286934753 ?;=CA@ *1-0,+..-11/ ಋᖚ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ٻ࿚ᆅʘুұณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔Ρ of inspiring art, music and cultural ԞਝΊࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓˮcผ˥ࠗಋ artists and leading local talents. I am sure that ਝʼʝผࠛቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚࡼၤܰωଞٴᔑϊᚭ d I extend our warmest welcome to allผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ
TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚ᘆᖽ Message from the Chairman
.ၤɍɊɍ։ࠗಋᖚ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝcܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ၀ߜc˞ʥ̯Δ෮ݗึؿᖚ Festival presents the finest international andਂ ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶᑢ༦ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚຝྦྷֺτᖳХዀ࿚d Club Charities Trust. Their long and continued ᖚ྆˞ʥɁ༅Хc͛ߎ˞টʶ patronage are what make these cultural ᑢ෮e presentations possible. In addition, we gratefully acknowledge the ,ȹΣ˞֡cࠗಋᖚຝ༦˸ძነ́ generous support of many corporate sponsors .ʭαɾʤི߮cߎɈ arts institutions and individualsڇయ˞ʥ རነ́ʥαႦᜮଠઅᘩΈᗘᖚe ɐ߸ི߮ΛαԞᏵଠΛዀ࿚ʥɁ༅ The Festival has always made our programmes Хcɻነʥɣነነ́ɖʦᎶᆅईe accessible to students and young audiences through half-price student tickets and our Young 2005αࠗಋᖚຝຝ͌ᔔఒd˳ᖓ Friends Scheme. These schemes are funded by the ɺᜮଠؿ௩ΡʥɟՈc generous donations from numerous corporateٴຒτc .փe and individual donorsڻϢ̢ c౨શၤ੬Ε The 2005 Festival offers a rich and stimulatingܛωᑢჇɎؿʻʹ 2005αࠗಋᖚຝɻӮࠍe programme, with a variety of captivating performances and choices, presenting a diverse range of tastes with artistic excellence. We hope to offer something enjoyable and of interest to everyone. Above all, I would like to thank you, our patrons, for your support and participation in the 2005 Festival.
ңพᄤ Charles Lee
:ࠗಋᖚຝؿ༅ХԞϬ The Hong Kong Arts Festival is made possible with the funding support of Ϸܧᐢဟᘆᖽ Message from the Executive Director
005αࠗಋᖚຝؿຝ͌˞ he starting point for the programming of this 2005 ݯ˚ᕀeु T Festival was the idea of contrasting opposites – ‘sacredڙ˖2ुັၤ ԭඖʏॖcܰΈိ and profane’. Both of these elements are rich sources ofڙ˖dັ ᖚѼβؿӮᕀҥၤݖ creative impulses for the performing arts in most cultures cʌ։ຝ͌గऋПॶਪʦܮ and this thematic link is evident in much of our ᗐ programming. We hope these connections and contrastsޚܫ෮֨e҈ࠨѴશԭඖ Ɍྦྷ͓ؿʏॖcॶݯɣࡼొԜҡ will make your Festival experience more engaging and .৽Ɂdҡᗒѿؿᜮሌe memorable ࿘۾ȿࣵ̔ᖚɮАّc҈ࠨ Alongside all of our international artists, we are proud to ॶᑼᇼ̯Δᖚ၀ߜcΣࠗಋ֗ present many outstanding Hong Kong artists. For example, ဳ֞ᅥ྆dࠗಋჱ྆d̯Δ ˮαႦ፡ೄۗࡼਜ਼ᆼdࠓ the Hong Kong Philharmonic Orchestra and the Hong Ⴛဳʄࠇۗᘆᖚeԯˢၤˮ Kong Repertory Theatre, as well as the fine young Hong ຣჱΊД Kong musicians, pianist Rachel Cheung and the Fresh Airܢ˳ؿ̯Δᖚ၀ߜ ுʥң᎘d7AऒᎻჱୂdɻߜ Brass Quintet. Other important Hong Kong artists taking ɩմdࠗಋ part include Cantonese opera stars Mui Suet-see and Leeټܖჱ྆d89268d ϐcᑹτɈݵႇ Lung; Class 7A Drama Group; Chung Ying Theatre; Groupܬᇁၦࡼฦ лؿྡྷɈݢୂ ңᔪ 89268; the Material Girls; choreographer Daniel Yeungؒ ,ݘdષഥࠦdңɻͲʥ֍e and the remarkable combined talents of Lee Chun-chow Faye Leong, Gabriel Lee and Chong Mui-ngam in The ᖚຝᘗᙩዶรկ̯Δၤࣵ̔ French Kiss. ܢ˳ˮϳؿАɁc̯։ณА In addition, our commitment to commissioning new work קdէᚗdʌէၦރು ਝ࠭ᅥdཫ҈ from Hong Kong and around the world continues, withټܖd̡ dؒлd pieces such as Amber, The Nightingale, All That Shanghai̟ےᅚؿȹ ˚τ௩ʥɩ˔ɥనʊতe Jazz, Material Girls, i-City, The French Kiss, Come Out & Play and Little Prince Hamlet. 2005αࠗಋᖚຝݯᜮଠᘆɐȹ ྆ٲϛɀɊ̒ˮcၤ The 2005 Festival will offer a total of 124 performances ༠̒Ɋɀ˳ܢɍɊɀࣵ̔ with 42 performing groups (32 overseas and 10 local), two ʥɊ̯Δ྆cᑹτԭࢄ ,ᙴc˞ʥɺࢀ፟༦ؿᖚຝ˱ࢿ exhibitions and our Festival Plus programme of talks ຝ͌iᑟdᇹผʥᖚɁᇹe seminars and meet-the-artist sessions.
ΛۜcࠓࣟΛʏ This is one of our largest Festivals to date, in terms of theٻ։ຝ͌Λ̯ ʝcܰࠗಋዃԞஃᅡɣd˥ number and the diversity of programmes. I am sure too, Ɂሌʶࢧ͌dԮઢೕֲؿᖚ that it will be one of our most enjoyable and inspiring. We .ၤe are delighted that you could join usيຝɾȹcᑢჇɎ
ঢ়ᄨᓤ Douglas Gautier 5
ຝ͌ੱ For programme details 11.3.2005 Page 7 ࠒ 12.3.2005 matinee ˀPage 17 ࠒ 12.3.2005 evening էPage 23 ࠒ
ࠗಋʼʝɻʶɣჱ Grand Theatre, Hong Kong Cultural Centre 11 - 12.3.2005
ᖚᐢဟ ୣᖓgˈʷࡑొ Artistic Director Mauro Bigonzetti
ᗐઌʹdಲᇃཋʥඨՓዀؿᚊባکݯȿᜑɣࡼྦྷωˮजɎΡͿോcᇼʘতΕຝ͌ ສeผʑᇼʜኞϬᙘᄧd፣ࠑֶ፣ᄧc͛ɺ˿ඝࠕмํcΛᑢАk To make this performance a pleasant experience for the artists and other members of the audience, PLEASE switch off your ALARM WATCHES, MOBILE PHONES and PAGERS. Eating, drinking, smoking, unauthorised photography and audio or video recording are forbidden in the auditorium. Thank you for your cooperation. ຝ͌Programme 7
2005α3˂11ˀܱ౨ʄ ԭຝɻͤࢠܢ˳2ɩࣂ10ʗcٽˮ ᓤ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ̌༠ּӇਥ Ð ͤࢠɊʄʗᘸ Ð ༡߾
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ႠဍዸऋgּКਅ ഒВऋ
Ð ͤࢠɊʄʗᘸ Ð ᖓϹ̛ޒಶ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ᖓϹ̛ ፡ೄۗ ̠ቧጻgୣཊແ
11 March 2005 (Friday) Running time: approximately 2 hours 10 minutes, including two intervals Les Noces Choreographer Mauro Bigonzetti Music Igor Stravinsky – 15 minute interval – Pression Choreographer Mauro Bigonzetti Music Helmut Lachenmann Franz Schubert – 15 minute interval – Rossini Cards Choreographer Mauro Bigonzetti Music Gioacchino Rossini Piano Bruno Moretti
