slaughterhouse slaughterhouse album download zip Download Manilla Road - Out of the Abyss (30th Anniversary Edition) (1987) Album. 1. Whitechapel 2. The Books of Skelos 3. Whitechapel 4. Out of the Abyss 5. The Books of Skelos - Drumsolo 6. Helicon 7. Whitechapel 8. Rites of Blood 9. Out of the Abyss 10. Return of the Old Ones 11. Black Cauldron 12. Rites of Blood 13. Midnight Meat Train 14. War in Heaven 15. Slaughterhouse 16. Helicon 17. Whitechapel 18. The Books of Skelos 19. Out of the Abyss 20. Slaughterhouse 21. Midnight Meat Train 22. Rites of Blood 23. Out of the Abyss 24. Out of the Abyss 25. Return of the Old Ones 26. Black Cauldron 27. Midnight Meat Train 28. War in Heaven 29. Slaughterhouse 30. Helicon. Welcome To: Our House [Deluxe Download Version] Opening with a horror movie intro, where chainsaws roar and heads fly, Slaughterhouse's major-label debut instantly feels like an Eminem album. Of course, it's on his label Shady, he is the executive producer, and one track later, he's on the cut "Our House" with his "Love the Way You Lie" co-star Skylar Grey providing the hook, and while it’s a formula that works for his group D12, Slaughterhouse is comprised of respected veterans, as in Joe Budden, Joel Ortiz, Crooked I, and Royce da 5'9". This determined crew righteously tore things up on their self-titled debut, an album which fed on a "world won't listen"-style anger, which here has evolved into a credible strut, with successful folks like Busta Rhymes acting as their equal on the electro-pumping highlight "Coffin." Swizz Beatz sees the group as the monied dons of the strip club during the top party cut "Throw It Away" as lesbians get "piped" and flying thongs land in champagne glasses. Still in the club, "Throw That" sits in the same booth but seeking "higher mileage" with "I throw this, I throw this dick on you girl" as its brutish hook. Elsewhere, it's the hilarious "Her pussy hotter than a chili pepper/I tell her laydown, and give it away, give it away now" on the aptly titled "Frat House," and then there's "Flip a Bird," a solid anchor for the surprisingly hedonistic album, hitting the group's sweet spot with its light hook and complex word play. "My Life" with Cee-Lo Green, and the concealed weapon "Hammer Dance" ("two-steppin with my weapon on") are right there too, while "Get Up" is an amazing showcase for the crew's clever use of cadence -- check how the words bounce back and forth during the chorus. Still hormones, honeys, home boys, hopes, dreams, horror, Eminem, and the state of hip-hop is a lot to shove into an album, and with both the group and their superstar label boss known for wearing their ambition on their sleeve, there's an over-eager overflow here that means some details got missed. Crotch-grabbing tracks might crash into a convincing emo-rap number and these proven wordsmiths might have left more room for guests and hooks than they probably should have, but just because their indie debut was a more cohesive showcase doesn't mean the joy and pain of Welcome to Our House isn't worth the required sorting. Slaughterhouse - self-titled. When looking at group of emcees as diverse as Royce Da 5’9″ [click to read], Joell Ortiz [click to read], Crooked I [click to view] and Joe Budden [click to read], there’s one common thread that stands out clearly more than any other – emotional lyricism. So when the four emcees decided to form a group together, it was no surprise that the men responsible for The Bar Exam , Brick: The Bodega Chronicles [click to read], the Hip Hop Weekly series and Mood Muzik 3 would put forth an effort focusing on that particular aspect of emceeing. In Slaughterhouse ‘s eponymous debut, there’s no doubt that the lyricism is there; the question is, does it result in quality music? Although the comparisons are tempting, Slaughterhouse should not be viewed in the same light as another much-hyped “super-group,” the HRSMN . The latter, comprised of Ras Kass [click to read] , Kurupt [click to read] , Killah Priest [click to read] and Canibus [click to read] may be similar on paper, but Slaughterhouse ‘s prolific musical output thus far suggests that their work will consist of more than a few guest performances and a limited-release album. In other words, this isn’t a side project, and the members of Slaughterhouse don’t treat it as such. This is evident in the