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2007 FISCAL YEAR ANNUAL REPORT 1 Join Us in Celebrating Our
2007 FISCAL YEAR ANNUAL REPORT 1 Join us in celebrating our ANNIVERSARY In 1987, under the direction of Chancellor Dr. Bill Stewart and the leadership of Executive Director Dr. Jim Meinert, the State Center Community College Foundation was established. The mission has not changed in two decades: to encourage philanthropic gifts that directly enhance the access to and quality of community college education for the students and faculty of the district. Over the years the Foundation has provided a stepping stone out of poverty for many people who might never had sought a higher education. Providing consistent oversight is the Foundation Board of Directors, a notable group of some of the most outstanding community leaders present in the Central Valley. Today, the Foundation has $12.8 million in assets, strong leadership, and a track record of hundreds of successful students. 2 STATE CENTER COMMUNITY COLLEGE FOUNDATION Table of Chancellor’sContents Message _________________________ 4 President’s Message ___________________________ 5 Financial Statement __________________________ 6 Board of Directors ___________________________ 7 Student Success Story _________________________ 8 Renaissance Feast for Scholars __________________ 9 Powerful Facts and Figures _____________________ 9 OAB: A Legacy Renewed _____________________ 10 Friends of the Foundation ____________________11 Thank You to our Donors ____________________ 12 2007 FISCAL YEAR ANNUAL REPORT 3 Chancellor’s Message The Foundation has been making history…one student at a time…for over twenty years. Since its inception in 1987, the Foundation has grown to more than $12.8 million in assets. These funds are a direct result of the generosity our donors have shown over the years. As a supporter of the Foundation, you have demonstrated your commitment to providing educational opportu- nities for students that may not otherwise have the ability to attend. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Coronavirus UK: 'Cyclical' Working from Home Strategy Announced | Daily Mail Online
6/11/2020 Coronavirus UK: 'Cyclical' working from home strategy announced | Daily Mail Online Privacy Policy Feedback Thursday, Jun 11th 2020 10AM 55°F 1PM 60°F 5-Day Forecast Home U.K. News Sports U.S. Showbiz Australia Femail Health Science Money Video Travel Shop DailyMailTV Latest Headlines Coronavirus Royal Family George Floyd Boris Johnson World News Arts Headlines Most read Wires Games Login Ad Employees could spend fouPrandemic days kill your PBX?S Getite W 3eb YEearsnter yo uFr rseeearc hComm system - Apps, Web Conf. Work from anywhere. working in the office and then ten from Ad PBX got your red-faced? Keep Calm & Work Remotely with 3CX. Free home under new 'cyclical' pforr 3o Years.posal to beat coronavirus while kick-OsPEtNarting UK economy Workers could go in to work for four days then spend 10 working from home Businesses are being urged to follow the model by Imperial College Professor The report recommends the UK is be divided into two groups of households Each group would go to work or school for four days then enter 10 day period off Study suggests individuals in the two groups do not interact with each other Saturday and Sunday weekends would no longer apply under the drastic rotation Here’s how to help people impacted by Covid-19 By AMIE GORDON FOR MAILONLINE Pandemic kill your PBX? PUBLISHED: 03:28 EDT, 6 May 2020 | UPDATED: 09:18 EDT, 6 May 2020 Get 3 Years Free Comm 851 1.1k system - Apps, Web Conf. shares View comments Work from anywhere. -
No Man Will Ever Consider You an Equal.”
”No man will ever consider you an equal.” En feministisk filmanalys av Peggy Carter i Marvel Cinematic Universe ”No man will ever consider you an equal.” A feminist film analysis of Peggy Carter in the Marvel Cinematic Universe Helen Luu Medie- och kommunikationsvetenskapsprogrammet: Medieaktivism, strategi & entreprenörskap Kandidatnivå Examensarbete 15 högskolepoäng Vårterminen 2016 Handledare: Jakob Dittmar Abstract (svenska) Denna studie avser att undersöka hur en kvinnlig superhjälte kan framställas under 2010-talet, genom att titta på karaktären agent Peggy Carters framställning i Marvel Cinematic Universe (MCU). Peggy är den enda karaktären som gått från att vara en bikaraktär i en film inom MCU till att få en egen TV-serie. Detta, tillsammans med det faktum att hon figurerar i en historisk kontext och en tid då kvinnosynen ska ha varit annorlunda jämfört med nu, gör henne till en intressant karaktär att diskutera ur ett feministiskt perspektiv. Studien har utförts med hjälp av en feministiskt inriktad filmanalys, där Peggy som karaktär och hennes interaktioner observeras och diskuteras tillsammans med filmteorins begrepp ideologi, samt stereotyper och könsroller. Resultatet visar att Peggy undviker många av de ”fällor” en kan falla in i när en vill skapa en stark, kvinnlig superhjälte och istället lyckas porträttera en nyanserad karaktär. Abstract (English) This study examines the portrayal of a female superhero in the 2010s by studying the character Peggy Carter in the Marvel Cinematic Universe (MCU). Peggy is the only character in MCU who has received her own TV-show after playing a supporting role in a movie. This, alongside the fact that she is a character played in a historic context where the attitude towards women were much different compared to today, makes her an interesting character to discuss from a feminist perspective. -
Romance in Dollhouse Lorna Jowett
