 1935) is an American avant-garde composer, musician, and artist generally recognized as the first minimalist composer.[1][2][3] His works are cited as prominent examples of post-war experimental and contemporary music, and were tied to New York's downtown music and Fluxus art scenes.[4] Young is perhaps best known for his pioneering work in Western drone music (originally referred to as "dream music"), prominently explored in the 1960s with the experimental music collective the Theatre of Eternal Music. -
The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-27-2013 Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Music Commons Recommended Citation Chapman, David Allen, "Collaboration, Presence, and Community: The hiP lip Glass Ensemble in Downtown New York, 1966-1976" (2013). All Theses and Dissertations (ETDs). 1098. https://openscholarship.wustl.edu/etd/1098 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Peter Schmelz, Chair Patrick Burke Pannill Camp Mary-Jean Cowell Craig Monson Paul Steinbeck Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966–1976 by David Allen Chapman, Jr. A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri © Copyright 2013 by David Allen Chapman, Jr. All rights reserved. CONTENTS LIST OF FIGURES .................................................................................................................... -
La Constellation Tzadik : 20 Ans/20 Disques the Tzadik Constellation: 20 Years/20 Albums Pierre-Yves Macé, Giuseppe Frigeni Et David Konopnicki
Document généré le 28 sept. 2021 08:11 Circuit Musiques contemporaines La constellation Tzadik : 20 ans/20 disques The Tzadik Constellation: 20 Years/20 Albums Pierre-Yves Macé, Giuseppe Frigeni et David Konopnicki Tzadik : l’esthétique discographique selon John Zorn Résumé de l'article Volume 25, numéro 3, 2015 Sous la forme d’une série de courtes chroniques, cette enquête propose un parcours subjectif à six mains à travers le catalogue de la maison de disques URI : https://id.erudit.org/iderudit/1034501ar Tzadik. Les trois auteurs, fervents « tzadikologues », ont sélectionné un disque DOI : https://doi.org/10.7202/1034501ar par année, depuis 1995 jusqu’à 2014, en veillant à ce que leur choix rende compte de la totalité des collections qui font la richesse unique de Tzadik Aller au sommaire du numéro (Composer Series, New Japan, Radical Jewish Culture, etc.). À travers les travaux de différents artistes de multiples horizons (Annie Gosfield, Pamelia Kurstin, Many Arms…), cette « constellation » guidera le lecteur à travers un dédale de genres et de sous-genres de l’underground musical (de la noise au Éditeur(s) postminimalisme, en passant par le klezmer, le dub et la fusion), tout en faisant Les Presses de l’Université de Montréal apparaître en creux la personnalité de John Zorn comme défricheur de talents sans frontières. ISSN 1183-1693 (imprimé) 1488-9692 (numérique) Découvrir la revue Citer cet article Macé, P.-Y., Frigeni, G. & Konopnicki, D. (2015). La constellation Tzadik : 20 ans/20 disques. Circuit, 25(3), 95–109. https://doi.org/10.7202/1034501ar Tous droits réservés © Les Presses de l’Université de Montréal, 2015 Ce document est protégé par la loi sur le droit d’auteur. -
The Interstitial, Musical Authenticity, and Social Identity
Hector N. Qirko* The Interstitial, Musical Authenticity, and Social Identity Resumen: Se exploran los procesos de autentificación musical examinando las reacciones de expertos de música y auditorios frente a la música de un grupo neoyorquino ‘intersticial’, es decir, entre diferentes géneros, “Los Cubanos Postizos”. Parece que cuestiones de autenticidad musical son de importancia para los críticos y el auditorio del grupo, al contrario de las expectativas basa- das en características del arte posmoderno, de la globalización social y de la constitución compleja del grupo mismo. De 54 comentarios examinados (im- presos, distribuidos por el Internet, o en entrevistas), 40 definen autenticidad por uno o más de los cuatro criterios siguientes: intención artística, característi- cas musicales técnicas, emoción musical y las credenciales de los artistas. Esto sugiere la continuidad de la relevancia de la autentificación para la formación y el mantenimiento de identidades de grupos en la sociedad contemporánea. Summary: This paper explores the process of musical authentication by examining the reactions of music experts and audiences to the music of an interstitial (inter-genre) New York group, “Los Cubanos Postizos”. Contrary to expectations based on characteristics of postmodern art, social globalization, and the complicated nature of the group itself, issues of musical authenticity appear to be important to the band’s reviewers and audience. Of 54 print, web, and interview commentaries examined, 40 address authenticity by means of one or more of the following four criteria: artistic intent, technical musical characteristics, musical emotion, and the credentials of the artists. This suggests the continuing relevance of authentication to the formation and maintenance of group identities in contemporary society. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting.