DOCSLIB.ORG

Business Under Fire Facing Down Ruling Clans and Rebels in WarTorn Ukraine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Business Under Fire Facing Down Ruling Clans and Rebels in War�Torn Ukraine FT Entrepreneurs “The way I see it, everything is up for buying and selling” MOHAMMAD ZAHOOR BUSINESS UNDER FIRE FACING DOWN RULING CLANS AND REBELS IN WARTORN UKRAINE BY YURI BENDER WOMEN ON THE RISE IN LEBANON HAITI REBORN THE AMBITIOUS WEALTH COLUMN ROLLSROYCE GHOST SERIES II WWW.FT.COMWEALTH MAY 2015 Ft WEALtH MAY 2015 it’s entrepreneurship with a mission to change the whole system covEr pHotogrApH Taking the extra step dAvid pArrY Special reports editor Leyla Boulton FT Wealth editor Hugo Greenhalgh Deputy editor Rohit Jaggi Production editor George Kyriakos Art director Jonathan Saunders Picture editor Michael Crabtree Sub-editor Philip Parrish Global sales director Dominic Good Global relationship director for banking and finance Valerie Xiberras Publishing systems manager Andrea Frias-Andrade Advertising production Daniel Lesar contributors Aaron Stanley is the FT’s Washington bureau manager Daniel Ben-Ami is a freelance journalist and writer Yuri Bender is editor-in-chief of Professional Wealth Management Everyone has their own notion about entrepreneurship. “You can truly Emma Boyde is a commissioning editor for be creative and have the freedom to create whatever innovation and FT Special Reports Stephen Foley is the FT’s US investment product you like,” says Weili Dai, co-founder of Marvell Technology correspondent Group, a global semi-conductor company. To show that Haiti “is Henry Foy is the FT’s central Europe not a pariah that can only export cheap apparel and mangoes”, adds correspondent Maarten Boute, a founder of Sûrtab, which makes Android-powered, Andrew Jack is editor of FirstFT Maya Jaggi is a cultural journalist and critic low-cost tablets. And for Mohammad Zahoor, one of Ukraine’s most Rohit Jaggi is the FT’s aircraft, car and prominent foreign businessmen, “everything is up for buying and motorcycle columnist selling”. Different voices from disparate places around the world. John Kenchington is editor of Investment In this special edition of FT Wealth dedicated to entrepreneurs, we Adviser, an FT publication Jeremy Hazlehurst is founder of Family Capital, do not seek to add our own view, but to showcase the great variety a website for the family business sector of men and women who have taken that extra step to start their own Sarah Murray is a regular FT contributor company. And what a range it is. We report from the UK, Ukraine, Ania Nussbaum is an FT intern Lebanon, the US, Haiti, China, Venezuela and Poland on the state of Andres Schipani is the FT’s Andes correspondent entrepreneurialism around the globe. Matthew Vincent is the FT’s deputy companies editor Is there a common theme? Hala Fadel, chairwoman for the pan- Lucy Warwick-Ching is the FT’s online Arab region of the MIT Enterprise Forum, should have the last Money editor word: “It’s not just about making money; it’s entrepreneurship with a mission to change the whole system.” YOUR NEXT Hugo Greenhalgh, Editor FT wEalTh [email protected] 26 June 2015 4 |Ft.coM/WEALtH contEnts 56 OPENINGS 6 invEstMEnt Focus The global property market, with comment by Liam Bailey 8 tHE idEAs coLuMn 46 Challenging the assumption that 8 higher risk means higher reward 10 tHE ricH coLuMn Social investors are increasingly attracted to youthful idealism 18 DIEZ INSIGHT TORO 36 EQuitiEs AN JU Is the long-term outperformance of founder-led companies a fluke? 