blistering intro, “Sound Off,” where all four emcees answer to a roll call, with each verse being delivered at a slow pace initially, then exploding to lightning-fast rhymes. Royce and Ortiz shine the most here, and are sure to surprise even their biggest fans with their deliveries. The aptly-titled “Lyrical Murder” is up next, as the foursome rhyme over menacing keys. It keeps the adrenaline racing, until “Microphone” takes it into overdrive. Alchemist ‘s [click to read] trademark sinister synth keys provide the perfect backdrop (with Budden claiming the best line of the song: “Say ‘His mouth always runnin’ off’/ I tell ’em ‘Bridge or a tunnel – give a fuck how I come across'” ). Fortunately, rather than beating the “murderous lyricist” shtick into the listener’s head, the significantly lighter “Not Tonight” provides a bit of a reprieve. Make no mistake, the song is still full of quotables, but the upbeat and soulful beat, courtesy of STREETRUNNER , gives the album a change of pace. Things continue to head in another direction, as the excellent “The One” takes the album into completely different territory. Featuring a nice Lenny Kravitz sample, the consistently-underrated DJ Khalil provides Slaughterhouse a Rock-fueled canvas for the guys to wax about sex, drugs and Rock-and-Roll. Rhymes Crooked I : “ I’m reckless with lead, Zepplin instead / Let’s get a keg, let’s split a mescaline and mess with your head / I’m sexin’ a lez and her best friend in bed/ I love these freak women, something in my denim need a kiss, call it Gene Simmons / They wanna ban me like Marilyn Manson / For all the whores in my Baltimore, Maryland mansion/ I’m the one who wants to spear Britney / Give Pink some black, put it near her kidneys / I’m the one who always cause an affair / So every time your bitch burp, you smell my balls in the air. ” Coupled with a catchy hook from The New Royales , it’s easily one of the album’s most memorable cuts. If Slaughterhouse stopped after track five, it’d be hailed as one of Hip Hop’s greatest EPs ever. Sadly, that’s not the case; beginning with an incredibly unfunny skit (there are actually three of them), the project takes all of its momentum and goes in reverse. “Cuckoo” [click to listen] isn’t deplorable, but certainly not up to par in terms of effort from the emcees. As baffling as it is disappointing, the crew decides to bring in Pharoahe Monch on “Salute,” – only to sing a hook – which is like hiring Dr. Dre not to produce, but merely to rap. Effectively, the middle third of Slaughterhouse is a significant drop in quality; fortunately, nearly everything after gets back to business as usual. “Pray” and “Rain Drops” are clearly Slaughterhouse ‘s most introspective tracks, with each rife with each members’ personal demons. Crooked ‘s verse on the latter, in particular, is something to behold. “Cut You Loose” is an interesting take on a Hip Hop tribute, where each member of Slaughterhouse describes their love-hate relationship with the culture over soulful production courtesy of Mr. Porter [click to read]. It’s unfortunate that the album’s closer is “Killaz,” since it really is comprised of nothing more than stale, unimaginative tough-guy talk (and a horrendous hook). Considering that most groups comprised of previously-established artists never amount to anything, the fact that Slaughterhouse is even out on shelves is a triumph. But rather than rest on their laurels and ride on the success (however limited) of their solo careers to get them through the album, it’s evident that Royce, Budden, Crooked and Joe rhyme like they’ve still got something to prove. Their formula hasn’t been perfected yet; but the talent, and (most importantly) the will are there, which is a promising indicator of things to come. T.Blake. Posts Tagged ‘Slaughterhouse Welcome to Our House zip’ Slaughterhouse – Welcome to Our House- Album Review and Download. Its been a long time since an album has been released where you can play every track, start to finish and be entirely satisfied with each song. This being said, I didn’t put Slaughterhouse’s new album, “Welcome to Our House” on my most anticipated August Release list for nothing. Sure we had 2 Chainz’s release, but it pales in comparison to the artistic mastery of “Welcome to our House.” For those of you who are unfamiliar, I’m giving the Wikipedia quick and dirty on