DOCSLIB.ORG

2004 Program Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Table of Contents ANIME BOSTON INBOUND 4 From the Con Chair 5 Guests of Honor 10 Events 12 Panels 18 Anime Programming 30 Live Programming 32 Convention Rules 40 Our Wonderful Staff 42 Food and Shops 44 Convention Maps Anime Boston 2004 3 From The Conchair One of the most enjoyable aspects of my job is that I get to write the opening letter to attendees every year in the guidebook, and this year is no exception. Once again I am thrilled to be able to be here with all of you this weekend as anime fans from all over the country return to the best city in America to illustration by Robertillustration by DeJesus celebrate our beloved hobby. Last year’s convention was a tremendous success and we have been actively trying to outdo ourselves this year. Just look at some of the changes in store for you: we’ve increased the size of the dealer’s room to over 75 tables and more than 25 vendors, we’ve doubled the size of the art show, we’ve ex- panded the video gaming room to include more consoles and a Dance Dance Revolution machine, we’ve increased the number of panel and video rooms, we’ve computerized registration, and we expanded our workshop and gam- ing tracks. We’ve also invited a whole new slate of guests to our convention. I am pleased to welcome Michael Coleman, Crispin Freeman, Lauren Goodnight, Hilary Haag, Carl Horn, Lex Lang, Monica Rial, and Dave Wittenberg. Returning guests include Robert and Emily DeJesus of Studio Capsule and David Williams, ADR director and DVD producer. I’m also excited to be welcoming our Japanese Guest of Honor Nobuteru Yuuki. Additionally, I’d like to thank the hardworking staff of Anime Boston. Without your tireless efforts, none of this would be possible. I’d also like to thank all of you, the attendees, for your support. Last, but not least I would like to thank the Boston Park Plaza Hotel & Towers for providing us a wonderful venue for the past two years that has allowed us to grow and prosper. Sadly, this year will be our final year at the hotel as we have quickly exceeded their capacity and will be moving to a larger facility. So it is with sadness, yet also joy, that I announce to all of you that due to your wonderful support, Anime Boston will making that next leap and mov- ing to the Hynes Convention Center in 2005. So sit back, have fun, and enjoy the weekend! It’s going to be one exciting and memorable event! Sincerely, Convention Chairman AdamAnime Boston Ferraro 2004 4 Anime Boston 2004 Nobutero Guests of honor Character designer and animation director Nobuteru Yuuki is one of YUUKI the hottest names in the anime industry today. The self-taught art- ist started out as an employee of Artland, Studio Min, and DAST. He worked as an animator on various titles such as Megazone 23. Mr. Yuuki is perhaps best known for his design work on the Record of Lo- doss War OAV and Escaflowne tele- vision series and movie. However, he has many other fan favorites to his credit, such as the X movie and ac- companying X2 music video, Gunnm (Battle Angel), and Five Star Stories. He has also used his magic touch on the designs for Battle Royal High School, Angel Cop, and Weathering Continent. Mr. Yuuki’s latest anime designs can be seen in Heat Guy J and Captain Harlock: The Endless Odys- sey, both in the process of being released in North America. In addi- tion, he recently contributed to an animated opening video for Ragn- arok Online. Mr. Yuuki’s contributions to char- acter design do not stop at anime. Mr. Yuuki has designed characters for numerous games including Drag- on Force II, Legend of Mana, Seiken Densetsu 3, and Chrono Cross. He has also produced several volumes of an original manga called Vaelber Saga. Anime Boston is proud to welcome a guest of such consider- able talent as Nobuteru Yuuki. Anime Boston 2004 5 GUESTS Hilary Haag is from Houston, TX and has been working for ADV Films since the late 1990’s. She has voiced characters in more than 30 titles including Nene in Bubblegum Crisis 2040, Ryo in Princess Nine, Karinka in Steel Angel Kurumi, Chloe in Noir, Tessa in Full Metal Panic, Menchi in Excel Saga, and Megumi in RahXephon. In addition to anime, she has appeared in several local and national television commercials HILARY HAAG HILARY MONICA RIAL Monica Rial is very excited to be attending her first Anime Boston! Especially after hearing about all the fun her CARL HORN CARL pal David Williams had last year. Monica has been with ADV Films for 4 years where she has worked on many Carl Gustav shows including: Princess Nine, Steel Angel Kurumi, Excel Horn has Saga, Chance Pop Session, Full Metal Panic, Pretear, Angelic written Layer, Saiyuki, Azumanga Daioh, and Magical Shopping professionally Arcade Abenobashi. She has also worked for FUNimation on anime for Productions on their release of Kiddy Grade. Please check out ten years and her panels and make sure to say hello! has been a manga editor for the past seven. A former associate editor at Animerica and manga editor for Pulp magazine, he is co-author of the book Japan Edge, which in 1999 became the first book on otaku culture to make Newsweek. Together with Tokyoscope author Patrick Macias, he has presented on anime at the International Film Festival and has provided commentary on the field to Wired, The Hollywood Reporter, and the Nihon Keizai Shimbun. Recent editorial projects have included the English editions of the Spirited Away and Castle in the Sky anime comic novels, as well as the mangas Excel Saga, Flowers & Bees, and Neon Genesis Evangelion. 6 Anime Boston 2004 GUESTS OF HONOR Crispin Freeman Lex Lang has been voicing has been portraying anime characters for just characters in anime over 9 years. He can be for over 6 years. He heard as Sanosuke Sagara in got his start playing Rurouni Kenshin, Goemon in Zelgadis Graywords in LEX LANG Lupin the Third, Crim in The Slayers. Since then .Hack, Kimishima in Scryed, he’s played Alucard in Cain Tokioka in Ex-Driver, Hellsing, Balmung in Jovanni and Shun in Heat Guy .hack//SIGN, Amon in J, Suzuki in Ai Yori Aoshi, War Greymon in Digimon, Captain CRISPIN FREEMAN Witch Hunter Robin and Herlock in Captain Herlock, Ry and Announcer in Initial D, as many others! Current well as multiple voices in The Transformers, Akira, Black Jack, and Upcoming shows and even more than that! This award-winning actor has also include Last Exile where appeared on stage as an actor, comic, and musician. he plays Alex Rowe, Wolf ’s Rain where he’ll Originally hailing from Hollywood, California, Mr. Lang’s voice be playing Tsume and can also be heard in video games and on television. Ghost in the Shell: Stand Alone Complex where He will also be selling signed merchandise at the Anime Boston he’ll be playing Togusa. table in the dealers’ room throughout the weekend. Anime Boston 2004 7 GUESTS Robert DeJesus is an Indiana born, self-taught artist. He has worked on comics such as Ninja High School, Mangazine, Not Ninja High School, Again and SB Ninja High School. Robert’s biggest claim to fame has to be designing Banzai Chibi Chan, the mascot for PlayStation Magazine: 100% Independent. He recently worked on two childrens books based on Spiderman, released on the weekend of the movie debut. Robert and his wife, Emily, have started their own company, Studio Capsule. Find out everthing that’s new with Studio STUDIO CAPSULE Capsule or Robert at www.robertdejesus.com ROBERT & EMILY DEJESUS Dave Wittenberg is a relative newcomer to the world of anime voice acting, but has already given a voice to a number of major characters in various anime titles. His credits include Michael in Witch Hunter Robin, Jiro/ Kikaider in Kikaider, Sora in .hack//SIGN, Kei Kusanagi in Please Teacher, the tamer Henry Wong and countless digimon in Digimon, as well as roles in RaveMaster, Last Exile, Captain Harlock, King Gainer, and 12 Kingdoms. He has also been a writer/director for Digimon and Figure 17. DAVE WITTENBERG DAVE Dave has also done a lot of work in video games. In addition to continuing his role as Sora in the .hack games, he can be heard in Tony Hawk’s Pro Skater 2, 3, and 4, Xenosaga Episode I, and many others. Dave has been a writer for Bill Maher’s Politically Incorrect, Dennis Miller, and Craig Kilborn. Anime Boston 2004 will be Dave Wittenberg’s first anime convention appearance. 8 Anime Boston 2004 GUESTS OF HONOR David Williams is currently an Lauren Goodnight, a voice ADR Director for ADV Films actress for ADV Films, has as well as the DVD Producer, appeared in Pretear (Natsue voice on the Internet and Awayuki), Angelic Layer keeper of the Suck Bunny. (Narrator), SuperGALS! Shows he has directed (Sanae), and many others. include Angelic Layer, Pretear, Anime has always been the original Nuku Nuku OVAs, a part of her life, from Dirty Pair and many others. DAVID WILLIAMS DAVID watching Voltron and Speed Being the evil company rep Racer as a child through her Bachelor’s Degree that he is, he’s often invited thesis on fandom (especially anime fandom) to anime conventions where he can be seen wandering GOODNIGHT LAUREN ...showing how the love of something central can the con with his “What would you do for a DVD badge” bind people together.
Recommended publications
  • Meta-Con-2014-FINAL.Pdf