ࠍʥ5ࠒ๑ː Cover and page 5 photograph © Raffaella Cavalieri۬ ຝ͌ʍଽProgramme Notes 9
ᓤ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ̌༠ּӇਥ ځᇁჱᚋਐ ּ̛̀g৺ᔁ Зౡஉ߮ ̠ؒԈღෙgၬແթ உ߮ ਥҧʝgϝ৺ר Ꮌဍלݤ͠g ͮஉ߮ ˺ݤgԈ ऋᗫgϝဍʥᖓ׆྇gځˈ ၦّ ᖳୣּጻȹᔶ Ɂၦ ෑᓯʥജऋgʪ̛ځg͇ځ ɀᔶɁၦ ၐ̿gВແ ᄨԈΪg̛̠̿ࣚځ ϴg̠ᖓК ແᎏऋgʘּ ແ٧ձԓgഥࣟ୧ෙ ᘣݿg༆ᖓּ ϹԈဍgࣟԈऋ နዃࣟgС݇ ̿ഠԈෙg࣍ʷ ּ௶ᖓgਅړ © Raffaella Caralier ୧ଡ଼gແ̛ ̥࣍Ϲ˺gԣ̛ࣟဍ ዃКϹgෙСʩϴּځ
ࠖވ˖ཊರϴϝСԓ̿ഠჱАכ2002α e҈ڦcగܰᛞෲᔶʿАˮɬࣵ႑ؿԅȹܯᓤদᛞෲ༠Էঢ়㞒ࣂᘤᔀؿᏊ ᑹ˿႓Ԓʇფՙjࣂϭʌۥࠨɺຑ߬ਐiࠍྦྷɀɊȹ˖ณɁᗘcᙌᓤྦྷ ผɐؿᓤʋܰȹိዟȹಲɀؿშβcॶАݯᛞɁංѧؿҢලjمˀc eؒޜଊྡྷ́ݠɻ̋ҒԷʦᖬcϤ҈ࠨ͛Яց
ܨϊc҈ࠨᎶЯɖஹഈᏠሁȹೌcৡॲੀᓤғിȹʼɺࠤc༦ࣂɺӷjྦྷ҈ࠨ ڳȿeԯᓯ௰מྡྷΕʪႦͨڌοመeଊ˖ˤ߬ྦྷᓤᗘშβҙɺڈڳԞ႓c Ѽβʝؿֲሔ˥̚ᛷஹᓿӼၛeԅფc҈ࠨݯЄʋᆅɻᇹሃᓤj
ɻcෲੱ̦τֺᙢݸɷॶ༠ߎ̷ӮᇽϭϋɺಣcϤۂΐΕА̋ ผؿᗲࣟࠉԹcم߾ԚෲੱሯՇۥᙢݸగܰୄֻ߬ኪࠓ፮eʇფࠓ፮ՙjగܰ ԚෲੱବࢠeੱɁɺɺ˞ɏʩֶծɥؿӸͫ൚൙ԭɁؿ̷ɔࠉԹcЎ̳ ᇰޯeޝɎcཙՇြɻؿ͍ྸرΐݯԹ۹cԭɁࣂ߾Εɺॶʗᔴؿ ୮Ђ፭ؿޚผಲݠɈcྻֲڏᛰιୌྻࣂcᔶʿؿੱڝɎஐͨdʩਯᗐ̋ۥ ร۹ؘ௪cҡ˥ෲੱ፭ࣂ፭Δୄe eܯc˞ʥ̀ՇஐͨҢؿᏊ֨ڌᓯӰɾcᓤᗐ˝̷ෲੱؿ
ځୣᖓgˈʷࡑఀʥּ̛̀g৺ᔁ
Ð ͤࢠɊʄʗᘸ Ð 10 ຝ͌ʍଽProgramme Notes
Les Noces
Choreographer Mauro Bigonzetti Music Igor Stravinsky Dramaturgic Supervisor Nicola Lusuardi Set Designer Fabrizio Montecchi Costume Designers Kristopher Millar Lois Swandale Lighting Designer Carlo Cerri Dancers Beatrice Mille and Roberto Zamorano (First pas de deux) Ashen Ataljanc and Walter Matterini (Second pas de deux) Sveva Berti Adrien Boissonnet Ina Broeckx Thibaut Cherradi Stefania Figliossi Susanna Giarola Cyril Griset Marieke Lieber Valerio Longo Paolo Mangiola Lisa Martini Francesca Peniguel Alexis Olivira
World Premiere in 2002, Reggio Emilia, Teatro Valli ຝ͌ʍଽProgramme Notes 11
Les Noces investigates the ambivalence of the culminating moment of a loving relationship, that is, the time when lovers decide to pledge their eternal love for each other. We asked ourselves when staging Les Noces what can we as 21st Century people find to say about weddings? Can we still say that today in our society this is ‘the’ unique rite that administers and sanctions the perfect union between two lovers? Reality all around us generally conflicts with this affirmation and we ourselves do not believe that it is like this either.
Therefore should we, in a banal fashion, simply attack this particular rite, demolishing its meanings as anachronistic and inadequate? This did not appeal to us as an interesting idea. In this day and age it is too easy to discredit a rite such as a wedding, already so worn out and humiliated by its simple yet formal connotations. So why are we so interested in talking about Les ๑ː Photographs © Raffaella Caralieri Noces?
In Les Noces, love duly accepts the bargain to eternalise itself, (embodied by the phrase ‘til death do us part’) and thereby ultimately accepts the risk that is implied within this wager. What risk? That matrimony suffocates the strength of love by forcing this love into the rigorous restrictions of society. Only by becoming ‘husband’ and ‘wife’ do the lovers place themselves beyond the indissoluble limits of this union, while at the same time by doing this through an institution which from that moment onwards obliges them to confront every paradox of their indissoluble state. These paradoxes include the possible petrifaction of the emotions as a result of doing one’s duty or in the habitual living alongside a terrible frustration, regarding the ever possible ending of this love.
In short, Les Noces is about the belief in eternal love and the forced ambiguity of being duty-bound to acknowledge it to others by getting married.
Mauro Bigonzetti and Nicola Lusuardi
– 15 minute interval – 12 ຝ͌ʍଽProgramme Notes
༡߾
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ႠဍዸऋgּКਅ ഒВऋ உ߮ ਥҧʝgϝ৺ר Ꮌဍלݤ͠g ͮஉ߮ ˺ݤgԈ ၦّ ၐ̿gВແ ᄨԈΪg̛̠̿ࣚځ ແᎏऋgʘּ ແ٧ձԓgഥࣟ୧ෙ
ᐲႇА CRDþϴᄨ٢ᑂၦ྆b 1994αཊರϴϝСԓˤࠑᅥຝ
ࠖ © P Ninވ˖ཊರϴϝСԓ˺̿ഠԈʺჱАכ1994α
༡߾c̳ܰຝ⬰Έᗘസdੀ̀ۂ1994αཊರϴϝСԓˤࠑᅥຝկА eذଊˤͳНȹᘅؿྡྷɎȹɣଐ
ႠဍዸऋgּКਅؿ˞ڃʻၦʗιԭݒcͅԭӘԭɤ̒Ίၦّᖐcʃݯྦྷʦc ɣొೄዟۗ༡߾̯ၦͅϊՅΊc˞ʥഒВऋϋəၤʭɤᛰۗςe c༡߾য˅ܰȹᙌ٢ᑂၦjԅ࣓̯ܰȹୂɺቌЗౡcɺ˱࠳͐ٲୣᖓgˈʷࡑఀ ༦ಎഒВऋסιhּͅКਅؿውޚႤޚཚcɺА႓ઠؿࠑᅥ৽Аcɻࠑᅥၤၦۜ cʨϸಲᐡc̳̯ܰၦؿୄ͌ᅟeޚcѼࠑᅥʃވ˖ؿ૯ੱ
Ð ͤࢠɊʄʗᘸ Ð ຝ͌ʍଽProgramme Notes 13
Pression
Choreographer Mauro Bigonzetti Music Helmut Lachenmann Franz Schubert Costume Designers Kristopher Millar Lois Swandale Lighting Designer Carlo Cerri Dancers Sveva Berti Adrien Boissonnet Thibaut Cherradi Stefania Figliossi
Co-Production CRD/Aterballetto Reggio Emilia Contemporary Music Festival 1994
World Premiere in 1994 at Reggio Emilia, Teatro Cavallerizza
Commissioned in 1994 by the Reggio Emilia Contemporary Music Festival, Pression is clearly a product of the festival’s characteristic penchant for experimentation with various genres, blending classic with modern.
For four dancers, two men and two women, the choreography is made up of two pieces performed to the accompaniment of absolutely antithetical melodies; Helmut Lachenmann’s cello solo Pression (from which the choreography takes its name) and variations from Death and the Maiden by Schubert.
Mauro Bigonzetti said it is “more than a ballet, it is an unadorned, non-didactic musical action without the benefit of stage sets, in which movement and gesture exist in symbiosis with the music. The final goal is to create a single, seamless tissue incorporating both movement and music, even when the shift is made from the radical approach of Lachenmann to the deep emotional world of Schubert.”