the group. Slaughterhouse is a hip hop supergroup consisting of rappers Crooked I, Joe Budden, Joell Ortiz, and Royce da 5’9″. They are currently signed to Shady and Interscope. Oh, and they are dope. Alright so now that that’s out of the way let’s get into the music. The group as a whole has unparalleled lyricism, and the fact that Eminem has paired with the group only enhances their already incredible flow and content. The album starts off with “Our House” which contains a quick few bars from Shady before the crew gets into the track, setting the tone for the rest of the album. The album has a mix of content, from light songs with D12 flavor like “Throw That” to darker, horrorcore sounding “Asylum” Fans will even be pleased with the radio singles, as both “My Life” and “Park It Sideways” showcase the groups talent wonderfully. Love it or hate it the outro to the album says it all, Like the outro says, “regardless of our record sales, we made it this far doing it our way.” Fury In The Slaughterhouse – The Color Fury (2002) MCH SACD ISO + Hi-Res FLAC. Fury In The Slaughterhouse – The Color Fury (2002) PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 56:55 minutes | Scans included | 4,4 GB or FLAC 2.0 Stereo(converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,38 GB Features Stereo and Multichannel Surround Sound | Genre: Rock. Fury in the Slaughterhouse is a rock band from Hannover, Germany, founded in 1987 and disbanded in 2008, before reforming in 2013 and again in 2016. The Color Fury is the band’s ninth studio album. Fury in the Slaughterhouse is Germany’s equivalent of U2. While FITS is not stylistically similar to U2, they’re a big rock & roll band that commands the same respect in their native country that U2 does in Ireland. Fury in the Slaughterhouse is a hitmaker as well, topping compatriots the Scorpions as Germany’s most popular group and selling over 600,000 records by the early ’90s. Fury in the Slaughterhouse formed in a small backyard in Hanover, Germany, in 1987 by brothers Kai Uwe Wingenfelder (vocals) and Thorsten Wingenfelder (guitar, vocals). The siblings then added Rainer Schumann (drums), Christof Stein (guitar), and Hannes Schafer (bass). Fury in the Slaughterhouse’s self-titled debut LP was released on January 10, 1989; keyboardist Gero Drnek also joined the band that year. Fury in the Slaughterhouse immediately became veterans of the club circuit, gaining new converts that would eventually propel the group to superstar status. The band opened for acclaimed international talent like the Pogues and the Jesus & Mary Chain, creating foreign interest in their music. On February 15, 1994, Fury in the Slaughterhouse finally received exposure overseas as the group’s fourth album, Mono, was distributed in the U.S. by RCA Records. “Every Generation Got Its Own Disease,” a solemn statement about AIDS, was played on modern rock stations and MTV in America. Thanks to Thorsten’s ethereal, meditative riffs, Kai’s gruff vocals, and vividly bleak imagery (such as “Change the girls like underwear/Using bodies without care/The love has gone and what we’ve got/Is sweet perfume of sex and blood”), such a relatively mellow song was able to break the stranglehold of grunge on alternative radio. However, “When I’m Dead and Gone,” which had a video directed by Cyndi Lauper, wasn’t as widely accepted, and Mono vanished into the cutout bins. Nevertheless, the Furies continued to record albums in Germany. Tracklist: 01. Things Like This 02. Angels And Saints 03. Long Ride 04. Midnight Rider 05. Vincent And Victoria 06. I Feel Fine 07. Boomtown Babylon 08. Falling Apart 09. Can’t Remember 10. Shape Of Things To Come 11. Sunday Again 12. Grey November Day 13. Waterless 14. Fly, Sadness Fly [Bonus Track] Produced by Jens Krause & Fury In The Slaughterhouse. Engineered & Edited by Oliver Sroweleit. Recorded at Peppermint Park Studios, Hannover, Germany. Mastered by Chris Blair at Abbey Road Studios, London. 5.1 Mixes Mastered by Ronald Prent at Galaxy Studios, Belgium. NOTE: This SACD has two printed versions, of which one is a defective disc lacking (correct) multichannel TOC area information. This defective version cannot be correctly ripped and its multichannel tracks won’t play on certain SACD players like Oppo, Pioneer, Cambridge Audio, etc. PC players correctly played MCH layer from this ISO.