‘I love him... Is that real?’ Interrogating Romance in Dollhouse Lorna Jowett A Dollhouse Confession (not mine!), website Because of Joss Whedon’s commitment to what he regularly calls feminism in interviews and commentaries, the Whedon creations have consistently interrogated the myth of heterosexual romance. Long-running TV shows like Buffy and Angel offered wide scope for examining romance alongside other aspects of gender and sexuality. The mix of conventions in these earlier shows also lend themselves to negotiating romance from different angles, whether this is about characters growing up and changing their own ideas about romantic and sexual relationships, or what you can ‘get away with’ in a fantasy show about vampires. Firefly featured both a happily married couple and a sex-worker, neither common-place in network TV drama, allowing that shorter-lived series to move away from obvious conventions of romance. And then there’s Dollhouse, where almost all of the characters are either prostitutes or pimps. Melissa Milavec and Sharon Kaye suggest that Buffy ‘owes much of its popularity to making erotic love a dominant theme’ (2003: 174): Dollhouse may owe its lack of popularity to the way it treats much the same theme in a more disturbing fashion. ‘Like every good fairy tale, the story grows more intricate, and more divisive, every decade,’ says a reporter of Dollhouse rumours in ‘The Man on the Street’ (Dollhouse 1.6). His words are equally applicable to the myth of heterosexual romance as tackled by the Whedonverses on TV. The Whedon shows offer a sustained interrogation of gender, but are complicated by the demands of mainstream entertainment. -
Mark Your Favorite for Each Category and See How Close You Come to the Academy’S Picks
Mark your favorite for each category and see how close you come to the academy’s picks. Best Motion Picture of the Year Best Writing, Screenplay Written Directly for the Screen American Hustle (2013) American Hustle (2013): Eric Warren Singer, David O. Russell Captain Phillips (2013) Blue Jasmine (2013): Woody Allen Dallas Buyers Club (2013) Her (2013): Spike Jonze Gravity (2013) Nebraska (2013): Bob Nelson Her (2013) Dallas Buyers Club (2013): Craig Borten, Melisa Wallack Nebraska (2013) Philomena (2013) Best Writing, Screenplay Based on Material Previously 12 Years a Slave (2013) Produced or Published The Wolf of Wall Street (2013) Before Midnight (2013): Richard Linklater Captain Phillips (2013): Billy Ray Best Performance by an Actor in a Leading Role 12 Years a Slave (2013): John Ridley Christian Bale for American Hustle (2013) The Wolf of Wall Street (2013): Terence Winter Bruce Dern for Nebraska (2013) Philomena (2013): Steve Coogan, Jeff Pope Leonardo DiCaprio for The Wolf of Wall Street (2013) Chiwetel Ejiofor for 12 Years a Slave (2013) Best Animated Feature Film of the Year Matthew McConaughey for Dallas Buyers Club (2013) The Croods (2013) Despicable Me 2 (2013) Best Performance by an Actress in a Leading Role Ernest & Celestine (2012) Amy Adams for American Hustle (2013) Frozen (2013) Cate Blanchett for Blue Jasmine (2013) The Wind Rises (2013) Sandra Bullock for Gravity (2013) Judi Dench for Philomena (2013) Best Foreign Language Film of the Year Meryl Streep for August: Osage County (2013) The Broken Circle Breakdown (2012): -
Guest Biographies Enver Gjokaj
Farpoint Rules and Policies Farpoint 2017 Committee Lew Aide John Scheeler Betsy Childs Chris Shockey Convention Memberships: Karen Donnelly Cindy Shockey Tom Donnelly Jennifer Stultz 1. Farpoint is a public event and will take place regardless of weather or travel conditions. Member- Jackie Green Cyndi Van Blarcom ships are non-refundable. Members may re-sell memberships privately, with notice to Farpoint of Eta Hack Sharon Van Blarcom the registration name change. Laura Inglis Tim Van Blarcom 2. Seating is on a first-come, first-served basis in all programming rooms. There is disabled member David Kippax Christian Wilson and VIP (guests and staff) seating available in the ballroom. Please observe all reserved signs for George Laurence Ethan Wilson these seats. Stephen Lesnik Renee Wilson Heather Mikkelsen Steve Wilson 3. Purchase of a convention membership does not guarantee a guest's autograph. Members are Kat Nichols Cindy Woods responsible for attending the scheduled autograph session(s) to secure a guest’s autograph. Zan Rosin Sarah Yaworsky 4. You must wear your Farpoint membership badge to gain admittance to all convention areas. Brian Sarcinelli Sandy Zier-Teitler Badges are non-transferable. Lost badges will be replaced for a $20.00 fee with proper photo identi- fication. Farpoint 2017 Staff Bob Ahrens Wally Lodolinski Hotel: Rachel Ahrens Emily Luense Bunny Aisquith Jill Mardesich 1. Causing a disruption in any part of the hotel (rooms or convention areas) is grounds for expulsion Dottie Allyn Tim Marron without a refund from the convention. Samantha Amaker David Mays 2. All smoking is prohibited in the hotel (tobacco products, e-cigarettes and “vaping”). -
Liminal Identity in Contemporary American Television Science Fiction
Liminal Identity in Contemporary American Television Science Fiction Rhys Owain Thomas Submitted for the degree of Doctor of Philosophy School of Film, Television and Media Studies University of East Anglia August 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Rhys Owain Thomas Student Number 4566211 Film (Research) R1W62012 Abstract This thesis examines the foregrounding of a particular type of liminal human protagonist in contemporary American television Science Fiction. These protagonists, which I have termed the ‘unliving,’ exist in-between the realms of life and death, simultaneously both alive and dead whilst occupying an indistinct middle- ground. I examine how the liminal nature of these protagonists has been used as a means of exploring various aspects of personal identity during the early years of the twenty-first century. Developing anthropologist Victor Witter Turner’s work, in which he argued for the universal occurrence of liminality in cultural, political, economic and social contexts, I argue that the use of liminal protagonists in American television Science Fiction constitutes a demonstrable trend. Although they are to be found in ever-increasing numbers in (and outside) the genre, their growing presence and significance have yet to be properly discerned, studied and appreciated. I analyse the use of these unliving protagonists in four key texts: Terminator: The Sarah Connor Chronicles (The Halcyon Company/Warner Bros. -
I Think We're Alone Now in 150 Words Or Less Subscribe to MNPP!
