DOCSLIB.ORG

The Collected Poems and Journals of Mary Tighe

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 2005 The Collected Poems and Journals of Mary Tighe Mary Tighe Harriet Kramer Linkin New Mexico State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Tighe, Mary and Linkin, Harriet Kramer, "The Collected Poems and Journals of Mary Tighe" (2005). Literature in English, British Isles. 75. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/75 The Collected Poems and Journals of Mary Tighe MARY TIGHE, THE POET From a painting by G. Brooke Portrait of Mary Tighe and her husband, mid 1790s, by G. Brooke. Courtesy of Mr. and Mrs. Charles Hamilton of Hamwood House. The Collected Poems and Journals of Edited by HARRIET KRAMER LINKIN THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 09 08 07 06 05 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Tighe, Mary, 1772-1810. The collected poems and journals of Mary Tighe / edited by Harriet Kramer Linkin. p. cm. Includes bibliographical references and index. ISBN 0-8131-2343-7 (Hardcover : alk. paper) 1. Tighe, Mary, 1772-1810—Diaries. 2. Poets, Irish—18th century—Diaries. 3. Poets, Irish—19th century—Diaries. I. Linkin, Harriet Kramer, 1956- II.Title. PR5671.T2A6 2004 821'.8—dc22 2004018397 For Larry and the memory of our mothers, Thea Karp Kramer (1910-2001) and Lillian Budow Linkin (1920-2000) CONTENTS Acknowledgments xi Editorial Note on the Text xiii Introduction xv A Brief Chronology xxxv POETRY Poems, 1789-1801 August 1789 5 Good Friday, 1790 6 To Her Mother. Rossana, 1791 7 From Metastasio, 1791 7 Sonnet, March 1791 ("As the frail bark, long tossed by stormy winds") 8 Verses Written in Solitude, April 1792 9 March 1793 10 Sonnet ("A e who late hath lost a friend adored") 11 To Death 11 Written at Scarborough 12 Sonnet ("When s quits the weeping earth") 12 Written in Autumn 13 TheVartree 13 Sonnet ("Poor, fond deluded heart! wilt thou again") 15 Written in the Church-yard at Malvern 16 Verses Written at the Devils Bridge, Cardigansh 16 Bryan Byrne, of Glenmalure 18 Avails it Ought to Number O'er 26 Time Fades the Lustre of the Moon 26 To the Moon 27 Sympathy 28 Calm Delight 28 Song ("See my love, yon angry deep") 29 To c e ("The youth of broken fortunes sent to roam") 30 The Hours of Peace 31 La Cittadina: On Leaving Rossana 1798 32 A Letter from Mrs. Acton to Her Nephew Mr. Evans 37 Acrostics 39 There Was a Young Lordling Whose Wits Were All Toss'd Up 41 Sonnet ("For me would Fancy now her chaplet twine") 43 To Time 43 Written at Rossana ("Dear chestnut bower, I hail thy secret shade") 44 Written at Rossana. November 18,1799 44 Written at the Eagle's Nest, Killarney.July 26, 1800 45 Written at Killarney.July 29,1800 45 On Leaving Killarney. August 5, 1800 46 Sonnet ("Ye dear associates of my gayer hours") 46 A Faithful Friend Is the Medicine of Life 47 The Kiss.—Imitated fromVoiture 48 Sonnet ("As nearer I approach that fatal day") 49 Psyche, 1801-1802 Psyche; or, the Legend of Love 53 Preface 53 Sonnet Addressed to My Mother 55 Canto I 55 Canto II 73 Canto III 87 Canto IV 105 Canto V 120 Canto VI 136 Poems, 1802-1809 Lord of Hearts Benignly Callous 155 Tis Thy Command, and Edwin Shall Obey 156 When the Bitter Source of Sorrow 157 The Picture. Written for Angela 158 Fled Are the Summer Hours of Joy e 159 Sonnet ('"Tis past the cruel anguish of ) 161 Oh Seal My Sad and Weary Eyes 161 Peace, Peace, Nor Utter What I Must Not Hear 163 But to Have Hung Enamoured on Those Lips 165 Pleasure 165 Sonnet ("Can I look back, and view with tranquil eye") 167 1802 ("Thy Summer's day was long, but couldst thou think") 168 Tranquillity, 1802 168 To ("How hard, with anguish unrevealed") 170 Verses Written at the Commencement of Spring 170 Pleasure, 1803 173 The World, 1803 173 Tho Genius and Fancy Hereafter May Trace 173 The Old Maid's Prayer to Diana 174 On a Night-blowing Cereus 175 To Cowper & His Mary 177 The Eclipse. Jan. 24,1804 178 Written for Her Niece S.K. 179 To Fortune. From Metastasio 180 To the Memory of Margaret Tighe 180 Verses Addressed to Henry Vaughan 181 Verses Written in Sickness. December, 1804 183 Psalm CXXX. Imitated, Jan. 1805 185 Addressed to My Brother. 