University of Cincinnati

Total Page:16

File Type:pdf, Size:1020Kb

University of Cincinnati UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Soft Edge Architectural Thresholds in the Urban Landscape of San Diego Jessica K. Lane Thesis, Master of Architecture . University of Cincinnati . May 30, 2008 Contents 01 Abstract 02 Introduction 02/01 thin skin/thickened surface 02/02 background 02/03 position 02/04 tactics 02/05 evaluation 03 Landscape 03/01 location 03/02 alternative place names 03/03 borderlands and the non-integrating gap 03/04 post-industrial voids 03/05 figure/ground 03/06 bodies of water, knowledge 02 03 04 urban design 04/01 flow of traffic 04/02 bloodletting 04/03 foreign bodies 04/04 slow scale 05 architecture 05/01 curtain wall 05/02 homestead 05/03 containment 06 Skin 07 Foundation & Roof 08 Conclusion 09 Bibliography 10 Appendix 10/01 glossary 04 05 Abstract The recent intensity of urban development in San Diego is prefigured by its frontier mentality of compounded edge conditions. Regional geography, international politics, economics and history reinforce a pattern of local containment superimposed with the smooth space of militarized, infrastructural and technological corridors that collapse dis- tance. The frontier is multiple: “borderlands” of shifting margins where ephemeral lines of exchange physically divide and polarize terrain and bodies. This thesis will explore borderlands as scalar phenomena mate- rialized architecturally; infrastructure spanning from microscopic tech- nology to tools of globalization is actively interfaced at the scale of the body by architecture that permits or denies access. In this context, bor- derlands are places of possibility, where architecture’s human scale can re-territorialize communication and exchange trajectories by tapping into and supporting conditions of intersection. If architecture as the “third skin” of the body has been a point of departure for investigating function and materiality, it still has not mitigated the “surface;” place- lessness and sensory deprivation pervasive in southern California’s built landscape. Using tactics of softness and flexibility, architecture in these selectively porous nodes can re-infiltrate and re-connect urban marginal space with the flow of resources and collective life of the city. 06 07 Introduction 02/01 thin skin/thickened surface Michel Foucault’s view that “[architects are] not the technicians or engineers of the three great variables – territory, communication, and speed” seems to contradict theorists like Henri Lefebvre and Gilles Deleuze and Felix Guattari, for whom architecture is continuous with other human methods of producing and changing space. Human society manifests itself in its organization of space – Foucault’s techne1 – the capacity of geographic occupation generally, but architecture specifically – to be used as a technique to enact or subvert political, cultural and economic pressure on the territory and the populace. Particularly in light of architecture’s historic connection with military strategy and fortification, urban habitation/colonization and land use constitute thick thresholds in the form of corridors, grids, or dead ends. In contrast to Rem Koolhaas’ view that the suburban “Generic City” is just “what happens naturally,” and that planning makes no difference; urban areas, architecture defines territory, communication and speed by default. In their pre-eminence, buildings, the homogeneous matrix of capitalistic space, successfully combine the object of control by power with the object of commercial exchange. The building effects a brutal condensation of social relationships…It embraces, and in so doing reduces, the whole paradigm of space: space as domination/ appropriation (where it emphasizes technological domination); space as work and product (where it emphasizes product); and space as immediacy and mediation (where it emphasizes mediations and 1 Techne, for Foucault, is a critical tool, a rational approach for considering ideology, methods and forms of architecture. It has to do with the techniques of architecture as a system that negotiates between the concrete and practical concepts of the state and the inexact results practiced by the general populace. Michel Foucault, “Space, Knowledge and Power: an interview with Paul Rob- inow,” Rethinking architecture: a reader in cultural theory, ed. Neil Leach (London: Routledge, 1997), 367. 08 09 mediators, from a technical materiel to the financial ‘promoters’ of construction projects).2 Allowing Lefebvre to respond to Foucault; while architecture may never “engineer” territory, speed, or communication, it channels these things, its role is transitioning from that of surface – a visual sign, shaper of city “ground,” and spatial divider – to increasingly that of the skin – a thickened interface between the infrastructural flows of the city/global networks and the body. In Southern California, Modern architects viewed such variables as communication and speed as the fundamental components of a continuous network over the land. In an effort to correct architecture’s disconnect with technology and engineering, architecture sought to integrate infrastructural amenities, while separating from the urban fabric to become objects placed sculpturally in the landscape. San Diego, like other borderlands, is a compendium of superimposed edge conditions: geographic, political, economic, and cultural; it has tended to make its own rules. The development of San Diego succeeded in combining the ‘connected expansiveness’ of the international frontier with the containment of the political and economic border that helped maintain a favorable power imbalance. Again, to quote Lefebvre, “The illusion of a transparent, ‘pure’ and neutral space – which, though philosophical in origin, has permeated Western culture – is being dispelled only very slowly.”3 The emphatic declaration of the marginality of the borderland itself indicates the reciprocal concentration of power in San Diego; today, the city exists as a globalized center precisely as a result of combined consolidation (of power