    Meta-Con-2014-FINAL.Pdf

    Convention Operations and Answers General Rules Weapon and Large Prop Rules Our convention has a number of rules, policies, and regulations All weapons and large props must be inspected and approved by our that help make the convention run smoothly and be as fun as operations or security staff at the convention. We will then “peace mark” possible for everyone. We encourage you to read our rules to un- them, by affixing a ribbon or mark that indicates we have checked them, and, if necessary “peace bond” them by using ribbon or ties to keep derstand what is expected to help make the best, most success- your weapon from being drawn or used (for example, by someone who ful, and most fun weekend possible. In addition to these general doesn’t know the rules and sneaks up behind you and grabs it). Attend- conduct policies, we also have rules and guidelines for cosplay, ees must realize that it is a privilege to bring large props and weapons press, exhibitors, and others. Violations of these rules and respon- to the convention, and everyone must take great care to be careful not sibilities can result in loss of privileges, up to and including ejec- to damage things, whack people, or otherwise do anything that seems tion without refund, legal action, or involvement of the authorities. dangerous. We allow certain specific prop weapons and large prop items, but anything not listed below is not allowed. Please understand that due Rule Number One: Do not do anything that could make the to crowding, space, or safety issues, we may have to change the rules mid-convention at any time.
  • BLACK JACKS Written by Eric Karkheck

    BLACK JACKS Written by Eric Karkheck

    BLACK JACKS Written By Eric Karkheck (323) 736-6718 [email protected] Black Jack: noun, 18th Century An African warrior who becomes a pirate. FADE IN: EXT. VILLAGE BEACH, WEST AFRICA - DAY Statuesque TERU FURRO (30s) sits in the sand braiding ropes together into a fishing net. She is left handed because her right is missing its pinky finger. She looks out to the vast ocean. EXT. HIDDEN LAGOON - DAY Blue sky and puffy clouds reflect in the surface of the water. A dugout canoe with a sail skims across it. Tall and muscular CHAGA FURRO (30s) paddles in the stern. His skinny son KUMI (13) is in the bow. Chaga spots a school of tilapia. CHAGA Kumi, mind the net. (Note: Italicized dialogue is spoken in Akan African and subtitled in English.) KUMI Yes, father. Kumi gathers the net into his arms. CHAGA Do it clean. If the lines tangle it will scatter the school. Kumi throws the net overboard. He pulls in the ropes. KUMI They are strong. The ropes zip through Kumi's hands. Chaga catches them. CHAGA Place your feet on the side to give you leverage. Together, they pull the net up and into the canoe to release a wave of fish onto themselves. CHAGA Ha Ha!! Do you see this my son?! Good, good, very good! Mother will be pleased. Yes. 2. Chaga wraps Kumi in a warm hug. Kumi halfheartedly returns the embrace. EXT. ATLANTIC OCEAN - DAY Chaga paddles toward land. Kumi scans the ocean horizon through a mariner's telescope. KUMI Can we go on a trip somewhere? Maybe to visit another tribe? CHAGA We are fishermen.
  • Anime Expo Lite 2021 Sweepstakes Official Rules

    Anime Expo Lite 2021 Sweepstakes Official Rules

    ANIME EXPO LITE 2021 SWEEPSTAKES OFFICIAL RULES 1. Official Rules. The Anime Expo Lite 2021 Sweepstakes (the “Promotion”) is subject to these Official Rules, except as expressly stated otherwise. No purchase necessary. A purchase does not improve your chances of winning. Void where prohibited. The Sweepstakes is sponsored by Society for the Promotion of Japanese Animation, 1522 Brookhollow Dr. Suite 1, Santa Ana, CA 92705 (the “Sponsor”). 2. Eligibility. The Sweepstakes is open to legal residents of the United States (but excluding U.S. military installations in foreign countries and all other U.S. territories and possessions), who are 18 years of age or older at the start of the Promotion (“Entrant”). By participating in the Sweepstakes, Entrant agrees to be fully and unconditionally bound by these Official Rules and the decisions of Sponsor. 3. Privacy. The information you provide in your entry will be used for administering this Promotion and for marketing purposes in accordance with Sponsor’s privacy policy found here: http://www.anime-expo.org/plan/policies/. 4. Sweepstakes Period. The Sweepstakes begins at 12:00 p.m PDT on June 25, 2021 and ends at 12:00 p.m. PDT on July 16, 2021 (the "Promotion Period"). 1. How to Enter the Sweepstakes. During the Sweepstakes Period, you can enter the Sweepstakes through the following methods: a. Purchase: You may purchase an online pass for Anime Expo Lite 2021 from https://www.tixr.com/groups/animeexpolite/events/anime-expo-lite-2021- benefitting-hate-is-a-virus-23015 (“Website”); Note: All online passes purchased prior to the Sweepstakes Period are also eligible to enter.
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii

    The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii

    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
  • 11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air

    11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air

    11eyes A­Channel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub Ben­To Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokuro­chan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba D­Frag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon Enma­Kun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! Juuden­Chan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes Ga­Rei Zero Gatchaman Crowds Genshiken Getbackers Ghost
  • 'Duncanville' Is A

    'Duncanville' Is A

    Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid.
  • The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______

    The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______

    THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States.
  • Customer Order Form

    Customer Order Form

    #355 | APR18 PREVIEWS world.com ORDERS DUE APR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Apr18 Cover ROF and COF.indd 1 3/8/2018 3:51:03 PM You'll for PREVIEWS!PREVIEWS! STARTING THIS MONTH Toys & Merchandise sections start with the Back Cover! Page M-1 Dynamite Entertainment added to our Premier Comics! Page 251 BOOM! Studios added to our Premier Comics! Page 279 New Manga section! Page 471 Updated Look & Design! Apr18 Previews Flip Ad.indd 1 3/8/2018 9:55:59 AM BUFFY THE VAMPIRE SWORD SLAYER SEASON 12: DAUGHTER #1 THE RECKONING #1 DARK HORSE COMICS DARK HORSE COMICS THE MAN OF JUSTICE LEAGUE #1 THE LEAGUE OF STEEL #1 DC ENTERTAINMENT EXTRAORDINARY DC ENTERTAINMENT GENTLEMEN: THE TEMPEST #1 IDW ENTERTAINMENT THE MAGIC ORDER #1 IMAGE COMICS THE WEATHERMAN #1 IMAGE COMICS CHARLIE’S ANT-MAN & ANGELS #1 BY NIGHT #1 THE WASP #1 DYNAMITE BOOM! STUDIOS MARVEL COMICS ENTERTAINMENT Apr18 Gem Page ROF COF.indd 1 3/8/2018 3:39:16 PM FEATURED ITEMS COMIC BOOKS · GRAPHIC NOVELS · PRINT InSexts Year One HC l AFTERSHOCK COMICS Lost City Explorers #1 l AFTERSHOCK COMICS Carson of Venus: Fear on Four Worlds #1 l AMERICAN MYTHOLOGY PRODUCTIONS Archie’s Super Teens vs. Crusaders #1 l ARCHIE COMIC PUBLICATIONS Solo: A Star Wars Story: The Official Guide HC l DK PUBLISHING CO The Overstreet Comic Book Price Guide Volume 48 SC/HC l GEMSTONE PUBLISHING Mae Volume 1 TP l LION FORGE 1 A Tale of a Thousand and One Nights: Hasib & The Queen of Serpents HC l NBM Shadow Roads #1 l ONI PRESS INC.
  • Boogiepop in the Mirror: Pandora (Light Novel 4)

    Boogiepop in the Mirror: Pandora (Light Novel 4)

    Table of Contents Color Inserts Copyrights and Credits Prologue 1 The Six - Our Gang 2 Kazumiya Mitsuo - Baby Talk 3 Nanane Kyoko - Aroma 4 Tenjiki Yuu - Stigma 5 Heart of the World 6 Koumoto Kouji - Whispering 7 Tsuji Nozomi - Automatic 8 Mikage Kasumi - Into Eyes 9 Blood Afterword About the Author and Illustrator Newsletter Prologue Two girls talked on their way home from school at sunset, taking a road that ran by the river. “Oh, really?” “Yes! There's absolutely nothing about that in the Bible.” “So how come everyone writes about it like it’s a big deal?” “Kirima-san! You know Kirima Seiichi always said not to believe what ‘everyone’ says!” “Fair, but… my dad wrote about this somewhere, right?” “No, he never did. I read this in a book by Malet.” “Kazuko, I swear you’re way smarter than my dad ever was.” “Th-that’s not true at all. But the point is, Cain may have killed his brother Abel, but he never felt guilty for it, and God forgave him. That’s all it says in the Bible. There was no lifelong burden like in the movie East of Eden.” “Wasn’t there a…sign? I thought he was marked in some way.” “Yeah, that part is from the Bible.” “So didn’t that lead to everyone pointing fingers at him? You’d think it would.” “That’s where everyone’s got it wrong. The mark God put on Cain was to prevent anyone from harming him because of his crime. Any injury inflicted on Cain would be paid back sevenfold.
  • Universidade De São Paulo Faculdade De

