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												  University of California, Berkeley, School of Law Spring 2018 VolUNIVERSITY OF CALIFORNIA, BERKELEY, SCHOOL OF LAW SPRING 2018 VOL. 50 ALSO: Major gift launches new consumer law center. PAGE 8 Racial justice work expands and inspires. PAGE 12 Faculty scholars leave no legal stone unturned. PAGE 28 GLOBAL APPEAL BERKELEY LAW’S LL.M. PROGRAM SCALES NEW PEAKS. PAGE 20 FEATURES COLUMNS 12 Racing 20 Global 2 From Forward Appeal the Dean EQUITY ADVOCATES LL.M PROGRAM A RUNNING START From student initiatives to Attorneys from all over the Erwin Chemerinsky has lots clinic outreach to faculty world flock to Berkeley Law of good news to report from projects, the school’s racial for a mutually beneficial a busy first school year at justice work is flourishing. relationship. Berkeley Law. By Andrew Cohen By Andrew Faught JIM BLOCK; ILLUSTRATION BY EVA VÁZQUEZ EVA BY ILLUSTRATION BLOCK; JIM COVER: PHOTOGRAPHY BY JIM BLOCK Contents Spring 2018 Vol. 50 SECTIONS 3 In Brief 8 Forefront 28 Study Hall Iconic Judge Returns Power to the People Selected Faculty Scholarship Raising the Bar Corporate Law Change Agents Invading the Hague Fifty Shades of Energy 32 Advancement No Disputing This Patent Updates from Development & Innovation Alumni Relations New Heights in Diversity Teacher of the Year 36 Judicial House Call Class Notes All in the Alumni Family The Force is with Him International Intrigue JIM BLOCK (3X); ILLUSTRATION BY JAMES YANG JAMES BY (3X); ILLUSTRATION BLOCK JIM TRANSCRIPT SPRING 2018 1 THIS IS A TERRIFIC COMMUNITY AND I AM HONORED AND THRILLED TO BE A PART OF IT. –ERWIN CHEMERINSKY From the Dean Dear Berkeley Law Community, Amazingly, my first academic year at Berkeley Law is coming to a conclusion with Commencement on May 11.
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												  Pepperdine University Editorial Style Guide INTRODUCTIONPepperdine University Editorial Style Guide INTRODUCTION Editorial Stance Pepperdine University has adopted a unified editorial style for both print and digital media, which principally follows the Chicago Manual of Style (17th edition) with certain exceptions noted in this guide. Pepperdine style is a “down” style, meaning that capitals are to be used sparingly and intentionally. References to the 17th edition (when applicable) are provided within entries where Pepperdine and Chicago coincide. Ideal Pepperdine style is minimalist yet pragmatic, intended to provide clarity, consistent logic, and elegant structure to its communications, using the least amount of punctuation and type to most effectively and quickly deliver an author’s message to the intended audience. Editorial/Aesthetic License Pepperdine style should give writers and designers a broad range of creative freedom in which to work. Deviations from standard practice in University-branded, flagship publications are permitted only by agreement with Integrated Marketing Communications. As a general rule, in all University publications using another company’s word mark and/or logo, we should make sure we have written permission to do so. All factual claims must be verifiable. Grammar and usage must follow standard current practices. Standard Reference Books Consult the 17th edition of the Chicago Manual of Style for questions of style, punctuation, and grammar not treated in this guide. Consult the 11th edition of the Merriam-Webster Collegiate Dictionary to check correct and preferred spelling, syllable division, hyphenation, and abbreviated forms. The American Heritage Dictionary, any edition, is recommended for reference on how words are popularly understood in the United States. Pepperdine-Chicago vs.