and resources) and dispersal - shedding industries and services that are now more profitably located elsewhere. In the last decade, urban San Diego has enjoyed an unprecedented on county traffic congestion. This rapid growth has also seen the construction and investment boom, fueled by the perception of disappearance of open land in the county; with strict zoning and little incentive to preserve habitat or open land, the natural beauty that prosperity4 and the attractiveness of its dramatic natural beauty and laid-back lifestyle. Following the established pattern of sprawling is one of the area’s most unique features disappears at exactly the development overcome by heavy-handed infrastructure, explosive rate that people seek it. Unsurprisingly, developer-friendly policy economic and population growth entrench the systematic disparity has quickly adapted, shifting back towards the urban region where of access to resources as wealthy suburbs draw services from their own developers have focused efforts on extensive urban revitalization tax bases and poorer districts are left with fewer resources. The city’s projects, especially the $411 million Padres ballpark and East Village overextended infrastructure strains to provide municipal services like complex. In a pattern of gentrification familiar to many American fire protection, schools, water and electricity over the great net of the cities, low-income residents are shunted to suburbs distant from municipal area. Despite continuous investment, growth continues to city resources while the city imports suburban extremes of privacy, outstrip the capacity of the city infrastructure to service it; constant security, leisure and commodity. A nationwide survey conducted in road-widening and freeway extensions have little lasting impact 2006 showed that, for the first time in history, “the suburban poor outnumbered their city counterparts by at least 1 million.”5 This reversal of postwar white flight reflects a socio-economic shift that 2 Henri Lefebvre, “The Production of Space” In Rethinking Architecture: A is potentially more detrimental to San Diego than the 1950’s move Reader in Cultural Theory, ed. Neil Leach, 2005th ed. (New York: Routledge, to the suburbs; as low-income families are priced out of dense urban 2005), 227. 3 Ibid, 293 areas, the thinness of suburban infrastructure means that they no 4 San Diego is one of the wealthiest cities in the nation. Rancho Santa Fe, for example, is the wealthiest community with more than 1000 households. San Diego shared second place with San Francisco for the wealthiest urban 5 Alan Berube, co-author of the report for the Brookings Institution, a Wash- center in the nation, according to the 2007 Census. ington-based think tank. 10 11 thresholds that spatially enact passage or blockage; it is indicative of a large-scale pattern that owes its force to a system of redundant and overlapping borderlands that operate many scales. The difference between the two-dimensional and absolute boundary of surface and the thick functionality of skin constitutes a borderland, a region of negotiation, for example, between smooth and striated space.
Recommended publications
  • Ecaade 2021 Towards a New, Configurable Architecture, Volume 1
    eCAADe 2021 Towards a New, Configurable Architecture Volume 1 Editors Vesna Stojaković, Bojan Tepavčević, University of Novi Sad, Faculty of Technical Sciences 1st Edition, September 2021 Towards a New, Configurable Architecture - Proceedings of the 39th International Hybrid Conference on Education and Research in Computer Aided Architectural Design in Europe, Novi Sad, Serbia, 8-10th September 2021, Volume 1. Edited by Vesna Stojaković and Bojan Tepavčević. Brussels: Education and Research in Computer Aided Architectural Design in Europe, Belgium / Novi Sad: Digital Design Center, University of Novi Sad. Legal Depot D/2021/14982/01 ISBN 978-94-91207-22-8 (volume 1), Publisher eCAADe (Education and Research in Computer Aided Architectural Design in Europe) ISBN 978-86-6022-358-8 (volume 1), Publisher FTN (Faculty of Technical Sciences, University of Novi Sad, Serbia) ISSN 2684-1843 Cover Design Vesna Stojaković Printed by: GRID, Faculty of Technical Sciences All rights reserved. Nothing from this publication may be produced, stored in computerised system or published in any form or in any manner, including electronic, mechanical, reprographic or photographic, without prior written permission from the publisher. Authors are responsible for all pictures, contents and copyright-related issues in their own paper(s). ii | eCAADe 39 - Volume 1 eCAADe 2021 Towards a New, Configurable Architecture Volume 1 Proceedings The 39th Conference on Education and Research in Computer Aided Architectural Design in Europe Hybrid Conference 8th-10th September
    [Show full text]
  • Rethinking Architecture
    Rethinking Architecture Rethinking Architecture brings together for the first time the principal writings on architecture by many of the key philosophers and cultural theorists of the twentieth century. These essays contain some of the most insightful observations on contemporary. architecture, and offer refreshingly original perspectives on the subject. Together they constitute a body of material which prompts the rethinking of many accepted tenets of architectural theory from a broader cultural perspective. The editor, Neil Leach, has grouped writings covering common themes and approaches into well-defined sections, and has written helpful introductions for each section and for each author. Neil Leach is director of the MA in Architecture and Critical Theory at the University of Nottingham. Rethinking Architecture A reader in cultural theory Edited by Neil Leach London and New York First published 1997 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2005. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1997 Neil Leach for selection and editorial matter All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hearafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Leach, Neil, Rethinking architecture: a reader in cultural theory/Neil Leach.