    Universidade De São Paulo Faculdade De

    UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS ORIENTAIS PROGRAMA DE PÓS-GRADUAÇÃO EM LÍNGUA, LITERATURA E CULTURA JAPONESA PRISCILA GEROLDE GAVA A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary Versão Corrigida São Paulo 2018 PRISCILA GEROLDE GAVA A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary Versão Corrigida Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Língua, Literatura e Cultura Japonesa da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, como parte dos requisitos para obtenção do título de Mestre em Letras. Área de Concentração: Língua, Literatura e Cultura Japonesa Orientadora: Profª. Drª. Neide Hissae Nagae São Paulo 2018 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001. GAVA, P. G. A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary. Dissertação (Mestrado em Língua, Literatura e Cultura Japonesa) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2018. Aprovado em: Banca Examinadora Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ AGRADECIMENTOS À Professora Doutora Neide Hissae Nagae pela orientação, apoio e paciência durante essa jornada no Mestrado.
  • Lijst 556 Euro-DCD

    Lijst 556 Euro-DCD

    € DCD CODES!!!! LIJST: FAX/MODEM/E-MAIL: 25 jul 2021 PREVIEWS DISK: 27 jul 2021 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 25 juli 5706 ST HELMOND ONLINE: 25 juli TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 september/oktober #556 ********************************** DCD0060 [M] Image Firsts Monstress #1 2.57 b *** DIAMOND COMIC DISTR. ******* DCD0061 [M] Saga TPB Vol.01 12.89 b ********************************** DCD0062 [M] Saga TPB Vol.02 19.34 b DCD0063 [M] Saga TPB Vol.03 19.34 b DCD SALES TOOLS page 026 DCD0064 [M] Saga TPB Vol.04 19.34 b DCD0001 Previews September 2021 #396 5.45 i DCD0065 [M] Saga TPB Vol.05 19.34 b DCD0002 Marvel Previews S EXTRA Vol.05 #15 1.58 b DCD0066 [M] Saga TPB Vol.06 19.34 b DCD0003 Previews September 2021 Custo #396 0.86 i DCD0067 [M] Saga TPB Vol.07 19.34 b DCD0004 Previews Sept 2021 Cust EXTRA #396 1.72 i DCD0068 [M] Saga TPB Vol.08 19.34 b DCD0006 Previews Sep 2021 Retai EXTRA #396 2.62 b DCD0069 [M] Saga TPB Vol.09 19.34 b DCD0007 Game Trade Magazine #259 0.00 E DCD0070 [M] Mom Mother Of Madness (3) #3 6.44 b DCD0008 Game Trade Magazine EXTRA #259 0.58 E DCD0071 Blackbird TPB Vol.01 21.92 b IMAGE COMICS page 042 DCD0072 Skyward My Low G Life TPB Vol.01 12.89 b DCD0009 [M] Primordial A Sorrentino (6) #1 5.15 b DCD0073 Skyward Here There Be D TPB Vol.02 21.92 b DCD0010 [M] Primordial B Ward (6) #1 5.15 b DCD0074 Skyward Fix The World TPB Vol.03 21.92 b DCD0011 [M] Primordial C Nguyen
  • Three Adaptations of the Japanese Comic Book Boys Over Flowers In

    Three Adaptations of the Japanese Comic Book Boys Over Flowers In

    The Qualitative Report Volume 19 Number 1 Article 2 1-6-2014 Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization Soo Jung Hong Pennsylvania State University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Social Statistics Commons Recommended APA Citation Hong, S. J. (2014). Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization. The Qualitative Report, 19(1), 1-18. https://doi.org/10.46743/2160-3715/2014.1290 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization Abstract A wide variety of cultural products have been adapted into a brand new text in the process of globalization. The three adaptations of the Japanese cartoon, Boys over Flower, in the following countries: Japan, South Korea, and Taiwan have very similar storylines. The three storylines, although similar, have several modifications due ot the differing audiences and goals of each series. Based on the idea of globalization; fidelity in the adaptation can be understood as emphasizing the shared values and community spirit between cultures while modifications can be interpreted as organizational gatekeeping.