1805 186 Address to the West Wind, Written at Pargate, 1805 186 Imitation from Boi'eldieu 188 Address to My Harp 189 Morning 190 To W. Hayley, Esq. in Return for a Copy of Cowper's Life, with a Sonnet—1806 192 The Shawl's Petition, to Lady Asgill 193 Hagar in the Desert 194 Imitated from Jeremiah.—Chap. 196 Psyche's Answer 197 To Lady Charlemont, in Return for Her Presents of Flowers. March, 1808 197 Written at West-Aston. June, 1808 199 To W.P. Esq. Avondale 201 Written in a Copy of Psyche Which Had Been in the Library of C. J. Fox. April, 1809 201 The Lily. May, 1809 202 Sonnet Written at Woodstock, in the y of Kilkenny, the Seat of 203 William Tighe. June 30, 1809 On Receiving a Branch of Mezereon Which Flowered at Woodstock. December, 1809 204 JOURNALS Mary Tighe Extracts from a Journal of M.B.,Born 1772 211 Theodosia Blachford Observations on the Foregoing Journal by Her Mother, Mrs. Blanchford 227 Caroline Hamilton Mary Tighe 247 Appendix: Tributes to Mary Tighe 269 Notes 281 Bibliography 329 Index of Titles and First Lines 341 ACKNOWLEDGMENTS This project could never have been completed without the help and support of many generous friends, colleagues, scholars, editors, librarians, and institutions. I would like to thank New Mexico State University, which provided significant material support through a scholarly subven- tion and two research grants. I am deeply grateful to the following archi- val institutions for permission to quote or cite manuscript materials: the Council of Trustees of the National Library of Ireland, Dublin, for per- mission to cite from MSS 4742-46, 4800,4801, 4803, 4804, 4809, 4810, and 10,206; Trinity College Library, Dublin, for permission to cite from MS 1461; the Deputy Keeper of Records, Public Record Office of North- ern Ireland, Belfast, for permission to cite from MS D/2685; Chawton House Library, Hampshire, for permission to cite from the Henry and Lucy Moore MS Album: Poems HM 1811; the Royal College of Physi- cians, London, for permission to cite "Verses Addressed to Henry Vaughan" from the ALS collection; the University of Birmingham, Edgbaston, for permission to cite from MS L Add 1907; the National Library of Wales, Aberystwyth, for permission to cite from MSS 22983B, 22984C, and 22985B; the Huntingdon Library, San Marino, for permission to cite from shelfmark 328444; and the Beinecke Rare Book and Manuscript Library, Yale University, New Haven, for permission to cite from IN T448 805. Heartfelt thanks for the permission of Mr. and Mrs. Charles Hamilton to reproduce the double portrait of MaryTighe and her husband at Hamwood House for the frontispiece of this edition and the permission of Llyfrgell Genedlaethol Cymru /The National Library of Wales to reproduce Mary Tighe's watercolor sketch for the final page of Psyche from NLW MS 22985B fol 68v. I sincerely appreciate the energy of the librarians at New Mexico State University who were indefatigable in their efforts to locate material as well as the editorial staff at The University Press of Kentucky who were exceptional in their steady commitment to this project. And I am forever and happily indebted to many fine colleagues and friends who provided information, advice, expertise, encouragement, spirit, and cheer: xii Acknowledgments Steve Behrendt, Ida Boers, Chris Burnham, Gene Cunnar, Stuart Curran, Michael Eberle Sinatra, Lynette Felber, Paula Feldman, Claude Fouillade, Diane Hoeveler, Jennifer Holberg, Elizabeth Kirwan, John Kirwan, Noel Kissane, Greg Kucich, David Latane, Ceridwen Lloyd-Morgan, Laura Mandell, Jim Mays, William McCarthy, Ian Montgomery, Maureen Mulvihill, Stuart O Seanoir,John Pipkin, Alan Richardson, Helen Scott, Nan Sweet, Kathleene West, Susan Wolfson, and Duncan Wu. My deepest thanks go to my husband, Larry Linkin, who has not only lived with the world according to Mary Tighe all this time, but, for far longer, with me; and who has supported, encouraged, and enabled me, in every way, from the moment we first met. EDITORIAL NOTE ON THE TEXT The copy texts forTighe's poems and for the journals are indicated in the notes to each work. In most instances there is only one print or manu- script source available.
Recommended publications
  • Faraone Ancient Greek Love Magic.Pdf