    [Show full text]
  • ARC 386L THEORY of ARCHITECTURE II Unique Number 00960 Fall 2018 Richard Cleary
    ARC 386L THEORY OF ARCHITECTURE II Unique Number 00960 Fall 2018 Richard Cleary Meeting Time and Place W 9:00-11:45 Battle Hall 101 Office Hours W 2:00-3:00, Th 1:30-2:30 and by appointment Sutton Hall 4.122. Tel. (512) 471-6165 email: [email protected] Course Objectives Theories of architecture provide frameworks for architectural practice and for relating practice to society. This discussion-based course is intended to help you anchor your own positions in contemporary discourse by examining seminal texts that have shaped architectural thought in the West. Course materials Pdf files for all reading assignments are available on the course Canvas site. Assignments and Evaluation Position papers and drawing assignment 40% of final grade Due as indicated on the schedule of classes below, the position papers are intended to help you focus your thoughts about the readings and to provide a basis for discussion. You may submit your papers on Canvas or as hard copies. Each essay should be two to three pages long (double-spaced, 12-point type) and address one or more issues drawn from the readings. You may express support or disagreement with the authors’ positions, comment on the subject matter, or otherwise relate it to something you’ve encountered elsewhere in your experience. It is not necessary to devote equal space to each of the readings, but you should mention all of them. 2 Drawing assignment due on Wednesday, 19 September Using a module of 1” for the base of the columns, construct the Doric, Ionic, and Corinthian orders.
    [Show full text]
  • Abstract Architectural Phenomenology: Towards A
    ABSTRACT ARCHITECTURAL PHENOMENOLOGY: TOWARDS A DESIGN METHODOLOGY OF PERSON AND PLACE by David Thomas VonderBrink This thesis document investigates the philosophical movement of phenomenology and its implications in forming an architectural design methodology. The writings of such existential philosophers and authors as Martin Heidegger, Maurice Merleau-Ponty, and Christian Norberg-Schulz are discussed. To position the argument within a current dialectically opposing discourse, the deconstructivist writings of Jacques Derrida and his influence on the architecture of Bernard Tschumi and Peter Eisenman are explored. Steven Holl’s Museum of Contemporary Art and Louis Kahn’s Salk Institute for Biological Studies illustrate a phenomenological approach in design through a foundation in the writings of the aforementioned authors. Through these examinations a design methodology that seeks to express the interdependent relationship between person and place is formulated. This methodology is then tested in the design of a large residential and pedestrian path sited in Cincinnati, Ohio. Architectural Phenomenology: Towards a Design Methodology of Person and Place A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Architecture Department of Architecture and Interior Design by David Thomas VonderBrink Miami University Oxford, Ohio 2007 ____________________________ John Reynolds - Advisor ____________________________ Craig Hinrichs - Reader ____________________________ Gerardo Brown-Manrique – Reader TABLE OF CONTENTS Page # 1. INTRODUCTION 2. Heidegger 2. Merleau-Ponty 3. Norberg-Schulz 4. Deconstruction 6. Bernard Tschumi 7. Peter Eisenman 8. Steven Holl 11. Louis I. Kahn 13. DESIGN METHODOLOGY 14. ADDENDUM 21. BIBLIOGRAPHY 25-41. DESIGN PROJECT IMAGES ii INTRODUCTION The essence of our existence consists To understand phenomenology in of concrete phenomena.