40 invEstMEnt Crowdfunding is gathering pace as a TZ/CORBIS; source of finance for start-ups FEATURES 42 pHiLAntHropY SCHUL More and more donors are opting for 12 crisis MAnAgEMEnt direct investing over writing cheques Foreign investors in Ukraine are 44 businEss guru RICHARD sensing potential in the country — if Weili Dai of Marvell Technology it can break the hold of the oligarchs 46 corrEspondEnt BIESEN; and modernise its economy Venezuelan art in the age of austerity N 48 corrEspondEnt VA 24 Y 18 bAcKing bEirut Janusz Palikot is a political maverick A quiet revolution is happening in who wants to be president of Poland Lebanon as female entrepreneurs 50 dEbAtE THIERR attract attention from investors The rise of the Asian entrepreneur 52 booK rEviEW 24 HEALtHY proFits 54 Once Upon a Time in Russia by REUTERS; America’s health reforms have Ben Mezrich been a catalyst for technology 54 cAr rEviEW ventures focused on lifestyle The Rolls-Royce Ghost FRANCK; 56 LiFEstYLE 32 HopE For HAiti Flying the Tecnam P2006T Twin STEVE Industries old and new are 58 AMbitious WEALtH getting the country back on How US east coast cities are trying to track after 2010’s earthquake stop the brain drain to Silicon Valley PHOTOS: Ft.coM/WEALtH|5 INVESTMENT FOCUS LUCY WARWICKCHING GRAPHIC BY RUSSELL BIRKETT Global village s fears of a UK property bubble increase, investors in the country are turning to overseas markets in search of diversification, decent liquidity Prime Global and solid returns. Cities Index A House price rises in most developed economies have been fuelled Annual % change Zurich by attempts by central banks to sustain to December 2014 -8.0 economic recovery by holding long-term interest rates at record lows over the past five years. 5.1 London The Knight Frank Prime Global Cities Index, a measure of price movements in luxury residential Vancouver 7.5 13.4 Dublin property, rose 4.2 per cent in 2014. Properties Paris in 24 of the 32 cities in the index 18.8 New York -3.5 either held or increased their San Francisco 14.3 Geneva value. BlackRock Real Estate, the -2.0 property arm of the world’s biggest Los Angeles Madrid fund manager, estimates the $12.9tn 13.0 5.1 global real estate market could nearly Miami 11.5 double in value by 2020. -2.0 Monaco Weak spots remain, however, and the contrast between the US and Europe is stark. The average 1.5 Rome price of a luxury property in one of the four US cities tracked by Knight Frank ended last year 14.4 per cent higher, while the equivalent home in Europe rose just 0.7 per cent. Investors face an uncertain year, with possible new property taxes in London and New York, and potential government moves to cool overheated housing markets in the biggest Asian cities. 8.5% Rise in San Francisco’s Performance over the past three years commercial rents in 2014 (Global property funds, cumulative returns, % to April 12 2015) (Savills World Research Top 3 funds Bottom 3 funds 12 Cities 2015) Brookield Global FP Charteris Listed Real Estate Ucits Acc 69.7% Property B Acc 37.8% Third Avenue Schroder Global Real Estate Val 64.0% Property Inc Max A Acc 30.7% Fidelity Global SLI Global Real Property Acc 58.7% Estate Ret Acc 16.0% 6 FT.COMWEALTH WORLD PROPERTY OUTLOOK LIAM BAILEY 18.3% 65% Returns for buy-to-let landlords of investment deals in in the UK in 2014 the London office market (Wriglesworth) came from overseas in 2014 (Savills World Research The biggest theme underpinning global 12 Cities 2015) property investment activity has been the ultra-low interest rate environment that the main world economies have experienced over the past five years. This has led to a compression of yields as investors have competed ever harder to secure prime property in city markets such as London, Munich, New York, Singapore and Sydney. This squeeze on investment returns, and the expectation of interest rate rises in 2015, is acting to push investors to look for more risk. Demand for property in markets such as Paris, which has been overlooked over the past four years, is