    Faraone Ancient Greek Love Magic.Pdf

    Ancient Greek Love Magic Ancient Greek Love Magic Christopher A. Faraone Harvard University Press Cambridge, Massachusetts London, England Copyright © 1999 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Second printing, 2001 First Harvard University Press paperback edition, 2001 library of congress cataloging-in-publication data Faraone, Christopher A. Ancient Greek love magic / Christopher A. Faraone. p. cm. Includes bibliographical references and indexes. ISBN 0-674-03320-5 (cloth) ISBN 0-674-00696-8 (pbk.) 1. Magic, Greek. 2. Love—Miscellanea—History. I. Title. BF1591.F37 1999 133.4Ј42Ј0938—dc21 99-10676 For Susan sê gfir Ãn seautá tfi f©rmaka Æxeiv (Plutarch Moralia 141c) Contents Preface ix 1 Introduction 1 1.1 The Ubiquity of Love Magic 5 1.2 Definitions and a New Taxonomy 15 1.3 The Advantages of a Synchronic and Comparative Approach 30 2 Spells for Inducing Uncontrollable Passion (Ero%s) 41 2.1 If ErÃs Is a Disease, Then Erotic Magic Is a Curse 43 2.2 Jason’s Iunx and the Greek Tradition of Ago%ge% Spells 55 2.3 Apples for Atalanta and Pomegranates for Persephone 69 2.4 The Transitory Violence of Greek Weddings and Erotic Magic 78 3 Spells for Inducing Affection (Philia) 96 3.1 Aphrodite’s Kestos Himas and Other Amuletic Love Charms 97 3.2 Deianeira’s Mistake: The Confusion of Love Potions and Poisons 110 3.3 Narcotics and Knotted Cords: The Subversive Cast of Philia Magic 119 4 Some Final Thoughts on History, Gender, and Desire 132 4.1 From Aphrodite to the Restless
  • 1. Introduction 2. Heritage Appraisal 3. Vision 4. Context 5. Strategy

    1. Introduction 2. Heritage Appraisal 3. Vision 4. Context 5. Strategy

    1. Introduction 4. Context The heritage and landscape conservation chapter covers the • National Monument Acts 1930-1994 following headings: • Planning and Development Act 2000 • The Wildlife Act 1976 1. NATURAL ENVIRONMENT • Wildlife (Amendment) Act 2000 a) Landscape categorisations • E.C Natural Habitat Regulations 1997 b) Designated wildlife areas – NHA’s, SPA’s, SAC’s, Nature • Birds Directive (Council Directive 79/409/EEC) 1979 Reserves, National Park • Habitats Directive (Council Directive 92/43/EEC), 1992 c) Habitats/Species outside designated areas • Water Framework Directive (Council Directive 2000/60/ d) Bio diversity EC), 2000 e) Hedgerow • Heritage Act 1995 f) Tree preservation and Amenity Trees • The National Heritage Plan 2002 g) Geology – Areas of Geological Interest, Geological Natural • The National Bio-Diversity Plan 2002 Heritage Areas, Geo Tourism h) Natural Heritage Education 5. Strategy 2. BUILT HERITAGE The natural environment of the County contains areas that are a) Archaeology – National Monuments (in state care), areas particularly sensitive, unique or rare. The designation of such of potential significance, graveyards etc. areas is intended to provide protection for such habitats. The b) Architectural Heritage – protected structures, wooded appearance of County Wicklow is an important Architectural Conservation Areas, Vernacular heritage, component of its distinctive landscape.Tree preservation orders Industrial heritage. are an important mechanism used by the Planning Authority to protect trees and woodlands. The built environment of Wicklow is an important part of the 2. Heritage Appraisal County’s identity and character. Wicklow has a unique A Heritage Appraisal of the County Development Plan 1999 was archaeological heritage that is of County as well as National undertaken in conjunction with The Heritage Council.
  • Evelyn De Morgan Y La Hermandad Prerrafaelita