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												  Success MagazineA: ew ::SerIes 0 tJetectIve ~tories ... ... ... tsy Allred Henry LeWI~ St. Louis in the Grip of the Railroads ... ... ... By Samuel Merwir ~~~~~~~~~~ Digitized by Google SUCCESS MAGAZINE Contents of the July Issue Cover Design by H. G. Williamson Luther Burbank, the High Priest of Horticulture George Archibald Clark 455 Illustrated with special photographs Bonna Sisnon's Wedding, (A Story,) joseph Blethen 459 Illustrations by A lbert de Ford Pitney From Plow to Cabinet j. Herbert Welch 461 The Life Story of James Wilson. Secretary of Agriculture Inspector Val's Adventures, (A Detective Story.) Alfred Henry Lewis 463 Illustrations by Frederic R. Cruger How Fortunes Are Made In Advertising Henry Harrison Lewis 466 Illustrations by Arthur C. Dove In The Grip of the Railroads Samuel Merwin 468 lllusiratiom by John Boyd. With special photographs The Shameful Misuse of Wealth Cleveland Moffett 471 VI.-What We WaSte on Jew~Iry Illustrated with special photographs Selling Brains Orison Swett Marden 474 The Ambition of japan .. Nelson A. Miles ' 475 Illustration by Charles Sarka . In the Morning, (A Poem.) Burges johnson 477 OTHER FEATURES AND DEPARTMENTS Humor and Anecdote 478 I If You Are Well.Bred Mrs. Burton Kingsland 488 I The Editor's Chat . 480 On the Way Up 490 Extravagance Which Is Economy, Isabel Gordon Curtis 482 . What to Wear and How to Wear It . Mary Le Mont 492 The Girl Who Works . Kate MaSterson 483 The New Summer Fashions . Martha Dean Hallam 494 The Well-dressed Man. Alfred Stephen Bryan 484 ' The Man Who's Afraid. (A Poem,) Roy Farrell Greene 499 I Mrs.
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												  Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
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												  The"Salt"Lake"Bonneville"Stake"A"History"of"the" " Wards"of"the"Salt"Lake"Bonneville"Stake" of"The"Church"of"Jesus"Christ"of"Latter<day"Saints" " 1976"–"2014" ! ! ! ii Salt!Lake!Bonneville!Stake! Wards!—!1976!to!2014! ! Table"of"Contents" ! Acknowledgements"!..................................................................................................................................!…A! ! Bonneville"First"Ward!!............................................................................................................................!….1! 1975>1980!Bishop!Eugene!Hansen!!...............................................................................................!….2! 1980>1981!Bishop!Marvin!Barnes!!................................................................................................!….8! 1981>1987!Bishop!Ralph!Marsh!!....................................................................................................!..11! 1988>1993!Bishop!Harold!Collipriest!!..........................................................................................!..17! 1993>1997!Bishop!Ray!Haeckel!!.....................................................................................................!..22! 1997>2002!Bishop!Randall!Skanchy!!............................................................................................!..26! 2002>2009!Bishop!Brad!Parker!!.....................................................................................................!..34! 2009>2014!Bishop!Blake!Strong!!....................................................................................................!..42!