likely to rise. More investors are betting on an upswing in recovery markets such as Dublin and Madrid. Moscow -3.7 The author is head of residential research for Knight Frank Vienna -3.0 Seoul 5.3 -0.5 Beijing Tokyo 8.1 11.1% Increase in prime Tel Aviv 10.3 Delhi 1.8 Shanghai 0 residential rents in Tokyo Mumbai 2.9 Hong Kong 1.1 (Knight Frank Prime Global Rental Index) Bangkok 5.1 12% 1.4 Dubai Growth in Singapore’s Nairobi 0.3 office rents in 2014 (Savills World Research Bangalore 10.1 12 Cities 2015) 0.5 Kuala Lumpur -12.4 Singapore 6.5% Increase in prime rents in 2014 Cape Town 13.2 11.2 Jakarta Sydney 11.0 in the Middle East, the highest increase among world regions year on year (Knight Frank Prime 27.1bn 8.1% Global Rental Index) Invested into New York’s Increase in prime rents office market in 2014 in Dubai in 2014 (Savills World Research 12 Cities 2015) (Knight Frank Prime Global Rental Index) Source: Morningstar FT.COMWEALTH7 THE IDEAS COLUMN JAMES MACKINTOSH Risk worth taking? he basic principle of relatively safe holdings and history PutWrite index has beaten the S&P all financial theory is suggests you will retire rather richer than 500 handily and been less volatile. deeply embedded in you otherwise might. Investors will pay up for peace of mind. the investor psyche: But while steady shares have made The easiest proxy for how much more risk means more decent returns and long-dated bonds Mr Market is willing to pay the seller reward. It makes have beaten equities over a quarter of of puts is the Vix index for America’s Tperfect sense — why a century, there are times when risk- S&P 500 index, or equivalent measures would someone take bigger risks if they taking is rewarded. Investors need to of “implied volatility” elsewhere. When did not expect bigger rewards? be thinking not just about taking risk the Vix is high, sellers of puts are paid a The unthinking acceptance of the but also what reward is on offer.
Load more

Recommended publications
  • The Emergent Decade : Latin American Painters and Painting In
    a? - H , Latin American Painters and Painting in trie 1'960's THE - -y /- ENT Text by Thomas M. Messer Artjsts' profiles in text and pictures by Cornell Capa DEC THE EMERGENT DECADE THE EMERGENT DECADE Latin American Painters and Painting in the 1960's Text by Thomas M. Messer Artists' profiles in text and pictures by Cornell Capa Prepared under the auspices of the Cornell University Latin American Year 1965-1966 and The Solomon R. Guggenheim Museum > All rights reserved First published 1966 Library of Congress Catalog Card Number: 66-15382 Design by Kathleen Haven Printed in Switzerland bv Buchdruckerei Winterthur AG, Winterthur CONTENTS All text, except where otherwise indicated, is by Thomas M. Messer, and all profiles are by Cornell Capa. Foreword by William H. MacLeish ix Acknowledgments xi Introduction xm Brazil Correspondence: Thomas M. Messer and Marc Berkowitz 3 Primitive Art 16 Profile: Raimundo de Oliveira 18 Uruguay Uruguayan Painting 29 Argentina Correspondence: Thomas M. Messer and Samuel Paz 35 Profile: Rogelio Polesello and Martha Peluffo 48 Expatriates: New York 59 Profile: Jose Antonio Fernandez-Muro 62 Chile Profile: Ricardo Yrarrazaval 74 Correspondence: Thomas M. Messer and Jorge Elliott 81 Peru Correspondence: Thomas M. Messer and Carlos Rodriguez Saavedra 88 Profile: Fernando de Szyszlo 92 Colombia Correspondence: Thomas M. Messer to Marta Traba 102 Profile: Alejandro Obregon 104 Correspondence: Marta Traba to Thomas M. Messer 1 14 Venezuela Biographical Note: Armando Reveron 122 Living in Painting: Venezuelan Art Today by Clara Diament de Sujo 124 Correspondence: Thomas M. Messer to Clara Diament de Sujo 126 Expatriates: Paris 135 Profile: Soto 136 Mexico Profile: Rufino Tamayo 146 Correspondence: Thomas M.