– 15 minute interval – 14 ຝ͌ʍଽProgramme Notes
ᖓϹ̛ޒಶ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ᖓϹ̛ ፡ೄۗ ̠ቧጻgୣཊແ உ߮ ࣵ࠷gˤᖓר ͮஉ߮ ˺ݤgԈ ෑᓯ ၐ̿gВແځg͇ځ ၦّ ᄨԈΪg̛̠̿ࣚ ϴg̠ᖓКځ ແᎏऋgʘּ နଡ଼gΛᄨဍ ແ٧ձԓgഥࣟ୧ෙ ᘣݿg༆ᖓּ ϹԈဍgࣟԈऋ နዃࣟgС݇ ּ௶ᖓgਅړ ഠԈෙg࣍ʷ̿ ਅȻgጻ ୧ଡ଼gແ̛ځ ऋᗫgϝဍځˈ ജऋgʪ̛ ዃКϹgෙСʩϴּ ̥࣍Ϲ˺gԣ̛ࣟဍځ ᖓ׆྇gᖳୣּጻ ผټᐲႇА ਝࡼၦᑰਥ ผټჱਥਂمᄾᄨढ़ ࠖވ˖ჱАਂمᄾᄨढ़כ2004α ࠑᅥ ෙᖓÐྠਯɾ ҝᇁþۗbbbb ̠ቧጻgୣཊແ 㢖թᇂÐQuesto è un nodo avviluppatoᘏۗ˦ ௫ࡎkɩለӲ ҝᇁþۗbbb ̠ቧጻgୣཊແ ᅥۗსςII֞ ςۗکఒ˱Ϲ ςۗک፭ؿ ۗ ̠ቧጻgୣཊແ ᗧ༄Ðѵς Ꮋכ؋דᄧཫdफ़ಶdᎻჱଲ໔ೋ୮ྊcΕౡؿോАɻ̡Ϸݠଊcɺ ංສcيଊcຝۗ၇cࢄଊѧؿٲჱੱຝeȹω෮ɣСАςࡼᖓϹ̛ؿࠑᅥ ʵეᜮଠӶ൬ৈुؿӔᚭɾɻe܃၀ᆢಲ႒c ຝ͌ʍଽProgramme Notes 15
๑ː Photographs © Rolando Paolo Guerzoni Rossini Cards Choreographer Mauro Bigonzetti Music Gioacchino Rossini Piano Bruno Moretti Costume Designer Helena Medeiros Lighting Designer Carlo Cerri Dancers Ashen Ataljanc Sveva Berti Adrien Boissonnet Ina Broeckx Thibaut Cherradi Macha Daudel Stefania Figliossi Susanna Giarola Cyril Griset Marieke Lieber Valerio Longo Paolo Mangiola Alexis Oliveira Amandine Mano Beatrice Mille Francesca Peniguel Lisa Martini Roberto Zamorano Walter Matteini Co-production Fondazione Nazionale Della Danza Fondazione Teatro comunale di Modena World premiere in 2004 at Modena, Teatro Comunale Music Othello – Canzone del Salice Transcribed and performed by Bruno Moretti La Cenerentola – Questo è un nodo avviluppato (Concertato) Ouf Les petits pois Transcribed and performed by Bruno Moretti Sonata per archi (II) Prélude Fugassé Prélude Inoffensive Performed by Bruno Moretti La Gazza Ladra – Overture Free from a dramatic plot this is an abstract creation of scenes of parallel lives: images, cards, dramatic icons and comic situations. An expression of Gioacchino Rossini’s music; of the pressing rhythms, geometry, precision and, in the end, of a Dionysian vitalism. ຝ͌Programme 17
2005α3˂12ˀܱ౨ʒˀ ԭຝɻͤࢠܢ˳2ɩࣂcٽˮ ᓤ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ̌༠ּӇਥ Ð ͤࢠɊʄʗᘸ Ð ༡߾
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ ႠဍዸऋgּКਅ ഒВऋ © Raffaella Caralieri Ð ͤࢠɊʄʗᘸ Ð ਝࠓੱڲ
ᇁၦ ୣᖓgˈʷࡑఀ ඨࠑᅥڲࠑᅥ ෮ɣС ҝᇁþˮ ඏॗऋۗ྆
Matinee, 12 March 2005 (Saturday) Running time: approximately 2 hours, including two intervals Les Noces Choreographer Mauro Bigonzetti Music Igor Stravinsky – 15 minute interval – Pression Choreographer Mauro Bigonzetti Music Helmut Lachenmann Franz Schubert – 15 minute interval – Cantata Choreographer Mauro Bigonzetti Music Original and traditional music from southern Italy Arranged and performed by Assurd ຝ͌ʍଽProgramme Notes 19
ᓤ ຝ͌ੱᇼቇ9ࠒ Ð ͤࢠɊʄʗᘸ Ð
༡߾ ຝ͌ੱᇼቇ12ࠒ Ð ͤࢠɊʄʗᘸ Ð
ਝࠓੱڲ ᇁၦ ୣᖓgˈʷࡑఀ ඨࠑᅥڲࠑᅥ ෮ɣС ࠑᅥҝᇁþˮ ඏॗऋۗ྆ þʹࠓೄþϠ͊ར ࡱ̹gၐऋ࣍ þɩʹརþᚊ ࢟ଡ଼g֔Сϴּ ݤཊּgၬແ þϠ͊རþɩʹར ࢟ଡ଼ԓgౝཊແԓb
உ߮ ࣵ࠷gˤᖓר ͮஉ߮ ˺ݤgԈ
ෑᓯ ၐ̿gВແځg͇ځ ၦّ ᄨԈΪg̛̠̿ࣚ ϴg̠ᖓКځ ແᎏऋgʘּ နଡ଼gΛᄨဍ ແ٧ձԓgഥࣟ୧ෙ ᘣݿg༆ᖓּ ϹԈဍgࣟԈऋ နዃࣟgС݇ ּ௶ᖓgਅړ ഠԈෙg࣍ʷ̿ ਅȻgጻ ୧ଡ଼gແ̛ځ ऋᗫgϝဍځˈ ജऋgʪ̛ ዃКϹgෙСʩϴּ ̥࣍Ϲ˺gԣ̛ࣟဍځ ᖓ׆྇gᖳୣּጻ
ဍ྇ԈӂС̟͓ჱࠖc̯̀ͅКΪ٢ᑂၦ྆ˮؐכ2001α
ԈʷʥӺʣӂځ *ԈʷgӺʣӂɩէςځ
ܬʨ ෙg̯ढ़μ̛ټീ ʮ ࠑᅥ ࡱ̹gၐऋ࣍ ʷe vai ෙg̯ढ़μ̛ټീ ʮ (ݤgᄨΪ௶ (A’ cantina ‘e zì Teresa˺
ᛰιɤɁcֶֺّτɤɁᛰιڏݠΡcֺτӘɁވ˖ಳϤ҈c߬Ε ฟcԒ۾࣓̯ɺᎶτӘɁֶɤɁcᅚɷॶϦ࣓૱e҈ވ˖ӘɁcɌֶّc ܰྦྷؿe
ʵϬᖓВ྇gᄨϹၬఖҒϘղ
(ԈʷʥဍݤgӺʣӂᚬઔ͂(I Musicaliaځͅ * 20 ຝ͌ʍଽProgramme Notes
Les Noces
For programme details, please refer to page 10
– 15 minute interval –
Pression
For programme details, please refer to page 13
– 15 minute interval –
Cantata
Choreographer Mauro Bigonzetti Music Original and traditional music from southern Italy Arranged and performed by Assurd Vocals, Organetto, Tammorra Cristina Vetrone Vocals, Tambourine, Castanets Lorella Monti Enza Pagliara Vocals, Tammorra, Tambourine Enza Prestia
Costume Designer Helena Medeiros Lighting Designer Carlo Cerri
Dancers Ashen Ataljanc Sveva Berti Adrien Boissonnet Ina Broeckx Thibaut Cherradi Macha Daudel Stefania Figliossi Susanna Giarola Cyril Griset Marieke Lieber Valerio Longo Paolo Mangiola Amandine Mano Lisa Martini Walter Matteini Beatrice Mille Alexis Oliveira Francesca Peniguel Roberto Zamorano
Premiere at the Ballet Gulbenkian, Porto, Rivoli Teatro Municipal in 2001
Music
Serenata
Amerigo Ciiervo ຝ͌ʍଽProgramme Notes 21
© Alfredo Anceschi
Music Serenata* Amerigo Ciervo
Primmavera Lyrics Eugenio Bennato Music Cristina Vetrone
Tango e vai Lyrics Eugenio Bennato and Carlo D’Angiò (A’ cantina ‘e zì Teresa)
“But I think that to live well in this world all men should be women or all women should be men, or there shouldn’t be men or women, in order to have a quieter life. And I know I’m right in what I said.”