    [Show full text]
  • Object Oriented Ontology Versus New Materialism
    Neil Leach Digital Tool Thinking: EGS/Tongji/FIU Object Oriented Ontology versus New Materialism ABSTRACT Within contemporary philosophy, two apparently similar movements have gained attention recently, New Materialism and Object Oriented Ontology. Although these movements have quite distinct genealogies, they overlap on one key issue: they are both realist movements that focus on the object. In contrast to much twentieth-century thinking centered on the subject, these two move- ments address the seemingly overlooked question of the object. In shifting attention away from the anthropocentrism of Humanism, both movements can be seen to subscribe to the broad principles of Posthumanism. Are these two movements, however, as similar as they first appear? And how might they be seen to differ in their approach to digital design? This paper is an attempt to evaluate and critique the recent strain of Object Oriented Ontology and question its validity. It does so by tracing the differences between OOO and New Materialism, specifically through the work of the neo-Heideg- gerian philosopher Graham Harman and the post-Deleuzian philosopher Manuel DeLanda, and by focusing on the question of the ‘tool’ in particular. The paper opens up towards the question of the digital tool, questioning the connection between Object Oriented Ontology and Object Oriented Programming, and introducing the theory of affordances as an alternative to the stylistic logic of ‘parametricism’ as a way of understanding the impact of digital tools on architectural production.
    [Show full text]
  • Insecurity and the Built Environment
    Insecurity and the Built Environment The Science of Architectural Experience Matthew R Seager A thesis submitted in partial fulfillment of the requirements for the degree of Master of Architecture University of Washington 2018 Committee: Vikram Prakash Judith Heerwagen Program Authorized to Offer Degree: Architecture ©Copyright 2018 Matthew R Seager University of Washington Abstract Insecurity and the Built Environment The Science of Architectural Experience Matthew R Seager Chair of the Supervisory Committee: Vikram Prakash Architecture As architects, we define our designs by both quality and performance. However, when it comes to experience, we often stick to what we know and how we can intuitively describe it. This theory and research thesis combines the sciences and humanities to get a closer understanding about how we, as human beings, psychologically and physiologically experience the built environment. Fundamental to this is the role that identity and culture play in our perceptions. We will discuss theories of architecture, philosophy and history from the late 19th century to present day and relate them to both the visual system and cognitive processing. We will lightly touch on topics of endocrinology, neuroscience and socio-cultural studies relating them to architecture and present-day social concerns. We will debate the role of identity and how the built environment is both a product and producer. Then finally, we will spend time discussing the tools and methods available to designers and our ethical responsibility to designing spaces within the global human context. Insecurity and the Built Environment the science of architectural experience Matthew R Seager committee Vikram Prakash Judith Heerwagen architectural experience is..
    [Show full text]
  • The Hieroglyphics of Space: Reading and Experiencing the Modern
    Downloaded by [Central Uni Library Bucharest] at 05:44 28 September 2013 The Hieroglyphics of Space ‘Spatial images’, wrote the German cultural theorist Siegfried Kracauer, ‘are the dreams of society. Wherever the hieroglyphics of any spatial image are deci- phered, there the basis of social reality presents itself.’ But how exactly are these spatial images to be deciphered? This volume addresses this question with a series of insightful essays on some of the great metropolitan centres of the world. From political interpretations to gendered analyses, from methods of mapping to filmic representations, and from studies in consumption to economic surveys, the volume offers a range of strategies for reading and experiencing the modern metropolis. Neil Leach teaches at the Architectural Association, London, and the University of Bath, where he is Professor of Architectural Theory. He is the author of The Anaesthetics of Architecture and Millennium Culture and editor of Rethinking Architecture, E-Futures and Architecture and Revolution. Downloaded by [Central Uni Library Bucharest] at 05:44 28 September 2013 Downloaded by [Central Uni Library Bucharest] at 05:44 28 September 2013 The Hieroglyphics of Space Reading and experiencing the modern metropolis Edited by Neil Leach Downloaded by [Central Uni Library Bucharest] at 05:44 28 September 2013 London and New York First published 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.