    [Show full text]
  • ALEJANDRO OTERO B. 1921, El Manteco, Venezuela D. 1990
    ALEJANDRO OTERO b. 1921, El Manteco, Venezuela d. 1990, Caracas, Venezuela SELECTED EXHIBITIONS 2019 Alejandro Otero: Rhythm in Line and Space, Sicardi Ayers Bacino, Houston, TX, USA 2017 Kinesthesia: Latin American Kinetic Art, 1954–1969 - Palm Springs Art Museum, Palm Spring, CA 2016 Kazuya Sakai - Museo de Arte Moderno, Mexico City MOLAA at twenty: 1996-2016 - Museum of Latin American Art (MOLAA), Long Beach, CA 2015 Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978 - The Americas Society Art Gallery, New York City, NY 2014 Impulse, Reason, Sense, Conflict. - CIFO - Cisneros Fontanals Art Foundation, Miami, FL 2013 Donald Judd+Alejandro Otero - Galería Cayón, Madrid Obra en Papel - Universidad Metropolitana, Caracas Intersections - MOLAA Museum of Latin American Art, Long Beach, CA Mixtape - MOLAA Museum of Latin American Art, Long Beach, CA Concrete Inventions. Patricia Phelp de Cisneros Collection - Museo Nacional Centro de Arte Reina Sofía, Madrid. 2012 O Espaço Ressoante Os Coloritmos De Alejandro Otero - Instituto de Arte Contemporânea (IAC), São Paulo, Brazil Constellations: Constructivism, Internationalism, and the Inter-American Avant-Garde - AMA Art Museum of the Americas, Washington, DC Caribbean: Crossroads Of The World - El Museo del Barrio, the Queens Museum of Art & The Studio Museum in Harlem, New York City, NY 2011 Arte latinoamericano 1910 - 2010 - MALBA Colección Costantini - Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires 2007 Abra Solar. Un camino hacia la luz. Centro de Arte La Estancia, Caracas, Venezuela 2006 The Rhythm of Color: Alejandro Otero and Willys de Castro: Two Modern Masters in the Patricia Phelps de Cisneros Collection - Fundación Cisneros. The Aspen Institute, Colorado Exchange of glances: Visions on Latin America.
    [Show full text]
  • THE EMERGENT DECADE Armando Morales
    a? - H , Latin American Painters and Painting in trie 1'960's THE - -y /- ENT Text by Thomas M. Messer Artjsts' profiles in text and pictures by Cornell Capa DEC Digitized by the Internet Archive in 2011 with funding from Solomon R. Guggenheim Museum Library and Archives http://www.archive.org/details/emergentdecadelaOOmess THE EMERGENT DECADE Armando Morales. Landscape. 1964. --'- THE EMERGENT DECADE Latin American Painters and Painting in the 1960's Text by Thomas M. Messer Artists' profiles in text and pictures by Cornell Capa Prepared under the auspices of the Cornell University Latin American Year 1965-1966 and The Solomon R. Guggenheim Museum > All rights reserved First published 1966 Library of Congress Catalog Card Number: 66-15382 Design by Kathleen Haven Printed in Switzerland bv Buchdruckerei Winterthur AG, Winterthur CONTENTS All text, except where otherwise indicated, is by Thomas M. Messer, and all profiles are by Cornell Capa. Foreword by William H. MacLeish ix Acknowledgments xi Introduction xm Brazil Correspondence: Thomas M. Messer and Marc Berkowitz 3 Primitive Art 16 Profile: Raimundo de Oliveira 18 Uruguay Uruguayan Painting 29 Argentina Correspondence: Thomas M. Messer and Samuel Paz 35 Profile: Rogelio Polesello and Martha Peluffo 48 Expatriates: New York 59 Profile: Jose Antonio Fernandez-Muro 62 Chile Profile: Ricardo Yrarrazaval 74 Correspondence: Thomas M. Messer and Jorge Elliott 81 Peru Correspondence: Thomas M. Messer and Carlos Rodriguez Saavedra 88 Profile: Fernando de Szyszlo 92 Colombia Correspondence: Thomas M. Messer to Marta Traba 102 Profile: Alejandro Obregon 104 Correspondence: Marta Traba to Thomas M. Messer 1 14 Venezuela Biographical Note: Armando Reveron 122 Living in Painting: Venezuelan Art Today by Clara Diament de Sujo 124 Correspondence: Thomas M.