From: La Gatta Cenerentola by Roberto De Simone
* Kindly authorised by Amerigo and Marcello Ciervo (I Musicalia) ຝ͌Programme 23
2005α3˂12ˀܱ౨ʒէ
ȹຝɻͤࢠܢ˳1ɩࣂ40ʗᘸcٽˮ
ʨኮ
ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ Frank Zappa
Ð ɻͤࢠɊʄʗᘸ Ð
ਝࠓੱڲ
ᇁၦ ୣᖓgˈʷࡑఀ ඨࠑᅥڲࠑᅥ ෮ɣС ࠑᅥҝᇁþˮ ඏॗऋۗ྆
Evening, 12 March 2005 (Saturday)
Running time: approximately 1 hour 40 minutes, including one interval
Who gets this one? Choreographer Mauro Bigonzetti Music Frank Zappa
– 15 minute interval – Cantata Choreographer Mauro Bigonzetti Music Original and traditional music from southern Italy Arranged and performed by Assurd ຝ͌ʍଽProgramme Notes 25
ʨኮ ᇁၦ ୣᖓgˈʷࡑఀ ࠑᅥ Frank Zappa ͮஉ߮ ˺ݤgԈ ෑᓯ ၐ̿gВແځg͇ځ ၦّ ᄨԈΪg̛̠̿ࣚ ϴg̠ᖓКځ ແᎏऋgʘּ နଡ଼gΛᄨဍ ແ٧ձԓgഥࣟ୧ෙ ᘣݿg༆ᖓּ ϹԈဍgࣟԈऋ နዃࣟgС݇ ּ௶ᖓgਅړ ഠԈෙg࣍ʷ̿ ਅȻgጻ ୧ଡ଼gແ̛ځ ऋᗫgϝဍځˈ ജऋgʪ̛ ዃКϹgෙСʩϴּ ̥࣍Ϲ˺gԣ̛ࣟဍځ ᖓ׆྇gᖳୣּጻ ࠖވ˖ԈෙμჱАځཊರϴϝСԓכ2003α ฑ෮cऋПݯɣࡼɐԯሶɁؿࠑᅥeٲࠑᅥɣFrank Zappa˖Ɋ՚α֨cݯ ɣܮͲϬͅᇁၦcࡄΡྦྷᎶZappaؿᖚၤࠑᅥዃೡcʦכʻ٢ᑂၦؿऋϳΕ ౧ࠑଲ؇ɃؿᗲᔑdϬᘨ෮eိྦྷᎶΕੱၤነɐ͛˞֝ᙩe ÐɻͤࢠɊʄʗᘸÐ ਝࠓੱڲ ຝ͌ੱᇼቇ19ࠒ
Who gets this one? Choreographer Mauro Bigonzetti Music Frank Zappa Lighting Designer Carlo Cerri Dancers Ashen Ataljanc Sveva Berti Adrien Boissonnet Ina Broeckx Thibaut Cherradi Macha Daudel Stefania Figliossi Susanna Giarola Cyril Griset Marieke Lieber Valerio Longo Paolo Mangiola Amandine Mano Lisa Martini Walter Matteini Beatrice Mille Alexis Oliveira Francesca Peniguel Roberto Zamorano World premiere in 2003 at Reggio Emilia, Teatro Ariosto A passionate homage to the great musician Frank Zappa, on the 10th anniversary of his death, and a way to bring back the personality along with the musician. This ballet is characterised by a completely free use of choreography. This is in perfect parallel with the artistic and musical journey of Zappa, who ranged through music with rigor, awareness and sincerity. A parallel that continues on the level of sensibility and of aesthetics. – 15 minute interval – Cantata For programme details, please refers to page 20 26 ၦ྆ʍଽCompany Profile
© Alfredo Anceschi ෮ɣСϴᄨ٢ᑂၦ྆
෮ɣСϴᄨ٢ᑂၦ྆ܰ෮ɣСᅕȹᅕɀؿၦ྆c͛ܰ෮ਝࠖɺᒕᙔჱؿஃ ٢ᑂၦ྆e
ɀɊαั˂ɻcၦ྆ٶୣෙኪͨᖚᐢဟؿځϝᄨෙgځၦ྆Ϭ1979αι͓cΕ ʿΉe1997αcୣᖓgˈʷࡑఀઅͨᖚᐢဟcԎᑼۤ෧gޫٲɰᆢ͓ࠇ߬ؿ ϹdʮСgտСΪ೩ᇁၦɣc˞ʥᅩݘȹଠαႦณࣃᇁၦcݯၦ྆Аcଞรȹ ࣂe
1991αၦ྆ιݯɻ̕Δਂၦᑰ྆cͅཊರϴϝСԓ̟dϴϝСԓᖓँਂϴϝС ผټԓᖓँᎻჱԾผୂιcᏵւʿႏ˿e2003α4˂cၦ྆ʹҝୂιਝࡼၦᑰਥ Ð෮ɣСϴᄨ٢ᑂၦ྆e
ʥᖚຝcԎ༦Έඖི߮௴ଠΛၦٲၦ྆౦ୂᓱαႦၦّফᆻᇾೡd٢ᑂၦ ᑰෲΡّؿጙመʥ؇෮eԒɺඩԞϬΔਂcҡܰԞϬͲਝؿֲcᜑၦ྆ Пኹȹᄞؿ෮ਝࠓࣟe͓ۺ ၦ྆ʍଽCompany Profile 27
Compagnia Aterballetto
Compagnia Aterballetto is the principal dance company and the first permanent ballet group in Italy apart from Opera House companies.
Founded in 1979, Aterballetto has built up an important repertoire with almost 20 years of artistic direction by Amedeo Amodio. Since 1997 the artistic direction has been entrusted to Mauro Bigonzetti, who started and developed his career as a performer and choreographer with Aterballetto.
The repertoire of Compagnia Aterballetto consists of ballets by major international choreographers such as William Forsythe, Jiˇri Kylián, Alvin Ailey, George Balanchine, Kenneth McMillan and Maurice Bejart, as well as choreographies by Amedeo Amodio, Mauro Bigonzetti, Michele Abbondanza, Antonella Bertoni and Itzik Galili.
In 1991 Aterballetto became the Company of the Centro Regionale della Danza, the officially recognised Association formed by the City of Reggio Emilia, the Region of Emilia-Romagna and ATER (Association of Theatres of Emilia Romagna).
Centro Regionale della Danza has developed into a resource centre for the world of dance providing production, promotion, professional training, study and research, and in 1996 taking the name Centro della Danza. In April 2003, Centro della Danza became a foundation under the name Fondazione Nazionale Della Danza – Compagnia Aterballetto.
The Foundation offers some of the most meaningful experiences developed in the field of dance, not only at a regional level but also at a national level, making it unique in Italy. These experiences include organising the Professional Training Course for Young Dancers; ballet performances and festivals; and a variety of projects promoting wider public interest and awareness in the world of dance. ̡́ʍଽBiographies 29
ୣᖓgˈʷࡑఀ ᖚᐢဟ
ᖓ٢ᑂכᖓcଓพכୣᖓgˈʷࡑఀ1960ά ჱነc፭ЩΕᖓᙬgВdСෙ̛ᄨgӺʥෙ ɻኪͨዟၦّʥࠖၦۂԈ gϝဍݤؿ٢ᑂၦА e1982/83ၦտ˱Ƀ෮ɣСϴᄨ٢ᑂၦ྆c1997ّ αᏵկͨݯၦ྆ؿᖚᐢဟe
ڈiᑩၦᑰຝկɾАܢ˳ۂ߬ᇁၦА˚ Ρdݯߜਝਝࡼ٢ᑂၦֺ྆А͚ᚊᅥɾၦdݯ̌ ̟ےऋ٢ᑂၦֺ྆А˺Ϲϝဍɾdݯख़˱྇ ٢ᑂၦֺ྆Аၐౝᖓ೩e
τᑡࣳڬݯ෮ɣСϴᄨ٢ᑂၦֺ྆ؿכUlrich Beuttenmüller ϭ © ࠑᅥigௗۺဍࠑᅥdၦ৽Ɋʒʥ ʥࡥဍ˱dͦࡧ̛עթd௩ჱ ɀࠖࠑᅥi֔ऋdጣ༠ঢ়ၐۖdᑢ gޫऋݤࠑᅥ೩e ܆էɾྒࡥဍၐ
Mauro Bigonzetti Artistic Director
Born in Rome in 1960, Mauro Bigonzetti studied at the Ballet of the Opera School of Rome and immediately became a soloist and first dancer in ballets by Roland Petit, Leonide Massine and Aurel Milloss. During the 1982/83 season he joined Compagnia Aterballetto. In 1997 he was appointed the Artistic Director of Aterballetto.
His most important choreographic works include Très bien commissioned by the Marseilles Dance Festival; Symphonic Dances for the English National Ballet; Kasimir’s Colours for the Stuttgart Ballet and Vespro for the New York City Ballet.
For Compagnia Aterballetto, he has created Songs to music by Purcell; Sixteen Dances and Constructions set to John Cage’s score; Comoedia – canto secondo based on music by Pärt, Shostakovich, Germini and Elgar; and A Midsummer Night’s Dream set to original music created by Elvis Costello, among others. 32 ̡́ʍଽBiographies
̠ቧጻgୣཊແ ፡ೄᖓϹ̛ޒಶ
ቧጻgୣཊແՅᖓັϹ୧ԓࠑᅥነؿ̠ cኪͨடݤgᖓෑؿХʹcԎ܃፡ೄʥАςʼን eܞΪढ़ࠑᅥነ࠳ᚾټΕթ܃፭ˢ૯cʥ ჱᇥᇦܞΕᖓჱڏcܞࠖω̎ ʩɁcαඩɀɊɀe
1991αcˢਿ؇АςcԎݯჱdཋᄧʥཋ഼ 2000αּ̠כcԯჱEʩɁҡۂАɺʭА ࣟჱɣᑩɻᏵᆉe
ˈݯٶୣཊແၤୣᖓgˈʷࡑఀͳԑΛαcˢ i2002αख़ܢ˳ۂʷࡑఀАؿ٢ᑂၦࠑᅥА ٢ᑂၦ྆կؿၐౝᖓh2004α4˂ݯ̟ے ऋ٢ᑂၦ྆Аؿෙϝe˱྇̌
Bruno Moretti Piano (Rossini Cards)
Bruno Moretti received a Diploma in Piano and Composition at the St Cecilia Conservatory in Rome. He went on to study with Nino Rota and subsequently became his assistant before studying conducting at the Music Academy of Chigiana. He made his debut at 22 conducting Madama Butterfly at the Opera in Rome.
Since 1991 he has devoted himself completely to composition and has written a lot of music for theatre, cinema and television. His opera Lady E was awarded a prize at the Opera 2000 competition in Prague.