my new plaid pants: I Think We're Alone Now in 150 Words or Less Page 1 of 28 Share Report Abuse Next Blog» Create Blog Sign In my new plaid pants WEDNESDAY, SEPTEMBER 22, 2010 I Think We're Alone Now in 150 Words or Less . Must be seen, and then rewound and seen immediately again, to be believed... and then you might still not want to believe it, because it's just so JA disconcerting and scary. And funny! NYC, NY These folks are like bright little balls of crazy quotable Tiffany-worshiping magic. Yes, this is the doc that follows My MySpace and/or My the two stalker-types still obsessed with Facebook and/or My Twitter that 80s pop sensation. And it's as uncomfortable and hysterical as View my complete profile you could ever imagine such a thing to be. If you could imagine such things, which beforehand you probably couldn't. Truth isn't just stranger than fiction - truth eats fiction for breakfast sometimes, and then sits in the dark sipping vodka and screaming songstress-themed obscenities. Magical wonderment, fun for the whole family. Subscribe to MNPP! http://mynewplaidpants.blogspot.com/2010/09/i -think -were -alone -now -in -150 -words -or.ht ... 9/28/2010 my new plaid pants: I Think We're Alone Now in 150 Words or Less Page 2 of 28 . MNPP Multiples . Who? JA When? 10:56 AM Labels: 150 or Less , reviews 3 Say What?: Scott said... i've heard about this! and wouldn't ya know it? it's on netflix on demand! someone upstairs loves us! they should tour malls with this movie! 11:54 AM JA said.. -
Asfacts July15.Pub
ASFACTS 2015 JULY “R AIN LOWERS TEMPERATURES ” I SSUE 2014 N EBULA WINNERS ANNOUNCED The 2014 Nebula Awards were presented June 6, 2015 in a ceremony at SFWA’s 50th Annual Nebula Awards Weekend, held in Chicago, IL. Larry Niven was honored with the 2014 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A full list of winners, including Bubonicon 44Artist Guest Ursula Vernon, follows: 2015 L OCUS WINNERS ANNOUNCED NOVEL : Annihilation by Jeff VanderMeer, NO- The Locus Science Fiction Foundation announced VELLA : Yesterday’s Kin by Nancy Kress, NOVELETTE : “A the winners of the 2015 Locus Awards on Saturday, June Guide to the Fruits of Hawai’i” by Alaya Dawn Johnson, 27, during the Locus Awards Weekend in Seattle, WA. SHORT STORY : “J ACKALOPE WIVES ” BY URSULA Among the winners are Santa Fe author George RR Mar- VERNON , RAY BRADBURY AWARD : Guardians of the tin and Bubonicon 43 Artist Guest John Picacio. Galaxy written by James Gunn and Nicole Perlman, and SCIENCE FICTION NOVEL : Ancillary Sword by Ann the ANDRE NORTON AWARD : Love Is the Drug by Alaya Leckie, FANTASY NOVEL : The Goblin Emperor by Dawn Johnson. Katherine Addison, FIRST NOVEL : The Memory Garden The Solstice Award was given to Joanna Russ post- by Mary Rickert, YOUNG ADULT BOOK : Half a King by humously, and to Stanley Schmidt. Jeffry Dwight re- Joe Abercrombie, NOVELLA : Yesterday’s Kin by Nancy ceived the Kevin O’ Donnell Jr. Service to SFWA Kress, NOVELETTE : “Tough Times All Over” by Joe Award. Abercrombie, SHORT STORY : “The Truth About Owls” Winners were announced during the Nebula Awards by Amal El-Mohtar.