    [Show full text]
  • Blingski Korsakov
    DANNY WALLACE ‘The mission is to send Lady Gaga into early retirement. I call it Project Kamaliya’ Mohammad Zahoor B L I N G S K I KORSAKOV Meet the Zahoors. Mohammad: super-rich husband and patron. Kamaliya: Ukraine’s Lady Gaga-in-the-making. His billions can buy champagne baths and his-and-her jets, but can cold cash really pay for pop superstardom? GQ hangs with the big personalities behind TV’s Meet The Russians for whom patience is not just a virtue, but a necessity STORY BY DANNY WALLACE PHOTOGRAPHS BY BRAN SYMONDSON Rich pickings: Mohammad Zahoor shares his home with his pop-star wife, Kamaliya, and their twin daughters, a litter of designer dogs and one well-behaved hawk MARCH 2014 G XX DANNY WALLACE “Well,” I say, pointing at a small plate in front of me. “This is nice cheese.” The man I’m with – Mohammad Zahoor – folds his arms and nods. There is a moment of silence. “In fact, it’s all nice cheese, isn’t it?” I say. Pet set (clockwise from top Zahoor doesn’t say anything this time, just left): En route to Odessa – stretches back in his chair and casts a glance to with menagerie – aboard one a grand staircase, in case his wife, the Ukrainian of the couple’s private jets; clear of knives, guns and pop star Kamaliya, is finally ready. grenades, Kamaliya makes I’ve been sitting here in this vast Kiev her entrance at a club in Kiev; Danny Wallace toasts the mansion for nearly three hours and there’s Zahoors under the watchful been no sign of Kamaliya.
    [Show full text]
  • Iraq's Provincial Elections
    IRAQ’S PROVINCIAL ELECTIONS: THE STAKES Middle East Report N°82 – 27 January 2009 TABLE OF CONTENTS EXECUTIVE SUMMARY ...................................................................................................... i I. INTRODUCTION ............................................................................................................. 1 II. THE 2005 ELECTION, ITS DISCONTENTS AND ITS LEGACY.............................. 2 A. IMBALANCED COUNCILS ..............................................................................................................2 1. Ninewa (capital: Mosul) ..............................................................................................................2 2. Diyala (capital: Baaquba) ............................................................................................................4 3. Anbar (capital: Ramadi)...............................................................................................................5 4. Baghdad .......................................................................................................................................6 5. Basra ............................................................................................................................................7 B. DYSFUNCTIONAL GOVERNANCE AND THE ROLE OF RELIGION......................................................8 C. ELECTORAL LEGISLATION ..........................................................................................................11 D. TO VOTE OR NOT TO VOTE?.......................................................................................................12
    [Show full text]
  • 1 JAVIER TÉLLEZ Born in 1969, in Valencia, Venezuela Lives And
    JAVIER TÉLLEZ Born in 1969, in Valencia, Venezuela Lives and works in Long Island City, Queens, NY EDUCATION Arturo Michelena School of Fine Arts, Venezuela SELECTED SOLO EXHBITIONS 2018 Shadow Play, curated by Manuel Cirauqui Guggenheim Museum Bilbao, Spain (forthcoming) 2017 Letter on the Blind for the Use of Those Who See, Blanton Museum, Austin, TX 2016 To Have Done with the Judgment of God, Koenig & Clinton, New York, NY 2014 Shadow Play, curated by Mirjam Varanidis, Kunsthaus Zürich, Switzerland Games are forbidden in the labyrinth, Walter and McBean Galleries, San Francisco Art Institute, CA Games are forbidden in the labyrinth, REDCAT Gallery, co-produced with Kadist Art Foundation, Los Angeles, CA 2013 Praise of Folly, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium The Conquest of Mexico, Figge von Rosen Galerie, Cologne, Germany 2012 Ungesehen und unerhört II: Javier Téllez, Museum Sammlung Prinzhorn, Heidelberg, Germany Rotations, Galerie Peter Kilchmann, Zürich, Switzerland 2011 Letter on the Blind for the Use of Those Who See, Arthouse at the Jones Center, Austin, TX O Rinoceronte de Dürer, Fruits, Flowers, and Clouds, Museum for Applied Arts, Vienna, Austria Letter on the Blind for the Use of Those Who See, Museum of Contemporary Art Cleveland, OH O Rinoceronte de Dürer, Galerie Arratia Beer, Berlin, Germany 2010 Vasco Araújo/Javier Téllez - Larger than Life, curated by Isabel Carlos, Museo de Arte Contemporánea, Vigo, Spain Vasco Araujo/Javier Téllez - Larger than Life, Museu Calouste Gulbenkian, Lisbon, Portugal 2009
    [Show full text]
  • 6 Months After Tsunami – 6 Months After
    Tsunami 6 Months After Tsunami – 6 Months After Plan International Asia Regional Office 2nd Floor, Na-Nakorn Building 99/349 Chaengwattana Road Laksi, Bangkok 10210 Tel +66 (0) 2 576 1972-4 Fax +66 (0) 2 576 1978 www.plan-international.org June 2005 Published by Plan Ltd. © Plan 2005 This publication is protected by copyright. It cannot be reproduced by any method without prior permission of the copyright owner. Photos: Cover (front and back): Michael Diamond, Plan Asia Country Photos: - Sri Lanka: Dominic Sansoni - India: Sonu Madhuvan - Indonesia: Maha Eka Swasta Text: Plan and the Tsunami: Plan Asia Regional Office Country Snapshots: Sandy Barron Design and layout: Keen Publishing (Thailand) Co., Ltd. Tsunami 6 Months After Foreword At the end of December 2004, Plan joined people from neighbouring communities, local governmental and voluntary organisations, and the international community to respond to the Indian Ocean tsunami disaster. It seems appropriate now both to reflect on what has happened since the tsunami struck, and to look at the work in the months and years ahead. The tsunami was an unprecedented disaster, both in terms of its impact and in the scale of local and international responses. Given this, what has Plan been able to achieve or not achieve over the past six months? How did Plan work with people in their struggle to reclaim their normal lives? What children’s issues were we in Plan able to address, and what issues remain? Outsiders tend to see the victims and survivors of disasters as a homogeneous group. In fact, there are as many stories as there are people.
    [Show full text]
  • THE INVENTION of the NATIONAL in VENEZUELAN ART MUSIC, 1920-1960 by Pedro Rafael Aponte Licenciatura En Música, Instituto Univ
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt THE INVENTION OF THE NATIONAL IN VENEZUELAN ART MUSIC, 1920-1960 by Pedro Rafael Aponte Licenciatura en Música, Instituto Universitario de Estudios Musicales, 1995 M.M., James Madison University, 1997 M.A., University of Pittsburgh, 2004 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH SCHOOL OF MUSIC This dissertation was presented by Pedro Rafael Aponte It was defended on October 27, 2008 and approved by Dr. Deane Root, Professor of Music Dr. Don Franklin, Professor of Music Dr. Mary Lewis, Professor of Music Dr. Joshua Lund, Associate Professor of Hispanic Languages and Literature Dissertation Advisor: Dr. Deane Root, Professor of Music ii Copyright © by Pedro Rafael Aponte 2008 iii THE INVENTION OF THE NATIONAL IN VENEZUELAN ART MUSIC, 1920-1960 Pedro Rafael Aponte, Doctor of Philosophy University of Pittsburgh, 2008 This dissertation explores the developments of art music in Venezuela during the first half of the twentieth century as an exercise in nation building. It argues that beginning in the early 1920s a nationalist movement in music emerged, which was not only determined by but also determinant in the construction of a concept of nationhood. The movement took place at a crucial time when the country had entered a process of economic transformation. The shift in Venezuela’s economic system from agrarian to industrial in the 1910s triggered a reconfiguration of the country’s social and cultural structures.