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												  PNLA QUARTERLY the Official Journal of the Pacific Northwest Library AssociationP PNLA QUARTERLY The Official Journal of the Pacific Northwest Library Association Volume 75, number 1 (Fall 2010) Volume 75, number 1 (Summer 2010) Instructions for Authors 2 President’s Message 3 From the Editor 4 Presentations from the PNLA Annual Conference, Victoria, British Columbia, August 11-14, 2010 Janelle M. Zauha. Reading the Region 2009-2010: Award Books, Award Programs, and the Latest Winning Titles from Around the PNLA Region 5 Janet Weber. The BIG Island of Children's Graphic Novels 13 Jenny Grenfell, Beth Rosania. What's the Big Idea? Introducing Math & Science Concepts to Young Patrons 44 Mary Jo Heller, Aarene Storms. Sex in the Library 48 Stephanie Guerra. Reaching Out to At-Risk Teens: Building Literacy with Incarcerated Youth 51 Ahniwa Ferrari. Reference Service Innovations: Present and Future: Responses for a Panel 62 Jason Openo. PNLA's Next 100 Years: Help Shape the Future 65 Jennifer Goerzen, Trish Rosseel. Digital Tattoo: What's Yours? 67 PNLA Quarterly 75:1 (Fall 2010) www.pnla.org 1 Instructions for authors The PNLA Quarterly publishes both peer-reviewed and high-quality non-peer reviewed articles. Please indicate whether you would like your article to go through blind peer review when you submit it. Authors should include a 100-word biography and mailing address with their submissions. Submit feature articles of approximately 1,000-6,000 words on any topic in librarianship or a related field. Issue deadlines are Peer-reviewed articles: October 1 (Winter) January 1 (Spring) April 1 (Summer) July 1 (Fall) Non-peer-reviewed articles October 1 (Fall) January 1 (Winter) April 1 (Spring) July 1 (Summer) for non-peer-reviewed content.
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												  Meeting the Moment with Urgency and Resolve, Berkeley Law Responds to LegalBERKELEY LAW Transcript Magazine Fall 2020 Volume 55 | TRANSCRIPT | FALL 2020 FALL ALSO: A determined fight against toxic chemicals Page 12 Star hires bring new faculty total to 19 since 2017 Page 14 Cooking a tasty foodtech niche for startups Pages 16, 63 Meeting the Moment With urgency and resolve, Berkeley Law responds to legal issues arising from the COVID-19 pandemic and the surging ESSENTIAL WORKERS: Zoë Polk, Executive Director, racial justice movement. Pages 20-39 East Bay Community Law Center. Features COVID and 20 Community When COVID-19 suddenly put lives and livelihoods in peril, Berkeley Law students and faculty dove in to help those who are most vulnerable to the pandemic’s impact. Racing 30 Forward From decades-old advocacy to new efforts sparked by the killing of George Floyd, people throughout the law school are involved in numerous projects that aim to bolster racial justice. 20 Column 2 From the Dean 46 While disappointed that the school community cannot gather in person, Erwin Chemerinsky draws inspiration and energy from the indomitable spirit shown throughout Berkeley Law. 16 Executive Director, Managing Editor & Design & Creative Direction Communications Senior Writer, Arnaud Ghelfi, l’atelier starno Alex A.G. Shapiro Communications Andrew Cohen Contributing Editor Craig Lancaster Transcript Magazine Fall 2020, Volume 55 Contributing Designer Laurie Frasier COVER PHOTOGRAPHY BY BRITTANY HOSEA-SMALL Sections 3 In Brief Nuggets from the School Community Transition Team One-Credit Wonders Offered to 1Ls A Global View
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												  Chandra Photo AlbumChandra Photo Album Images made by optical, infrared, radio and previous x-ray telescopes are shown. These images will be used by astronomers to compare with Chandra images when they become available. First Chandra Targets Sky Map - Explore the X-ray sky with an interactive Sky Map, and learn about Galactic Navigation Images by Category - Cosmic X-ray sources listed according to categories: Solar System; Normal Stars; White Dwarfs; Supernovae & Supernova Remnants; Neutron Stars; Black Holes; Normal Galaxies; Quasars; Galaxy Clusters; X-ray Background; Misc. Looking for images of the Chandra spacecraft & mission? Please visit our multimedia section. Chronological Listing - Selected Cosmic X-ray sources listed by when the picture was taken. - Coming soon! Photo Album Tutorial - A quick guide on Downloading, Saving and Printing Images. Key to Photo Album Terms - Want to know how the Chandra images were made? What VLA, etc., stands for? Image Use Policy - Guidelines for utilizing images, applets, movies and animations featured in this Web site. Public Info & Education | CXC Home | Chandra Launch! | Name Contest | Web Awards Help Desk | Site Map | Search | Image Use Policy | Download Center | Guestbook Harvard-Smithsonian Center for Astrophysics 60 Garden Street, Cambridge, MA 02138 USA Phone: 617.496.7941 Fax: 617.496.7577 [email protected] Revised: 05/05/99 http://xrtpub.harvard.edu/photo/index.html (1 of 2) [5/24/1999 9:38:46 AM] Chandra Photo Album http://xrtpub.harvard.edu/photo/index.html (2 of 2) [5/24/1999 9:38:46 AM] Welcome to the Chandra Xray Observatory Center!!! Operated for NASA by SAO Chandra X-ray Observatory is Being Processed for Launch at Kennedy Space Center Visit: NASA's official Chandra Newsroom at MSFC for status reports, etc.