    Evelyn De Morgan Y La Hermandad Prerrafaelita

    Trabajo Fin de Grado Lux in Tenebris: Evelyn De Morgan y la Hermandad Prerrafaelita Lux in Tenebris: Evelyn De Morgan and the Pre- Raphaelite Brotherhood. Autor/es Irene Zapatero Gasco Director/es Concepción Lomba Serrano Facultad de Filosofía y Letras Curso 2018/2019 LUX IN TENEBRIS: EVELYN DE MORGAN Y LA HERMANDAD PRERRAFAELITA IRENE ZAPATERO GASCO DIRECTORA: CONCEPCIÓN LOMBA SERRANO HISTORIA DEL ARTE, 2019 ÍNDICE INTRODUCCIÓN - JUSTIFICACIÓN DEL TRABAJO…………………………………....1 - OBJETIVOS…………………………………………………………....2 - METODOLOGÍA……………………………………………………....2 - ESTADO DE LA CUESTIÓN………………………………………....3 - AGRADECIMIENTOS………………………………………………...5 LA ÉPOCA VICTORIANA - CONTEXTO HISTORICO…………………………………………….6 - EL PAPEL QUE DESEMPEÑABA LA MUJER EN LA SOCIEDAD…………………………………………………………….7 LA HERMANDAD PRERRAFAELITA…………………………………...10 EVELYN DE MORGAN - TRAYECTORIA E IDEOLOGÍA ARTÍSTICA……………………...13 - EL IDEAL ICÓNICO RECREADO…………………..……………....15 - LA REPRESENTACIÓN DE LA MUJER EN SU PRODUCCIÓN ARTÍSTICA...........................................................................................16 I. EL MUNDO ESPIRITUAL…………………………………...17 II. HEROÍNAS SAGRADAS…………………………………….21 III. ANTIBELICISTAS…………………………………………....24 CONCLUSIONES…………...……………………………………………….26 BIBLIOGRAFÍA Y WEBGRAFÍA…………………………………………28 ANEXOS….……………………………………………………………..........32 - REPERTORIOGRÁFICO…………………………………………….46 INTRODUCCIÓN JUSTIFIACIÓN DEL TRABAJO Centrado en la obra de la pintora Evelyn De Morgan (1855, Londres) nuestro trabajo pretende revisar su producción artística contextualizándola
  • Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and PM in the Light of Digital Socialism

    Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and PM in the Light of Digital Socialism

    tripleC 18(1): 146-186, 2020 http://www.triple-c.at The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism Christian Fuchs University of Westminster, London, [email protected], http://fuchs.uti.at Abstract: This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To pro- vide an answer to this question, the article discusses aspects of technology and communica- tion in utopian-communist writings and reads these literary works in the light of questions con- cerning digital technologies and 21st-century communication. The selected authors have writ- ten some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technol- ogy and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised comput- erised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of com- munication (such as the “ansible”) in digital communism.
  • Pictorial Index to Mythological Characters in Tennyson's