    [Show full text]
  • Geometric Abstract Works: the Latin American Vision from the 1950S, 60S and 70S
    GEOMETRIC ABSTRACT WORKS: THE LATIN AMERICAN VISION FROM THE 1950S, 60S AND 70S HENRIQUE FARIA FINE ART Notwithstanding the recent Latin American extravaganzas at the Museum of Modern Art and NYU’s Grey Art Gallery, it is still remarkably unusual to see Latin American artists enjoy their due recognition. Without a doubt, both New Perspectives and The Geometry of Hope have made leaps to enhance our understanding of Latin America’s contribution to modern art. However, decades of oblivion cannot be recovered in a few years. Much indifference has left its mark on the reception of Latin American art in the United States. To cite but one example, the only Latin American included in the Guggenheim’s Abstraction in the 20th Century: Total Risk, Freedom, Discipline (1996) was Roberto Matta. This might seem odd given today’s tendency in the art world to be more inclusive and to embrace international artists. But histories get buried and when the time is right, they get found. The developments of geometric abstraction in Latin America is one such history. Seeking to counter this, Geometric Abstract Works: The Latin American Vision From The 1950s, 60s And 70s offers a rare opportunity to view works created by twenty-one Latin American artists during the seminal decades of the 1950s, 60s and 70s. Featuring works from an array of movements that flourished in different countries, the show presents a surprising array of paintings, sculptures and works on paper by some of the most important figures of the post-war era who embraced the legacy of Constructivism in Latin America.
    [Show full text]
  • Goedgekeurde Cultivars Japan Klik Op Het Gewas Om Naar De Juiste Pagina En Betreffende Lijst Te Gaan Vanaf Pagina ALLIUM
    Goedgekeurde cultivars Japan Klik op het gewas om naar de juiste pagina en betreffende lijst te gaan vanaf pagina ALLIUM .............................. 2 BEGONIA ........................... 3 CROCUS ............................ 5 GLADIOLUS ...................... 6 HIPPEASTRUM ................. 8 HYACINTHUS .................... 12 IRIS .................................... 14 LILIIUM .............................. 18 TULIPA .............................. 42 De lijsten per gewas kunnen verschillende jaren/seizoenen betreffen. Het geldende jaar staat boven de lijst vermeld. ALLIUMALLIUM Japan goedgekeurde cultivars 2019 blz: 1 AFLATUNENSE ALBUM (CARINATUM SUBSP. PULCHELLUM) BALLERINA CARINATUM SUBSP PULCHELLUM CHRISTOPHII COWANII EROS FLAVUM GLADIATOR GRACEFUL BEAUTY IVORY QUEEN JEANNINE KARATAVIENSE MOLY OREOPHILUM PURPLE SENSATION SCHUBERTII UNIFOLIUM URSINUM SUBSP URSINUM VIOLET BEAUTY Versie: 03-05-2019 Laatste pagina, aantal pagina's: 1 BEGONIABEGONIA Japan goedgekeurde cultivars 2019 blz: 1 AMERIHYBRID WIT (+ ROOD) AMERIHYBRID WIT (+ ROZE) BOUTON DE ROSE CALYPSO GEEL ORANJE CAMELLIA CASCADE FLORENCE CASCADE GEEL CASCADE ODOROSA CASCADE ODOROSA RED SUNSET CASCADE ODOROSA SWEET PINKCASCADE ODOROSA WHITE CASCADE ODOROSA YELLOW BLUSH FLAME CASCADE ORANJE CASCADE PASTEL CASCADE ROOD CASCADE ROZE CASCADE SCHARLAKEN CASCADE SUNRAY CASCADE WIT CASCADE ZALM DAFFODIL SALMON FIMBRIATA FLAMENCO WIT ROOD ILLUMINATION ABRIKOOS ILLUMINATION ORANJE ILLUMINATION ROZE ILLUMINATION SCHARLAKEN ILLUMINATION WIT LACE APRICOT LACE PINK LACE RED LACE SALMON
    [Show full text]
  • October 1, 2020 for IMMEDIATE RELEASE GETTY RESEARCH