    [Show full text]
  • The Architecture of Colonísatíon: the CONCEPT of DEPICTION
    \-t ¡ èo OÕ The Architecture of Colonisation TgT' CONCEPT OF DEPICTION a COLON The Colonisation of A(a)rchitecture THT', DEPICTION OF'TgN, CONCEPT NOTES Accompanying the Thesis Gillim McFe¿ Lin PhD. Ardìitedure & I-hban Design The university of Adelaide Table of Contents Notes to the Thesß Abstract Introduction Elevation Part 1 The Architecture Of Colonisation: The Concept of Depiction Chapter 1 Section A-A Difference i. Architecture as ldiont: The Otherwise of Dffirence, Repetition, Both/And, Same íi. Dffirence and Dnlity äi. Dffirence: Rendering,ResurfacingArchitecture iv. Difference: Deferral, to Defer and to defer to Chapter 2 Section B-B Transference i. Transference ii. Transfer: Language Game iii. Trarufer: Communication or the Re-presentation of Language Transfer : Reprduct ion and Re-Producti on iv. Trarslation:Difference,Transference,Displacement Transfer: Graft and Coruuption v. Trarsferrirtg: The ldentity of the Nante Transferuittg: Re-presenting the Figure, Bdy and Soul Transferuing: Architecture, a Corctruction on Shaþ Ground vi. Translation: llhere does architecture site itselJ? As the object referent and/or cts the expression of the object Transfer: Architecture a DisAppointing Nante vii. Transfers: PostntdernDe-Constnrctiorsand/or Collage Gillian McFed Lin PhD. Ardritedu¡e & I-kban Dcsign The lJniversity of Adelaide Table of Contents Notes to the Thesß :COLON: Part 2 The Colonisation of A(a)rchitecture: The Depiction of the Concept Chapter 3 Section C-C The Representation of Illusion i. Architecture us Fìgure and/or Ground: A Questiort of Space Archítecture: Figure cutd/or Ground or Íhe Quesliort of Slructure ll. Architecture : Bottndary and/or Li nknge Boundary or Lì nkage : Contradictiott Linkage: Bou ndary and/or Linkage: Affi liatiort 1lt Monument: The Tradition of Thinking as a Stntcture and an Enclosure ArchiÍecture, the Question of Ovttership, Like qnd Beconùng Like Philosophy, The Question of Beconúng, Sante The QuesÍion of Depicliort; Enclosure - Disclosure or, Itúerior - Exterior Chapter 4 Section D-D Depiction I i.
    [Show full text]
  • New Materialism Copy
    New Materialism The skyline of Beijing has been transformed in recent months. A new generation of buildings has emerged. Some of them – such as the new CCTV headquarters building designed by OMA, the ‘Bird’s Nest’ Olympic stadium by Herzog & de Meuron, and the ‘Water Cube’ Olympic Aquatics Centre by PTW Architects - are among the most startlingly novel to be found anywhere in the world. These three buildings do not only provide a striking backdrop to this exhibition. They also seem to provide evidence of a shift in architectural sensibilities that underpins much of the work in the catalogue. It as though the old parameters that governed postmodern architectural culture are giving way to a fresh approach to design. This is most evident, perhaps, in attitudes towards structure and ornamentation. The emphasis on the ‘decorated shed’ which Venturi, Scott-Brown and Izenour had championed so much in their seminal book, Learning from Las Vegas, and which gripped architectural production for several decades, is – it would seem – finally on the wane.1 What we are witnessing instead is a new expressivity where structure is no longer subordinated to ornament and hidden beneath the surface, and the façade is no longer dominated by the logic of curtain walling. Instead structure is being expressed on the outside and treated as a form of ornamentation. This is not to say that structure is being privileged over ornament. Rather the relationship between structure and ornamentation is being reconfigured so that structure has become ornamental, and ornament structural. Structure and ornament feed into and inform one another.
    [Show full text]
  • Liquid Architectures: Marcos Novak's Territory of Information Camile A
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 Liquid architectures: Marcos Novak's territory of information Camile A. Silva Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Silva, Camile A., "Liquid architectures: Marcos Novak's territory of information" (2005). LSU Master's Theses. 902. https://digitalcommons.lsu.edu/gradschool_theses/902 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. LIQUID ARCHITECTURES: MARCOS NOVAK’S TERRITORY OF INFORMATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Camile A. Silva B. Arch., University of Brasilia, Brazil, 2000 May 2005 ACKNOWLEDGMENTS This thesis could not have been completed without the absolute faith and challenging guidance of Prof. Susan E. Ryan, to whom I am especially grateful. I would also like to thank Prof. Mark Zucker and Dr. Michael Desmond for their advice and, finally, my family for their love and support. ii TABLE OF CONTENTS ACKNOWLEDGMENTS .....................................................................................................
    [Show full text]