    Pictorial Index to Mythological Characters in Tennyson's

    MOORE Pictorial Index to Mythological Characters In Tennyson's Princess / -V Library Science B, L. S. 1904 1 , UNJVI-KSITT OF *IX. XlBRARTf wmmm * ^ ^ * ^ # + * m v^l^ i^ISps PIP * :# UNIVERSITY OF ILLINOIS LIBRARY Mmlk PI BOOK CLASS VOLUME P^lJSP?\Mm>Mm \m$ * i m H ill* ilflNl 4 # mmm. i The person charging this material is re- sponsible for its return to the library from 4 which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. ii^jPo UNIVERSITY OF ILLINOIS LIBRARY AT URB ANA-CHAMPAIGN ^ifP ^l^l!^^ ^^^^^ BUILDING USE ONLY T w- W W ~ W r ~0%^{ • ^ i i/^^x' i/l^ff^ ^ ^ ^ ^ ^ ^ tip* * -^^PIMP^ " " ^ ^ ^ ^ ^ ^ 1 L161 — O-1096 if:m IK * " PICTORIAL INDEX - TO MYTHOLOGICAL CHARACTERS IN TENNYSON 1 S " PRINCESS • ERMA JANE MOORE THESIS PRESENTED FOR THE DEGREE OF BACHELOR OF LIBRARY SCIENCE IN THE ILLINOIS STATE LIBRARY SCHOOL UNIVERSITY OF ILLINOIS JUNE 1904 UNIVERSITY OF ILLINOIS 4- 1 !H> THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY \D IXnoouQ^. ^O^OJL XlXjoxyfXSL ENTITLED ^-kjlXxtuuoS* LxudxoL to vn t^XOJlJD^ciXnjD LT\ ^X^VL'T^OOXLO. I?/ is APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Sjxj^?xJL.i-o^ ai CiJLoxuiJU 2>.j ..£4., HEAD OF DEPARTMEXT OF Digitized by the Internet Archive in 2013 http://archive.org/details/pictorialindextoOOmoor . -1- INTRODUCTORY NOTE In the following pictorial index to the characters of classic al mythology in Tennyson's "Princess", books and periodicals relat- ing to art, mythology and antiquities have been consulted; and from a great amount of material these references have been chosen.
  • Listing and Index of Evening Herald Articles 1938 ~ 1975 by J

    Listing and Index of Evening Herald Articles 1938 ~ 1975 by J

    Listing and Index of Evening Herald Articles 1938 ~ 1975 by J. B. Malone on Walks ~ Cycles ~ Drives compiled by Frank Tracy SOUTH DUBLIN LIBRARIES - OCTOBER 2014 SOUTH DUBLIN LIBRARIES - OCTOBER 2014 Listing and Index of Evening Herald Articles 1938 ~ 1975 by J. B. Malone on Walks ~ Cycles ~ Drives compiled by Frank Tracy SOUTH DUBLIN LIBRARIES - OCTOBER 2014 Copyright 2014 Local Studies Section South Dublin Libraries ISBN 978-0-9575115-5-2 Design and Layout by Sinéad Rafferty Printed in Ireland by GRAPHPRINT LTD Unit A9 Calmount Business Park Dublin 12 Published October 2014 by: Local Studies Section South Dublin Libraries Headquarters Local Studies Section South Dublin Libraries Headquarters County Library Unit 1 County Hall Square Industrial Complex Town Centre Town Centre Tallaght Tallaght Dublin 24 Dublin 24 Phone 353 (0)1 462 0073 Phone 353 (0)1 459 7834 Email: [email protected] Fax 353 (0)1 459 7872 www.southdublin.ie www.southdublinlibraries.ie Contents Page Foreword from Mayor Fintan Warfield ..............................................................................5 Introduction .......................................................................................................................7 Listing of Evening Herald Articles 1938 – 1975 .......................................................9-133 Index - Mountains ..................................................................................................134-137 Index - Some Popular Locations ..................................................................................
  • Aesthetics After Finitude Anamnesis Anamnesis Means Remembrance Or Reminiscence, the Collection and Re- Collection of What Has Been Lost, Forgotten, Or Effaced

    Aesthetics After Finitude Anamnesis Anamnesis Means Remembrance Or Reminiscence, the Collection and Re- Collection of What Has Been Lost, Forgotten, Or Effaced