    DATE: October 1, 2020 FOR IMMEDIATE RELEASE GETTY RESEARCH INSTITUTE ACQUIRES ARCHIVE OF VENEZUELAN INTELLECTUAL AND PHOTOGRAPHER ALFREDO BOULTON Puerto Nutrias, 1948, Alfredo Boulton (Venezuelan, 1908-1995), Gelatin silver print Getty Research Institute, Los Angeles LOS ANGELES – Getty Research Institute has acquired the archive of Alfredo Boulton (Venezuelan, 1908-1995) one of the most important champions of modern art in Latin America and a key intellectual in 20th-century Venezuela. An art critic, art historian, and photographer, Boulton authored more than 60 publications on the art and historiography of his country. At the same time, he was also a pioneer of modern photography, generating through his images a new cultural definition of Venezuela. The Boulton archive, ca. 1920-1995, contains his extensive correspondence with local and international artists, institutions, intellectuals, and collectors; his writings for magazines and newspapers, his research materials on pre-Hispanic art, colonial art, the iconography of independence leaders, and modern artists; and a complete vintage collection of his photographic production. “Alfredo Boulton’s life and work correspond to a time when Venezuela became a focal center of modernism in Latin America. His extensive research activities on pre- Hispanic art, colonial art, 19th-century art, and his investigations on the imagery of the leaders of independence, defined the artistic history of Venezuela,” said Mary Miller, director of Getty Research Institute. “He was also an accomplished photographer,
    [Show full text]
  • My House – Someone's Fortress: the Right to Property Under Conditions of the Armed Conflict in the East of Ukraine
    MY HOUSE – SOMEONE’S FORTRESS: THE RIGHT TO PROPERTY UNDER CONDITIONS OF THE ARMED CONFLICT IN THE EAST OF UKRAINE Kyiv 2016 УДК 342.739 + 343.9 ББК 66.061.461 М 57 The report contains information obtained during field monitoring mis- sions conducted under support of the U.S. Agency for International Development (USAID) in the framework of the “Human Rights in Action” Project implemented by the Ukrainian Helsinki Human Rights Union. The contents are the responsibility of the authors and do not necessarily reflect the views of the USAID or the United States Government. The American people, through the USAID, have provided economic and humanitarian assistance worldwide for 50 years. In Ukraine, USAID’s assistance focuses on three areas: Health and Social Transition, Eco- nomic Growth and Democracy and Governance. USAID has provided 1.8 bln technical and humanitarian assistance to Ukraine since 1992. For additional information about USAID programs in Ukraine, please visit our website: ukraine.usaid.gov or our Facebook page at www.facebook.com/USAIDUkraine. М 57 My house – someone’s fortress: the right to property under conditions of the armed conflict in the East of Ukraine / О. А. Bida, А. B. Blaga, О. А. Mar- tynenko, М. G. Statkevych; ex. Chief Editor А.P. Bushchenko / Ukrainian Hel- sinki Human Rights Union. – Kyiv, 2016. The publication provides a comprehensive analysis of property rights protec- tion in the current situation of armed conflict in the east of Ukraine. It explains the international legal understanding of the essence of the right to peaceful enjoyment of property and its legal nature; analyzes the case-law of the European Court of Human Rights and the formation of European standards for property rights protection in the situation of armed conflict.
    [Show full text]