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												  05FB Guide P001-028.PmdTABLE OF CONTENTS GENERAL INFORMATION Bear Facts ....................................................... IFC Media Information ......................................... 2-3 Cal Road Headquarters ...................................... 3 Cal Media Outlets ........................................... 4-5 Broadcasting the Bears ...................................... 5 Staff Directory .................................................. 6 Pacific-10 Composite Schedule .................... 208 Cal Future Schedules ...................................... 208 OUTLOOK 2005 Season Outlook ................................... 8-12 COACHING STAFF Head Coach Jeff Tedford ............................ 14-17 Assistant Coaches ...................................... 18-26 Football Support Staff ................................ 27-28 PLAYER PROFILES Player Profiles ............................................ 30-50 Freshman Profiles ...................................... 51-54 Depth Chart .................................................... 55 Rosters ........................................................ 56-57 Summary of Personnel .................................... 58 2005 OPPONENTS CAL RECORDS EDITORIAL CREDITS Opponent Information .............................. 60-65 The 2005 California Football Media Guide Football Records ....................................... 98-107 Big Game History and Records .................. 65-66 was produced by the staff of the Golden Bear Top 5 Single-Game Records .................. 108-114 Media Relations Office – Herb Benenson,
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												  PARASITIC MODERNISM: BIOETHICS, DEPENDENCY, and LITERATURE by Sebastian WilliamsPARASITIC MODERNISM: BIOETHICS, DEPENDENCY, AND LITERATURE by Sebastian Williams A Dissertation Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy Department of English West Lafayette, Indiana May 2021 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Maren Tova Linett, Chair Department of English Dr. John Duvall Department of English Dr. Arkady Plotnitsky Department of English Dr. Jeanne Dubino Department of Interdisciplinary Studies Appalachian State University Approved by: Dr. Dorsey Armstrong 2 To Rachel, Nadja, Phoebe, Maybe, and Bonnie. 3 ACKNOWLEDGMENTS This dissertation would not have been possible without the help of my dissertation advisor, Dr. Maren Linett, and my committee, Dr. John Duvall, Dr. Arkady Plotnitsky, and Dr. Jeanne Dubino. I am grateful for their support and feedback. I also wish to thank my colleagues and fellow graduate students in the Department of English at Purdue University, especially the members of my writing group who helped to shape my thinking and writing. These members include Dr. Elizabeth Boyle, Dr. Amy Elliot, Daniel Froid, Alejandra Ortega, and Erika Gotfredson. Financial support for this project was provided by the Department of English in various ways, for which I am very grateful. This includes a teaching assistantship and the Excellence in English Research Fellowship (2020-21). I also received support through a Purdue Summer Research Fellowship (2017) and the Robert Liddell Lowe Scholarship for Graduate Studies (2018). I could not have completed this project without the support of friends and family. I wish to thank my parents, Mike and Regina Williams, who instilled in me a sense of curiosity and a passion for the humanities from an early age and always encouraged me to pursue my passions.