Bruno Moretti has worked with Mauro Bigonzetti for many years. His most recent compositions for Bigonzetti’s ballets include music for Vespro, commissioned by the New York City Ballet and performed at New York’s State Theatre in 2002; and in April 2004 the music for the ballet Orme, created for the Stuttgart Ballet. ᅥ྆ᓯʍGroup Profile 33
ඏॗऋۗ྆
ඏॗऋۗ྆1993αι͓cફЩιݯ෮ɣСඨʥݚϷࠑᅥؿԙᖐّɾȹcᐁ ංӶe
৽ආےؿႦ්҄̈́ࠑᅥc࠹ௐԅɺ৺ᓿێڲԑྡྷɐcˢࠨֺۗؿ̳ܰ෮ਝ ᄙؿࠑᅥऋϳcɁࠨΕԅ㛾ۗᅥddᄪूԔՇ́՜e
ΕඨςࠑᅥؿϨւ၀ुc˞ʥԅͲӸᙺ৽ؿܮࠑᅥؿਥ̯ऋϳcʦ ќਅၦۜe
ΝୣΛࠑᅥຝdؒਝັ˺ແࡥਝ׳ඏॗऋۗ྆౦˱ɺʭਝࠑᅥຝcΣ݇ මᖚdɡढ़ҳ࣮ဍਝඨࠑᅥຝdѴᖘᔁୣΔɻࣵࠑᅥຝ೩eϊ̔cۗ྆ ΈΔؿᅥ྆ࠑᅥࡼАeވ˖ؿιࡗɖ౦།
Assurd
Founded in 1993, Gruppo Musicale Assurd has distinguished itself very quickly as one of the best interpreters of Italian traditional and popular music.
Their music is the result of a typical vivacity of the country world of southern Italy, and of the proletariat of the old quarters of the city of Naples, where people meet, play music, sing, celebrate and enjoy life.
The essential note of this music is represented by the carnal and sensual spirit of the traditional songs and music, also involving movements of the whole body, in other words, dance.
The group has participated in international festivals including Festival Quasimodo in Berlin; the International Meeting of Saint-Cartier, France; the International Festival of traditional music in Neuchatel, Switzerland; and the Festival of Mediterranean Music in Samos, Greece.
The members of Assurd have also collaborated with the other musical groups and artists around the world.
࢟ଡ଼ g֔Сϴּdݤཊּgၬແdࡱ̞ ̹gၐऋ࣍d࢟ଡ଼gౝཊແԓ (from left) Enza Pagliara, Lorella Monti, Christina Vetrone and Enza Prestia 36 ̡́ʍଽBiographies
ෑᓯځg͇ځ ၦّ
ဍၐԓ - ඣɬؿӴဍࣟഠᄨc౦Εכෑᓯ1971άځg͇ځ ያ௶gᎼၐޫ٢ᑂၦነ࣎ୌၦcԎၤӴဍࣟഠᄨਝࡼჱؿ ˮe1988αଓพ܃˱Ƀਝࡼჱ྆ኪͨዟၦࡗʥࠖၦᑰ ٢ވ˖ɣԌྔכࡗcၤ̀ၦʥଊˤၦؿˮe1991α ߶eڥᑂᔶɁၦɣᑩ
౦ኪͨऋּၐʩ˞ϳͶ٢ᑂၦ྆dጻၐᔁᄨਝࡼჱ̀ʱ ჱ٢ᑂၦ྆c2000α׳࣍ॗ٢ᑂၦᑰຝؿ۪ၦّe1997α˱Ƀ݇ځϴᗫϹԓg ᔝԷϴᄨ٢ᑂၦ྆e
Ashen Ataljanc Dancer Born in Belgrade, Serbia and Montenegro, in 1971, Ashen Ataljanc trained at the Lujo Davico Ballet School and participated in productions at the National Theatre in Belgrade. After graduating in 1988, she joined the National Theatre as a soloist and principal dancer, and performed in both classical and contemporary works. In 1991 she won First Prize at the World Ballet Couples Competition in Osaka.
As a guest artist Ashen has worked with the Israeli Ballet in Tel Aviv; the National Theatre in Novi Sad; and the Ballet Festival Alicia Alonso in Cuba. In 1997 she joined the State Opera Ballet Company in Berlin before joining Aterballetto in 2000.
ၐ̿gВແ ၦّ
ୌɻޢЃᖓ࠷ၦᑰכЃᖓ࠷c౦כၐ̿gВແ1964ά ʶ፭٢٢ּgӴဍୌ̀ၦeɊɄั˱ɃЃᖓ࠷ʔͳჱ٢ ځɃϴᄨ٢ᑂၦ྆cȾαԞΕ˱܃ȿԭၦտcٲᑂၦ྆c eۂୣෙؿეኒɎc౦ɺʭടΊᇁၦࡼАځϝᄨෙg 1993α˱Ƀऋѐ̛٢ᑂၦ྆c1998α9˂ࠇҙϴᄨ٢ᑂၦ྆ ࿏Ɏe
Sveva Berti Dancer Born in Florence, Italy, in 1964, Sveva Berti completed a full course of classical dance training under the guidance of Barbara Baer at the Dance Study Centre of Florence. At 18 she joined the Ballet of the Communal Theatre in Florence where she worked for two seasons before joining Aterballetto under Amedeo Amodio, remaining for nine years. In 1993 she joined the Ballet of Tuscany and five years later returned to Aterballetto in September 1998. ̡́ʍଽBiographies 37
ᄨԈΪg̛̠̿ࣚځ ၦّ
ʱቭכਝࣟ৺ጻ̠ဍc౦ؒכᄨԈΪg̛̠̿ࣚ1975άځ ਝࡼࠑᅥʥၦᑰነࣟ৺ጻ̠ဍਝࡼࠑᅥነ࠳พcԎᏵ α٢ᑂၦڇಶཽஈe1994/95ၦտ˱Ƀʱቭਝࡼࠑᅥነټ c།㠥ؿၦտ˱Ƀ̛ჱcˮВВdோКϝ࠷d྆ e1996αˢ྇ያۂϴནʥࣟᙬঢ়೩ടΊᇁၦࡼؿА μ٢ᑂၦ྆ؿณАh1997ϭ1999αၤᄨୃནਝࡼˈ˺ ჱؿˮh2000α2˂˱Ƀϴᄨ٢ᑂၦ྆e
Adrien Boissonnet Dancer Born in Grenoble, France, in 1975, Adrien Boissonnet studied at the National Conservatory of Music and Dance in Paris and at the National Conservatory in Grenoble, where he received the Gold Medal.
For the 1994/95 season he joined the Junior Ballet of the National Conservatory in Paris, and during the following season the Nice Opera where he danced in works choreographed by Petipa, McMillan, Ashton and Cranko. In 1996 he took part in a new production of the Capitol Ballet of Toulouse, and from 1997 to 1999 he danced in the Dresden State Opera Company. Boissonnet joined Aterballetto in February 2000.
ϴg̠ᖓК ၦّ
ᙬᄨؒכСࣂແ࠷ႚऋc౦ˈכϴg̠ᖓК1971ά ᔝҙਝ܃Ƀ୩ᙬၦᑰჱc˱܃ࡼ٢ᑂၦ྆ୌၦcଓพޒః ჱ٢ᑂၦ྆eסࡼᇁၦɻʶdၬΔ˺ᖓ٢ᑂၦ྆ʥԈ 2000α9˂˱Ƀϴᄨ٢ᑂၦ྆e
Ina Broeckx Dancer Born in Turnhout, Belgium, in 1971, Ina Broeckx studied at the Royal Ballet School of Flanders. She then joined the Nederlands Dans Theater, followed by the National Choreographic Centre, the Monte Carlo Ballet and the Lyon Opera Company. She joined Aterballetto in September 2000. 40 ̡́ʍଽBiographies
ແᎏऋgʘּ ၦّ
ʱቭჱ٢כ܃ਝӴဍါcͱؒכແᎏऋgʘּ1976ά ਝࡼࠑᅥסಶཽஈʥԈټᑂၦነ࣎d࣍ၦᑰࠑᅥነԎᏵ 1994αʱቭၦᑰɣᑩ̨ɃҺᑩcԎၤߜਝਝࡼ٢כୌၦe ᑂၦ྆ɾܬտԀe1994α8˂ϭ1997αංኪͨ྇ያ˺ˈμ ٢ᑂၦ྆ؿၦᑰࡗh1997α9˂˱Ƀϴᄨ٢ᑂၦ྆e
Thibaut Cherradi Dancer Born in Belfort, France, in 1976, Thibaut Cherradi studied at the Ballet School of the Paris Opera, the Conservatory of Dance in Nancy (where he received the Gold Medal), and at the National Conservatory in Lyon. As a finalist in the 1994 Dance Competition in Paris he took part in the spring tour of the English National Ballet. From August 1994 to 1997 he was a dancer with the Capitol Ballet in Toulouse. Cherradi joined Aterballetto in September 1997.