    Aesthetics After Finitude Anamnesis Anamnesis means remembrance or reminiscence, the collection and re- collection of what has been lost, forgotten, or effaced. It is therefore a matter of the very old, of what has made us who we are. But anamnesis is also a work that transforms its subject, always producing something new. To recollect the old, to produce the new: that is the task of Anamnesis. a re.press series Aesthetics After Finitude Baylee Brits, Prudence Gibson and Amy Ireland, editors re.press Melbourne 2016 re.press PO Box 40, Prahran, 3181, Melbourne, Australia http://www.re-press.org © the individual contributors and re.press 2016 This work is ‘Open Access’, published under a creative commons license which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for any commercial gain in any form whatso- ever and that you in no way alter, transform or build on the work outside of its use in normal aca- demic scholarship without express permission of the author (or their executors) and the publisher of this volume. For any reuse or distribution, you must make clear to others the license terms of this work. For more information see the details of the creative commons licence at this website: http://creativecommons.org/licenses/by-nc-nd/2.5/ National Library of Australia Cataloguing-in-Publication Data Title: Aesthetics after finitude / Baylee Brits, Prudence Gibson and Amy Ireland, editors. ISBN: 9780980819793 (paperback) Series: Anamnesis Subjects: Aesthetics.
  • Irish Landscape Names

    Irish Landscape Names

    Irish Landscape Names Preface to 2010 edition Stradbally on its own denotes a parish and village); there is usually no equivalent word in the Irish form, such as sliabh or cnoc; and the Ordnance The following document is extracted from the database used to prepare the list Survey forms have not gained currency locally or amongst hill-walkers. The of peaks included on the „Summits‟ section and other sections at second group of exceptions concerns hills for which there was substantial www.mountainviews.ie The document comprises the name data and key evidence from alternative authoritative sources for a name other than the one geographical data for each peak listed on the website as of May 2010, with shown on OS maps, e.g. Croaghonagh / Cruach Eoghanach in Co. Donegal, some minor changes and omissions. The geographical data on the website is marked on the Discovery map as Barnesmore, or Slievetrue in Co. Antrim, more comprehensive. marked on the Discoverer map as Carn Hill. In some of these cases, the evidence for overriding the map forms comes from other Ordnance Survey The data was collated over a number of years by a team of volunteer sources, such as the Ordnance Survey Memoirs. It should be emphasised that contributors to the website. The list in use started with the 2000ft list of Rev. these exceptions represent only a very small percentage of the names listed Vandeleur (1950s), the 600m list based on this by Joss Lynam (1970s) and the and that the forms used by the Placenames Branch and/or OSI/OSNI are 400 and 500m lists of Michael Dewey and Myrddyn Phillips.
  • Florida State University Libraries

    Florida State University Libraries

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Gustav Mahler, Alfred Roller, and the Wagnerian Gesamtkunstwerk: Tristan and Affinities Between the Arts at the Vienna Court Opera Stephen Carlton Thursby Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC GUSTAV MAHLER, ALFRED ROLLER, AND THE WAGNERIAN GESAMTKUNSTWERK: TRISTAN AND AFFINITIES BETWEEN THE ARTS AT THE VIENNA COURT OPERA By STEPHEN CARLTON THURSBY A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Dissertation of Stephen Carlton Thursby defended on April 3, 2009. _______________________________ Denise Von Glahn Professor Directing Dissertation _______________________________ Lauren Weingarden Outside Committee Member _______________________________ Douglass Seaton Committee Member Approved: ___________________________________ Douglass Seaton, Chair, Musicology ___________________________________ Don Gibson, Dean, College of Music The Graduate School has verified and approved the above named committee members. ii To my wonderful wife Joanna, for whose patience and love I am eternally grateful. In memory of my grandfather, James C. Thursby (1926-2008). iii ACKNOWLEDGEMENTS The completion of this dissertation would not have been possible without the generous assistance and support of numerous people. My thanks go to the staff of the Austrian Theater Museum and Austrian National Library-Music Division, especially to Dr. Vana Greisenegger, curator of the visual materials in the Alfred Roller Archive of the Austrian Theater Museum. I would also like to thank the musicology faculty of the Florida State University College of Music for awarding me the Curtis Mayes Scholar Award, which funded my dissertation research in Vienna over two consecutive summers (2007- 2008).
  • Ezra Pound and the Rhetoric of Science, 1901–1922