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												  November 1996"Hey, man, did you hear that Lars' second bass drum got ripped off on the way to the studio, so he just decided to bag the whole blazin' thing?" "Yeah, and the new album, Load, is like this massive groove thing!" "Awesome! But what's up with the hair?" by Matt Peiken 38 Tribal Tech was already the hottest con- Amazingly,Rage Against The Machine's long-await- temporary fusion band on the scene, but a ed second album, Evil Empire, is even heavier than new jamming-based aesthetic is taking the band's self-titled barnstormer. Despite the heavy- these sonic explorers into even farther ness, though, Brad Wilk says he's managed to infuse galaxies. And you thought Kirk Covington more delicacy into the thunder. was throwing some stuff at you before! by Ken Micallef by Bill Milkowski 76 58 photo by Jay Blakesberg Volume 2O, Number 11 Cover photo by Mark Leialoha / Terri Berg Photographic education equipment 88 IN THE STUDIO 24 NEW AND NOTABLE The Reinvention Of Neil Peart by William F. Miller 28 PRODUCT CLOSE-UP Bison Snare Drum 100 HEAD TALK by Rick Mattingly Head Games: A "Good Time" Had By All 29 Vic Firth Accessories by Luther Rix by Rick Mattingly 112 ROCK 'N' JAZZ CLINIC 33 Engineered Percussion A New Look At An Old Idea Axis X Bass Drum And Hi-Hat Pedals by David Garibaldi by Chap Ostrander 114 ROCK PERSPECTIVES Stewart Copeland: news Style & Analysis, Part 1 12 UPDATE by John Xepoleas Jason Cooper of the Cure, Goldfinger's Darrin Pfeiffer, Bernie Dresel 116 STRICTLY TECHNIQUE of the Brian Setzer Orchestra, and Al Webster, plus News Groupings,
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												  Molecular Mechanism and Metabolic Function of the SMOLECULAR MECHANISM AND METABOLIC FUNCTION OF THE S- NITROSO-COENZYME A REDUCTASE AKR1A1 by COLIN T. STOMBERSKI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Jonathan S. Stamler Department of Biochemistry CASE WESTERN RESERVE UNIVERSITY May, 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of COLIN T. STOMBERSKI candidate for the degree of Doctor of Philosophy*. Committee Chair Focco van den Akker Committee Members Jonathan Stamler George Dubyak Mukesh Jain Hung-Ying Kao 03-22-2019 *We also certify that written approval has been obtained for any proprietary material contained therein TABLE OF CONTENTS Table of Contents ………………………………………………………………………… i List of Tables ……………………………………………………………………………. v List of Figures ………………………………………………………………………….. vi List of Abbreviations …………………………………………………………………… ix Acknowledgements …………………………………………………………………….. xi Abstract ………………………………………………………………………………….. 1 Foundation and Experimental Framework ……………………………………………….. 3 Chapter 1: Protein S-nitrosylation: Determinants of specificity and enzymatic regulation of S-nitrosothiol-based signaling …………………………………………….. 5 1.1 Introduction …………………………………………………………………. 6 1.2 S-nitrosothiol specificity …………………………………………………….. 8 1.2.1 Acid-base and hydrophobic motifs ……………………………… 9 1.2.2 Interaction with nitric oxide synthases ………………………….. 13 1.3 S-nitrosothiol stability and reactivity ……………………………………….. 15 1.3.1 RSNO bond chemistry ………………………………………….. 16 1.3.2 Protein SNO—thiol reaction bias ………………………………. 18 1.3.3 SNO sites do not overlap S-oxidation sites …………………….. 19 1.4 Enzymatic denitrosylation ………………………………………………….. 20 1.4.1 The thioredoxin system ………………………………………… 21 1.4.2 LMW-SNO reductases …………………………………………. 23 1.4.3 The GSNO reductase system …………………………………… 24 1.4.4 GSNOR in physiology and pathophysiology …………………… 26 i 1.4.5 The SNO-CoA reductase system ……………………………….. 31 1.5 Specificity in denitrosylation ……………………………………………….