နଡ଼gΛᄨဍ ၦّ
ၐځכၐ༛c1982ϭ1990αځਝؒכနଡ଼gΛᄨဍ1973ά ၐ༛٢ᑂၦځȹα፭܃ಶཽஈeԯټ༛ၦᑰነୌၦcԎᏵ ያ྇כ܃ˮh།㠥˱Ƀ࣍ਝࡼ٢ᑂၦ྆ϭ1995αhԯ྆ ˺ˈμ٢ᑂၦ྆ኪͨዟၦࡗh1997α9˂˱Ƀϴᄨ٢ᑂၦ ྆e
Macha Daudel Dancer
Born in Avignon, France, in 1973, Macha Daudel studied at the Conservatory of Dance in Avignon from 1982 to 1990, where she received the Gold Medal. For a year she danced with the Avignon Ballet and from 1991 to 1995 she was part of the Ballet National of Nancy. Daudel danced with the Capitol Ballet as a soloist from 1995 to 1997. She joined Aterballetto in September 1997. ̡́ʍଽBiographies 41
ແ٧ձԓgഥࣟ୧ෙ ၦّ
෮ɣС˺ऋဍࣚ௶ɓכແ٧ձԓgഥࣟ୧ෙ1976ά ԓʺΛ̛թጻነୌၦc1993ϭ1995͊כc1983α̛ Ƀऋּၐʩ˞ϳͶ٢ᑂ˱܃αɃᚾݤࣚӴᅊၦыነ࣎cଓพ ၦ྆cၤ̀ၦଊˤၦؿˮe1998α1˂˱Ƀߜਝਝ ᔝҙϴᄨ٢ᑂၦ྆eٱࡼ٢ᑂၦ྆h1999α
Stefania Figliossi Dancer Born in Castelsangiovanni, Italy, in 1976, Stefania Figliossi began her studies in 1983 at the Accademia Domenichino in Piacenza. She completed her training at the Rudra Béjart Workshop School in Lausanne, remaining from 1993 to 1995 before joining the Israel Ballet in Tel Aviv, where she danced both a classic and modern repertoire. In January 1998 Figliossi joined the English National Ballet and then moved to Aterballetto at the beginning of 1999.
ᘣݿg༆ᖓּ ၦّ
୧ᇘgޫכ෮ɣСഠ̛ԓʷc౦כᘣݿg༆ᖓּ1973ά ʑgແ٧˺ؿ̀٢ᑂၦԾผୌၦcԎᏵཕ̀׳ʥ ၦᑰʼንᖬ࣊e౦ၤࡥഠᖓၦ྆ʥMMၦ྆ؿˮc Λɾ౯hΕᆅ׳ᖓϹ̛ჱຝࡐܢ˳Ɍ౦ɺჱc ԅԓݯ˺ݤgСჱ྆ˮ߁༏ᅊОhΕ֔ဍݯԈෙ տ˱Ƀϴᄨ٢ᑂၦ྆eܬჱ྆ˮѹϫe2002α
Susanna Giarola Dancer Born in Legnago, Italy, in 1973, Susanna Giarola obtained a Diploma in Classical Dance at the Classical Ballet Association directed by Liliana Cosi and Marinel Stefanescu. She has danced with the Elleboro Dance Company and the MM Company. Giarola has also taken part in different opera productions including Le Siège de Corinthe at the Rossini Opera Festival; Jérusalem for Theatre Carlo Felice in Genoa; and Rigoletto for Theatre Regio in Parma. In spring 2002 Giarola joined Aterballetto. 42 ̡́ʍଽBiographies
ϹԈဍgࣟԈऋ ၦّ
כਝӴဍါc1986ϭ1990αؒכϹԈဍgࣟԈऋ1975ά ᖓᑢဍΔਂࠑᅥነ൬࠳ϭּכ܃ऋΔਂࠑᅥነୌၦcڲ ಶཽஈe1993αɃᚾݤࣚӴᅊټଊҡᏵٲ1993αcԯ̀ၦ ၦыነ࣎h1996ϭ1997α˱Ƀ˞ϳͶ٢ᑂၦ྆h1997α˱Ƀ ᄨୃནਝࡼჱe2000α1˂Ᏽˈʷࡑఀᑼᇼ˱Ƀϴᄨ ٢ᑂၦ྆e
Cyril Griset Dancer Born in Belfort, France, in 1975, Cyril Griset began his studies at the Regional Conservatory in Nantes between 1986 and 1990 and continued his training until 1993 at the Regional Conservatory in La Rochelle, where he received the Gold Medal for classical dance. In 1993 he joined the Rudra Béjart Workshop School in Lausanne, and from 1996 to 1997 he was part of the Israel Ballet. In 1997 he joined the State Opera Company of Dresden before Bigonzetti invited him to join Aterballetto in January 2000 .
နዃࣟgСВ ၦّ
ᄨਝ̌྇˱cɊɍัɃᚾࡼ൰ؿכዃࣟgСВ1974ά ٢ᑂၦ྆cЩኪͨዟၦ˱gࣟᙬঢ়ነ࣎c1994α˱Ƀ̌྇ e2004α8˂˱Ƀϴᄨ٢ᑂۂࡗcԎΛϽടΊᇁၦؿА ၦ྆e
Marieke Lieber Dancer Born in Stuttgart, Germany, in 1974, Marieke Lieber entered the John Cranko School in Stuttgart at 13 and the Stuttgart Ballet in 1994. From the first year in the company she danced, as a soloist in works by famous choreographers such as Roberto de Oliverira, Frederick Ashton, John Neumeier and John Cranko. Lieber joined Aterballetto in August 2004. ̡́ʍଽBiographies 43
̿ഠԈෙg࣍ʷ ၦّ
СϹၦᑰነ࣎c౦כᖓcଓพכഠԈෙg࣍ʷ1976ά̿ dܖ፭ᖓ׆gऋढ़߁dያКg܃ၤΔढ़ෙӂჱ྆ؿˮcԯ ಿgᖓ˺ʥ௶؝gढ़ϹК೩Ίࡼ૯e1992αʗПΕਥԓ͠ ၐכ߶ʥտ߶h1996αɌڥαɷҌɣᑩʥͶແ̟ɣᑩɻᏵڇԈ̿ ࣟढ़ၦᑰɣᑩɻྔჟe1998α˱Ƀౝᖓ͊ແ̿ၦ྆c܃ᔝҙऋ ѐ̛٢ᑂၦ྆h2001αޭտ˱Ƀϴᄨ٢ᑂၦ྆e
Valerio Longo Dancer Born in Rome, Italy, in 1976, Valerio Longo graduated from the Dance Lycée in Turin and while there took part in productions with the Teatro Nuovo Company. He continued his studies with Robert Strayner, Luc Buy, Irina Rosca and George Bodnarciuk. In 1992 he won First Prize in the Young Talents Competition in Chiavari; Third Prize in the competition Citta di Rieti; and in 1996, First Prize in the Vignale Danza Competition. In 1998 he joined the Danza Prospettiva Company before moving to the Ballet of Tuscany. In autumn 2001 Longo joined Aterballetto.
ּ௶ᖓgਅړ ၦّ
෮ɣССμᔁဍӂಋcͱΕΔכᖓgਅ௶ּ1978άړ ᖓgࣟړԷਿพၦᑰነ࣎d࠷ˤၦᑰነ࣎ʥϝᙬ܃ୌၦc ߶ʥ1998αڥᏵၐࣟढ़ၦᑰɣᑩכϹᎻჱነ࣎൬࠳eˢ౦ּ ɣᑩԓ߶e2000α࠳ᚾཊರϴϝСԓαႦၦّਿพফᆻ׳ၦ ᇾೡcઅՇˈʷࡑఀܞኒe2001α10˂Ꮆˈʷࡑఀᑼᇼ˱Ƀ ϴᄨ٢ᑂၦ྆e
Paolo Mangiola Dancer Born in 1978 in Melito di Porto Salvo, Italy, where Paolo Mangiola began his studies, he then continued his training at the Scuola Professionale; the London Contemporary Dance School and at the School of Dramatic Arts ‘Paolo Grassi’ in Milan. He won First Prize in the Vignale Danza Competition and Second Prize in the DanzaSi ’98 Competition. In 2000 he participated in the Professional Training Course for Young Dancers in Reggio Emilia, under the direction of Mauro Bigonzetti who invited him to join Aterballetto in October 2001. 46 ̡́ʍଽBiographies
ਅȻgጻځ ၦّ
ਝౝݤ᎖ဍe1992ϭ1996αcͱؒכਅȻgጻ1978άځ ၦᑰነୌၦe1999α˱ɃסਝࡼࠑᅥʥၦᑰነԈכ܃ Ѓᖓ࠷௶gഥෙ࠷ແጻၦ྆h2000αᔝԷऋѐ̛٢ᑂ ၦ྆h2001αޭտ˱Ƀϴᄨ٢ᑂၦ྆e Amandine Mano Dancer Born in Plomeur, France, in 1978, Amandine Mano studied at the National Conservatory of Music and Dance, and the Dance Academy in Lyon from 1992 to 1996. In 1999 she joined the Dance Company of Maggio Fiorentino in Florence, before moving to the Ballet of Tuscany in 2000. In autumn 2001 Mano joined Aterballetto.
୧ଡ଼gແ̛ ၦّ
ऋѐ̛٢ᑂၦᑰነכЃᖓ࠷cԎכ୧ଡ଼gແ̛1975ά ঢ়೩ၦᑰےc߳܃࣎ୌၦe1992αΕαႦᇁၦࡼɣᑩˮ ነ࣎൬࠳cα˱Ƀऋѐ̛٢ᑂၦ྆Ԏኪͨ˚ӯh2001α տ˱Ƀϴᄨ٢ᑂၦ྆eޭ Lisa Martini Dancer Born in Florence, Italy, in 1975, Lisa Martini studied at the Ballet of Tuscany School. In 1992 she participated and won the Competition for Young Choreographers and then attended courses at the Rosella Hightower School in Cannes. The same year she joined the Ballet of Tuscany, where she interpreted important choreographic roles. Martini joined Aterballetto in autumn 2001.