    Ezra Pound and the Rhetoric of Science, 1901–1922

    EZRA POUND AND THE RHETORIC OF SCIENCE, 1901–1922 Kimberly Kyle Howey University College London Thesis submitted in partial fulfillment of the requirements for the degree of doctor of philosophy in European Studies, University College London, January 2009. 1 I, Kimberly Kyle Howey, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT This thesis identifies science as Ezra Pound’s first extended extra-poetic interest. This reference to science in Pound’s poetic theory and poetry is portrayed as rhetoric, with its emphasis on the linguistic signifier or word rather than the actual concepts and data of science. The material covers over two decades between 1901, when Pound entered university, and 1922, after he left London. Beginning with Pound’s exposure to philology, the thesis establishes a correlation between his educational background and his use of scientific rhetoric in his prose. As he attempted to establish a professional status for the poet, he used metaphors linking literature to the natural sciences and comparisons between the poet and the scientist. Additionally, Pound attempted to organize poetic movements that resembled the professional scientific organizations that were beginning to form in America. In his writings promoting these movements, Pound developed a hygienic theory of poetry— itself an extensive rhetorical project—which produced a clean, bare poem and further linked Pound’s poetic output with the sciences. Beyond his rhetorical use of science, Pound attempted to study the sciences and even adopted a doctor persona for his friends with illnesses—both diagnosing and prescribing cures.
  • J. M. Dent and Sons (London: 1909- ) J

    J. M. Dent and Sons (London: 1909- ) J

    J. M. Dent and Sons (London: 1909- ) J. M. Dent and Company (London: 1888-1909) ~ J. M. Dent and Sons has published an impres­ sive list of books by contemporary authors, but it made its mark on publishing history with its inex­ pensive series of classic literature. Everyman's Li­ brary in particular stands as a monument to the firm. It was not the first attempt at a cheap uni­ form edition of the "great books," but no similar series except Penguin Books has ever exceeded it in scope, and none without exception has ever matched the high production standards of the early Everyman volumes. Joseph Malaby Dent, born on 30 August 1849, was one of a dozen children of a Darling­ ton housepainter. He acquired his love of litera­ ture from the autodidact culture that flourished among Victorian artisans and shopkeepers. Dent attended a "Mutual Improvement Society" at a local chapel, where he undertook to write a paper on Samuel Johnson. Reading James Boswell's biography of Johnson, he was aston­ ished that the great men of the period-such as Edmund Burke, Sir Joshua Reynolds, Oliver Goldsmith-"should bow down before this old Juggernaut and allow him to walk over them, in­ sult them, blaze out at them and treat them as if they were his inferiors . At last it dawned on me that it was not the ponderous, clumsy, dirty old man that they worshipped, but the scholar­ ship for which he stood." Boswell's The Life of Sam­ uel Johnson, LL.D. ( 1791) taught Dent that "there JosephMa/,alry Dent (photographlry Frederick H.
  • VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning

    VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning

    AUGUST 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VERA BLUE: THE BLUEPRINT VERA BLUE It’s been a long road to Vera Blue’s debut album Perennial, but for label Universal, it’s still just the beginning. alk to a few Vera Blue fans in Her debut album Perennial entered the ST the crowd at Splendour in the ARIA charts at #6 (with the tragic anomaly AT Grass – where the singer popped of Chester Bennington’s death bumping ST TS Tup no less than three times, Linkin Park into the top spots), and she’s S cameoing onstage with Peking Duk and racked up over a million monthly listeners Slumberjack as well as her own epic set on Spotify and counting, showing just – and you’ll fnd any number of diferent how hungry for the full-length her fans things brought them there. One or two had grown. Vera Blue’s true range is may have followed Celia Pavey since clear for the frst time – from the witchy her appearance under her own name beats of potential single ‘Lady Powers’ on The Voice in 2013; plenty will have to the sly and soaring new anthem to been drawn in by the indelible chorus independence, ‘Regular Touch’, which 2015 – 'Hold' on Illy’s 2016 hit ‘Papercuts’, where Vera represents her strongest appeal to 18 million plays on Blue’s haunting, hooky guest vocal was commercial FM yet. Spotify a standout. But mostly it’s simply that she boasts one of the most powerful “It's about having that sense of voices in Australian music, as distinctive contentment and happiness, not as her sheet of luminous red hair, and a needing attention or affection to feel #2 songwriting talent to match that draws complete and of purpose,” she says.