ജऋgʪ̛ ၦّ
෮ɣСթၐෑၐਥԓcΕᖓਝࡼכജऋgʪ̛1972ά c፭ᑩਝࡼ٢ᑂၦ྆dၬΔ˺ᖓ٢ᑂၦ྆܃ၦᑰነՇফ ჱ٢ᑂၦ྆ˮe2000α9˂˱Ƀϴᄨ٢ᑂၦסʥԈ ྆e Walter Matteini Dancer Born in Civitavecchia, Italy, in 1972, Walter Matteini studied at the National Academy of Dance in Rome and went on to dance with the Marseilles National Ballet; the Monte Carlo Ballet; and the Lyon Opera. Matteini joined Aterballetto in September 2000. ̡́ʍଽBiographies 47
ऋᗫgϝဍځˈ ၦّ
ʱכʱቭc1992ϭ1997αՇফכऋᗫgϝဍ1980άځˈ ቭਝ͓ࠑᅥነؿʱቭჱ٢ᑂၦᑰነ࣎c1996αଓพԎ ୌ̀ၦdޢಶཽஈe1998αɃᚾݤࣚӴᅊၦыነ࣎cټᏵ ݘၦڈଊˤၦdᎻჱdࠑᅥddჴ༞dຝۗʥᎾd ೩e2000αޭտ˱Ƀϴᄨ٢ᑂၦ྆e
Béatrice Mille Dancer
Born in Paris in 1980, Béatrice Mille trained at the Ballet School of the Paris Opera from 1992 to 1997 at the Conservatoire National de Region Musique in Paris, from where she graduated with the Gold Medal in 1996. In 1998 she joined the Rudra Béjart Workshop School in Lausanne where she attended courses in classical and modern dance, theatre, music and singing, kendo, rhythm and percussion, and African dance. Mille joined Aterballetto in autumn 2000.
ዃКϹgෙСʩϴּځ ၦّ
ʱϹࣚμcΕᚉϹԓgכዃКϹgෙСʩϴּ1981άځ ࡼঢ়ज़ၦᑰነᆉcޒϝּ٢ᑂነ࣎ୌၦc1997αᏵཕ c߳ߜਝਝࡼ٢ᑂၦነ࣎൬࠳ϭټผᆉነټαᏵढ़ཊ߁ʩਥ Ƀߜਝਝࡼ٢ᑂၦ྆ኪͨዟၦࡗe2002αޭտ˱܃1999αc Ƀϴᄨ٢ᑂၦ྆e˱
Alexis Oliveira Dancer
Born in Santos, Brazil, in 1981, Alexis Oliveira studied at the Lucia Millas School of Ballet going on to win the Royal Academy of Advanced Dancing Award in 1997. With a scholarship from the Nureyev Foundation, he trained at the English National Ballet School from 1997 to 1999, going on to join the English National Ballet as a soloist. Oliveira joined Aterballetto in autumn 2002. 48 ̡́ʍଽBiographies
̥࣍Ϲ˺gԣ̛ࣟဍ ၦّ
נዌݘѐּc1999αᏵכ࣍Ϲ˺gԣ̛ࣟဍ1979ά̥ ɡᙬɣነ৹ነɡነϽc˚࠳٢ᑂၦʥˤၦe1997ϭ2001α ፭ዌݘ٢ᑂၦ྆dዌݘၦᑰჱdNRWᇁၦɻʶc˞ʥ Ԉऋʘၦ྆ˮe2001ϭ2003ܪ׳gແ٧ਅଅეؿ݇̈́ ௩׳ෙဍఃਝ͓ჱኪͨዟၦࡗh2003/04ၦտᔝԷ݇כα ჱh2004α8˂˱Ƀϴᄨ٢ᑂၦ྆e
Francesca Peniguel Dancer
Born in Canberra, Australia, in 1979, Francesca Peniguel obtained an associate degree in Ballet and Contemporary Dance at Queensland University in 1999. Between 1997 and 2001 she danced with the Australian Ballet; the Australian Dance Theatre at the Choreographisches Zentrum NRW; and with MS Schrittmacher Berlin under the guidance of Martin Stiefermann. Between 2001 and 2003 she danced as a soloist with the Oldenburg State Theatre and continued with the Komische Opera Ballet in Berlin for the 2003/04 season. Peniguel joined Aterballetto in August 2004.
ᖓ׆྇gᖳୣּጻ ၦّ
ࡐכࡐ࠷ˈԓ˺Сc1986αଓพכᖓ׆྇gᖳୣּጻ1969ά ࠷ˈԓ̀٢ᑂၦነc፭Щ˱Ƀ˺С٢ᑂၦ྆ϭ1993αe ፭˱ּ˱ˤ٢ᑂၦ྆ˮh1996αᔝҙߜࣟᙬ˵܃ԯ ٢ᑂၦ྆h1998αޭտ˱Ƀϴᄨ٢ᑂၦ྆e2000αcˢኪͨ ဍ˺̛ਝځϹऒˑכᔁּʷᔁ٢ᑂၦ྆ؿ۪ၦّcԎ ᖚຝˮe2001/02ၦտ˱ɃˈԓԈও٢ᑂၦ྆h2002αޭ ϴᄨ٢ᑂၦ྆eٵտࠇ
Roberto Zamorano Dancer
Born in Cali, Colombia, in 1969 Roberto Zamorano studied at the Colombian Institute of Classical Ballet graduating in 1986. Until 1993 he was part of the Ballet of Cali, he then performed with the Contemporary Ballet of Caracas before joining the Northern Ballet Theatre in England in 1996. Zamorano joined Aterballetto in autumn 1998; danced as a guest artist with the Ballet of Zaragoza in 2000, and performed in the International Festival Alcanis in Spain. Zamorano danced with the Ballet Biarritz during the 2001/02 season before returning to Aterballetto in autumn 2002. ̡́ʍଽBiographies 49
χԣg˺ᙬ̛ ٢ᑂၦʥ၎ખኒ
෮ɣСෑˈԓࣵఃc౦ΕഠʘऋޫԈၦᑰɻʶୌכχԣg˺ᙬ̛1961ά ၦc܃߳ᄾढ़ࡐၬΔ˺ᖓࣟཊʔ˚ၦᑰነ൬࠳e1983αѧιཊರϴСԓ̿С ୣځϝᄨෙgځc፭Щ˱Ƀϴᄨ٢ᑂၦ྆eΕࣂؿᖚᐢဟ܃ჱࠖ։ਿพᇾೡ ؿХଉᇁۂcҡኪͨͫАۂෙეኒɎc˺ᙬ̛౦ɺʭˤᇁၦؿ٢ᑂၦА ୣෙؿځၦeˢɌ౧̌˺ּჱdၐᖓढ़ഥּୣ̛ޫჱdᖓჱࠇખȹԒ cԎݯᑩਝ͓٢ᑂၦ྆ࠇખୣᖓgˈʷࡑఀؿᑡeۂА
၎ખcԎ˨ˈʷࡑఀؿХܛ˚৻cኪͨၦᑰࡗcר1997αc˺ᙬ̛ᘗᙩݯၦ྆ e2002α9˂Ᏽկͨݯ٢ᑂၦʥ၎ખኒeʹ
Giuseppe Calanni Ballet and Rehearsal Master Born in Castellammare di Stabia, Italy, in 1961, Giuseppe Calanni studied at the Centro Danza Tersicore of A Di Lecce, then specialised at the Princess Grace Academy of Classical Dance of Monaco. In 1983 he participated in the 1st Specialisation Course at the R Valli Theatre of Reggio Emilia and then joined Aterballetto.
Under the artistic direction of Amedeo Amodio he has danced in ballets by most contemporary choreographers and for some of these ballets he was also assistant choreographer. In this role he re-staged several of Amodio’s ballets for the Filarmonico Theatre in Verona, La Scala and for the Opera in Rome as well as Mauro Bigonzetti's Songs for the Ballet National of Marseille.
Since 1997, he has continued working with Aterballetto as a dancer, rehearsal master and assistant. From September 2002 Calanni was appointed as Ballet and Rehearsal Master. 50 ̡́ʍଽBiographies
ϝะဍgؐСແ ٢ᑂၦʥ၎ખኒ
Δ͠Сଡ଼Вgࡥʼ٢ᑂၦነ࣎ʥЃᖓכ܃෮ɣСԈူԅcͱכϝะဍgؐСແ́ ነ࣎cᄾढ़ࡐၬΔ˺ᖓࣟཊʔ˚ၦᑰነୌၦcʹ߳ख़Ƀᚾਝ٢ᑂ׳࠷ޫ ၦነ࣎c፭̌ɽСgۤ෧ɡe1989αcؐСແ˱ɃၬΔ˺ᖓ٢ᑂၦ྆cιݯᓻพ כᔝҙః٢ᑂၦ྆cʹ˱Ƀ̛ჱ٢ᑂၦ྆cኪͨ٢ᑂኒeˢ౦܃ၦّc ɻኪͨࠖၦᑰࡗʥዟၦࡗe1999αᏵؒਝʔͳઠөཕೕ̀ۂΛϽᇁၦɣؿА ၦઠᖬ࣊h2004α8˂ˮͨϴᄨ٢ᑂၦ྆٢ᑂၦʥ၎ખኒe
Michele Politi Ballet and Rehearsal Master Born in Livorno, Italy, Michele Politi studied at Elizabeth Evans’ Ballet School in Livorno and at the Collin School in Florence, completing his studies at the Princess Grace Academy of Classical Dance, Monaco. He then studied at the School of American Ballet in New York under the guidance of Stanley Williams. Politi began his professional career in 1989 at the Monte Carlo Ballet, then moved to the Hamburg Ballet and later worked at the Nice Opera Ballet as maître repetiteur. He has appeared as principal dancer and soloist in many works by famous choreographers. In 1999 he was granted a Diploma as Professor of Classical Dance by the Ministry of Public Education in France. From August 2004 Politi has worked as Ballet and Rehearsal Master for Aterballetto.
ϝඣּgෙᖓּgʷΪउ ፡ೄʥࠑᅥХଉ
ϝඣּgʷΪउ1977αᏵᖓ̛ԓϹౝԈΪgּؐճˈ˺ࠑᅥነཕೕነɡነ ϭ1980قᖓ̛ԓКּ̿Ɂ̵ᖚነ࣎ઠ፡ೄcכ፭Щ܃Ͻc˚࠳፡ೄcଓพ Кּ̿ෲᅥᅥ྆ࠑᅥผɐኪͨዟۗe1981αଫֈ෮ɣСcԎכαeɊ̒ัԅαɰ ݯɺ٢ᑂၦ྆Ђۗe1983α˱Ƀϴᄨ٢ᑂၦ྆cኪͨࠑᅥХଉcԎၤၦֺ྆ τႇАe
Mihaela Aurora Godeanu Pianist and Musical Assistant Mihaela Godeanu received her degree in music with a specialisation in piano from the Ciprian Porumbescu Conservatory in 1977 and from then until 1980 she has taught piano at the People’s Art School in Craiova, Romania. From the age of 14 she played as a soloist at concerts with the Philharmonic Orchestra of Craiova.
Godeanu moved to Italy in 1981 and has devoted herself entirely as a pianist for various ballet companies. In 1983 she started working with Aterballetto, and as musical assistant, Godeanu has participated in all the company’s productions. ̡́ʍଽBiographies 51
ᖓgѐ̛ऋּ྇ځ ऋௐຝ͌˚ͨ
˱ཊರ˺ּ̠Ԉԓୌၦe1979αכ෮ɣСቮϹࢬcכᖓgѐ̛ऋּ1961ά྇ځ Ƀᖓၦᑰነh1980αΕЃᖓ࠷ʔͳჱ٢ᑂၦ྆ኪͨዟၦࡗʥࠖၦᑰࡗc ྩᚉӯe ʷ(1994)dୄѫ(1997)d˂˸ܢ˳ۂ1983αcˢ˱Ƀϴᄨ٢ᑂၦ྆cᇁၦА Ilۂၦᑰɣᑩᆉe2002αኪͨၦ྆А̟ےݛၰԈʥ ᚓؒᗸჴ೩e2001αᏵཕ ပؿᖚᚋਐcɌԀিነ࣎ᐾፒઠөݠ৽cઐᄤၦعPinguino Senza Fracʥुो ᑰe2003αᏵկͨݯऋௐຝ͌˚ͨe
˰ɻᘭi࣍ʨ
Arturo Cannistrà Special Artistic Events Born in Messina, Italy, in 1961, Arturo Cannistrà started his training in Reggio Calabria and in 1979 he entered the Dance Academy in Rome. In 1980 he became a soloist and principal dancer at the Communal Theatre in Florence. In 1983 he joined Aterballetto and as a choreographer created Tango Medialuna, Eon (1994), Wien (End Game) in 1997, as well as Zingari and La Spada Magica. In 2001 he received the Urban Danza Prix Award in recognition of his career. In 2002 he worked for Aterballetto as the artistic supervisor on Il Pinguino Senza Frac and Rosa Mistica.
Cannistrà has also worked on educational activities to promote dance in different schools and since 2003 he has been in charge of special artistic projects for Aterballetto. 52 ʔ̇ιࡗThe Company
ᖚᐢဟ Artistic Director ୣᖓgˈʷࡑఀ Mauro Bigonzetti
ၦّ Dancers Ashen Ataljanc Sveva Berti Adrien Boissonnet Ina Broeckx Thibaut Cherradi Macha Daudel ႇАɁࡗ Production Team Cyril Griset Marieke Lieber Amandine Mano Lisa Martini ຝ͌ઐᄤ Programming and Marketing Amei Teupel Alexis Oliveira Francesca Peniguel Massimo Dottorini Stefania Figliossi Susanna Giarola Sabrina Chatham Valerio Longo Paolo Mangiola Walter Matteini Béatrice Mille ႇАʥԀিଉ Roberto Zamorano Production and Tour Manager Rossella Caldarelli ٢ᑂၦʥ၎ખኒ ႇАХଉʥԀিଉ Assistant to Ballet and Rehearsal Masters Production and Tour Manager Giuseppe Calanni Daniela Carnevali Michele Politi Ϸܧ˚ͨ Administrative Officers ೄʥࠑᅥХଉ Vincenza Ferrari Pianist and Music Assistant Maria Luisa Foracchia Mihaela Aurora Godeanu ۧඨ Press Officer Stefania Catellani ၦ̎˚ဳ Chief Stagehand Giorgio Pagan ᇾೡ Formation and Courses Ida Galassi ཋɮ˚ဳ Chief Electrician Loris Costi ऋௐຝ͌˚ͨ Special Artistic Events Arturo Cannistrà ཋɮ Electrician Antonella Cannas կࡗผ Board ࠑᚊҌ Sound Technician President ٽผ Roberto Monari 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Δэ Address: ࠗಋᜪˠಋᜪ༞ɀ໔ࠗಋᖚɻʶɊɀᅢ 12th Floor, Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong ཋ Telephone: 2824 3555 ඨभ Fax: 2824 3798 / 2824 3722 ၉ࠒ Website: http://www.hk.artsfestival.org ཋ൯ Email: [email protected] ᓻࡗ Staff ᓻࡗ Staff (contract) Ϸܧᐢဟ ([HFXWLYH'LUHFWRU ຝ͌ Programme ଉ /RJLVWLFV0DQDJHUۿঢ়ᄨᓤ Douglas Gautier અ ነ֦ Elvis Kingټ ຝ͌ Programme ႇАଉ 3URGXFWLRQ0DQDJHUV ຝ͌ᐢဟ 3URJUDPPH'LUHFWRU ̝ۢ̽ Tiffany Yiu ષు☜ Grace Lang ષᜮ Roy Leung ຝ͌ଉ 3URJUDPPH0DQDJHUV ̔ࢄᘐ 2XWUHDFK&RRUGLQDWRU Andrew Chan ڭᘣਝඔ So Kwok-wan ஹҁ ՚⌿ Mio Margarit Chow ̔ࢄХଉ 2XWUHDFK$VVLVWDQW ჳϐ૯ Eva Lau ຝ͌ᘐ 3URJUDPPH&RRUGLQDWRU ຝ͌Хଉ 3URJUDPPH$VVLVWDQW ່৪༻൬࠳ͤ Linda Yip (on study leave) ңણต Christina Lee ອଉຝ͌ᘐ $FWLQJ3URJUDPPH&RRUGLQDWRU Ҍᘐ 7HFKQLFDO&RRUGLQDWRUV ፠Ї Eddy Zee ஹ⍱ജ Billy Chan ሲᅳშ Cat Cheng ઐᄤ Marketing ඟ֗Σ Rufina Fung̟ Nancy Lam׳ ଉ 0DUNHWLQJ0DQDJHU̟ ሲֆ࿘ Katy Cheng ңཽᗸ Kathy Lee ષᘚੜ Gary Leung Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHUV ࠑᚊᘐ 6RXQG&RRUGLQDWRU ՚ֱ Alexia Chow ஹ৪ Joey Chan ॐ࣠ Chris Lam׳ Publication خಌ༠ᑞ Andy Yau ˮ ᇁፎ (GLWRU ೕࢄ Development χ㠒ෲ Daisy Chu ೕࢄଉ 'HYHORSPHQW0DQDJHU ߜʼᇁፎ (QJOLVK(GLWRU ஈዷඓ Angela Hui Mya Kirwan Mya Kirwan Хଉᇁፎ $VVLVWDQW(GLWRU Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ඡฑΪ John Wong ஹ᜔ᙀ Eunice Chan ̟ઐᄤ Marketing ผ߮ Accounts Хଉ̟ଉ $VVLVWDQW0DUNHWLQJ0DQDJHU ผ߮ $FFRXQWDQW ЄయᎩ Agatha Ho ࣨუށ June Yun ̟˚ͨ 0DUNHWLQJ2IILFHU ฦዤ Michelle Yeung ผ߮ʼࡗ $FFRXQWV&OHUN ৻Хଉ 7LFNHWLQJ$VVLVWDQW Bonia Wong ඡਝෲ ோுജ Ada Mak ৻˚ͨ &XVWRPHU6HUYLFHV2IILFHUVרAdministration ۪ʸ ܧϷ Ϸܧो࣊ ([HFXWLYH6HFUHWDU\ ᘣϤ Alfee So Wu Kai-yin ۽χ༠⍖ Carmen Chu ͢ԙ ႚ Pang Leoژధ ज़ो࣊ 5HFHSWLRQLVW-XQLRU6HFUHWDU\ ೕࢄ Developmentٱࡗþۿઅ ң Virginia Li Хଉೕࢄଉ $VVLVWDQW'HYHORSPHQW0DQDJHU ೡણֱ Michelle Ching ፒʔ۩Хଉ 2IILFH$VVLVWDQW Administration ܧTony Cheng Ϸ ټሲ ፒʔ۩Хଉ 2IILFH$VVLVWDQW Dicky Chan ̵ژஹ
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